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IN WONDERFUL ALBANY, NY, USA

UPDATED:  Mon, May 12th, 2008 

JUST IN Section below - see links at bottom of page for 1000's more gear.  

NAVIGATING THIS SITE:  If you're not family with my site, it's simple, although not fancy:   (1) This page has gear that has come in the past few weeks; (2) Links at the bottom of this page take you to most of our gear, logically arranged by manufacturer or type, e.g. Fender, Gibson Effects, Parts, Amps, PRS, etc.  (3) Lastly, my "Semi-Just In" Page (click here), contains a lot of gear that hasn't made it back to the proper pages yet and is sort of in limbo until I move it.  It's not a fancy site but it remains unchanged since '98 and I firmly believe, "if it ain't broke - don't fix it."  All guitars and other gear have pictures.  Just click on any underlined text and it should open a picture; click the picture and it may expand the pic, depending on the resolution.  

NOTE:  Some of this page has been moved to the  "Semi-Just In" Page (click here), where it will remain until it gets moved to the regular pages (Fender, Effects, Pro-Sound, etc.), with links at the bottom of this page.

Line 6 "Boger" Spider Valve (all tube) HD100 Head, (back), (stock pic).  Line 6 never runs out of innovation and this latest all-tube model is perhaps their most upscale amp to date.  The Spider Valve is the result of a groundbreaking collaboration between Line 6 and Reinhold Bogner fusing the versatility of modeling with the performance and feel of a world-class tube amplifier.  Works very well on a dark stage with backlit LCD window and bright LED's illuminating channel select - Amp type - tap tempo - and effects type.   stops along the rotary dials.  A very brief overview of specs include:  100W Class AB tube amp through (2) 12AX7 preamp and (4) 6L6 power tubes; 12 dialed-in amp models (channel voices) that deliver a complete tonal range from shimmering clean to insane grind; 7 Smart Control FX (up to 3 simultaneous) including Tape Echo, Sweep Echo, Standard Delay (all with Tap Tempo), Chorus/Flanger, Phaser, Tremolo and Reverb; Built-in front panel tuner; 36 user programmable channels; 300+ artist created presets covering the greatest guitar tones of all time; POD XLR direct out for studio direct tone; Compatible with FBV2, FBV Express and FBV Shortboard foot controllers; Single and dual 1/4 inch speaker output jacks for connection to auxiliary cabinets (4, 8 or 16 ohms); 1/4 inch power amp input jack for POD amp and effect modelers.  For full specs, video's, etc., click here for Line 6's site.  If you're looking for a brand new Spider Valve HD100, here's one that's been removed from the box, played a few hours, and then sold to me.  With a list price of $1099, remarkable for a tube amp with these features, this "as new" one is a smoking deal at $599.  Ships in original box with manual and all documentation. 

2000 Fender Japan '62 Reissue Stratocaster, (front/back), (headstock).  Excellent quality Strat with factory Texas Specials (pic) finished in classic custom color, Shell Pink.  Features include mint pickguard with aged plastic parts, heavy tremolo block with stamped steel saddles (pic), just slightly chunky U-shaped maple neck with vintage tint and spaghetti logo, nickel Kluson style tuners, and alder body vintage routed for 3 single coil pickups and cloth-coated wiring throughout.  Japan has a huge line of reissue Strats and Teles, outfitted with Texas Specials, Vintage 57/62, Lace Sensors, etc., each with a different model number.  For instance, they make around a half-dozen '62 reissues.  Compare this with the Mex production which is a lone "60s Classic".  The Japan quality is undeniable and with a new Mex going for $699, this Fender Japan with Texas Specials is a better deal at $675 in exceptionally clean condition without a single scratch other than perhaps a few pickguard scratches.  Includes Fender deluxe gigbag.  

Shure SM58 - SM57 - Lot of 5 Mics - For decades the industry standard in vocal mics, the SM58 is noted for its clarity and presence peak - plus built for many years of heavy road use as these will attest.  Like the 58, the SM57 has also appeared on more stages and studios than any other instrument mic, as an industry standard for drum (snare and toms) and guitar cabinet sound reproduction.  The 57 is also an excellent vocal mic with past users including Billy Squier.  If you're looking to outfit your band or studio, get these 5 sound great and priced around what you'll pay for just 2 new ones.  $225 takes the lot.  

Shure SM57 - Ditto the description above, although this one's in clean shape.  New cost is $99 ($146 list).  This nice used one's just $65.  

Shure Beta 87.  "As new" condition and a world-class performance vocal mic.  The Beta 87 is a premium quality supercardioid hand-held electret condenser vocal mic.  Many of you think that Condensers aren't roadworthy but the Beta 87 is an exception and like most Shure products this mic will delivered night after night with years of live stage abuse.  It has an exceptionally smooth frequency response and high sound pressure level (SPL) capability which won't distort during screaming vocals.  Shure has recently released the "Beta 87A" with identical specs to the this mic but they've added a swivel adapter and thickened the handle on the 87A.  Being a condenser, this mic will only work with phantom powered mixers.  List price for the Beta 87 is $462 and selling new at discount for $249.  This one is flawless, basically new, and a sweet deal at just $165.     

2007 Gibson Les Paul Standard Plus 60's Neck, (front/back), (headstock) (inlays/aged binding), (case/etc.).  A real beauty with a AA flamed top that, to many players, is more desirable than the maple on steroids look of a Class 5 or Historic '59.  This one, finished in a transparent cranberry, has rather wide flame that goes up into the cutaway and as a Plus model, the factory includes--but doesn't install--the pickguard, so as to not obscure any of the figured wood.  This model features a tapered peghead, push-in-bushing, aged tuning keys, and nickel hardware.  A pair of BurstBucker Pro pickups deliver a tighter tone with more midrange.   In a nod toward the vintage look, Gibson doesn't include the truss rod cover with the bold "Standard" engraved upon it, opting for the vintage style plain cover with a removable sticker that indicates which neck profile the guitar has.  All the regular Les Paul specs including gloss lacquered Mahogany body with maple cap, chambered body - weighing in at just 7.6 lbs., maple neck with rosewood fretboard, and the usual dual volume and tone controls with 3-way selector.  This model lists at $3448 and this one is unplayed and perfect for just $1999.  

2006 PRS Singlecut SE with upgrades, (front/back), (headstock), (maple bound body).  This is *not* a USA model, just a pro logo job (looks factory) that should appeal to players who want a killer Singlecut, except with more cache' than an standard SE model.  It's just looks though, nor a fantastic setup that plays as good as most USA models, but the tone is definitely first rate thanks to a pickup upgrade (pickups) with a Custom Alnico 5 bridge and a '59 neck.  Also added is a push/pull tone pot for 6 great tone choices.  This guitar is exceptionally clean and the logo was painstakingly applied with multiple coats of lacquer, wet sanding in between, and buffed to a factory gloss.  Other specs include mahogany body with a maple cap and maple binding, wide-fat neck carve, PRS tuners, PRS stoptail bridge, set-neck with comfortable rounded heel, 25" scale.  With a stock Singlecut SE at $599, this one is guaranteed to be an exceptional player with a fantastic electronics upgraded - plus the looks of a USA - all for just $75 more than a stock new one.  $675 includes deluxe PRS gigbag.  

2005 Gretsch Electromagnetic Pro Jet with Bigsby G5235T, (front/back), (headstock).  another one of the excellent value Electromagnetic series and the best value in a set-neck Gretsch.  These are some of the best imports on the market, very well made and immaculately finished, and for one that has the vintage vibe of a old Gretsch Jet, it's an incredible value.   Features arched laminated maple top with mahogany body, set-in mahogany neck, dual TV Jones Designed Gretsch mini-humbuckers, Bigsby¨ Licensed B50 Vibrato Tailpiece, multi-ply bound body - bound neck - bound headstock, G Arrow knobs, neo-classic thumbnail inlays, knurled strap pins, anchored Adjusto-matic bridge, volume and tone controls, and vintage Kluson style tuners.  This guitar is insanely clean and appears to have been played for a week before going in the closet.  Sells new for $499 ($720 list).  This one is a killer player, and good enough for the part-time pro player at a beginner guitar price, , just $379.

1999 DeArmond M-75, (front/back), (headstock), (3/4 view).  One of the great affordable Guild products before they were recently discontinued by Fender.  Released in 1999 in the USA after being well received for the previous 2 years in Asia and Europe where it won numerous awards and "shootouts" by various guitar mag's.  The M-75 is my favorite of the Guild/DeArmond solid body line, due primarily to the DeArmond USA Goldtone humbuckers, made at Fender's facility in Corona CA.  They have more of the brightness and expressiveness of a single coil, except without the hum, and give this guitar professional tone at a fraction of the cost of USA models.  The M-75 was Guild's the import version of the Bluesbird and web legend has it that the quality was so good on these guitars, Guild had a hard time justifying the price on the USA Bluesbird, at over $2K.  While I would take that with a grain of salt.  Epi Les Pauls are excellent budget to Gibsons and it the $600 Epi Les Paul Custom doesn't seem to hurt the sales of the $3300 USA models.  I've also read that they were dropped as to not compete with Fender's Squier line of which there were some similar body styles.  My personal observation is that the Korean quality is evident in excellent craftsmanship and unless I had unlimited income, I couldn't justify a Bluesbird with this as a quite viable alternative.  DeArmond harp tailpiece.. Fit and finish is top notch and the setup is fantastic.   One of my favorite modern takes on older classics and extremely affordable at $399.  

2007 Gretsch G6121-1955 Chet Atkins Solid Body, (front/back), (headstock), (leather trim).  "As new" condition.  Now that Gretsch has the Chet Atkins name again they've revamped almost their entire line.  This Chet Atkins Solidbody is one of the new models.  Loaded with Gretsch Western vibe, from the iconic "G" brand, to the cactus and steer inlays, to the leather studded binding - everything you love about the original 6120 in a solid body form.  Features include semi-hollow mahogany body, arched laminated maple top, 1-piece mahogany neck, 22 fret rosewood fingerboard  with aged inlays of wide-block pearl cactus, steer heads & fences, 1-11/16" nut width, 24.6" scale, Western style tooled leather side-body trim accented with aged furniture tacks, "G" brand on body, inlaid aged pearloid steer head & Gretsch logo on headstock, 2 DynaSonic single coil pickups, 3-way toggle switch, 2 volume, 1 tone & master volume controls, arrow knobs, Bigsby B3GBVN tremolo tailpiece, Grover vintage style Sta-Tite tuners, Bigsby compensated bridge, and gold hardware.  Sells on line for $2500 ($3575 list) but this one is flawless, new in the box condition with a killer setup for just $1950.  Includes vintage style Gretsch case, also with western trim, with velvet lining and Gretsch banner inside, as certificate, tags, manuals, etc.  

1980 Gibson Les Paul Standard, (front/back), (headstock), (cavity/pu).  For an older geezer like me, who was in my 20's when this guitar was built, it's hard to believe that it's officially vintage.  Yep, 1980 was 28 years ago which makes me realize how fast time has flown by.  With more and more of my customers buying with future value in mind, whether it's their primary or secondary consideration, I just want to point out the obvious and in the case of late 70's/early 80's Gibsons, there is remarkable growth potential.  When you can get a nice and original vintage Gibson at around the same prices as a comparable new model that's a vintage bargain; there's a lot of room for growth.  A guitar like this is selling almost at utility value, i.e. a used Les Paul Standard with minimal charge for its vintage value.  It's comparable to, for instance, '79 Strats in the late 90's.  I sold scads of them for $650-$699, around the cost of a new Strat at the time.  The same guitars were selling for 2X the price 5 years later; 3X that price today, just 10 years later.  Okay, enough of my opinion of the "401G" investment portfolio.  This guitar is all original and in a somewhat rare natural finish.  Other than Schaller strap pins, all original, with patent engraved pickups and all pots dated early 1980.  Other features include one-piece mahogany body with thick maple cap, 3-pc maple neck with rosewood fretboard, very small volute (see headstock pic), nickel Gibson/Schaller tuners, trapezoid fretboard inlays, Schaller Tuneomatic bridge, and gold speed knobs.  Overall condition is excellent - finish has a high gloss luster all over, front has a number of miniscule finish impressions in the clear coat only, back has only one small area of buckle wear around the selector switch plate, frets are excellent, fretboard is in nice shape, and most importantly, an excellent setup with low action and a rather thin neck.  With a new plain color Standard now over $2300, which will be worth $1500 if you sell it a week later - for less money you can get a 28-year old one in nice shape that's all but guaranteed to go up every year.  Just $2099 for this one.  Includes Gibson brown case with pink lining.  

1999 Fender 50's Classic Strat with '54's, (front/back), (headstock).  2-tone sunburst ash.  Your basic 50's reissue, in its own right a beautiful and well made import, made even better with this great pro upgrade - Custom Shop '54 pickups (picture).  These guitars have all the vibe, including a very thin and tone- friendly lacquer finish, as the USA Vintage series, at less than 1/2 the cost.  The feel of the V-shaped neck feels about the same, the 2-tone sunburst finish is immaculate, and the fretwork is remarkably nice.  The only thing that keeps these guitars from being pro-line gear is perhaps the electronics but this one with the upgraded '54's, with CTS Pots and switch, solves that problem and it's definitely a nice enough guitar for a pro gig.  A new 50's Classic with gigbag will run you $699.  For less money you can get this 2-tone Ash beauty with custom shop '54's - set up to perfection -  including a nice Fender hardshell case.  Just $689(HOLD-Peter S 5/12).

1991 Ibanez RG-570, (pic2) (pic3).  Jewel Blue - another killer shred guitar extremely well crafted in Japan.  The 570 features the same specs as the 550, with the 550 being the model with a pickguard rather than the sleeker look of the 570.  Features Basswood body, one-piece maple neck, Edge tremolo, IBZ USA pickups with V1-S1-V2, and a nice beveled area around the cutaway which makes playing up high a breeze.  Extremely thin and wide neck - shredder's delight - made for tapping, sweeping arpeggios, and very fast play.  Overall good shape for a used guitar - finish has a nice shine and looks good from the front, a few finish chips touched up around the edge, tarnished bridge and knobs.  Don't buy if you're looking for a near mint guitar but for a player, there's few better.  A very expensive guitar, with a list price of $819 way back in the early 90's and a very good value today in a pro quality Ibanez at $399.   

Warmoth Strat - Limba with Solid Rosewood Neck, (close-up), (headstock/neck), (back/contour/neck kit), (Duncan//Kahler Pro).   All exotic woods on this stunning Warmoth Strat, built with all new parts by Martin for a local customer with an eye toward simplify and sheer beauty.  The body is solid Black Limba and one of the nicest ones I've seen with stunning diagonal flame over every inch - no "weak" or "bald" spots anywhere. Black Limba is known by another name; Korina, which has two varieties - the light Korina used on Gibsons, and the darker variety such as this one.  This body is nicely rounded on all the edges for the utmost comfort, with the neck pocket slanted to be thin on the treble side, plus the treble cutaway is deeply contoured to make upper access much easier than on a vintage style body.  With a body like this you need an equally fine neck and this one doesn't disappoint - solid Indian Rosewood with an Ebony fretboard and stainless steel medium frets, outfitted with quality hardware including locking Planet Waves tuners and a great Earvana nut that's compensated, silky smooth, and allows the strings to glide without hanging up.  With the Kahler Pro and Earvana, you get a trem system that stays in tune extremely well without the headache of a locking nut.  Also features a Warmoth logo on the front and back of the headstock; inquire if you'd like a vintage Charvel or other logo installed.  The pickup is a Custom Shop Seymour Duncan which the customer waited 6 months for.  I'm not sure of the exact specs but cosmetically it loosely resembles an Invader, with two rows of hex poles, although they're recessed.  Output isn't as hot as an Invader and it's a very smooth sounding pickup that's closer to a PAF than anything.  "New Model" Kahler Pro (2300 series), which features many refinements from the original Pro, including lighter design, smoother lines, steel rollers, and an improved design that allows for a shallower neck angle.  Oddly enough, this body was factory routed for a Floyd but before the guitar was assembled there was a change of heart and he went with the Kahler Pro.  We can install a back cover if desired, at no cost.  One final nice touch is the neck attachment which utilizes machine screws and metal inserts in the neck, as used on Jay Montrose's neck kit.  For solid dark Korina with a solid Rosewood neck, this guitar is remarkably lightweight - just 7.6 lbs!  If you add up the price of these parts, it's going to be way over $1K - or around $1500 with professional assembly.  This guitar was sold to me with almost no playing time after its completion and is in immaculate condition.  Needless to say the setup is exceptional and while it's wasn't designed with versatility in mind, it's a great sounding guitar that can be used for many styles of music with your amp's controls.  This is one unique guitar and a real head-turner, especially for anyone who appreciates exotic woods.  A super buy at $850.  Includes new wood/brown tolex hardshell case (shown here), and if you'll remind me, will include a freebie strap with Schaller strap locks installed. 

Earvana Nuts.  Instantly improves the intonation of any guitar and we're getting more and more requests to install them on guitars before we ship out.  Martin is very big on these so that says a lot to me.  If you want one installed before we ship your guitar, let us know, just $39/total, parts and labor, for most guitars.  For details, click here.  

1996 Fender Tex-Mex Stratocaster w/Upgrades, (front/back), (headstock).  A really nice Strat with a few tasteful mods, in probably the most popular colors, Vintage White.  Features and upgrades (picture) include Seymour Duncan Hot Rails bridge pickup, Sperzel locking tuners, and stock vintage bridge with heavy trem block and stamped steel saddles.  The Duncan alone adds a lot to this guitar, with the fatness and low noise of a humbuckers, while still retaining much of the Strat tone - plus in position 4 (single coil bridge/middle combined), it sounds virtually identical to a stock Strat with 3 single coils.  The Sperzel locking tuners are far superior to the Kluson copies and keep the guitar in much better tune.  The tuners didn't require any modification although small holes are visible, mostly above the top tuner (as shown).  We can plug and lacquer over at a modest cost but it's barely noticeable and doesn't affect anything.  Overall exceptionally clean with the body near immaculate and just very moderate wear to the neck - overall a very nice 9+ condition.  With over $200 worth of upgrades (including case), this is a nice deal on Strat that's good enough for pro gigs - just $549 with Fender case; $489(HOLD-Derick 5/12) without.   

ca. 1978 Boss DM-1 Delay Machine, (bottom).  One of the rarest Boss effects of all time and their first-ever floor effect delay.  You'll notice a cosmetic similarity to the CE-1 Chorus Ensemble, but where the CE-1 was in production for around 8 years, the DM-1 was only produced from Jan '78 to Oct '79 which explains its rarity.  When the DM-1 came out, Roland had already established a name for delays with the Space Echo series but where they were large consoles, the DM-1 was a stomp box and, more importantly, instead of a tape machine, the DM was a stereo analog floor effect.  Also, in squeezing out just a little more delay time, the DM-1 used a CCD ("Charge Coupled Device" - an imagining component used today in digital cameras) instead of the BBD (aka "Bucket Brigade") delay element. Tonally, this unit is very warm sounding, as you would expect with most analog delays, with around 300ms of delay time which can be tweaked for multiple short repeats for a reverb-type tone, a nice clean slap back echo, or longer sound-on-sound delay.  Controls are Delay Time, Intensity (number of repeats), and Balance (degree of delayed signal vs. straight signal).  Two indicator LED's for effect turned on - and effect engaged.  Also features 3 input levels to accept guitars or line level PA, plus stereo outputs where one side is straight unaffected signal and other is the delayed signal.  All original and for its age, in fairy decent shape.  Performance is perfect with no glitches and built like a tank for many more decades of use.  This is the first one of these I've ever had--first one I've ever SEEN--and considering it's rarity it's possibly the only one I'll ever have.  You can have it - for $350.  

Maxon Roto 1 Phase, (pic2).  Model 863 from ca. '76 and an excellent sounding Phaser.  As far as controls, it can't get any simpler - step on the switch to turn it on and then rotate knob until desired sweep rate is achieved.  When you're finished with the phase sound and want a straight guitar, step on the switch again and it turns off the effect.  Wonderfully simple, like an MXR Phase 90.  I like the sound of this one better than the MXR units but it's a matter of taste and I think the two are similar if you go inside and mess with the internal pots.  This is a very rare effect, so you Maxon/Ibanez collectors might want to add it to your vintage collection.  Nice deal on a very rare and cool sounding phaser at $175.  

1970's Atlas Boom Stand #1, From Atlas Sound, Bklyn NY.  You old-school rockers will remember these - they weigh a lot and last forever.  This one uses flat wing nuts to tighten the moving parts, except for the hand-twist clutch, so you should carry pliers unless you have steel fingers.  Fair cosmetics but works perfectly and will last another 35 years.  $29. 

1970's Atlas Boom Stand #2, Same era as the stand above but uses a different style weight and an integrated boom angle/length adjustment with a triangular fly-wheel, easily adjusted by hand.  Fair cosmetics but works perfectly and will last another 35 years.  $29.

1985 Kramer Pacer Imperial, (front/back), (headstock), (case).  Great playing USA made Pacer - pre "American" series so it's not an ESP-made Japanese/American.  Typically hefty weight for this era - might be a maple body but I really think the extra mass equals tone on these old Kramers.  For whatever reason, the lighter ones I've had just didn't have the tone.  Desirable banana headstock with the thin band of brown stain found on around half of them from this era, Schaller tuners and strap pins, Duncan pickups (should be Alnico Pro's as I recall), non-recessed Floyd Rose tremolo with screw in bar and R3 locking nut.  Controls are Vol-Vol-Tone with a mini-toggle 3-way pickup selector.  Includes original "deep" Kramer case that's missing the handle.  Overall nice shape with just some light wear and typical discoloration on the Floyd. This is an excellent playing Kramer, made before their quality control went down the dumper, and $100's less than it cost 23 years ago at $675(Tent. Hold - Tony 5/8).  

1997 Fender James Burton Standard Telecaster, (front/back), (headstock).  This is a killer player - top-notch electronics - "as new" condition with plastic still on the pickguard.  The Burton Standard is based on a 50's Tele, although with modern refinements such as a 6-saddle bridge and modern 9.5" radius with frets that are taller than the small vintage style.  What really sets it apart are the electronics with great sounding Texas Special Tele vintage pickups with cloth-braided wires and braided bridge pickup, and quality CTS pots and switch.  Other features include poplar body, single-ply pickguard, vintage tuners (nickel), strings-thru-body, and one-piece maple neck.  If you want a Tele with low action, this is the one.  Great feeling neck with a 50's U-shape, almost like a very soft-V in that it has very little shoulder, but is well rounded.  Strings are cut low at the nut and action stays low all the way to the top fret.  Nice medium weight, not too heavy, and an excellent sounding Tele.  Current list price on the Burton Tele is $999, selling at discount for $699, and they only come in Candy Apple Red now.  This one in Vintage White, could be sold as new and, again, is one of the best players you'll find - at just $579.  Includes Fender deluxe gigbag and paperwork - or substitute a new Fender hardshell case for $59.  

2007 Fender Artist Series Eric Johnson Stratocaster, (front/back), (headstock/neck).  Hey collectors - if you snoozed during the first few months of release of the EJ Strat, here's another chance to get a low number.  Best of all, it's unplayed and could be sold as new - plus a cool color, Candy Apple Red.  Eric is notorious for his painstaking attention to detail with his tone and development of his signature model was, similarly, slow and exact.  The guitar was in R&D for years.  One example is the pickups, where 19 prototypes were evaluated before Eric was satisfied.  Specs of this model include Nitro finish over '57 2-piece Alder body, body cavities exact to '57 specs, one-piece quaratersawn maple neck with vintage tint that's one of the chunkiest in the Fender line up, thinner vintage style headstock, flat 12" fretboard radius with larger American Series frets, thin neck cap, bone nut, master volume - neck tone - bridge tone controls, vintage trem with silver painted block, '57 style string recess, factory no back cover.  Accessories include vintage style G&G/Fender white case, vintage strap, ash tray, polishing cloth, tags, manuals, etc.  A new EJ is running $1749 ($2499 list) but this one is "as new" with plastic still on the pickguard and apparently never used - for just $1350.  Note:  If you want a first year model, with a serial under 300, I have a Candy Red one, also "as new", on my Fender page for slightly more.  

2006 Fender FSR American Series Telecaster HH QMT, (front/back), (headstock), (case/acc.).  Stunning quilted maple top on this Factory Special Run (FSR) Tele.  Specs are basically the same as the '06 American Series with the exception of the quilted top, no pickguard, and a pair of very high output Fender Enforcer humbuckers.  Electronics are you basic 3-way selector, with master volume and master tone.  Depending on your playing style this guitar still has some of that Tele twang (as seen in this video clip demo, click here) but with two hot humbuckers, it's probably better suited for fat rock or blues tones.  Fantastic setup with low action and you can bend easily bend up 3 1/2 steps with no fretting out.  This guitar is immaculate and could be sold as new, but this rare and beautiful Tele is priced less than a new "regular" USA Tele at just $850.  Includes case, strap, cable, tools, and all the paperwork. 

1990 Fender American Standard "Fat" Stratocaster,  (front/back), (headstock).  As most of you know, I've certainly mentioned it many times, the serial numbers for 1990 USA Fenders are nearly all "N9" rather than "N0" which is what they should have been. This anomaly will eternally be identified with an asterisk in dating Fender guitars.  Anyhow, such is this 1990 Strat in one of the popular late 80's, early 90's finishes, Pewter.  The main defining aspect of this guitar are the pickups (and switching), to Strat Plus/Ultra electronics, shown here.  Pickups have all been upgraded to Fender Lace Sensors, with a double Gold in the bridge with a blue in the neck and a silver in the middle, controlled by a 5-way plus a mini toggle for the bridge for a choice of humbucker or single coil tones.   Laces are some of my favorite Strat pickups of all time and were the choice on all higher end Strats from around '88 through the mid 90's.  They retain a vintage tone but have very little hum and being non-magnetic, there is no string pull to kill your sustain.  Overall pretty nice shape, at least from the front and back, but there are a few finish chips on the edge (shown here) which aren't nearly as noticeable in person.  20 years old in two years but still utility priced at $679 with a nice setup and quality tone.  If you want the electronics restored to stock, we can put on an old white Fender pickguard and stock pickups at no charge; or I probably have a black back plate that matches the pickguard.  Includes Fender case.  

1994 Fender U.S. Stratocaster Plus, (pic2), (pic3).   A real beauty in rare Blue Frost finish.  Two of the coolest finishes Fender offered around 15 years ago were this Blue Frost and a similar one in red, Red Frost, both featuring a lighter area with metal flake around the edge of the body, getting darker with non-metallic paint as you go toward the center.  It really makes for a striking look.  A few very tasteful upgrades, done it a way that doesn't detract from the original look at all, and features all the "Plus" features (pic here), including a trio of gold Lace Sensors (same pickups used on the Clapton Signature Edition from this era), locking tuners, LSR roller nut, and Schaller strap locks.  We sold a ton of these back in my retail days.  The Lace Sensors were non-magnetic and without the magnetic string pull the strings vibrate longer plus they're designed for zero-hum and most folks considered them a major improvement over the stock single coils.  The locking tuners and LSR nut were just icing on the cake, of interest to players who used the tremolo and when adjusted properly, it stays in tune extremely well.  This guitar has a few tasteful mods, including all brand new Laces Sensors (pic here)  installed by TFN Technologies - plus TFN's own "Ultimod" rotary switch (link here), which replaces the middle knob, and yields every conceivable pickup setting imaginable, around 15 in total.  Very nice set-up, excellent tone, and exceptionally clean with no major flaws or wear anywhere on this guitar.  Includes original case.  A Frost Blue is always a good find for a collector, but with this TFN mod, it's really something that any player should fall in love with.  Just a beautiful guitar for around what you'll pay for a new American Series at $899(HOLD-Nick P 5/6). 

1998 Gibson CL-45 Artist Cutaway, (front/back), (headstock).  A real stunner in all regards!  Fairly rare model, only made from '97-'98 due, I'm sure in large part to the hefty price tag - plus, and this is just my opinion - guitarists are very traditional in their thinking and they've never been very receptive to a Gibson flattop with a cutaway.  Topping out near the top of the price list, the CL-45 was made of top quality tonewoods, all solid, with Sitka Spruce top with Indian Rosewood back and sides, Mahogany neck, with an Ebony fretboard and bridge.  Other features include Abalone soundhole rosette, multi-ply soundboard binding, Rosewood headstock veneer with mother of pearl logo and abalone angel inlay, moustache Ebony bridge, abalone dot bridge pins, gold Grover tuners, batwing shaped tortoise pickguard, 1 23/32" nut width, 16" lower bout, 11 7/16" upper bout, Ebony fingerboard with "angel wing" position markers, and factory installed transducer pickup with active Matrix Pre-amp.  This guitar is extremely clean and has been well taken care of since new.  The action is surprisingly low for a Gibson and the tone is quite sublime with a rich, well balanced sound, with minimal compression with heavy strumming, a nice articulation for finger playing.  The Matrix preamp does a good job of reproducing the acoustic tone but I have several outboard preamps if you'd like additional control before it gets to your amp.  For a few reviews, click here for Harmony-Central, where this model received "10's" all the way down the line.  Very nice original case has dark blue crushed velvet lining and original paperwork.  The CL-34 Artist had a list price of $2799, which was a hefty list in 1998.  This one's in beautiful shape and a super nice Gibson acoustic for just $1350.  

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Masco C-6 Amp w/Cabinet, (Amp), (back), (speaker).  A killer sounding little amp and one of the best tweed tones I've heard.  Very musical sounding and easily compares to Victoria, etc. boutique amps but it's actually a vintage amp that was originally designed for PA but has been professionally gone over and "voiced" for guitar.  These vintage trannies are in perfect shape and probably worth the price of the whole setup.  Features 6V6GT power tube that puts out around 12 watts, with a 6X5GT rectifier, and a 12AX7 preamp - just a very simple circuit.  The amp sounds very clean with a good amount of sparkle to around 5, starts to break up before 6.  Cranked above 6, the saturation increases, very evenly, at ever 1/2 step along the way, i.e. you can hear more drive at 7.5 than at 7.  At around 8 it sounds like a totally pegged Fender Tweed but keep turning it up and it breaks up even more - all with a very musical sound; a very smooth distortion.  Speaker is a '63 Jensen C8R that sounds great, housed in an unknown open back cabinet - seems to be a nice match for the amp.  This setup is near immaculate condition and would be a great addition for studio work when you want the tone and feel of an amp running at full power, at a sound level that's manageable.  Just a sweet sounding, cool looking vintage setup for $499(HOLD-Robert B RN) *with* a tone guarantee - if you don't think it sounds incredible, send it back for refund.  Note:  NOS Tung-Sol 6V6GT (Feb, 1944) available for $29.   

Carvin LB70 Neck-thru Flametop, (front/back), (headstock/neck).  Typically great playing, great sounding Carvin which remains the best value on the market for USA basses, each one is essentially a custom shop piece.  This one features a beautiful flamed maple top with matching flamed headstock, plus top notch hardware including Wilkinson bridge (pic) and Sperzel locking tuners.  The finish is a beautiful color, very close to PRS's Mateo Blue, which really highlights the figuring of the maple top.  Received a rave review from Bass Player mag (click here).  Includes Carvin tweed case that isn't as clean as the bass.  Very nice setup, excellent tone, killer looks, all for $599(HOLD-JCG 5/1).  

Warmoth 1984 Kramer Baretta Neck, (pic2), never used but it did have tuners installed and removed, currently drilled for Sperzels.  Customer paid $275 for this neck PLUS $75 more for pro satin finish.  After sinking all this money into it, he changed his mind and went with another neck.  His loss = your gain.  Just $175 for this really nice neck.  We can also install vintage logo for $50 parts/lab - or $65 or new tuners, Sperzels or period correct NOS Schaller.  

Marshall JCM800 Model 1982A 4X12 Cab, (back).  Fairly rare cabinet which was a high-power version of the 1960A, made expressly for the higher powered (250W) Model 2000 (guitar) or Model 2001 (bass heads).  When these rare heads were produced in 1981 at the start of the 800-series, Marshall didn't have a cab that could handle the output and thus the 1982A/B, rated at 400W, was introduced around '82 to handle the power.  Although you don't see many of these on this side of the pond, they were actually in catalogs from '82 to '87.  From what I've read, original speakers for this cabinet would have likely been G12H-100 Celestions.  This one is loaded with G12M-70 Celestions which are more noted for being stock in the 1960A/B cabinets early to mid 1980's.  This, combined with the fact that these speakers will only handle 280W, makes me fairly sure that they're not original to this cabinet.  As you can see, this cab has been roaded a bit and the covering in back has been torn.  We can recover the back if desired for around $70 parts & /labor, or less if you just want the center "slice" re-covered.  Originality aside, this is a pretty rare cab compared to the common 1960A and, especially if you're into hard rock, these G12M-70's are good sounding speakers.  All considered, a pretty nice deal at $599.  If you ever come across a 2000/2001 head, you've got a rare bird.  The new cost on these was 2X the cost of a 100W head and  because of this--plus the fact that they're simply too loud for anything other than a stadium tour--very few were produced.  

1979 Gibson 25/50 Anniversary Les Paul, (front/back), (front/back), (headstock/neck).  BEAUTIFUL condition - fairly rare model, only shipped for 2 years and loosely based on a Les Paul Custom.  As displayed on the headstock inlay, "25/50 Les Paul", this model marked the 25th anniversary of the Les Paul, and Les Paul, the man's, 50th year in music.  As a "golden" and "silver" anniversary guitar, the hardware is a mix of chrome and gold plated, i.e. Silver and Gold.  As you can see in the headstock pic, this guitar was a factory second.  Seconds were always for cosmetic reasons, and some very smart people have expressed opinion that the whole second thing was a scam by the factory, used to move more product or as a tax write-off.  Regardless, when a guitar is almost 30 years old, if there was a flaw it's impossible to determine what it was since there are virtually zero actual mint examples on the planet.  Total production on this model was 3,411 guitars; this one is 2765.  A very distinctive Les Paul for many reasons, including the unique and intricate pearl and abalone "25/50" headstock inlay design, creative use of silver and gold hardware combinations (e.g., the tuners are gold with silver buttons), abalone side dot marker inlays, figured maple top, five piece flamed maple neck, split block parallelogram inlays (one of only two Les Paul production models to sport these inlays), large control cavity, gold truss rod cover inscribed with "Les Paul Anniversary", brass nut, and a coil tap mini-switch for a selection of single coil - or humbucker tones.  Other features include multi-ply binding on the front and back of the body and the front of the headstock, Nashville bridge with TP-6 fine tuning tailpiece, black speed knobs, Schaller style "Gibson" tuners, and Series VII pickups, which are noted or having the bottoms potted in a thick rubber type material to eliminate squeal or extraneous vibration noise.  Like all of this series, this is a fairly hefty Les Paul, not recommended for the weak of back.  All original other than Schaller locking strap pins - original solder joints (cavity), with all pots dated mid-'78.  This guitar is in extremely clean condition with no finish checking, gold is exceptionally clean with very little plating rubbed off and not pitted, binding is in extremely clean shape, frets are near immaculate as is the ebony fretboard.  If you're looking for a killer playing Les Paul with at least as much cache' as a Custom, this one is 30 years old next year, and priced less than a new Custom at just $3200.   Includes original Gibson Protector (first version) case with all latches/hinges totally intact (pic here).  

1991 G&L Asat Classic - Leo Signature, (front/back), (headstock).  Beautiful older G&L in Cherry Sunburst with a lightweight swamp ash body, weighing in at a scant 7 lbs. on the nose.  I couldn't find a seam anywhere on this body but after a few minutes, Martin found it but remarked what an exceptional match it was.  Early features (pic) include Leo signature on upper horn, early model Leo bridge plate, white metal pickguard, and short stubby knobs; nicely figured rosewood board.  This guitar represents the evolution of Leo's Telecaster and Leo-era G&L's are becoming more highly prized as the years go by.   Exceptionally clean condition with just a minor finish dimple on the clear coat on top, no buckle scratches or other wear and even the metal pickguard barely is scratches.  This guitar has obviously been very well taken care of since new and is a fantastic older Asat for just $1099.  Includes original Fender-style Tolex case with leather ends and white piping.  

2005 Taylor Doyle Dykes 10th Anniversary Edition DDAE, (front/back), (headstock), (label, etc).  "As new", unplayed condition and a wonderful finger-style acoustic in the name of one of the best finger-style players of our time, Doyle Dykes.  Signature model for one of the best finger-style guitarists of our time.  The DDAE marks the 10th Anniversary with Doyle's association with Taylor and comes in a special color, Brown Sugar.  Like the regular Dykes signature model, the DDAE is a Grand Auditorium size with a slightly shorter scale, 24 7/8", better suited for finger-style playing.  The Anniversary model came in both Fishman and Expression System (ES) amplification systems; this one has the ES.  This color was very hard to photograph without flash and although you can't see it in the pic above, with a flash you can see the wonderfully figured 3-piece back (shown here) made of solid, big leaf maple.  Likewise, the sides are figured maple, while the top is a matching finish, over Sitka Spruce.  The neck is hard rock maple with an Ebony fretboard.   Whether you're a collector, or a finger style player looking for one of the ultimate working guitars, you can't go wrong with this one.  List on new was $3998 but this one is in untouched condition, with the heavy Taylor luggage case, tags, manuals, and unsigned warranty for just $2299.

SWR Bassic Black Combo, (top panel), (side), (back).  Huge sounding bass combo, thanks in part to its ported, deep cabinet with 15" SWR Driver with horn - sounds much bigger than its 120W rating (160 at 4 ohms) - and highly recommended for anyone looking for a big bottom tone in a 50 lb. package.  This was SWR's most popular bass combo during its run from 1992 until 1999 and won Bass Player's award for bass combo's under $1000.  Features Include: Hi and low sensitivity inputs, Gain control with LED peak clipping indicator, Balanced XLR Output , Side Chain Effects Loop, Bass Control, Midrange Control, Treble Control, Aural Enhancer Control, Master Volume Control, Tuner Send, Effects Blend Control, Stereo Headphone jack, Power amp clip LED, 1/4" Extension speaker output jack, spring-loaded handles, and Rear Ported cabinet.  For all the features/manual, click here for SWR's site.  This amp sold new for around $719 ($999 list) but this used one sound great and is a nice deal at 1/2 price - just $350.  

Line 6 Bass POD XT Pro, (pic2), (back).  Latest and greatest for bass tones, whether live or especially in the studio.  Line 6's Bass POD revolutionized sound reproduction for bass many years ago with the introduction of the original "kidney bean" model.  The Pro took it to the rack - the XT took it to USB for PC/Mac computer recording - plus loads more of everything you need.  Briefly, features include 28 amp models, 22 cab models, and more than 50 stompbox and studio effects, dedicated compressor and 6-band semi-parametric EQ. Versatile connections include 1/4" and XLR stereo outs, AES/EBU and S/PDIF digital I/O, effects loop, and analog re-amping in and out. Features biamp mode with selectable crossover and ability to mix direct signal with modeled output. Also 4 mic models, A.I.R. cab/speaker/mic emulation, MIDI, chromatic tuner, 64 channel memories, and USB digital I/O for Mac and PC recording.  Way too much to list here but if you want all the skinny, for complete specs, sound clips, forums, etc., click here for Line 6.  These sell new for $699 ($979 List) but this one is brand new with a few hours use and "as new" in the original box with manual, USB, and cable, for just $499.  

1992 Fender '62 Telecaster Custom w/Bardens & Vintique, (front/back), (3/4 view),  (headstock).   The most expensive Made in Japan Tele I've ever had, but also one of the best values when you look at the options which include a pair of 90's Joe Barden T-Style "Danny Gatton" pickups, and Jay Montrose "Vintique" hardware, designed by Jay and Danny.  No body is going to sink this much cash into a mediocre guitar and this is indeed an exceptionally nice playing, and sounding Tele which started out its life as a 1992 '62 Reissue Tele Custom, with bound Alder body and vintage radius neck.  A little later in life it underwent a complete transformation.  This guitar has the Vintique Neck Kit (link) which was designed both for practical and tonal reasons as it contributes to increased sustain.  As a practical use, Danny used to take his guitar on flights with him for stowage in the overhead, this kit was designed to eliminate wood fatigue from constantly reinstalling the wood screws.  In place of wood screws, this ingenious attachment uses inserts in the neck, held in place via machine screws instead of wood screws.  As shown in this pic, the neck kit was installed by Jay on 3-3-98; pic also shows neck stamp of TLC-62 for Tele Custom while the body stamp is TL-JD since the same bodies were used for '62 Tele Customs, and the Jerry Donahue Tele, which was based on a 60's Tele Custom.   At the time of the neck kit installation, most of the hardware was changed over to Vintique (link here), which is expensive but it is built with performance and longevity in mind.  Included along with the neck kit, other Vintique parts include stainless bridge with compensated brass saddles (pic), knobs, neck plate, and control assembly (pic).   The cost for these parts is $635, not including labor.  A pair of original 90's Barden Danny Gatton T-style will set you back $350 or more for a set.  With upgrades costing almost $1000, this is a smoking deal for the connoisseur at $1250.  When you factor in the labor it would cost for all this, it's like getting the Tele for free!  Includes a nice Fender case.  

1995 Fender 90's Telecaster Custom, (front/back), (headstock).  It's may seem like a contradiction to mention classy and Tele in the same sentence.  The Tele has traditionally been a utility guitar, workhorse of the Fender line, with none of the sexiness of a Strat.  The 90's Tele Custom is a departure and some of the classiest Tele's ever produced.  Made in Japan in the mid-90's, the 90's Tele Custom came in 2 finishes - black with double white pearl binding, or white with black pearl binding, both featured matching headstock with raised gold logo.  Combine this with gold hardware and pearloid pickguard and you've got one stunning looking Tele.  Beneath it all though, it's got the Tele twang that you know and love.  Features include double-bound basswood body, oval shaped maple neck with rosewood fretboard and vintage 7.25" radius, two vintage style Tele pickups, 6-saddle AmStd type bridge, and strings through body.  This guitar is in exceptionally clean condition with the only noteworthy flaw being wear to the gold plating, which rubs off easily if a strong metal polish is used.  The set up is excellent and the tone is classic Tele quack.  These older "made" in Japan models have become very highly regarded, more so than the recent "crafted" in Japan models but it's still very affordable and priced the same as a new Mex 60's Classic at just $699.  Includes gigbag. 

2000 Gibson Faded SG Special, (front/back), (headstock/neck).  In "Worn Brown", which has the look and feel of a vintage SG in Gibson's old "Walnut" finish.  The Faded SG is the best value in a USA Gibson SG and many would say this thin faded finish makes for a better guitar from a tone point of view.  The thin satin finish allows the guitar to resonate better, for increased sustain and a more pure voice - plus it gives the guitar a cozy, broken in feel that most players will appreciate.  Finish aside, it's very much a traditional SG, with all solid mahogany construction including body and neck (this neck even has some moderate flame), tune-o-matic bridge/stopbar tailpiece, and Alnico 490R and 490T humbuckers, controlled by dual volume and tone controls with 3-way selector.  Lightweight and fun to play, these sell new discounted to $699 but this one's in overall nice shape with just some light buckle scratches, with a great setup, for just $539(HOLD-A.M.) with gigbag - or substitute a new Canadian TKL Tolex case for $599.  

2007 Gibson Melody Maker Dual Pickup, (front/back), (headstock).  One of the cooler reissues from Gibson and like the originals, priced like a student model and at $582 list, this is definitely the cheapest guitar in the Gibson USA line.  They could have done these as part of the Historic series but opted instead to make them affordable, just as they were 45 years ago.  The vibe is very much the same as the originals with the same sunburst finish, same 1-pc wraparound tailpiece, same wacky pickguard that surrounds the pickups and emblazoned with the same "Melody Maker" screened writing, same feather weight (this one's 5.8 lbs.!), same single coil pickups that combined with the all-mahogany construction give this guitar a voice of its own - even the packaging has a vintage vibe and it comes in a vintage-style box (shown here), where you can see the guitar body through a window in the front.  The original Melody Makers came in short or long-scale but the new models only come in the full scale, Gibson's normal 24 3/4".  One departure on this model is the finish, which is the thin "faded" style instead of the original Nitro but for a $582 List price, it's and understandable sacrifice.  Barely used and offered in 9.9 condition with a killer setup.  Even if you don't use it on every song (but there have been pro players who have used MM's as their primary axe), it's a cool guitar to pull out when you want it's distinctive tone and appearance.  An incredible value at $325.  

1995 Adamas 1581-5, (front/back), (headstock/fretboard), (front detail).  I've had dozens of higher end Ovations, including collector's series from a dozen or so years, but Adamas are the cream of the crop, so much in a class by themselves that they don't even share the Ovation name.  Adamas are guitars of the stars and while it may appear that they're playing Ovations, Adamas is the choice of most.  Being the first Adamas I've had I wasn't familiar with all the info on the label but thanks to Ernie, I now know that the "5" following the model is the color, in this case 5=black while the "87" refers to this guitar's fundamental frequency, in this case 87 Hz.  Serial numbers on the back of the headstock are consecutive and this one indicates 1995 production.  Features include a top comprised of two layers of carbon fiber, sandwiched around a layer of walnut, deep bowl cutaway body with Adamas Quintad bracing, suspended top with an ornate Adamas ring around the top's perimeter, original Adamas II epaulettes (sound holes) which have become the signature look on many Ovation models, Walnut bridge, 5-piece Mahogany/Maple neck with Walnut fingerboard, Adamas II fretboard inlays, Bone nut with 1 11/16" width, and gold Schaller tuners.  Click here for Adamas site specs where the 1581 is the 2nd one down.  Excellent preamp system on this guitar, the "Optima" preamp (shown here) with 9V power supplied via easy access door.  This preamp may have been a custom order, which isn't uncommon on Adamas guitars.  The Optima was state of the art when this guitar was built and contains a very accurate chromatic tuner - just hit a string and it'll tell you what note you're hitting, with red arrows that indicate "flat" or "sharp" and a green dot is displayed when you're dead on.  It also has "pop-up" control knobs for gain and notch filter; once you're dialed in, simply press them down and they're out of the way.  A 4-band EQ allows 12dB of cut/boost.  This is a very effective notch filter, with a range of around 70Hz to 700Hz.  If the guitar starts feeding back through the monitors, simply rotate this knob until you hit the offending frequency and the feedback goes away.  For more info on the Optima electronics, click here for a manual in pdf form.  Other features (pic) include Dunlop strap lock pins and choice of Low-Z or Hi-Z output jacks; if the Low-Z is used, Phantom power will power the preamp.  This is an exceptionally nice playing guitar with very low action and a quality acoustic tone - with an even better amplified tone.  This guitar has been played very little and after we cleaned and conditioned the walnut fretboard, it looks even better than the pics.  Includes hardshell case, shown here, that is formfit to the bowl and supports the neck the entire length.  Adamas has reissued this guitar as a 30th Anniversary model, priced at discount at $2529.  This one is in near pristine condition with zero noteworthy flaws and a sweet deal on an original 1581-5 at $1599.  

Gibson ES-335 Brown Case, immaculate condition and a better case than the current black case.  Combo lock, plush pink interior with protective shroud aka "pig blanket".  This is the case you need for your 80's/90's 335, 345, 355, etc. and with a the current black case at $189, this is a better case for less.  $149.   

Danelectro '59 DC, (front/back), (headstock).  "Kool Kopper" finish.  Reissue of a true American classic guitar.  Even touring pro's who can afford any guitar they want frequently have one of these in their rack, ready to make an appearance 4-5 times per show.  I've seen Clapton use this model as well as Dave Matthews just recently and, of course, Jimmy Page was probably the pro most associated with the '59 DC.  I get in loads of '56 U-2's but rarely one of these, for reasons I can't explain, but since it's been discontinued I rarely get in any 59DC models.  Specs are much the same as they were back in the 50's with a Hardboard (aka Masonite) top and bottom with plywood frame, Hard maple neck with rosewood fingerboard, 25” scale, 21 frets, taped "binding" around the body, chrome bridge with rosewood saddle, headstock painted to match body, stacked pots for individual volume and tone controls with 3-way selector, "lipstick" pickups - brass tube w/chrome plating with original formula 50’s style Alnico magnets.  This is one of the later models with the improved "D" tuners, although it's pre-"Pro" model. I don't know why Dano saw fit to "improve" upon this model with the '59 DC Pro but from what I can tell the '59 Pro is a cheaper model and, in fact, less of a "pro" guitar.  With the newer "Pro", gone are the stacked knobs in favor of a master volume and tone and the rosewood bridge, which gave it much of it's feel and tone is gone, replaced by regular old stamped metal saddles.  If you missed this model during it's production in the late 90's/early 00's - and a "Pro" just doesn't cut it - here's a chance to get one that's near immaculate 9.9 condition with a simply killer setup - for $399 with gigbag.

1984 Ibanez RS-440 Roadstar II, (front/back), (headstock).  This Roadstar is an excellent example of 80's Japanese Ibanez.  After doing some dead knockoffs of Fender and Gibson guitars, Ibanez finally settled in and began making a name for themselves with guitars based on their own design.  While this guitar loosely resembles a Strat, there are as many differences as there are similarities.  Like Fender Japan in the 80's, this guitar is built with top-notch craftsmanship and made to last, which is why you see so many still around.  Features include Ibanez Super 7 single coils in neck and middle, with a blade V5 humbucker in the bridge, which, along with the push/push tone pot aka "Duo Sound System", produces either humbuckers or single coil tones for a total of seven tone settings.  Excellent quality hardware with Ibanez "Smooth II Tuners", and the "Pro Rok'R/Top Lok" string locking tremolo system.  Please note that the original locking mechanism, located behind the nut, has been removed with a bar string tree in its place (shown here) (two holes can be plugged and finished over upon request).  This is actually a good thing since the original locking block with separate nut wasn't terribly effective.  Excellent feeling neck with a flat radius, and a little chunkier than the thin necks Ibanez was later famous for.  Other features include matte black pickguard with black hardware, side-mounted output jack, "boomerang" strap pins, and easy string change system.  This guitar hasn't seen a lot of playing time and although not a pristine collectable, it's in nice shape and the gloss finish still has an excellent luster.  It plays wonderfully, sounds excellent, and for a guitar that is good enough for pro use, and incredible bargain at $250(SOLD-Mike F).  

1987 Marshall Studio 15, Model 4001, (Back&panel) (front panel), (top).  Great little 15-watt studio amp but wattage ratings are deceptive and this baby is definitely loud enough to drive a 4X12 and fill a hall with sound.  A very rare amp among Marshalls and depending on where you do your research, only 300-500 were ever produced.  It is also very unique for a Marshall:  First to use 6V6 power tubes, first to use built-in attenuator, first to use Celestion Vintage 30 speaker and XLR output, first tube amp with headphone output.  To use the attenuator, you unplug the cable of the built-in speaker from the Speaker Out jack, and plug it into the Headphone Out jack instead, thus allowing you to soak the power tubes but with an output of less than a watt.  Ingenious!  Clean chassis including Drake transformers (chassis pic) This is a great sounding little combo and while the tone isn't your normal total-crunch Marshall, it does have a pleasing overdriven tone AND actually has a clean tone which isn't normally found in Marshalls.  Not quite mint but very clean for 21 years with the worst flaw being grill cloth discoloration - no tears or scratches in elephant hide covering - panels, front/back, are clean as well.  $750(HOLD-Kurt K 4/25) for this rather rare, great sounding amp.  

Behringer Europower PMH880S 10-Channel 800-Watt Mixer/Amp, (back), click to enlarge:  (channel features), (mains/patch bay),  (box/features) . One of the most versatile - and powerful - all-in-one mixer/amps I've had and typical of Behringer, the most bang for the buck.  Designed with flexibility in mind, from powering mains or monitors, to *two* built-in effects processors, to dual graphic EQ's, to auto feedback detection, to vocal eliminator on standard CD's for karaoke applications.  The point is this:  Behringer doesn't just design gear at a great price - they load their gear with features never seen at these prices.  The PMH880S delivers 800 watts RMS at 8 ohms - or you can split 400W X 2 for stereo application or 400W mains/400W monitors.  Perhaps most remarkably, all this power is in a package that weighs in at around 20 lbs., easily transported via built in side handle.  It features 10 channels total, two of which are stereo.  Along with 8 high-quality balanced low-impedance mic preamps, there are balanced high-impedance line inputs for direct connection of line sources or high-output instruments; mono channels also include a switchable -30 dB pad. Each channel features a 3-band EQ and 3 sends which can be used for your choice of monitor or effects, plus Hi- and Low-Z inputs with clip LED indicator, Pad switch, level control, and pan.  There are many other minor features such as an integrated standby switch which mutes all mic channels, so you can play music during your breaks without having to change the fader positions and lose your mix.  For all the info on this unit, click here for Behringer's site.   I have 2 of these, both new in the box and a whole lot of mixer/amp for $299 - or guitar trades of course.   

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2004 Taylor XXX-RS 30th Anniversary, (front/back), (headstock), (font/inlay).  As new condition.  What a beautiful guitar and in addition to it's stunning aesthetics, the tone is even more beautiful. The XXX-RS was one of the Limited Edition (250 total pieces) models from 2004  featuring the popular Grand Concert body size with Sitka spruce top and select Indian Rosewood back and sides with gloss finish all around - plus it marked Taylor's first production of a "short scale" guitar.  In addition to a finger-style-friendly 1 3/4" nut width, it also features shorter scale of 24 7/8 inch, revoiced top, and a slightly deeper body.  The result is a looser feel and tone with increased volume, creating a wide array of timbres with a large dynamic range and outstanding sustain, perfect for flatpicking, fingerstyle and hard strumming.  If you've found Taylors a little too compressed when you lean into them, the forward bracing on this model solves this problem and makes it an excellent choice for an all-around guitar.  Cosmetically it has some stunning features including a pearl and gold 30th Anniversary fretboard inlay, Ivoroid binding with Abalone trim along the entire soundboard, Paua shell rosette, scalloped X-bracing, Waverly Sloane gold tuners with Ivoroid buttons, slotted headstock with Ebony overlay and inlaid logo on front - Ebony overlay with floral inlay on back, Ebony fretboard and bridge, and American Mahogany neck.  List price was $5598, discounted to $3639 but many stores which only received one of each guitar sold them near the list price.  If you missed one of the 250 on the only run of this fine guitar, this might be your last chance to get an "as new" example.  Offered in flawless condition, with an incredible setup, for $2639.  Includes Taylor luggage case, unsigned warranty, and manuals.  

1999 Fender 60's Classic Strat with '54's, (front/back), (headstock).  Your basic 50's reissue, in its own right a beautiful and well made import, made even better with this great pro upgrade - Custom Shop '54 pickups (picture).  These guitars have all the vibe, including a very thin and tone friendly lacquer finish, as the USA Vintage series, at less than 1/2 the cost.  The feel of the V-shaped neck feels about the same, the 2-tone sunburst finish is immaculate, and the fretwork is remarkably nice.  The only thing that keeps these guitars from being pro-line gear is perhaps the electronics but this one with the upgraded '54's, with CTS Pots and switch, solves that problem and it's definitely a nice enough guitar for a pro gig.  Even with this upgrade, which will run over $200 at most shops, it's still priced less than a stock '60's Classic at just $599 and includes Fender gigbag or upgrade to a nice Fender case for $65.  (Note:  Will be ready to ship around 5/5/08). 

Gibson GA-5 Les Paul Junior Amp, 5-watt lil' screamer!  Oh man, what a monster this baby is.  If you're looking for an overdriven tube tone for practice or studio, this could be just what you're looking for.  Very little clean tones - starts to break up around "3" and around "5" it achieves what most amps achieve wide open.  Turn the knob past 5 and you get more saturation at every number, unlike some amps where there is little difference between initial break-up and full volume.  I am very impressed with this one and hat's off to Gibson for coming up with a reissue that's even cooler than the original.  Not a cheap amp, but comparable to most of the boutique Champ clones in that it's hand-built with point-to-point solder - with single-ended Class A circuit with an EL84 power and a 12AX7 preamp.  Excellent sounding 8" "special design" speaker with hardwood cabinet covered in cream tolex.  Looks good inside with a polished chrome chassis and a remarkably large power transformer (pic2).  Every studio needs an amp like this and with a list price on new of $1150, this one's just $399(HOLD-Peter S 4/25).  For Gibson's specs, click here. 

Mojotone GA-5 Amp, (pic2), Identical to the Gibson amp above (side by side), other than a different speaker and yellow tolex but identical case, chassis, and same quality components.  I've heard that Mojo built Gibson's GA-5's but also built a few like this one without the Gibson logo and "Les Paul Junior" screened on the control panel.  It's an excellent sounding amp with the same tone and response as the GA-5 above and in perfect shape.  Any studio needs an amp like this.  $399.  

Ernie Ball Musicman S.U.B. Bass, (pic2).  New old stock from '03.  Best value in a USA Musicman, primarily due to the textured satin finish which is cheaper to produce but sounds terrific.  This is the most desirable finish - flat black with textured aluminum pickguard.  Features a Poplar body with 6-bolt neck for added resonance, 2-band Passive EQ with high powered Musicman humbucker, steel bridge plate with stainless saddles, 34” scale with 11” fretboard radius, never retailed floor model in perfect shape.  Was store priced at $699 but now just $499(HOLD-A.M.), fully set up and ready to rumble.  Includes gigbag. 

2007 Collings OM2H - German Spruce,  (front/back), (headstock/neck), (side), (case).   Pretty exciting find for me.  Collings has been one of the premier boutique builders of acoustic guitars for 32 years but he builds in such low numbers, less than 1000/year, that there aren't many on the used market.  Every one I've had has been a top-notch guitar, among the best in its class as is the case with this OM.  The OM2H is his 000-size which is just slightly smaller than a dreadnought with a 15" lower bout - plus Herringbone trim which adds a tasteful vintage look.  In fact, the internal construction is based on the original Martin OM, produced from around '29 to the early 30's.  Other features include gloss natural finish, German spruce top ($300 option) with Sitka pre-war scalloped bracing, Indian rosewood back and sides, 14-fret Honduran mahogany neck, 20-fret ebony fingerboard, slotted diamond inlays, 1-3/4" nut width, 25-1/2" scale, ebony bridge, ivoroid-bound body, herringbone top trim, Brazilian rosewood headstock overlay with pearl logo, nickel Wavery tuners with butterbean buttons.  This is an excellent finger style guitar, with a very balanced tone and good projection.  The action is very low - probably too low for many players so just ask and we'll raise it up.  I can't find a database for serials, but the customer bought it brand new in '07; serial is 12960.  No buckle/button scratches, sides and back are immaculate, and just a few miniscule impressions on top; overall 9.9 condition.  If you're a Collings fan, or you've heard the buzz and want to try one out, this one's much cheaper than new and nearly perfect - for $2700.  Includes Collings hardshell case with arched lid and crushed velvet green lining.  For more info from Collings, click here. 

1990 Gibson Les Paul Standard, Colors Edition, (front), (front/back), (headstock), (case/acc.).  A real beauty in transparent Magenta with gold hardware - and a super player to boot.  18 years ago when this one was built, limited edition models were rare, with relatively low production runs and perhaps only one or two limited runs in a year.  In 2008, it's hard to keep up with the limited editions and it seems like there are almost as many limited models as regular production.  When I think of older Les Pauls from a limited run only a few stick out in my mind - the Showcase Edition, the "Gem" series, and the Colors Edition.  If you come across any of these in nice shape, in my opinion you have a rare collectable.  Such is the case with this Magenta Colors Edition.  Collector owned since new, purchased at Hotlicks in Maryland, sold to me at a swap meet at Hotlicks, sold to a customer 5 years ago, and now traded back to me.  It has never been gigged and played very sparingly in the home.  Body has no wear or scratches, other than polishing swirls which we'll buff out prior to shipping.  Gold is near flawless with just some very minor pitting to the tuner buttons.  Frets are near mint.  Original brown case is in similarly nice condition and includes original paperwork including warranty card and manual.  With a new plain Standard such as Wine Red now selling for $2529 this guitar is a comparative bargain at $2099, especially considering it's 20 years old in 2 years.  Also, I think the quality in this era is without a doubt better than current models so for a player, you're getting a better guitar that's cheap enough that you're not afraid to gig with it.  

*Now with signature case: (Signature Case) 2006 Gibson B.B. King Lucille Special Edition, (front/back), (headstock).   Mint and rare - one of a run of only 150 pieces with your basic Lucille specs, plus a commemorative "King of the Blues" pickguard and pearl plaque on the back of the neck.  BB and Gibson joined forces way back in '82, when production began on his Lucille model and from what I understand, the model has been discontinued after 25 years in production.  Lucille is a semi-hollow body design with center block of solid maple, top/back/sides feature a maple/poplar/maple laminate for better sustain, with a 1-piece maple neck with ebony fretboard, 6-position Varitone selector plus the usual 3-way with dual volume and tone controls, gold hardware including gold knobs with pearloid inlaid caps, TP-6 tailpiece with fine tuners, multi-ply binding on body and headstock, bound neck with MOP block inlays, headstock overlay has Gibson and Lucille inlaid in mother of pearl.  The guitar features dual outputs for mono/stereo operation and no special cord is required.  This guitar is flawless and plays exceptionally well.  With the Lucille model apparently off the market, this is possibly one of the last batches made and a good choice for the BB fan or blues player looking for a new Lucille.  List price was $4700 and current Blue Book lists as $3000 (link).  This one is immaculate and a beautiful Gibson for just $2499.  Includes original BB King signature case with blue crushed velvet lining.

Korg PME40X, (pic2).  The PME (Professional Modular Effects) was a cool idea from Korg which ran from '84 to '85 and allowed the user to load the central unit (contains power supply) with any 4 effects and put them in any order, with control via individual on/off switches and a master bypass switch - with a guitar input and stereo outputs (featured here).   Some pictured in the first pics above were sold but following are in stock - PME40X pedalboard; KAD-301 Analog Delay $129; KCH-301 Analog Chorus $79;  KDC-601 Digital Chorus $65; KCO-101 Compressor $59; KGE-201 Graphic EQ $59; KDI-101 Distortion $59; KOD-101 Overdrive $49.  Special deal: If you're not already using the PME system and need the central unit - buy four effects and get a PME40X unit for free. 

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1996 Tobias Basic 5 Zebra, (close-up), (back), (headstock), (controls), (gloss finish), (case).  Made in USA.  A true world-class bass and a more high end bass than the current model Basic 5 with Zebrawood body and gloss finish, neither of which are available on recent models.  This is one of the nicest playing 5's I've ever had and the obvious beauty is certainly a plus.  It's also one of the best ergo dynamically designed basses ever made, it hangs perfectly, body size is slightly small with all edges well-rounded and cutaways provide easy access to the top frets.  Beautiful woods composed of 5-piece maple/purpleheart neck-through a Zebrawood body finished in high gloss clear lacquer.  Electronics are top-notch as well with a pair of Bartolini soapbar pickups controlled by Volume, Pan, Cut/Boost pots for Treb - Mid - Bass, and a 3-way mid-range switch for selecting the crucial mid-range frequency, choice of 250 Hz, 500 Hz or 1 Khz.  Also features Dunlop Strap lock pins, Grover tuners, and the earlier style bridge.  Overall very nice shape for a used bass, not mint but nice.  One thing that is nice is the price.  I don't know what a gloss finish Zebra Basic 5 would cost today, probably close to $4K if they still made it, but this super bass, capable of practically any tone you're looking for, is just $2100.  

CORRECTION TO MODEL:  Tobias Renegade 5, (front/back), (headstock).  Made in USA. Another excellent Tobias 5, this one's a bolt-on Renegade model.  Thanks to Mike W. I now know that this is a Renegade and not a "rare" 2-pickup Growler (pic here).  Features a 9V active system (cavity) with a volume, pan pot, tone control that seems to boost all frequencies - plus pulls up for slap control, and a switch to select single/double coil on the quad-coil pickup.  Light and resonant swamp ash body (bass only weighs 8 lbs) and a maple neck make this a bass that you can play effortlessly all night.  Contoured with comfort in mind, like the Basic 5 and this bass is a joy to play.  Not a mint bass with a few scratches and apparently previous owner couldn't decide where to locate the back strap pin as there are 3 plugged holes where strap pin had been located before.  Still, for a  bass that cost $1500 new, with a rare 2-pickup configuration, a sweet Tobias for $799.  Includes gigbag. 

2004 Epiphone Duncan Antiquity PAF Dot, (front/back), (headstock), (case).  You don't have to spend $2K to get a nice 335-style semi-hollowbody.  Sometimes it just comes down to a "good" guitar, and some great pickups...and this one has some of the best available in a smoking pair of Seymour Duncan Antiquity PAF's, which are factory aged to look like a genuine set of late 50's (close-up).  These are some of Seymour's best pickups, and a pair of these will set you back $260, not counting labor to install them.  We've been marketing all of our Epi's for years with options to upgrade pickups and tuners and for good reason.  For an upgrade of $200 or less, you can get a guitar that sounds and plays as good as most Gibsons, at 1/3 the price.  This Dot also has Grover tuners, no attention needed there, as well as Dunlop strap locks (pic) installed, and if you remind me, we'll install the locks on a black matching strap at no cost.  Set up to perfection and in beautiful cosmetic shape, this isn't the cheapest Epi Dot I've sold by a long shot, but it's the best sounding, and when you consider the fact that it comes with an Epi hardshell, it's priced around the same as a new Epi Dot at just $499(HOLD-Gary M 5/1). 

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Sabian Pro Sonix 16" Crash Cymbal, nice shape overall, very slight bend on the edge but very clean and hardly used.  I've never cleaned it and it's still very shiny.  Sells at Sam Ash for $147 but this one's just $69.  Need a stand?  Add Pearl Cymbal Boom Stand, works perfectly, complete, nice shape, for $98 for cymbal and stand.  

Pearl CX300 18” Crash/Ride Cymbal, nice shape and a good beginner cymbal for just $29 - or with boom stand, $54.  

MXL 990/991 Recording Mic Package, (pic2).  Nice choice for the home studio engineer on a budget.  Takes care of two of your biggest needs, which have traditionally been an expensive proposition - a large condenser vocal mic plus a pencil type condenser for recording acoustic guitars or drum overhead.  You can also use this pair for virtually any type of acoustic recording using one for close-range recording; the other for ambient sound and mixing the two for a nice stereo field.  Both mic's have gold-sputtered 20mm diaphragms and are well suited for both digital and analog recording.  This package also includes a high-impact carrying case and mic stand adapters.  With a list price of $199, which is remarkable in itself, this is a nice deal for $79(SOLD).

2006 Taylor 714CE-LTD, (front/back), (headstock), (flamed maple appointments).   Immaculate condition - a truly fine Grand Concert.  Each year Taylor produces a small run of select models which are greatly anticipated and sell out quickly.  The 2006 Fall Limited featured tonewood upgrades and maple detailing, with 8 different models - a Dreadnought and Grand Concert in their 400, 700, 800, and 900 series - all featuring the Taylor Expression System.  The 714CE boasts Indian rosewood back and sides, topped with Engelmann spruce for sweet, deep tones.  Limited features include flamed maple body binding, flamed neck binding, a slice of flamed maple for a back wedge, as well as a ring of lustrous abalone encircling the soundhole.  Other specs are the same as a regular 714CE, grand auditorium size acoustic/electric with rounded cutaway, gloss natural finish, 14-fret mahogany neck, bound 20-fret ebony fingerboard, pearl dot inlays, 1-3/4" nut width, 25-1/2" scale, 15-7/8" lower bout, 3-5/8" to 4-3/8" body depth, ebony bridge, tortoise plastic pickguard, wood body binding, rosewood peghead overlay with pearl "Taylor" logo, gold tuners, and factory Taylor Expression pickup system.  A new stock 714CE is going to set you back $2799 at the super stores and it will be like every other 714CE Taylor has made for years.  For $600 less, you can get this "as new" Limited model, set up to perfection and a real beauty - just $2199.  Accessories include pink "poodle" luggage case, unsigned warranty, CD, and Taylor info sheets.  This is one fine Grand Concert.  

1986 Kramer "American" Pacer Custom, (front/back), (headstock).   A real beauty in Flip-Flop Blue, which, depending on the viewing angle, can appear blue, purple, or burgundy (as shown in 2nd pic above).   As I've mentioned before, these were my dream guitars when I worked at Hotlicks in the 80's, but at $799, were around a month's salary so I had to resign myself to Striker or Focus lines.  On the higher end metal guitar line, Kramer Americans outsold all other brands we carried by a mile.  Having an EVH endorsement likely had a lot to do with that but the fact is they're great shredding guitars with quality Schaller hardware, including a real German-made Floyd Rose and Schaller tuners - plus Seymour Duncan pickups (JB and two Vintage Staggered).  Note: the bridge pickup is a later JB but I have a mid-80's "plain" JB that we can install if desired - just inquire.  Features individual pickup selectors plus a coil tap switch for virtually any combination of tones.  This guitar is in exceptional condition with virtually no player's wear and a collector-approved 9.9 condition.  It's like walking into a store 22 years ago and getting a new floor model - but the price is lower than it cost way back then.  Just $699 for this beauty.  Today's Kramer lesson:  A lot of guys are calling the Focus cases "original" for American series which they are not - this one Includes the real original case (picture), which is black tolex, leather ends, with white piping, made by TKL.  

Ibanez JS-100 Joe Satriani, (front/back), (headstock), (pic4).  Never retailed and perfect condition with plastic still on back plate and not a hint of use on body or neck.  The JS-100 is a super shredding machine with great tone and one of the most comfortable guitars to strap on and play all night.  All edges are very well contoured with a deep cutaway and an extremely thin contour in the treble cutaway.  Features a JS neck with a rounder 12" radius for easy chording in the low register with comfortable bends up top - Lo TRS trem stays in tune very well - quality tone via basswood body and a pair of Axis humbuckers (AH1 and AH2) controlled by 3-way switch and push/pull tone pot for coil splits.  Joe has remained a true guitar hero, 20 years after Surfing with the Alien, the one where the public took notice of him.  I got this guitar from one of my suppliers who deals in cosmetic seconds aka factory blems but as with most of these guitars, we cannot find a flaw on it - perfect in all regards other than a very faint "used" stamp on the back of the headstock.  If you want a nice Satch for a nice price - here you go.  These sell new in stores for $699 but this one's perfect with a killer in-house set-up for $200 less; just $499.  Note: Stock pickups sound fine but if interested, we can upgrade to DiMarzio's such as this PAF Pro and Steve's Special (pic) for $150, parts and labor.  

1991 Gibson SG Special - Alpine White with Gold Hardware,  (front/back), (headstock).  It's been a long time but as I recall the Alpine/Gold Special was a Limited Edition but regardless, it's a very desirable finish for this model.  Just one tasteful change to this guitar, which was the installation of a '61 style pickguard (stock was no pickguard).  Gold hardware is original, including gold pole pieces on the humbuckers, with just minor gold wear.  Overall this guitar is in extremely clean condition for 17 years with the only flaw being some lacquer cracks at the base of the neck, shown here, which are very common on Alpine finishes and pose no problem.  Specs include mahogany body with beveled edges, mahogany neck with ebony fretboard, Keystone tuners, screened logo, dual patent engraved humbuckers with dual volume and master tone, 3-way pickup selector, and dot fretboard inlays.  If you like your action low, and appreciate a very clean guitar, you'll love this one.   Includes well-worn Gibson case for $775 - or gigbag for $725. 

1997 Gibson SG Special, (front/back), (headstock/fretboard).  If you're not afraid of a nearly invisible hairline crack (shown here), this is one of the best sounding Specials in recent memory.  One of the reasons it sounds so good, most likely, is the thick finish has been professionally stripped and just an oil finish applied - cavities reveal the original Ferrari Red finish (shown here) as well as one of the upgrades, a Burstbucker bridge pickup.  Other upgrades include Grover tuners and DiMarzio straplock system (we can switch to normal strap pins if desired).  Super nice setup with low action and a very sleek ebony fretboard, huge SG tone, and excellent sustain.  This guitar has a broken in look like a well used 70's SG in Walnut finish which is kind of cool.  For the player, this is nice find - a structurally sound, cool looking, very resonant SG, at a players price of $499(SOLD - Kevin H 4/19) with gigbag.  

Ibanez Japan Soundgear SR800 Bass, (front/back), (headstock), 1991, first year for this model.  Excellent Japan-made Soundgear built with superb quality and comfort.  Features include Poplar body, IBZ B IV bridge, 24-fret fingerboard, and active electronics and good quality P/J pickups - IBZ DXP and DXJ - controled by Volume, Blend, Bass Boost/Cut, Treble Boost/Cut.  Ibanez' popular Soundgear line has been around since '87 and their nicer ones, such as this Japanese SR800, are the choice of many pro players, musicians who can afford to play any bass they choose.  With the low impdance P/J combination and excellent sounding EQ, this bass can do the fat P-bass tone, the J-bass tone that jumps out of the mix, with great power and no noise.  Overall pretty nice shape with just one finish chip (shown here) on the top edge that has been filled in and finished over.  This was a fairly high end bass, with the last list price of $900.  I consider it a a pro quality bass for the price of a beginner/intermediate at just $379. 

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2004 American Series Stratocaster,  (front/back), (headstock).   Classic Sunburst with maple fretboard, barely played, plastic still on pickguard.  I sold this guitar NOS around 6 months ago and was happy to get it back in trade, barely touched by the first owner.  All stock in beautiful shape with an excellent set-up and just a great utility Strat.  I'm not going to list all the specs for American Series as they've appeared here 100's of times in the past, but let me know and I'll email a link.  With a new American Series, with sunburst upcharge now at $950-$999, this one is barely played and just $779.  Includes Fender case and accessories.  

Larrivee LV-03-12-E , (pic2), (front/back), (headstock), (preamp).  From what I've been told, Larrivee only did a small run of these with Brazilian fretboard (shown here), and this one is supposedly from that run.  This is an excellent playing 12, with low action and a comfortable round-shoulder flattop, 16" lower bout and a very warm, full tone.  I've been a huge fan of Jean Larrivee for years and their entire line, from the S6 Folk through their ornate custom instruments, are among the best values made today.  I've never had a Larrivee with any issues whatsoever, which indicates their quality control is top-notch; their woods are well-seasoned and properly selected.  Features include: all Solid wood Construction with Single Piece Mahogany Neck with Brazilian Rosewood fretboard, Canadian Sitka Spruce Sound Board & Bracing, African Ebony Bridge, Canadian Maple Body Binding, Mahogany Back & Sides, Symmetrical Parabolic X-Bracing, Hand fit Dovetail Neck Joint, Rounded Larrivee Headstock, White Wood Fiber Larrivee Logo, Ping Tuners w/ 18:1 Ratio, Ivoroid Fretboard Binding, Traditional Larrivee Transparent Pickguard, Microdot Fretboard Markers, 16" Lower Bout, 25.5" Scale Length, 1 7/8" nut, 15"-21" Fretboard Radius, Nickel Silver frets, Satin Sheen Urethane Finish, and Tusq Nut & Saddle.  Excellent guitar for live performance with a quality LR Baggs Element Notch System (link here).  For all the guitar specs, click here for Larrivee's site.   Includes Larrivee case, warranty, Baggs manual, etc.  Lists at $1849 and sells new for $1579.  This one is immaculate, unplayed condition and a typically superb Larrivee, with desirable Brazilian board, for $1279(HOLD-Bill P 5/12).  

Larrivee OM-03 with Pickup, (front/back), (headstock), (pickup), (label).  Another excellent 03 "Recording Series", this one in the slightly smaller OM body size.  This one has also been upgraded with a quality Fishman "Rare Earth" Humbucker soundhole pickup.   This is a very natural sounding pickup and during my test was impervious to feedback, even at high volume levels.  The OM-03 features all Solid wood Construction with Single Piece Mahogany Neck, Canadian Sitka Spruce Sound Board and Bracing, African Ebony Fretboard and Bridge, Canadian Maple Body Binding, Mahogany Back & Sides, Symmetrical Parabolic X-Bracing, Hand fit Dovetail Neck Joint, Rounded Larrivee Headstock, White Inlaid Larrivee Logo, Multi-Strip Inlaid Rosette, Ping Tuners with18:1 Ratio, Ivoroid Fretboard Binding, Exclusive Beveled Tortis pickguard, and Microdot Fretboard Markers.  Other spec's include 15.25" Lower Bout - 15.25", 25.1" Scale Length, very wide 1 3/4" nut, Compound fretboard radius of 15" to 21", Nickel Silver frets, Satin Finish neck and body, and Tusq Nut and Saddle.  The Rare Earth pickup (sells new for $139), which can be easily removed, is mounted with end-pin output jack and features "bright" switch, powered by two mini batteries mounted to the base rather than a clunky 9V.  Click here for Larrivee's site info.  The OM-03 lists at $1318 and sells new for $988; with the Fishman installed you're over $1200 if purchased new.  This one's in excellent condition, an excellent player, and just a wonderful OM for just $799; or cheaper if you don't need the Fishman.  Includes Larrivee case, truss rod wrench, and Fishman manual. 

Larrivee D-03 Lacewood, (front/back), (headstock),   A 12-string, an OM, and now a Dreadnought - what a day for some great Larrivee guitars.  This one is truly something unique, a special run by Larrivee and when they're gone - they're gone.  Larrivee dreadnaughts are awesome, and this is an awesome, limited edition D-03 in Australian Lacewood.  Lacewood (aka "Grevillea Robusta"), also known as Silver Oak, is a visually striking wood, very intricately figured with thin, overlapping waves of figuring, much like flamed maple in appearance. Tonally, Lacewood is quite dense with a loud sustaining tap tone which translates into superb bass/mid/treble balance with excellent volume and projection.  It isn't unlike mahogany in its warmth, but has a more powerful, but not boomy, bass and sweet overtones not found on mahogany. I read some luthiers compare the tone to Sycamore.  It is in many ways a nice compromise between a clear finger style guitar, and one used for hard strumming.  Other specs include:  all solid woods Lacewood/Silver Oak back and sides, solid Sitka spruce top, Rosewood binding, single piece mahogany neck, ebony fretboard and bridge, dove-tail neck/body joint, Tusq nut, saddle, and bridge pins, 1-11/16" nut width, 25.5" scale length, and 16" lower bout.  With a list price for the Lacewood model at $1599, it's only slightly discounted by dealers that have one, $1429.   This one is immaculate, set up to perfection, and one of the most refreshing sounding dread's I've had for just $1129. Includes Larrivee case, truss rod wrench, and manual.  Need a pickup installed?  We have several to chose from including:

L.R. Baggs M1 Soundhole Pickup, (close-up).  Completely passive system, quiet and hum-free, with adjustable pole pieces with smooth tops which finger-style players appreciate.  The Baggs M-1 is a humbucking pickup with a twist - instead of the 2nd coil which typically cancels hum but tends to muddy the tone, the M1 unlocks the second coil, allowing it to make a positive sonic contribution while maintaining the pure open sound of a single coil - but without the hum.  Sells new for $139 but this one's mint in the box for $99(SOLD-Drew), INCLUDING installation on most acoustic guitars in stock. 

1998 McInturff Glory Standard - Korina & Maple, (front -click to enlarge),  (front/back), (headstock), (bridge).  simply incredible – drop dead looks, imminently playable, outstanding tone.  In '98, McInturff was sort of like PRS in the early years, and they are still largely hand-made in small numbers.  The result is superbly crafted instrument.   Striking in appearance with a stunning AAAA quilted maple carved top over a ONE-piece Korina body and matching headstock overlay with Paua shell truss rod cover.  Other features are nitrocellulose lacquer finish to enhance liveliness, unique fan style tone chamber for full, rich and musical sound, V-shaped neck carve with one-piece mahogany neck, Sperzel locking tuners, Custom Dimarzio Zodiac Soapbar humbuckers with a Duncan Antiquity in the middle, wired to a 5-way switch.  Gold hardware including Mann-Made bridge, maker of the old PRS bridges and a very pricey choice in manufacturing.  The intricate 12-fret inlay, I'm now informed (thanks Jake) is "the sun behind a mountain and the stars arranged in the sky as they were on the date Terry was born."   The book-matched top would certainly be a “10” or 5A by other makers, while the Korina back with maple top sounds a little brighter than the normal mahogany back .  Very comfortable and dare I say “sexy” curves are a joy to play and the carve in the neck joint makes upper fret playing very easy.  For specs click here for McInturff's site and for a good review click here.  This one is in superb condition with no major flaws or wear.   This guitar should appeal to most PRS customers - including a few who find PRS lacking in "soul" or anyone who doesn't follow the leader.  This guitar originally sold over $3000 ten years ago and is an exceptional value today at just $2100(HOLD-Gary 4/28).   Includes original G&G green tolex case.  

Ovation Celebrity CS-257 Flame Top, (front/back), (headstock).  Nice stage guitar and especially recommended for players who want a working guitar rather than a pristine example.  Although there are no structural problems, cracks, etc., it had some flaking finish near the edge which we've repaired to keep it from spreading (shown here) as well as chip of wood missing from the tip of the headstock.  Neither of these affects the integrity of the guitar but it does make it a better value for those who aren't into cosmetics.  Includes Dunlop locking strap pins.  Just $229(HOLD-Frank W 4/20) for this one, set up and ready to gig.  

2006 Taylor T512-C 12-String, (front/back), (headstock), (Controls), Cherry Sunburst.  On the heels of a T5 Standard 12, comes this stunning T5 Custom 12 - dead mint in NOS condition.  The 12-string version is the latest in the T5 lines and not your average electric 12 by any means.  In addition to being a T-5, Taylor of course re-engineered some aspects of a 12-string design.  With an innovative compensated saddle design that’s unique to the new T5 12-string, they “level” the fundamental and octave strings for a smooth, even attack, a feature you won’t find on any other electric 12-string and one that will change your expectations.   Built with the basic specs of the acclaimed T-5, described as an artistic merger between the acoustic and electric worlds, the T5-S-12 is crafted with a solid Sitka spruce top, gold hardware, T5 Artist fretboard inlays, full multi-layer binding, bone nut and saddle, stylized F-holes, mahogany neck, Sapele body, Ebony fretboard and Ebony headstock overlay with pearloid logo.  A resonant, fully hollow thinline body is the backbone of the T5 12 series, and yields incredible presence and excellent projection for a thinline body.  Its comfort and playability are what you'd expect from Taylor, low action while giving you the freedom of a solid body and the feel and sound of a finely crafted Taylor acoustic.  Whether played through an electric or acoustic amp, it delivers an excellent range of pure tones from smooth, strumming acoustic to crunchy electric chords (pic of switch and tone chart).  Electronics include a unique 5-way pickup system composed of a magnetic acoustic humbucker, magnetic electric humbucker, and a single Dynamic Body Sensor soundboard pickup, as well as a preamp system for mixing up the exact tone you need.   It's hard to find these in stock at most Taylor dealers, which is why they're selling for new cost on the used market.  This guitar is dead mint, flawless condition, and with Martin as the area's licensed factory tech for Taylor, you're guaranteed to get the best playing one possible.   For full specs click here, video clip of the T-5 here, and 200 sound clips click here.  With a list of $3198, these sell at discount for $2398 for the stores that have one in stock.  This one is "as new", for $1798(HOLD-Bill P 5/12), and with the $600 savings you can get a nice amp.  My man Martin is the area's licensed Taylor tech so you're guaranteed to get the best playing Taylor possible.   Includes Taylor luggage case, T5 T-shirt, CD, tags, etc.  

2005 Taylor T5-C Thinline Fiveway Custom, (font/back), (headstock), 2006. Honeyburst Beauty!  Same specs as the 12-String above, except in a 6-string model.  This guitar has seen very little use and is offered in very near mint, 9.9 condition, with an exceptional set-up.   Includes deluxe Taylor case with unsigned warranty.  The T5-C currently lists at $2998 and sells online for around $2250.  Why not spend $550 less and get a nice amp with the savings.  Just $1700(Tentative hold - Joe)  for this beauty.  

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Fender Coronado Bass II , (front-click to enlarge), (back), (headstock), 1968, nice shape and an absolute killer player with low action, perfect electronics, rich & full tone.  The Bass II is the more desirable 2-pickup version of the Coronado hollowbody series.  I don't know why the hollowbody line never took off for Fender because all the Coronado/Wildwood's/etc. I've had were very high quality guitars.  I guess the public decided that they wanted their hollowbodies with the Gibson name only so the run on these was rather brief, '67 to '70 (Antigua finish through '72.  Specs of the Coronado II include 2-piece laminated maple top and back, laminated maple sides; single bound top, back, and f-holes, nitrocellulose lacquer, 1-pc bound maple neck with rosewood fretboard and pearloid block markers (pic),  Fender steel with trapeze tailpiece, Fender open nickel tuners, Two Fender/DeArmond single coils with adjustable pole pieces, sh