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IN WONDERFUL ALBANY, NY, USA

UPDATED:  Thurs, Jul 2nd, 2009 (usually uploading gear throughout the day)

JUST IN Section below - see links at bottom of page for 1000's more pieces of gear.  

NAVIGATING THIS SITE:  If you're not familiar with my site, it's simple, although not fancy:   (1) This page has gear that has recently arrived; (2) Links at the bottom of this page take you to most of our gear, logically arranged by manufacturer or type, e.g. Fender, Gibson Effects, Parts, Amps, PRS, etc.  (3) Lastly, my "Semi-Just In" Page (click here), contains a lot of gear that hasn't made it back to the proper pages yet and is sort of in limbo until I move it.  It's not a fancy site but it remains unchanged since '98 and I firmly believe, "if it ain't broke - don't fix it."  All guitars and other gear have pictures.  Just click on any underlined text and it should open a picture; click the picture and it may expand the pic, depending on the resolution.  

NOTE:  I AM SO FAR BEHIND ON EMAIL IT ISN'T FUNNY.  I know you get tired of hearing it but please be patient and I encourage you to resend your inquiry daily if you don't get a response within 24 hours.  In addition, shipments that normally go out same day/next day after payment are occasionally taking several days to get ready and out the door.  Martin has had a lot of off-time the past month which takes me away from email.  I am hoping that this week we'll be getting back to normal.  A number of the items on this page will be on hold as soon as I get around to answering.  As always, priority will go to the first trade offer or earliest inquiry so please make sure to put the item in the subject line to make it easy to find.  Thanks for your patience and cooperation.  

1992 Fender Eric Clapton Signature "Blackie" Stratocaster, (front/back), (headstock), (pickups), (case).  The original version and stunning example of an early model Clapton.  Of all the Clapton signature models, it is the ones with black finish that are most associated with Eric and the only model that features a special logo on a certain color, the "Blackie" on the tip of the headstock.  These early models featured a trio of gold Lace Sensor pickups, rather than the Vintage Noiseless pickups that followed.  I love these Laces which, for me, have always been the perfect blend of vintage tone with modern (i.e. less noise)  technology.  If you prefer the Noiseless, I have a new set that we can swap out for a minimal charge.  Other defining specs include V-shaped '50s neck, vintage Kluson style nickel tuners, vintage tremolo that can be blocked (Eric style) or un-blocked at the buyer's discretion, and 9V circuit for the 25dB mid-boost circuit, with a very complex-looking circuit board located in a special route under the pickguard.  Other controls are master volume and master TXB/Tone control.  Excellent player and very near mint condition.  Worst flaws are a few tiny cracks by the pickguard screw holes but no noteworthy scratches or wear of any kind.  Considering this guitar is 18 years old, it has obviously spent most of its life in the case.  If you're a Clapton fan, here's the best color and a wonderful example of a guitar that's soon going to be termed "vintage".  Includes original Fender tweed case that looks like it never left the house but for some reason has some brown stain on the lid.  The current model Clapton sells new for $2019 ($2530 list) but this one, although 18 years old, is barely used and a much better buy at just $1299.  

OFF-HOLD:  1983 Fender Stratocaster Elite - Emerald Green, (front/back), (headstock), (features), (case, pic2).  Rather than using long descriptions, click here for a page I've created which outlines features of this innovative model.   Fender offered the Elite Standard in 6 standard colors and 6 extra-cost custom colors, including this transparent "Emerald Green" - plus the Stratoburst finishes.  This guitar is all original and in stellar condition - definitely investment quality.  Obviously has seen very little use in 26 years.  This one has the "Fine Tune Lock Nut" installed and looking back, it was a pretty innovative idea.  Floyd did the same thing a year or so later except with the fine tuners at the bridge end.  This is one gorgeous guitar and the nicely figured ash body wasn't wasted on a painted finish and beautifully comes to life under the Emerald stain.  I have other Elites in stock including a "player" at $1050 that's all original but this one, a custom color in this condition, is worth the extra money if you have the means.  $1499 for this custom color beauty and it includes original case, Elite manual, trem arm, etc.  

2002 Martin 000-C "Custom", (front/back/trim), (headstock), (appointments), (preamp), (signed label).  Number 109 of only 200 made in the popular 000-14 fret cutaway style.  Although not written on the label, this model was officially named the SP000C16R, which is somewhat deceptive considering this model features cosmetic appointments found on Martin's high-end models.  Starting with Solid Sitka Spruce Top (w/ aged toner) and Solid Indian Rosewood Back & Sides - all gloss finished, this guitar features Style 45 pearl rosette, Style 41 top pearl inlay adorns the entire soundboard, Style 45 back purfling, modified low-profile satin-finished Spanish Cedar neck with Striped Ebony fretboard and modified snowflake inlays, Style 1 Striped Ebony bridge with 4-point snowflakes on ends, white bridge pins with Abalone dots, tortoise shell pickguard, 16" fretboard radius, hybrid scalloped top bracing, grained Ivoroid end piece, gold Gotoh tuners, Martin's 25.4" scale, 1 11/16" nut width, and compensated white Micarta saddle with 16" radius.  The preamp is the popular and effective Fishman Onboard Stereo Blender which combines a condenser mic suspended in the body with a saddle transducer, which can be blended to your taste to achieve a very accurate amplified reproduction of the acoustic tone.  It also has a very effective notch filter (up to 300 Hz, to dial out any low end rumble).  This guitar is in very nice shape for a lightly used guitar.  There are a few impressions in the top in the clearcoat only and the pickguard has been removed, which is a stock Martin guard and easy to replace.  Tonally, this guitar blew us away.  For a model that's fairly shallow, compared to a D-size, it has remarkable bottom end, without being at all boomy, and we found the low frequencies even more impressive when standing around 10 feet away.   The overall balance is excellent and this guitar will make an excellent choice for finger-style work - but even with low action, it stands up well to hard strumming and should hold its own in any acoustic jam.  For a Martin with these lovely appointments, action that's extremely comfortable, and a tone that will stand up against most dreadnoughts, there simply isn't a better 000-size for the money.  As far as regular production models, the closest thing Martin makes is the 000-42 at a $4899 street price.  This one is nearly identical, plus it has a cutaway and quality preamp that make it more useful for working guitarists.  This is a killer value at just $1779 with a Martin Geib style case (pic) or a generic TKL (pic) for $1629.  

1986 Martin 5-18, (front/back/side), (headstock), (case), (docs), (appointments).  Now here's a rare one.  Although you rarely see these on the market, the 5-18, introduced in 1898, was actually a regular production model for 77 years, 1912-1989.  C.F. Martin will still build you one today by special order only, but it's probably cheaper to get a Marty Robbins Signature Model 5-18 for $3099.  While at first glance you might think this is a Martin travel guitar, it's actually one of their standard series, specifically a Size 5, with Model 18 appointments.  A more accurate description would be a D-18 with a different size body and smaller scale (21 3/8").  The woods, appointments, and most of all, quality of construction, are the same as D-18, 000-18, or other lacquer finish Model 18.  This guitar has a very pleasing tone, far above any of the cheaper travel guitars, and sounds more like a "real" guitar.  Although naturally a little weighted toward the mid-range, this 5-18 has sufficient bass and treble to make it a very enjoyable guitar to play, with projection that's far above what I would normally expect from a guitar of this size.  The finish on this guitar is multiple coats of nitrocellulose lacquer, with hand-rubbing between coats, to develop a thin, smooth surface that contributes greatly to the guitar's resonance.  As far as condition it's pretty much immaculate.  There is no finish checking or other detractors and appears to have spent 99% of its life in the case.  It has typical Martin action, medium, but there's plenty of saddle to work with if you'd like it lowered.  Includes a super quality (and very heavy) original case, close to a Geib in quality.  Also included are all documentation: serialized registration slip, serialized original owner's card, manual (with recommendation for M-1200 Med. Bronze strings), and an advertisement card.  This lovely 5-18 is perhaps the cleanest 20+ year old Martin I've ever had and highly recommended anyone looking for the best "travel guitar" ever made, an excellent living room guitar, or a guitar with a very unique tone for the stage or studio.  For a 5-18 in this remarkable condition, I consider it an excellent value at $1399, well under 1/2 the price of a Marty Robbins.  

Danelectro Reel Echo Tape Simulator, (close-up), (box).  Enjoy the sound and features of an old Echoplex without the noise and breakdown.  Dano has done a good job in designing a pedal with the basic layout of the vintage tape-based echo, with design features that do a good job of capturing that vintage tone - or a more modern tone if you desire.  Features include Warble switch to simulate tape pitch deviations; Lo-fi control that rolls off high frequencies of successive repeats just like a tape unit; Tube/Solid State switch lets you pick your choice of your favorite model; Sound on Sound button lets you play over the lick you just recorded - up to 1 1/2 seconds of delay.  Dano makes a few very good sounding pedals and this is definitely one of their best.  Very easy to get around on, especially if you're familiar with an Echoplex.  Sells new for $149.  This one's mint in the box for just $99. 

2001 Fender Standard Precision Bass with Vintage Upgrades, (front/back), (headstock).  Note: Off hold and now set up with a new set of quality flatwounds for the real vintage tone.  I don't have a lot to write about Fender's Standard series that I haven't said before.  They're made from USA parts, assembled and finished in Mexico, and offer the best value in the Fender line.  I've seen many pro players using them in clubs, sometimes with upgraded pickups but usually stock.  This one is stock except for a very cool cosmetic makeover to give it the look of a '62 P-bass:  quality brown tortoise shell pickguard (not the cheap-o red tortoise), chrome pickup cover, chrome bridge cover, and thumb rest, which along with the Olympic white finish and rosewood board, scream early 60's.  With a stock P-bass running $549 ($780 List), this one is an excellent player with an undeniable vintage vibe - for just $379 and now includes one of our new house brand deluxe gigbags.  Note:  Anyone who emailed regarding this bass the time it was available will have priority.  

Dr. Z Brake Lite Attenuator, Z's new mini Air Brake, designed to be mounted inside your combo (mounting screws included) and allows you to run any amp (up to 45W) into the sweet spot, while keeping the output and cul-de-sac-friendly volume levels.  Unlike some other attenuators, the Brake Lite is compatible with virtually any load, 4 - 8 - 16 ohms.  Like all of Dr. Z's gear, this thing is engineered very well and is transparent sounding.  Installs in 5 minutes:  Two screws hold the unit to the inside wall of your combo, plug the hardwired cable into your speaker out, and plug you speaker into the 1/4" jack of the unit.  Attenuation levels are:  0 = 0 dB; 1 = 2 dB; 2 = 5 dB; 3 = 8 dB; 4 = 11 dB.  Sells new for $169 but I have two of these in perfect shape at (SOLD OUT) $109/each, which is a small price to pay to keep your spouse or roommate happy. (Hold one each - Kurt K and Brian J)

2001 PRS Custom 22 - Whale Blue 100-top & Birds, (front/back), (headstock), (case).  Killer playing Custom in desirable Whale Blue finish with an honest "10" top and colorful bird inlays.  Overall very clean shape with a body that shines like new, no pick scratches or buckle rash but there are some finish impressions in the clear coat, plus a small ding in the binding that Martin lacquered over so you can't feel it and can barely see it (shown here) and some tarnishing to the nickel hardware. All the stock features for a CU22 including wide-thin neck profile, PRS locking tuners, PRS tremolo, Dragon II Treble and Bass pickups, 5-way rotary selector, and a perfectly bookmatched flamed maple top that's consistent from side to side, top to bottom.  All original except for Schaller strap lock pins with locks included with an Ernie Ball strap.  A typically killer playing PRS with a setup that will please any PRS fan and a stunning Custom that's in lovely shape overall.  The new discount price on an '09 Custom with these options is $3894, which makes nice used ones the best value ever at $2000 less - just $1894.  

Vox ToneLab SE Tube Driven Modeling Floorboard Processor (click to expand), (close-up), (back), (case & acc.).  Vox's best and one of the most powerful and best sounding large-format multi-effect and modeling processors ever made, noted for the warm, fat distortion of pure tube sound.  You get a huge range of effects, and 2 expression pedals for complete control during performances and, best of all, its built like a tank for years of road abuse.  Using a 12AX7-driven Valve Reactor circuit the Tonelab recreates the sound and feel of a variety of tube guitar amps, 16 spectacular total, plus 11 cabinet models. In addition, you get 50 stomp boxes and effects (up to 7 can be used simultaneously) that model vintage and popular effects such as compression, overdrive, chorus, tremolo, rotary speaker, acoustic simulation, tape echo, and auto wah. Any combination of amp, cabinet, and effect settings can be saved as one of 96 programs. Two channels (A and B) of amp/cabinet settings can be saved in each program, so you can switch smoothly between rhythm and lead sounds, which is a very handy feature that's been left over the just-released LE model. Other features include send/return jacks for other pedals; an Amp/Line selector for connection to guitar amps, power amps, mixers, or even to record direct; a headphone out; MIDI IN/OUT; and a built-in Korg digital tuner. Editor software is available as a free download from valvetronix.com at this link.   For a good audio demo here, and here's one that's more useful if you speak Thai but this guy, "Chatreeo" just smokes (check out his layered harmony at around 2:37).  For around 100 reviews, where it scored around a "9" overall, click here for Harmony-Central. Includes manual and power supply and a very sturdy carrying case.  This model was discontinued a few months ago in favor of a smaller unit, the "LE" with only one expression pedal, but the Tonelab SE originally listed for $750 and sold new for $599.  This one's in perfect shape and for many players, the search for the ultimate tone machine will end with this one - for just $299. 

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Vintage Fender Footswitches - for your Twin, Pro, Princeton, etc., any of the older Fenders with Reverb and Vibrato and RCA contacts.  These are both genuine vintage, with the silver one being from an early silverface and the black from a blackface era.  Both labels fully intact, although the black one needs a little glue on one corner where it has curled up (will fix prior to shipping).  Nice vintage condition.  $79(HOLD-David M) for the black; $65(HOLD-EV) for the silver.  

Gallien-Krueger 250ML Series II, (top), (back), (back panel).   These are great little amps and a truly innovative amp back in the 80's.  Unbelievable tone and features for an amp of this size - around the size of a large shoebox yet cranks 50W/Side via true stereo amps.  Channel switching, excellent sounding compressor, reverb, and chorus.  Run one of these through a pair of 4X12', or a stereo 4X12, and you'll really hear what stereo is all about - it just sounds HUGE.  Everything works perfectly - even the speakers still sound great with none of the tears that most of these develop with age.  This amp will make you sound like Alex Lifeson (of Rush fame), there's no way around it - but it also puts out some of the sweetest country licks with a Tele and loads of compression - one of the best sounding amps for what it does.  Again, all functions work perfectly and this is an amp that will be working for decades.  $299(HOLD-Robert B).  

2001 Parker Nitefly Standard SA, (front/back), (headstock), (controls)  USA.  Don't confuse with the cheaper P-38 imports - this is the USA Nitefly that has many of the features in the high-end Fly Classic, but with a swamp ash body and bolt-on neck.  Other features include: DiMarzio pickups in HSS configuration, Carbon neck, stainless steel frets, Sperzel tuners, and Fishman/Piezo bridge for acoustic tones.  It features a stereo output jack to run into separate acoustic and electric amps if desired - or you can use a mono cable and simply use one amp for both pickup systems.  Parkers are known as one of the best ergonomically-designed guitars ever with design features that were decades ahead of their time and it's an extremely comfortable guitar to strap on and play.   Controls include a 3-way to switch between Piezo out, magnetic pickups out, or both.  Knobs are the stock layout with a magnetic volume and tone - plus a separate volume for the Piezo system.  This one also has the push-button which allows you to run both signals through the same output or in the depressed mode, it changes the output to stereo.  Overall very clean shape and a good value on an American Parker at $729(HOLD-Jeff F.   Includes very sturdy Parker/TKL gigbag and all the other accessories - tools and paperwork. Here's a good link for specs on this model.  

1997 Guild Starfire III, (front/back), (headstock/neck), (case).  What a beauty!  Stunning condition, and another fine example of a Westerly RI Guild semi-hollowbody.   They must have done a lot of Starfires this year; this is the 3rd '97 I've had in the past few months but definitely the nicest of the bunch in terms of sheer beauty. Beautifully flamed maple top and back, finished in blonde, make this a real looker and the most consistent flame out of the last dozen Starfires I've had.  First introduced in the 1960 as an evolution of the T-100 Slim Jim, the Starfire, with its arched top and back semi-hollowbody has been the choice of some notable players such as Lightnin' Hopkins, Buddy Guy, Son Seals, Tom Fogerty, Randy Johnston - even Glen Tipton of Judas Priest.  Features include single Florentine cutaway maple body with solid ash center block, one-piece Mahogany neck is 1-11/16" wide at nut, multi-ply body binding, bound neck, rosewood fretboard with Mother-of-Pearl dots, Guild SD-1 humbuckers, 24-3/4" scale length, Bigsby vibrato tailpiece, Grover tuners, and inlaid pearl Chesterfield and Guild logo.  This is a finely crafted archtop in immaculate condition with a very nice setup and quality tone.  In my opinion, it's at least as good as a Dot reissue and at around $1K less, a much better value, just $1350.   Includes similarly clean original case with manual/warranty, and hangtag.

1990 Fender HM Strat - Chrome Red/Maple, (front/back), (headstock/neck), (beveled heel/cutaways), (trem), (case).  This one's as clean as they come and like the two below, a fantastic player that blows away the SuperStrat competition.  As I mentioned below, it doesn't matter whether these guitars are USA or Japan they are, across the board, some of the best built metal axes ever made.  With that said, they're not strictly for metal and on the single coil settings, this guitar sounds just like the vintage-style Strat you know and love.  The main difference on this model is the tremolo, which is an "Original Floyd Rose" rather than Kahler, a Floyd nut with screws through the neck, and the logo which has the bolder "Fender" and digital "Strat".  This guitar is truly a closet queen, under the bed, whatever you want to call it...it's a guitar that appears to have seen only a few days use before being put away for 19 years.  The finish is also somewhat rare, Chrome Red, which might appear to be close to Candy Apple but actually has more of a "rose" tint to it.  For a collector, an HM in this condition is a real find, but still player priced and considering these guitars listed the same as an American Standard in '88 to '90, a better value at just $650.  Includes Fender molded case.  

1989 Fender HM Strat - White/Rosewood, (front/back), (headstock/neck), (beveled heel/cutaways), (trem), (case).  Insanely clean USA model and like virtually all HM's, a killer player.  HM Strats, from my experience, and the most consistent SuperStrats from this era when metal reigned supreme and locking trems, jumbo frets, flat fretboards, and at least one bridge humbucker, on a Strat-shaped body, were requirements.  Compare these guitars to Jackson, Charvel, Rich, Hamer, Kramer, etc., and the HM's consistently have the best necks and, almost without exception, set up with the lowest possible action.  There is a lot of confusion on HM's regarding country of origin and depending on the guitar can be made in USA, in Japan, or a collaboration between USA and Japan.  Personally, I consider it largely a moot point since I don't notice any difference in quality in any of these guitars.  For those who care though, I'll add that it's my opinion that this model (i.e. this guitar), with the "E" serial number prefix, usually and E8 or E9, with the cursive/bold "Strat" logo with paint swipe underneath, *are*, the USA models.  Regardless of origin, all of the neckplates say "Made in USA' and I have no doubt that all of the neckplates were in fact made here.  Features of this model include HSS pickup arrangement with a DiMarzio humbucker and two single coil USA Strats in the middle and neck.  With the 5-way switch and coil split mini-switch, this guitar does all of the classic Strat tones plus the hot&fat humbucker tones that were popular in music of the day.  Other features include a Kahler Spyder double-locking tremolo (licensed by Floyd oddly enough), quality Gotoh tuners, Kahler locking nut only (rather than the locking nut behind the standard nut found on the Kahler Pro, flat fretboard (17" radius) with 24 jumbo frets, 25" scale, Strat shaped body with the cutaways and heel beveled to provide maximum ease in playing in the upper register.  This guitar is all original with the exception of the bridge humbucker - a Bill Lawrence L-500XL - which sounds great but we can swap back to DiMarzio if desired.  This one also features a nicely figured maple neck, nothing that will blow you away but very nice for this model.  This is one of the nicest examples of an HM you'll find with no pick scratches, button/buckle scratches, and overall in a beautiful 9.8 condition.  Beater HM's are going over $500 but you can have a real beauty for $650(Tent. Hold - Philippe 7/3).  Includes square Fender molded case.  

1989 Fender HM Strat - Seafoam Green/Maple, (front/back), (headstock), (trem), (case).  Same guitar as the white HM above, except in Seafoam Green with a maple fretboard, preferred by many players, and the bridge pickup is the original DiMarzio.  All specs are the same so I won't repeat them.  Overall this guitar is in very nice condition for 20 years but it does have a few flaws worth mentioning.  As show in this pic, the maple neck, leaves the factory with very little finish so it "relics" quickly, but the frets are barely worn.  Body finish is in very nice shape, other than one touch up on the bass edge, shown here.  Like 99% of HM Strats, this thing is a killer player and low action fans will be delighted - you can shred to your heart's content and this guitar will not slow you down.  Includes a generic hardshell case.  Not clean enough for the collector of the finest examples but for the player, a killer HM for $599.  

2007 Fender Highway One HSS Stratocaster, (front/back), (headstock), (deluxe gigbag).  One of the cooler USA Fenders to come along in a while.  Combines a vintage vibe with the large headstock with vintage logo and vintage tremolo - plus modern features such as jumbo frets, modern C-shape with modern 9.5" fretboard radius, HSS pickup configuration, and a master "Greasebucket" Tone Circuit that rolls off highs without adding bass.  Add to this a very thin Nitrocellulose finish and you have a body that resonates better than the poly finishes and rather easily attains an honest "relic" appearance, much like a vintage Strat.   Pickups included an upgraded bridge pickup - a Duncan "Pearly Gates" - with a Fender Hot Single Coil (Alnico 3) in the middle and neck with the usual layout of a 5-way switching system for a good selection of thick humbucker - and traditional Strat - tones.  Due to the different mounting bracket of the Pearly Gates, one of the adjustment screws is a "dummy", just filling the extra hole.  This guitar is in beautiful condition and has already been lightly buffed out which gives it more of an authentic finish than the stock unbuffed satin finish.  Set up is excellent and it's a nice light weight.  I've said before, Fender could have made a few minor changes and called this a USA Vintage Series but instead they used this model to hit a price point slightly below the American Series, providing an excellent value for the money.  Sells new for $899.  This barely used one is near immaculate and even with the Duncan upgrade, a good buy at 679.

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2003 Spector NS4CRM Euro4 Quilt-top Bass, (front/back), (headstock), (case).  I remember when we got in the first Spector basses at Hotlicks in the mid-80's and dreamed of one day owning such a fine bass.  These were the first basses that I can remember that were designed ergonomically and conformed perfectly to the body, with a curved back and extremely rounded edges, with perfect balance and the narrow body is just super easy to get around on.  At around $2K 20 years ago, all I could do was dream...  Fast forward nearly 20 years and enter Spector's Euro series, which are finely crafted basses, now made in the Czech Republic.  The look, feel, and tone are the same as the original NS4, but the price was much more accessible.  The body is a Ned Steinberger design, with a very attractive quilted maple top, neck is graphite reinforced 3-piece maple and well rounded in back with 24 frets and 34" scale length, crown inlays look great and are true to the original NS4, gold-plated Schaller tuners and strap pins/strap locks, brass nut, high-mass brass bridge transfers the energy from the strings very well and overall this bass is very responsive, "real" EMG P/J combination with a simple control layout - Volume, Pickup Pan, Bass boost/cut, Treble boost/cut.  Click here for a bunch of Harmony-Central reviews on the NS4CRFM, where it earned a 9.8 in features and sound, and a "10" for Stu's customer service, which has remained the best in the business since he's been in business.  If you ever call Spector, chances are Stu will answer the phone and he always seems to have unlimited time to help.  This bass sold for $1399 six years ago (orig. invoice) but are now running $1899 plus $164 if you want the case - well over $2K total.  This bass appears to have seen very little use an is offered in near immaculate 9.8 condition, and almost $1000 less than a new Euro4 with case at just $1099.  

2008 ESP Ltd EC-1000 Deluxe, (front/back), (headstock), (features).  The Cadillac of the ESP Ltd line and one of the most stunning guitars made.  Best of all, it’s a true pro-line instrument with features such as ESP locking tuners, active EMG-85 and EMG-60 humbuckers, TonePros locking bridge and tailpiece, Earvana compensated nut, Ebony fretboard with MOP inlays, set-neck construction, and ultra comfortable with a body that's thinner than a regular LP style and nicely contoured in all the right places.  Visually, it's a stunning guitar with a vintage black matte finish and multi-ply binding that's aged to look like a 30-year-old Les Paul custom, accented by immaculate gold hardware.  With its all-mahogany construction, this is a very warm and fat sounding guitar that's a much more cozy tone than most LP style guitars.  This baby is flawless, untouched condition, with a setup that rivals ESP's at 3X the price.  It has a thin/wide U-shaped neck that's extremely comfortable and the body design provides easy access to the 24th fret.  With a list of $1349 these sell in stores for $949--without case--which is quite reasonable for a guitar of this quality.  Better still, one that is dead mint, for just $719 with a generic gigbag - or $735 with a super padded gigbag.  

2005 Gibson Les Paul Classic with Classic '57 Upgrade, (front/back), (headstock).   A real beauty in Honey Burst with a few tasteful upgrades for more of a '59 appearance including plain truss rod cover, plus vintage style nylon saddles, Schaller strap lock pins and, most importantly, a set of Classic '57 pickups with nickel covers.  The end result is a guitar that sounds better than a stock '60 Classic and has the look of a '58-'60 Plain top.  The '60 Classic has all the features you know and love including '60 slip taper neck, mahogany body with maple cap, trapezoid fretboard inlays, bound body, bound neck, inlaid headstock logo, and vintage-style tuners with tulip buttons.  This guitar is a killer player and I think the tone of these '57's is definitely an upgrade to the ceramic humbuckers that are stock on this guitar, and at $149/each ($219 list), they're the best Gibson has to offer   Includes the earlier, better brown case with pink lining - or I can swap with a current black one if desired.  If you're not a fan of flame tops and prefer a guitar that looks more like many of the original 'Bursts, this could be the ticket.  Barely played, 9.9 condition, and with these few upgrades, a nice buy at $1579. 

2003 Fender Yngwie Malmsteen Stratocaster, (front/back), (case/acc.).  USA Signature Series designed for, arguably, the best shred guitarist of all time, and certainly the best neo-classical shredder.  Finished in Sonic Blue, this guitar is mint condition and features his trademark scalloped fretboard, brass nut, two DiMarzio YJM pickup and a DiMarzio HS-3, special neck shape, late '60s large headstock with "synchronized" logo, mint-green pickguard with aged plastic parts, Schaller vintage F machine heads, and medium-jumbo frets.  Other than the plastic being removed from the pickguard, this guitar is in mint condition with a killer setup and searing DiMarzio/Strat tone.  Current list on this model is $2530, discounted to $2019 at the online super stores.  This one's perfect and nicely priced at $1399.  Includes original tweed case, paperwork, and accessories.

DigiTech RP500 Guitar Multi Effects Pedal , (back), (close-up), (acc.).  Mint Condition.  Fair warning - I've had 6 of these and the first four have sold right away.  Latest and greatest from Digitech's RP series.  More than just an extremely powerful modeler and multi-effect, the RP500 has an exclusive "pedalboard mode" which changes it into 5 individual stompboxes and effects.  My first impression:  this thing is built for years of use and road abuse with metal housing and steel parts, plus it has a simple layout that allows it to be used as a simple pedalboard if desired.   Features include:  Amp/Cabinet Bypass defeats internal amp and cabinet effects in all presets, 40 Tone and 40 Effects Libraries, 200 presets (100 factory, 100 user), Over 125 effects including stompboxes, choruses, delays, amps and cabinets, 5 seconds of delay time, 24-bit 44.1kHz sample rate, Heavy-duty metal switches for stompbox response, Bright LEDs display program status and effect on/off, Large 10 character LED display for preset name-bank name-tuner, Built-in chromatic Tuner, Independent XLR Left and Right Outputs with ground lift Independent 1/4" Left and Right Outputs, Amp/Mixer switch to engage speaker cabinet, Stereo 1/8" headphone output, Stereo 1/8" CD/MP3 Input, Built-in expression pedal controls the RP500’s internal wahs, volume, Whammy and other parameters, All metal construction, Cubase LE4 Music Production Software included, X-Edit Librarian Software included, 2 x 2 USB audio streaming.  For full specs and samples, click here for Digitech or click here for some YouTube demo's.  This unit sells new for $299.  This one appears to have seen zero use and is flawless, and only $215.  Includes power supply, and Cubebase LE and Digitech X-edit software.  I didn't get the manual with this one but it's downloadable here.  

Analogman King of Tone (Version 2).   Analog Mike is backed up 1 1/2 years on the Version 4 K.O.T. but if you don't want to wait, here's a very nice Version 2, serial number 48.  For full spec's, click here for Analogman's KOT page. Inside this pedal you'll find DIP switches to dial in "clean", "OD", and "Distortion" modes, basically set it and forget it.  After that, all the control you need is on the four external knobs.  If you're not hip to the KOT, it'is a killer 2-channel overdrve pedal that can replace three pedals you're currently using:  Overdrive, Distortion, and Clean Boost, and probably sounds better than any of the three you currently have.  The last time I checked, Mike was still selling the V4 for $235 but since there are none on the new market, mint examples were going in the high $400's on Ebay for folks who just couldn't wait.  This V2 has a few finish chips touched up if you look closely but is in very nice shape and...no wait!  $225 for this one.  

Budda Verbmaster 18 4X10 Combo, (panel), (top), (back), (back panel), (footswitch), (chassis).  90's model - Serial VMD-0003, the 3rd Verbmaster built!  Back in the day Jeff Bober had a small company that did some of my repairs and built some killer little amps called Budda, all hand-wired and built in small numbers.  After gaining a reputation as the amp guru of the Baltimore area, doing Marshall mods and various repairs and hot-rodding, his extensive knowledge went into designing some of the best boutique amps ever made.  Jeff eventually sold his company, but stayed on at the Maryland factory, building both his original designs plus the new "Superdrive" series, which were great amps but not hand-wired.  The hand-wired series, which offered little profit margin, soon fell victim to corporate thinking and was discontinued.  They came out with a 10th Anniversary hand-wired but at $5K list, the amp was essentially a Twinmaster with a commemorative badge.  The Verbmaster was a fairly complex amp for Budda, with more than 3 knobs and an effects loop.  The Verbmaster features an excellent sounding reverb with two distinct sounds, "sand" and "surf"; Hi-gain and Normal inputs, each voiced differently; and the usual bass - treble - volume controls.  The high-gain input adds a tube stage to overdrive the normal input's gain stage, which in turn drives the unique tone-control stack.  The back panel features an effects loop; slave output with level control; parallel speaker outs with a 4/8 ohm switch.  This amp breaks up very early and isn't recommended for anyone looking for clean headroom - but for a non-master volume high-gain amp, you get a beautiful tube breakup at a relatively low volume.  For many players, this will be the perfect club or practice amp.  Although 18 watts may seem rather tame, this is a deceptively loud amp.  For a good example of the versatility of the Verbmaster (1X12), using only a guitar's volume control (no effects were used), click here for a YouTube demo.  Other than the Anniversary model, which is great but overpriced, Budda hand-wired amps remain some of the best values on the market, and one of the few that weren't clones of Fender or Marshall.  Dealer cost on these was over $1500 on my last price list that had the hand-wired and it's an excellent amp, in nice shape, for $1399.  See lower down on this page for the same era handwired Budda Twinmaster Ten.  

1983 Boss CE-2 Chorus, Japan, (pic2).  The best analog chorus ever made, according to me - and a lot of others - and along with the CS-2 Compressor, the hottest selling Boss pedal I try to keep in inventory.  Very lush and warm, with a smooth and steady swirl rather than a sharp clip when the signal modulates.  I've used one of these since the 80's without any failure and I've never found a unit I liked better.  This is a black label, made in Japan, and clearly above average in condition.  There are a few finish rubs on a few edges as seen in pic2, but overall, very nice.  I hope to have some beaters in soon in the low $100 range but this nice one is $150(HOLD-Mike S 6/23). 

1983 Fender USA Stratocaster,  (front/back), (headstock), (Kahler Pro Trem), (Kahler Nut), (case/etc.).  '83 Strats are frequently maligned, mainly due to the surface-mounted Freeflyte tremolo system that was, admittedly, ill-conceived, plus other cost-saving measures of the era including pickguard-mounted output jack and only one tone knob.  While it took a long time for these to catch on in the vintage market, a few years ago they started to take off and now they command prices higher than a new Strat, which indicates there is some vintage value in there.  The bottom line though, is many of these are excellent utility guitars.  Fit and finish on these are actually better than the 70's 3-bolt Strats where "the gap" was commonplace, with a neck that didn't properly fit the body.  Regarding the tremolo, the good news is the Freeflyte trems can be rather easily replaced with a Kahler Pro, as was done on this  guitar.  The Kahler Pro is an excellent system and along with the Floyd Rose, is the choice of top American guitars like Jackson.  The feel isn't as stiff and it stays in tune very well.  Kahler also offered two styles of locking nuts, both used in conjunction with a standard nut.  One requires an Allen wrench to loosen while they also offered this style which loosens with a flick of the thumb.  Overall this one is very clean for 26 years with no major scratches on the body and it's obviously been well cared for.  Frets have been recently dressed and there is plenty of life left in the frets.  One major upgrade is a set of Custom Shop Texas Specials have been installed and they sound great.  It also appears as though a new pickguard was used when the pickups were installed.  At 9 lbs. on the nose, this guitar is medium weight for an '83 - I've had many of them over 10 lbs.  If you're looking for a quality utility Strat that is pretty much impervious to going out of tune, with quality Texas Specials installed, here's a nice buy at $799.  Includes original Fender case.  

2003 Gretsch Brian Setzer G6120SSLVO Nashville, (front/back), (headstock), (knobs/straplocks), (case/etc.).  First year Setzer Nashville in "As new" - unplayed condition - with plastic still on the pickguard; not a scratch.  I think, like the 6120DC, the '03 Setzer SSLVO came stock with TV Jones and USA electronics but I'm checking into it.  While specs call for figured maple, many of them I see online look to be very plain as shown in this random sample from four different sites (pic here).  You can see in my pics above that this is far from plain maple with some interesting figuring, almost what you'd call a birdseye maple, except without the eyes.  Whatever you call it, its a very attractive wood.   Specs of this fine guitar include: Gloss Nitrocellulose Lacquer, 16" full hollowbody, Laminated flamed maple top, back, and sides, 2-piece rock maple neck, Bound ebony fretboard, Sperzel locking tuners, Pinned rosewood-based Adjusto-Matic bridge, Gretsch B6CB Bigsby vibrato tailpiece, Nickel-plated hardware, 3-way pickup selector switch, Master tone switch, Master and individual pickup volume controls, 24.6" Scale Length, 1-11/16" nut width, 9.45" nut width, Schaller straplock system, and two sets of knobs (Dice and vintage). With a $4425 list price, it's the most expensive of the "normal" Setzer models, and eclipsed only by the Black Phoenix, which is sort of a black Penguin model.  It's a wonderful sounding hollowbody with good sustain and very low action.  I think any Gretsch fan will be thrilled.  This model sells online discounted to $3099 but why buy new when this is as nice as you'll find, and $1000 cheaper at $2099.  

Clark Beaufort Reverb, (panel), (top), (back), (misc).  Did you think that Clark made only Tweed replicas?  I did, until I got in this killer little Beaufort Reverb, which is Clark's version of one of the true classics, a '65 Deluxe Reverb.  At 22 watts in a small 1X12 open back design, this amp is thought by many to be the ultimate club amp.  Small and lightweight, and just enough power that you can get a sweet singing sustain without blowing away the audience with your stage volume.  There are a few enhancements from the original "Fender Elec." era but, basically, it's the tube-rectified Deluxe Reverb you know and love - except it has a much nicer breakup when pushed.  If you've ever played an original '65 that's tuned up, you know what kind of magic these amps are capable of.  In addition to a great clean tone and sweet overdrive, the tremolo and reverb effects are superb.  Clark's blackface replicas include custom wound interleaved output transformers, voltage corrected and accurate power transformers, high density non tinted eyelet board, Allen Bradley resistors, So Zo caps, all hand assembled and tested to perfection, using selected pine and Finnish Birch for the cabinets.  The Beaufort Reverb features:  Dual channel with volume, bass, treble controls both channels with pull bright switch on both channels. The Vibrato channel features reverb and tremolo.  Tube compliment is one 5AR4 rectifier, two 6V6 Tung Sol reissues, and Phillips preamp tubes - 6 total - with four 12AX7's and two 12AT7's.  Features a quality Weber VST custom 12F150 ceramic magnet speaker and classic cosmetics with black tolex and black & silver grill cloth.  Includes dual foot-switch for Reverb and Vibrato.  There was one factory mod to this amp, an on/off is built into the tremolo "Intensity" pot and you'll feel a click as you turn it down to "1", resulting in less signal loss and no loss of treble at lower volumes.   For more info, check out Clark's site here and their main page with reviews, etc. here.  This amp has seen very little living room use only and offered in "as new" condition and for those of you who want a switchable tremolo bypass - better than new.  If you A/B this with a vintage '65 in a blind test, I think nearly everyone would pick the Clark in a shoot out.  With clean originals, complete with hum and intermittent weirdness, going for over $2K, this Clark is the perfect compromise at just $999(HOLD-Stephen F).  

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1993 Fender Japan '62 Reissue Stratocaster, (front/back), (headstock), (trem/green guard), (neck marking).  ONLY 6.6 LBS. - which is over a full pound lighter than what we normally call a "lightweight" Strat and ties my record for light weight Strats - and it's Alder with vintage routing!.  This guitar is also the cleanest MIJ model I've had.  16 years old and it looks like a nearly unplayed 2009 model.  The only flaw I notice is some rust on the frets, which will be cleaned prior to shipping, and a few pickguard scratches on the mint green pickguard.  Stunning 3-tone sunburst Alder body that's era correct with very thin bands of black and red, just as Fender used in 1962 - not like the wide band of red on mid-60's that is usually found on '62 reissues.  The finish is thin with the appearance of nitro, although I don't know that Fender Japan was using nitro on these.  It is free of any irregularities such as check lines.  I've been very lucky this past month in getting in some very nice *Made* in Japan guitars, which are very high quality and a number of my customers swear are better than comparable USA models.  This guitar is all original, with very good sustain, and includes a great setup prior to shipping.  If you're looking for the lightest and cleanest Fender Japan '62, perhaps anywhere, this one is priced less than a new Mex 60's Classic at $745.  Includes your choice of era-correct Fender gigbag, or recent Fender deluxe gigbag.  Any collector would be proud to have this one - or anyone who has to strap on for 4 sets a night will welcome the back relief. 

Lectrosonics Maxi Mouse SMT Battery Amp, (back), (panel).  This is an "as is" sale.  We haven't tried to fix it but these amps are noted for their reliability, other than batteries going dead.  In fact, it might just need a proper wall wart and it may charge just fine - or it may be seriously blown - I don't have a clue either way.  The Original "Mouse" was introduced in 1979 and soon became the #1 choice of street musicians world-wide.  In 1984, the Maxi Mouse came out, with more power, more features, and longer battery life.  Finally, in 1994, this model, the Maxi Mouse SMT came out, with surface mount technology for more reliability and longer life.  Lectrosonics is still in business (link) and, yes, they still  install new rechargeable batteries (reference).  The bottom line is you will need a proper wall wart to see if it will take a charge and, if not, will likely need a new rechargeable battery.  In working order these are great little amps with a very full sound and 9 watts of clean output, plenty for your average street or campground gig.  It is capable of handing two instruments, such as a guitar and vocal mic, guitar and harp, two mic's, etc.  Each channel has it's own volume and tone, with an EQ switch for voice or instrument, with a master volume control and external speaker which doubles as a line out for running into a separate amp.  You can download or view the original manual here.  If you're a DIY guy you might want to give it a shot yourself or simply call Lectrosonics at 800-821-1121 or an R.A. and they'll install a new battery for you.  $35 plus shipping for this possible gem of an amp.  Again, this amp does not work and is an "as is" sale, with no returns. 

Mako Traditionals TT-2 Tele Copy, (front/back), (headstock).  Nice playing Tele style made in 80's by the Japanese Matsumoku factories, and I'm reading had the powerhouse Kramer company as its US distributor.  Body dimensions are correct, rather than the thinner bodies of some Tele imports.  Set up is very comfortable and the tone is surprisingly good.  I don't know what kind of pickups are in here but there not the usual thin wire type, but are a shielded thick gray cable.  Cosmetically, it's in pretty nice shape for a used guitar with normal wear but no cracks or major issues.  Rather unique look with black body with matching headstock, black hardware, and black neck pickup.  This was obviously not a budget model, with Grover tuners and good quality pickups and with a very nice setup it's a good quality import for $229.  

2007 PRS Singlecut (SC-245) - Dark Cherry Sunburst, (front/back), (headstock), (case).  Dead mint SC245 finished in a very attractive Dark Cherry Sunburst with thin ribbon flame and although not a "10", it' very nice flame that goes all the way up into the upper bouts (pic here).  Let's face it, despite the results of the lawsuit, the Singlecut is basically a Les Paul, although imminently more playable in the upper register.  Personally, I've never been able to play any high leads on a Paul but the Singlecut, with its deeper cutaway makes it a breeze.  With the classic mahogany body/maple top, dual humbuckers, and 25.5" scale mahogany neck, you're talking LP all the way.  Considering the fact that PRS quality control is top-notch and not hit or miss, and I think PRS is simply a better value...period.  Different from the original "pre-lawsuit" Singlecut model, the SC245 got it's name from the scale length, 24.5", which is the shorter length Gibson uses, so if you like the feel of a LP, this guitar will feel very familiar and with the wide-fat neck, the profile will feel just slightly thicker than a '60 Classic, but smaller than the chunky '58/'59 Historic.  Specs of the SC-245 include single cutaway body, thick mahogany back, carved maple top, 22 fret mahogany neck w/rosewood fingerboard, 24-1/2" scale, moon inlays, wide-fat neck carve, PRS stoptail, vintage style tuners, PRS 245 pickups, nickel hardware, 3-way toggle switch with dual volume and tone controls.  If you're a LP fan and you haven't tried one of these yet, you owe it to yourself to stop down at our local store and pick one up today.  You might just find your perfect guitar.  With this top this SC-245 would be considered a "Plus" model and would be price on my site at over $1500.  I think this is a considerably better guitar but priced less.  Just $1599 for the beauty in flawless condition.  Includes similarly clean PRS case, unsigned warranty, etc.  

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DST Engineering MarWatt 2X12 Combo, (pic2), (top), (panel), (back).  Another great Class-A combo and clearly one of the best of the lot as far as 18-watt clones on the market and much more than another Marshall clone.  Touted as the "last word in British sound from a portable amp", one of its proponents is the Rev. Billy Gibbons, who has plugged it in a few articles in ToneQuest.   It features two individually voiced channels for 2 very distinct sounds.  Channel 1 features Hi and Low inputs with simply a Volume and Tone - Channel 2 features High and Low inputs with Volume, Bass, Mid, and Treble.  The two channels are voiced very differently which adds some versatility and ensures that you'll be able to get the classic British tone that you're looking for.  Tube compliment includes three 12AX7, a pair of EL84/6BQ5, and a 6CA4/EZ81 rectifier.  In addition to top grade components, the cabinetry features solid core Baltic Birch plywood with 3/4 inch dovetail corner joints.   With a decidedly vintage look, along the lines of Vox including the top vents, this one is finished in green vinyl covering with gold trim and outfitted with a pair of Celestion 70th Anniv. G12H30's, which is spectacular speakers.  Of note to the back-weary, it weighs in at under 60 lbs., featherweight when compared to some 2X12 combo's.   Click here for a DST's Marwatt Page including full spec's and sound clips and for a great in-depth review in Guitar Player Mag click here.  New cost on this amp was $1899, very reasonable for a hand-built 2X12.  Better yet is this collector-owned, barely used one, for just $1299.  

1930 National Style O, (front), (headstock/tuners), (back/sides), (bottom edge), (serial), (case/misc. mojo).  Every old National undoubtedly has a story to tell.  National started building guitars, resonators to be precise, in 1927 and 1930 was the first year for the Style O and the year this one left the factory as a pristine guitar, in search of a player to bring it to life.  At some point, perhaps during the Great Depression, it was probably sold at a flea market for $1 according to a piece of paper (pic) that says, "Gibson Hawaiian Guitar - $1.00".  Somebody probably bartered it down to 80 cents.  Old guitars really can talk and a careful examination of this one indicates that it was well-loved, saw plenty of playing time but was very well cared for.  There are none of the large dents, frequently found in the sides or to a lesser degree the front or back, that are found on most of these - one very shallow impression on the lower treble bout but it's too shallow to show up in pics and barely bears mentioning.  Likewise, the plating is in remarkably nice shape with the Hawaiian etching on the front and back fully intact as well as the frosted border near the edge.  There are only three small areas of wear that are through the plating (shown here) while the rest of the front and back are very clean.  The frets are in great shape, fretboard is remarkably clean without and deep grooves, which leads me to believe that much of its life was spent as a slide guitar.  The back of the neck has the smoothness that you can only get from a hand running up and down it 100,000's of times, which has worn much of the finish off but in the end gave it a feel that's much nicer than multiple coats of lacquer.  At some point long ago the tuner buttons which appear to be Bakelite, were painted gold.  Much of the paint has flaked off and I'm sure they could be stripped fairly easily.  From what I've learned it has undoubtedly had a neck set at some point since it has very comfortable action and a National of this age has either had a neck set - or needs a neck set.  The guy I got this from seemed like a relative authority on Nationals and is on a first name basis with the leading collectors and dealers of these fine guitars.  He stated that this is the kind of National that folks in the know are looking for.  Most of the "closet queens" are of interest to collectors but all too often that sat unplayed because they weren't great sounding instruments.  Further the wear on the back of the neck is honest and contributes to the great feel of this instrument while at the same time it was well cared for indicated by the lack of dents and rust - and the clean lines in the etching - which indicates that it was cleaned regularly but not damaged by any harsh chemical polishes.  There are no cracks or repaired areas.  Serial number S2051, engraved below the strap pin, puts it in the 1930 range as shown in serial log in the National book. Pat. Pending is etched into the body the top fret.  It plays nicely with excellent tone and none of the extraneous annoying overtones and vibrations you sometimes hear from old resonators.  Remarkably, the original case is still somewhat intact, which is a purple-lined chipboard, and also contains bits of mojo gathered throughout the years including strings and string packs by Black Diamond, Gibson "Mona-Steel", and Capitol Brand, a few finger picks, and a reference sheet from "Volkwein's" in Pittsburgh who possibly did a set up or repair at one time.  All in all this is a wonderful old National and for a 1930 - first year Style O - a nice price at $3200(HOLD-Kenny M 7/3).  

2008 Dr. Z MAZ-18 NR Junior 1X12 Combo, (panel - click to enlarge), (top), (back), (speaker/tube chart).  If you missed the black Maz-18 Reverb Junior a few weeks ago, here's another chance, this one finished in blonde covering.  Following on the heels of Z's successful MAZ-38, the MAZ-18 was designed to appeal to players looking for the same tone in a smaller package. This amp has been well received by players and critics alike, and this model MAZ-18 NR (non-reverb) just won Guitar Player Mag's 'Combo Amp of the Year' award in the Annual Reader's Choice Awards (May '09 issue).  This little amp is a powerhouse, not to be confused with some other Dual EL84 amps, with remarkable definition and headroom, all the way down to the low E - and enough power to cover just about any club stage. This amp can cover a lot of ground with rock, obviously, but also it's a great amp for twangy country licks plus it's a great choice for jazz guitarists, who are looking to replace a small blackface amp or looking for an amp with enough complexity for fusion. It's an amp that you Strat players will love, but it's not only for Fenders. The "Cut" knob may be the most useful and versatile tone shaping tool on any guitar amp. Throughout its range, it produces a large variety of sounds to satisfy players using all guitars for most every style of music. The "Cut" knob is best used after the EQ is all set; turn it up for extra edge, turn it down for a more vintage sound.  Compared to the Maz-18 with reverb, Dr. Z says, "So what do you get when you take the reverb out of the faithful Maz 18? You get more singing gain and less compression making it the perfect club amp for all you rock and rollers and roots music players."  Comes equipped with its stock Celestion G-12H30 70th Anniv. for a great British voice.  Tube complement includes a pair of EL84's in the power section, 5AR4 rectifier, with three 12AX7's in the preamp.  For full specs and clips, click here for Z's site.   The Reverb model sells new for $1499 and is sold without discount - but this one is "as new" and is a sweet deal at just $1050(HOLD-Mike O 6/19).  

1988 Fender Stratocaster Plus - Ocean Turquoise, (front/back), (headstock), (LSR & Wilkinson nuts), (case).  Although this looks a little like Lake Placid Blue in the pics, it's actually Ocean Turquoise, which is a lighter shade and much more rare.  The Strat Plus made its debut in 1987 which makes this a 2nd year example and it's an exception condition, definite investment grade and at 21 years these early American Standards and Plus's have come on strong in the past few years, with prices 30-50% higher than they were just 3-4 years ago.  The Plus was essentially a deluxe model American Standard, with upgraded pickups and hardware.  It featured a trio of the new Lace Sensor pickups, which provided a vintage tone without the annoying noise associated with standard Strat pickups.  It also featured Sperzel locking tuners as well as a Wilkinson roller bridge, both enhancements to keep the guitar in tune, especially for players who use the tremolo to great measure.  Shortly after the Wilkinson was used, Fender changed to an LSR roller nut that used ball-bearings rather than a roller shaft and the LSR was offered as a retro-fit for the earlier models.  This guitar comes with BOTH nuts, with the original Wilkinson in the case and the LSR installed.  We can switch it back to the Wilkinson prior to shipping if desired or ship it as pictured, with the Wilkinson in the case.  This guitar is in stunning condition.  The pickup covers, which are a different plastic than the rest of the guard assembly have yellowed somewhat but rather than clean them, we no longer mess with natural aging on semi-vintage guitars and will leave that to the discretion of the buyer.  It has a very comfortable setup and classic Strat tone out of these Laces.  Includes original molded case in nice shape as well as strap, polishing cloth, and Lace manual.  I've been saying for a few years that these early American Standards with the silver logo would be the next Fender to take off on the vintage market and, sure enough, in the last 2 years I'm paying $300 more than I was around 2007 and with the price of a new American Strat now at $1199, there's still room for growth.  When you can get a 21-year old Strat in beautiful shape for less than a new one, there's plenty of future value there and makes this a sweet buy at $1099, whether you're a collector or a player.  (Note:  I've mentioned this many times but "E4" serial numbers do not mean 1984 manufacture.  There is no such thing as an '84/'85 American Standard - it debuted at the fall '86 NAMM show.  I've only had one '86 and 99% of the E4's are 1987 or 1988.  This one has late '87 pots and neck is dated '88 so it's an '88 model).  

Groove Tubes Soul-O 30 Reverb Combo, (panel), (back), (back panel), (speaker), (tubes/trannies).  Recent model (introduced in '03) Class A combo from Aspen Pittman and GT, a company who knows tube gear as well as anybody.  The Soul-O 30 Reverb is an all-tube circuit with 5 12AX7's in the preamp, powered by a pair o 6L6's in the power section.  It features a 3-band passive EQ and a special "Pre-Bias" control to optimize for various guitar pickups driving the first gain stage. This control can also be used to select front end gain structure, from the cleans of the Fender Blackface era, through the crunch of a Plexi era Marshall, and on to very high gain structures like Boogie, 5150, etc.  There are three distinct gain levels and with a boost function that can be used with each setting it gives you a total of discreet gain settings.  Front panel includes Prebias 3-way, Gain (volume) with Pull Boost, Bass, Middle, Treble, Presence, Reverb, and Master Volume. Back panel has input jack for footswitch (reverb/boost), dual speaker outputs, 4-8-16 ohm switch, effects in/out with a mix control.  The output stage is specially designed for the 6L6 and will produce 30 watts RMS in the Class A Pentode mode.  The amp is mounted in a lightweight Tolex covered plywood cabinet with a long spring reverb and it accepts a dual function footswitch to control the Boost and Reverb, optional with this amp and I probably have one that will work.  This is a very well built amp with quality components such as Mercury transformers and a Groove Tubes CC-12 Classic Clone (Celestion) speaker.  To check out GT's site, click here for specs, manual, and press release.  For reviews check out Harmony-Central where the Soul-O 30 Head got an overall "10" and click here for a brief demo at YouTube. This amps retails at $1699 and this one, offered in perfect shape, is a sweet deal at just $799.  

2007 PRS Custom 22 20th Anniversary Quilt Top,  (front/back), (headstock/inlays), (case).  Truly stunning quilted "10" top in Violin Amber Sunburst.  In addition to all the normal features, to commemorate their 20th anniversary, PRS offered a distinctive “birds-in-flight” inlay on their Customs and Artist package models.  These unique inlays are a slight departure from PRS' normal bird inlays and feature green ripple abalone with brown lip mother of pearl wisps.  This one is outfitted with wide-fat neck, PRS stoptail, 14:1 Phase II low mass locking tuners, Black anodized “20th” truss rod cover, Dragon II treble and bass pickups with covers, volume/tone/5-way rotary.  The top on this guitar is a real stunner with bookmatched quilted maple.  These beautiful instruments bearing the anniversary fingerboards were supposedly made exclusively for the 20th Anniversary series so it's pretty much a lock that these will be a better than average investment piece.  Includes PRS case, hang tag, unsigned warranty, and instructions.  As most of you may know, quilted maple carries a hefty price tag at PRS and adds $790 to the list price.  If you price out a Custom 22 with quilt and birds at USA's largest dealer you'll see the discount price on a new one at $3894 ($5689 list) - the top can range from great to not-so-great.  Buy this barely used beauty and save $1600 of your hard earned money.  Just $2294. 

ESP DV8R LTD Dave Mustaine Signature, (pic2).  Super duper clean - killer rock axe.  Some real high end features in this ESP signature model:  REAL Duncans, Sperzel locking tuners, Tonepros locking bridge system, Dunlop flushmount straplock system, etc.  Killer tone and sustain via Duncan JB (bridge) and Jazz (neck) humbuckers - plus all Mahogany construction with Tonepros bridge with strings-thru-body construction.  Nice cosmetic appointments such as bound neck and headstock, 8-ball inlay at first fret, and all black hardware on a perfectly finished high gloss black body.  This guitar appears to have sat in the closet since new, overall a beautiful 9.9 condition.  List price on the DV8-R was $1149 and they sold new for $804 without case or bag.  If you missed them when they were new, here's a chance to get one that's pretty much "like new" for just $599.  At buyer's option, add ESP Gigbag for $25 - or new Gator hardshell (formfit to body like a glove), for just $59.  

Fulltone Full-Drive 2, one of the best overdrives ever made in my opinion.  This is the earlier non-Mosfet version from 2004 and in perfect condition in original box.  $129. 

Keeley Compressor.  This has got to be THE best or at least one of the best, compressors of all time.  Metal film resistors and capacitors ensure the cleanest compressor on the market.  Hand-matched transistors to less than 1% tolerance ensures you get a perfectly compressed signal with no chance for unwanted distortions.  Also features an internal attack control which lets you use it for high-output basses, live or in the studio.  Try it on keyboards, drum machines, or even for mastering.  This thing does it all and is very transparent sounding.  Perfect condition in the box for $169(HOLD-John S). 

SKB PS-25 Powered Pedalboard and Case, (pedalboard), (close-up).  Uses a fully integrated 9-volt DC power source for up to six pedals.  With simple Velcro attachment, you can use virtually any size pedal - in any layout you prefer.  The design allows you to power up most every pedal in existence with just a standard 9V power adapter. Set up is simple and fast - less than a minute.  Simply remove the pedalboard with pedals already attached, plug your guitar into the top mounted patch bay (with two signal loops) and run direct into your amp.  Padded case has both briefcase type handles or back strap. In good used condition and offered as a bargain special without power supply or cables for $69 - or I probably have a power supply and cable kit with standard Boss type connectors for $99.

Fender J Mascis Artist Series Jazzmaster, (front/back), (headstock), (finish/bridge/tailpiece), (deluxe gigbag).  "As new" - unplayed condition.  A real beauty from Fender Japan, with a retro look in a modern custom color, Purple Sparkle.  J Mascis, a long-time Jazzmaster fan and guitarist for Dinosaur Jr and the Fog, in conjunction with Fender, has created a Jazzmaster with cool looks, a mixture of vintage and modern features, and the classic Jazzmaster tone that covers everything from Beach Boys Surf music, to Elvis Costello pop, to edgy Indie music such as Mr. Nat Bradley of the Pale Stars (click here for demo link, 2nd song of Nat's '59 Jazzmaster).  This model eliminated two of the major shortcomings of a vintage Jazzmaster, namely the vintage bridge which is famous for strings popping out of the slots with an associated and irritating "snappy" tone, and the small vintage frets.  The J Mascis has a Tuneomatic style bridge (i.e. Adjusto-Matic") which keeps the strings in place and also provides better intonation, resonance, and playability.  The other change is the jumbo frets which most players prefer and which allow for easier note bending.  They retained vintage features such as the Anodized pickguard from the ca. '60 era, 7.25" vintage radius, plus they use a reinforced tremolo arm housing for improved fit.  Other features include Basswood body, 1-piece C-shaped maple neck with thin satin poly finish, 1.65" nut, vintage tuners, USA Vintage Reissue pickups with cloth wires.  Pickup switching is the vintage style with a 3-position toggle for B/B&N/N, 2-way slide for lead or rhythm circuit with corresponding Volume and Tone knobs - or Volume and tone roller knobs on the upper bass bout.  Sells new for $1269 ($1590 list) and as with most Fender Japan, is never on sale.  Again, this guitar appears to be unplayed and has a perfect setup and classic Jazzmaster tone - for just $899(HOLD-David G).  Includes Fender deluxe gigbag and paperwork.  I might have a clean vintage style black tolex case for $89 if desired.  

1950 Gibson GA-30, (top), (back), (panel), (speakers).  We have so many projects piled up but this rare '50 Gibson is going to be an "as is" sale.  It works but obviously needs some TLC.  The good news:  Appears all original and it does sound good, but only at low volume.  It actually sounds pretty good at low volume settings, up to around "3".  The bad news:  It has a noticeable but sight 60-cycle hum at idle, and gets extremely noisy at around 3 1/2 which makes it impossible to drive the amp into the break-up zone.  This is possibly due to the fact that both of the speakers are partially blown, and sound floppy, which you can't notice at minimal volume but becomes apparent at higher volume  - but before it goes into the noisy range.  Speakers are original Alnico Jensens with a 12" and an 8".   Control panel features Tone, Instrument Volume, Mic Volume, with 3 instrument inputs and a dedicated mic input, and a "Tone Expander" switch labeled "Low" and "High".  The Expander switch doesn't seem to do anything but we haven't tried cleaning it so it may just need to contact cleaner to kick it.  I'm not an amp expert, but it's possible that the speakers are shorting at higher volume which is the culprit that's causing the noise at the mid-volume setting.  It could also be something as simple as completely dirty connections in the pots, input jacks, and tube sockets.  We haven't touched it, opting to leave this adventure to a home project enthusiast or qualified tech.  As far as cosmetics, it's in average "fair" condition various rusty spots, vinyl covering that could use some hot glue in spots, and missing the logo.  Oddly enough, the leather handle appears original and is still intact.  The fact that the amp works, and actually sounds pretty good at low volume, leads me to believe that this won't be a major project.  The speakers definitely need re-coning or replacing, and I'm sure it must need a cap job.  Those two fixes alone may be all that's needed to return this old Gibson to its sonic beauty.  If you want to give it a try, $450 takes it.  

Marshall Hand-Wired 1974X Combo Reissue, (panel), (top), (back).  One of Marshall's recent hand-wired reissues, bringing back the tone and meticulous construction of the original 60's models.  This one is a reissue of the 18-watt Model 1974, which was produced from '66 to '68, and considered by many to be Marshall's best sounding EL84 model ever made.  Featuring top-mounted controls, immaculately applied black covering, and gray/white grille cloth, the 1974X resembles a baby Bluesbreaker combo (model 1962). As with its ancestor, the 1974X sports two channels, each with dual inputs and a set of Volume and Tone controls.  The Tremolo channel also has Speed and Depth controls for the tube-powered trem circuit. The proprietary Celestion T1221 speaker, which is rated at 20 watts and has a 15ž impedance, is made to the original 1967 formula and has been specially aged by matching the magnet flux to that of an original 1967 Celestion. The cone material is also made more "pulpy" in order to replicate the response of a 37-year-old speaker.  With a birch-ply cabinet the 1974X features the same point-to-point circuitry of the original with carefully routed leads to the chassis-mounted pots, jacks, switches, and tube sockets.  Dagnall power and output transformers are exact duplications of the originals in terms of construction, materials, and electrical characteristics.  At the bottom of the chassis are dual speaker jacks, an impedance selector, and a jack for the vintage-correct tremolo footswitch.  This amp is not just cute, it's a little terror tonally. With just 18 watts, it doesn't have a lot of clean headroom, but by pegging the Volume and your guitar's volume control, you can get a nice spectrum of gritty-clean to grindingly distorted sounds.  The tones are bright with a clear midrange that made chords ring and single-note lines with plenty of presence.  With it's open-back cabinet, it has plenty of low end power as well.  The trem circuit sounds great, whether used as a very low sweep or a super fast staccato.  For much more info, click here for Marshall amps and click here for a 10-min. YouTube demo.   If you're not looking for much clean headroom and instead prefer the wonderful breakup that these amps are cherished for, you'll love it.  This amp has seen only limited living room use and is offered in flawless condition.  With a list price of $3240, the 1974X sells new for $2299, which is reasonable for a hand-wired amp of this quality.  Even more reasonable is this "as new" model for $650 less, just $1649.  

1946 Rickenbacker Model B Hawaiian Lap Steel, (front/back), (headstock), (case), (back), (electronics).  This wonderful old Ricky, built of Bakelite, was made the first year following the War and is in very good vintage condition, appearing all original except for one mis-matching tuner which I believe is the original one.  It sounds excellent with strong output, original electronics perform flawlessly with no scratchiness in the volume or tone pot.  Some finish wear and chips on the ivory painted metal plates.  Serial B8-192.  The B6 was made in Los Angeles, California with a molded bakelite body and neck.  Overall length is 30 in, 9 3/8 in. wide at lower bout, and 1 3/4 in. deep at side of rim.  Scale length is 22 1/2 in. and nut width is 2 1/4 in. Original red-lined case is in nice vintage condition with all latches and hinges intact.  This is a wonderful working instrument and an iconic piece of Rick history for $799. 

2006 Gibson 1957 Les Paul Goldtop VOS,  (front/back), (headstock), (case).  VOS (Vintage Original Spec) R7 and as I've said before, I felt that Gibson nailed it with this model than ever before.  Not quite a relic, they nonetheless have the dull patina of a vintage guitar with a thin nitrocellulose finish and the nickel hardware is also dulled as you would expect on an original example that had been kept under the bed since new.  The original '57 Goldtop was significant mainly because it marked the introduction of Seth Lover's famed PAF humbuckers, forever changing the tone of rock guitar.  Specs of the '57 R7 VOS include: carved maple top over a solid (non-weight relieved) mahogany body, early '50s rounded neck profile, Burstbucker 1 and 2 pickups, low-wide vintage frets, nickel hardware, 24-3/4" scale, and 1-11/16" nut width.  This one is beautiful shape and the setup is phenomenal.  The only flaws are several shallow impressions in the finish that could be factory since the VOS series did include minor finish flaws.  Nice weight, especially for a non-weight relived body at 8.6 lbs.  Accessories include custom shop case, certificate, cable, cloth, pics, manual, hang tags, warranty, and the usual huge assortment of vintage paperwork.   This current model '57 Historic is selling for $3699-$3999 ($5174-$5645 list) but this one's barely played and an excellent value at $2399. 

1986 Kramer Focus 3000,  (front/back), (headstock/neckplate), (Floyd), (Kramer gigbag).  Another flip-flop red finish like the Pacer below, but this one changes from red to a rose color.  The best era for the Focus line in my opinion, after the ill-conceived Floyd without fine tuners, but before production numbers went through the roof and quality control dropped to keep up with production.  These were excellent quality Japan models and a more affordable alterative to the Kramer American series.  These guitars were very close to the ESP-built "Kramer American" series in quality, but priced nearly half of the comparable Kramer Americans.  Kramer offered two other price points, both below the Focus line, namely the Striker and Aerostar series   The Focus 3000 was the equivalent to the Pacer Deluxe, and the only model to feature a pickguard and was one of the Super Strat's that were all the rage in the 80's.  It features a Strat style body with bridge humbucker and two single coils, controlled by a 5-way switch and a mini switch to split the bridge humbucker, allowing for all the traditional Strat tones, plus 2 additional ones (bridge humbucker alone - bridge humbucker and middle single coil together).  Like all Focus Series, it featured the top of the line Floyd Rose double-locking tremolo, the same one found on the American series.  The guitar plays fantastic, really better than the average American and has seen very little actual playing time.  The only real flaws (shown here) are a finish crack *only* in the clear coat (not the wood) next to the neckplate, and a few dings in the belly cut.  If you're looking for a well made, Floyd-equipped SuperStrat, this one's hard to beat for $359.  (Note: I also have an earlier model 3000 (pic here) in black for $429 with case on my "Electrics" page.) 

1987 Kramer Pacer Imperial,  (front/back), (headstock), (flip-flop color changes).  The Kramer American series rode the crest of the wave from the mid to late 80's during the peak of the metal craze.  I used to read in the trade mag's that Kramer was #1 at virtually every price point with their Aerostar, Striker, Focus, and American lines.  When you get a good one, you've got a great rock/metal axe and this is definitely a good one.  It has a great neck that sets up perfectly.  Fans of low action will appreciate the playability of this Pacer.  The tone is similarly nice, with the original pair of Duncan Alnico Pro II pickups - hot and meaty bridge, fat and warm neck.  Finished in Flip-Flop Red, depending on the angle of view and lighting this guitar can appear red, pink, or purple. Original hardware is in clean shape including the Floyd Rose double-locking tremolo.  Overall very clean shape - frets are near perfect - with the worst flaw being an extra strap pin hole 1/2" away from original (shown here).   Many players are buying Floyd guitars again as they discover the joys of never having to tune your guitar and the ease of play with a wide/thin neck with large frets and a flatter radius.  We sold this model new for $799 in the 80's, which was a lot of money 20+ years ago.  A good value today for a killer playing Kramer at just $575.  Includes a hardshell case.  

1991 Fender Stratocaster Ultra,  (front/back), (headstock), (features), (case).  Fender's Cadillac of the Strat line.  There was the Standard, by then built in Mexico, American Standard, Strat Plus, Strat Plus Deluxe, and finally the Stratocaster Ultra.  The lineage of this model can be traced back to the limited edition 35th Anniversary Strat (shown here), which had a production run of 500 pieces from '89 to '91.  The Ultra had the same specs as the 35th including figured maple veneer over alder body, ebony fretboard, abalone dot inlays, Lace pickups, mini-toggle switch, and locking tuners.  The main difference is the 35th had a birdseye maple neck - while the Ultra lacked the fancier neck but it had one more pickup with a dual Red Lace (aka "Dually") in the bridge position.  Other features of the Ultra include highly polished chrome tremolo with "pop-in" tremolo arm, and an innovative Hipshot "Tremsetter" (later became standard on Strat Plus) inside the tremolo cavity.  The Tremsetter was a simple but effective device for floating tremolo systems and is simply a double-acting spring that returns the tremolo to an exact zero "neutral" position at rest and eliminates adjacent strings detuning while doing string bends and pitch flutter when playing aggressively.  Other features include a Wilkinson roller nut in polished chrome, staggered height Sperzel locking tuners that eliminate the need for string trees, Schaller locking strap pins, and engraved "Ultra" neckplate with a hole for the micro-tilt adjustment.  I'm a big fan of the old Lace Sensor pickups.  They're very expressive, which you want with a Strat, and they come in a variety of colors, each with a distinct voice.  They're also relatively noise free and they have zero magnetic pull which allows strings to vibrate longer, thus incasing sustain.  The Laces on the Ultra are a dual Red (high output humbucker sound) in the bridge; a Silver (punch, mid-range tone) in the middle; and a Blue (clean, late 50's humbucker) in the neck.  Controls are a standard 5-way *plus* a mini 3-way for the bridge pickup (back coil - both - front coil).  With the 5-way the mini-switch yields 9 distinct tones, unprecedented for Fender at the time.  Remarkably, there is a distinct difference on the two pickups that comprise the "Dually" with the back coil brighter and more responsive; the front pickup warmer and fatter sounding.  This beautiful Ultra is 18 years old but is so clean it could pass as a 2008 model.  Absolutely no finish checking and it has all the luster of a new guitar.  The writing on the Laces, one of the first signs of use, is clear and unworn.  Frets are perfect and the only imperfections are a few very light finish impressions in the clear coat only, rated at an investment grade 9.7.  Just as importantly, Martin has done a wonderful setup on the guitar and it plays great - and sounds great.  When discontinued in 1993 the Ultra carried a list price of a whopping $1549.  That was a lot of money in 1993 dollars and to put it in perspective, it's almost twice the $869 list of the American Standard the same year which, coincidentally, is around 1/2 of the current American Standard price.  In addition to all of the guitar's special features, the Ultra came stock with an upgraded case with gray plush lined case.  There are few Ultra's in circulation and I'm lucky if I get in one a year.  Relatively few were made, no doubt due to the high price tag, and many are in the hands of collectors, which takes them out of circulation indefinitely.  Although this one is in collector's condition, if you're looking for a great guitar to gig with, this one covers a lot of ground and at $1350, is very reasonably priced for the ultimate Strat of its era.  

2006 Ibanez RG2620CBK (Cubed Black Pewter) with Duncans or DiMarzios, (front/back), (headstock), (trem), (orig. box), (case).  Another fine Japanese Prestige Model, the 2620CBK comes with a very cool graphic finish, slightly textured, that Ibanez calls Cubed Black Pewter, which reminds me of one of the finishes from the USA Custom series from many years ago, which were offered in several machine graphic finishes. We're offering this one either stock - or with a Seymour Duncan upgrade (pic here) which includes a Pro Shop "Full Shred Trembucker" and a Production Floor Custom "Trembucker". A Production Floor Custom is a regular production pickup that's a one-off ordered with a slight change in specs such as wiring or cosmetic differences. If you prefer it stock, we can ship it with the stock IBZ/DiMarzio pickups (shown here). Other features of this fine Prestige include: Basswood body; hand-oiled Prestige 5 piece Wizard maple/walnut neck; Jumbo frets; Edge Pro trem; Dimarzio IBZ neck pickups; 5-way selector for a choice of single - or humbucker - tones; Cosmo black hardware; Cubed Black finish; Ibanez J-craft form-fit case. This guitar has a super nice setup and the Edge Pro stays in tune under the heaviest dive bombing, virtually impervious to going out of tune.  With a list of $1506, this model sells new for $1129.  This guitar is virtually unplayed and could be sold s new and even with the Duncan upgrade, is $250 less than a stock model, $879, or if you want it with the IBZ/DiMarzio's, just $829.  If you heard it with the Duncans, it's definitely worth the $50 difference.  Includes J-Craft case, manual, tags, etc., and ships in original box.  

1979 Ibanez AR-30 Artist, (front/back), (headstock), (features), (case).   Another great older Ibanez except from the higher-end Artist Series, from the glory days of Hoshino/Ibanez Japan. The classic LP combination of solid mahogany body with carved maple top with double cutaway body make the Artist the ultimate in fat Rock tone, with superior playability and comfort.   With its double-cut body, the Artist is much easier to get around on when playing in the upper register.   Features include carved maple top over mahogany body, set-neck with "smooth heel", nickel-chrome hardware, Gibraltar bridge with Quick Change tailpiece with angled-slot design, great sounding "Super '70" pickups, 3-piece Birch neck, and Ibanez Smooth tuners  Finished in black, which is by far the most popular guitar color, making up 50% of all new guitars purchased.   Like all of these old Artists, playability and tone are incredible and it's built to last a lifetime.  Worst flaw are scratches on the back (shown here), much of which will buff out if desired.  Shop around at see what kind of comparable guitars you can get for under $500 with case these days.  You might find a Korean or Chinese Epi or Ibanez and while they're decent guitars, they're definitely not in the same league as this MIJ Artist.  This one is an excellent player with quality tone and definitely worthy of professional use - for $429.  Includes original green-lined tolex case in good shape.  

Danelectro '63, (front/back), (headstock), (aged pickups/pickguard).  The king of retro guitars, Dano abandoned their line of 6 or so models years ago and has since gone to a single guitar and bass for a run of about a year and then it's on to a new model.  Many of you older players, or vintage fans, as a copy of the "Model 1449", sold primarily in the Sears catalog, years before we shopped on the web.  Among its most notable players was Elvis Costello, and thousands of beginning guitarists who were proud to make this their first guitar.  These are actually better guitars than the original and with clean original Dano's now going for four figures, they're a much better value for the player.  Like the original these feature the Masonite top and back, with a chambered center so it's very lightweight.  Likewise, the pickguard, complete with oval cutout, is also made of Masonite.  The tape on the originals was to cover the seam of the top and back; on these reissues it's for aesthetic reasons only and can be removed.  It inevitably shrinks a little and begins to show gaps so you can expect a sight gap in the cutaway.  You can keep pressing it down but it will come back.  Scale is 25", right between Fender and Gibson, and the neck is a slightly shallow C-shape, with 19 fret rosewood fretboard.  It's done in a satin finish, this one finished in "Burgundy".  Dano's signature "lipstick tube" pickups have that unmistakable Dano tone and are controlled by a standard 3-way with volume and tone.  One of the great improvements on these later models are a metal bridge with adjustable saddles for perfect intonation, a great improvement over the single slab of rosewood on earlier models.  These sold for $299 but this one is near immaculate, 9.9 condition, set up very well, and a very gigable guitar for just $225.  

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Seymour Duncan Warren DiMartini (click to enlarge).  One of the few guitar heroes from the 80's, Warren has always had a signature sound and this Custom Shop pickup, personally signed by Warren and Mr. Duncan, delivers that tone.  Used briefly but still in mint condition, this is a very hot Alnico II at 17.8K.  Zebra coils and cut to fit bridge position, this pickup sold (not listed) for $198.  If you're a Ratt fan or just somebody who wants a truly unique pickup in your guitar, try it out for $139(HOLD-Craig C 6/11). 

Seymour Duncan Jazz (Neck).  A brighter sound than most neck pickups, which tend to sound muddy, the Jazz is a medium output and a popular mate to the JB or Duncan Custom bridge pickup.  $45.

Seymour Duncan Phat Cat PH90-1N, Originally designed for Hamer guitars and now available as a replacement pickup to the public.  Cool thing about these is that it's actually a P90 that drops right in to your humbucker route.  P90's are fat like humbuckers, but being single coils they have the expressiveness and articulation of a single coil.  The Phat Cat uses two Alnico 2 magnets for more sustain and softer attack, while the metal covers provides more shielding and noise reduction than standard soapbar covers. This gold one has never been installed and new in the box.  Store priced at $99, available here for $69.  

Seymour Duncan Phat Cat PH90-1N and 1B, (pic2).  As above except with nickel covers.  Matched set (bridge and neck).  Sells new for $79.99/each  - get these for $55/each (HOLD-Jude H).  

Seymour Duncan Tele Little '59.  The Little '59 was designed for the Tele player who wants a harder rock tone.  The Little 59 has a warm, smooth tone, reminiscent of an old '59 Gibson PAF, although with a tinge of beefed up twang.  You might think this is just a pickup for rockers but it's actually great for country, jazz, blues, and funk as well.  Immaculate.  $55(HOLD-Marc P 6/16). 

Seymour Duncan Duckbucker Strat Bridge, Vintage output single-coil-sized humbucker. Excellent for country, pop, surf, rockabilly, blues, ska and classic rock.  Based on the Vintage Rails, the Duckbucker uses six fully adjustable pole pieces together with a unique, split blade design.  $49.

Seymour Duncan Quarter Pounder Tele Neck, High-output true single-coil pickup for hard-hitting tones. Great for classic rock, jazz-rock fusion, heavy rock and aggressive instrumental rock.  $45(HOLD-Marc P 6/16). 

Seymour Duncan Twang Banger, True single-coil pickup that makes a Strat sound like a Tele. Recommended for country, pop, rockabilly, blues, jam, classic rock and heavy rock.  Get the twangy, muscular punch of a gutsy Tele in your Strat with the secret ingredients being the copper-coated steel bottom plate with aggressive coil windings, Alnico 2 magnets wrapped in plain enamel wire for a high-output Tele tone.  $49. 

Seymour Duncan Vintage Rails Strat, Vintage output single-coil-sized "rails" humbucker with the sound of a vintage Strat®. Perfect for country, pop, surf, rockabilly, blues, ska and classic rock.  Uses a unique split rail, twin coil design and special (parallel) wiring to achieve true, vintage, single-coil tone without hum. Clean, clear and bright, with all of the "quack" you love in the notch positions. Tonally similar to Duckbuckers, the rails design eliminates any potential dropout in string bending. $49. 

Seymour Duncan JB Black Bridge,  One of Seymour's original hot-rodded humbuckers in production for over 30 years. Great for everything from heavy blues to heavy metal.  The JB is world's most popular humbucker with high output while retaining singing highs, aggressive harmonics, and just the right blend of sustain and distortion. Goes from sweet warm tones to raw rock 'n' roll.  Some players use it with 250K pots to smooth out the highs. Comes with four-conductor hookup cable.  $49. 

Seymour Duncan Dimebucker, The Dimebucker uses a powerful ceramic magnet coupled with stainless steel blades. It's secret to the hard-hitting crunch is the small amount of metal mass in the core of the pickup which allows the SH-13 to have both high DC resistance and a high resonant peak, resulting in a high-output, aggressive humbucker with lots of treble bite and clarity, as well as punchy bass response and exceptional dynamics. The Dimebucker is perfect for heavy rock and metal; and it rocks equally hard with tube and solid-state amps.  Used but very clean, and the perfect bridge humbucker for many of you - for just $65.  

Seymour Duncan '59 Pair, Neck and Bridge set.  Versatile P.A.F.-type humbuckers that are great for country, jazz, blues, funk, classic rock and heavy rock.  Late-'50s, vintage-correct, humbucker sound = warm and crystalline clean tones plus full and bright distorted tones and smooth sustain.  Classic appointments include plain enamel wire, long legged bottom plate, vintage single conductor cable and no logo.  Compared to the Seth Lover, these '59's have  more scooped mids and is vacuum wax potted for squeal-free performance.  Has cream pickup rings but we probably have a set of black if needed. Sells for around $75/each but here's the pair for $99(HOLD-Collin 6/17).  

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ESP George Lynch Kamikaze 3, (close-up), (headstock), (Floyd), (back/color), (black/champagne sparkle), (case w/tuner).  Brand new condition!  The real deal Lynch model, from the Japan Custom Shop which matches the quality of the guitar that George himself actually plays.  The most striking feature is, of course, the special graphics which feature a number of images and a number of finishes including overlapping opaque and sparkle finishes.  This has got to be a very expensive finish to produce - if you've seen one of these close-up you'll know what I mean.  Features of the Kamikaze 3 include George Lynch U neck contoured maple neck with ebony fretboard, Maple body, Seymour Duncan TB-12 and ESP SS-120 pickups controlled by master volume with push/pull switch, Original Floyd Rose tremolo, and XJ frets.  Even the case on this model is extra cool, with aged-looking rising sun graphics and even has a quality tuner built in.  With a list price of $3199 these are selling at discount for $2399 but save a bunch of your hard earned money.  This Lynch is virtually new, doesn't look like it's ever been out of the case, and it's a sweet deal on a K3 at $1599(HOLD-Johnnie 6/11).  

BOUTIQUE PEDAL DAY #24 - I haven't done this in a while but here are a bunch that have come in the past few weeks.  Boutique effects are a great asset in your search for the ultimate tone.  The down side is they're more expensive than Boss, Digitech, Line 6, etc., and while they hold their value rather well, you can expect to rack up a 25% loss upon resale if you decide they're not your thing or you get tired of them.  The answer?  Buy used and save.  Get a $200 pedal for $140-$150 and if you decide you want to sell it, you'll get all your money back and, frequently at auction, even more than you paid.  

T.C. Electronic Nova Reverb NR-1, (pic2).   Studio quality reverb sounds in a small floor effect.  Some of the best reverbs you'll hear in any configuration - what else would you expect from T.C. Electronic, makers of some of the finest floor and rack effects for pro guitarists worldwide  The main feature of the Nova Reverb is it's ability to store a setting which allows you to dial in one setting for a particular song and with the touch of a button switch over to the stored setting which may be your "regular" setting for the majority of your songs.  The Nova Reverb also has a unique new feature called DynaMix which acts as a dynamic ducking effect that turns down the reverb while you’re playing and turns it back up again when you’re not playing. This prevents the sound from getting muddy – especially when using large hall reverb types – but will still give you that huge live venue effect while the notes decay. The DynaMix can also be reversed so the reverb is turned up while playing and gated when the input signal falls below a certain level, producing a truly unique and out-of-this-world effect.  For YouTube demo's, click here.   Click here for full specs from the TCE site and manual is downloadable from this page.  $249 new, this used one works perfectly and is a great reverb for $165. Includes power supply. 

EBS Multidrive, (pic2).  EBS is one of the premier builder of effects for bass and the Multidrive is their overdrive-fuzz-distortion effect, with a circuit designed specifically for the lower frequencies of the bass range.  It's a Class A pedal that produces tons of sustain, distortion, and tube-style effects. The mode switch selects flat, standard, or tube-simulation overdrive sounds while the Drive and Volume knobs control the amount of effect and output level. It use noiseless FET switching and is equally at home in the studio and on stage - and it's definitely built for road use.  Quality effect for the pro bassist for just $145. 

EBS UniChorus Analog Processor, (pic2).  EBS is one of the premier builder of effects for bass and the UniChorus is their chorus/flanger/modulation effect, with a circuit designed specifically for the lower frequencies of the bass range.  It lets you switch between low-noise, studio-quality chorus, flanger, and pitch modulation effects.  Premium analog circuitry gives the UniChorus a smoother, warmer, and fatter chorus/flanger effect.  It has Depth and Rate controls plus stereo output.  It use noiseless FET switching and is equally at home in the studio and on stage - and it's definitely built for road use.  Quality effect for the pro bassist for just $145. 

Keeley Fuzz Head. The Fuzz Head is designed to work like Fuzz Face pedals that many players use as a lead boost. A Fuzz Face can be muddy, lacking note definition, too bassy, and lacking sustain. An overdrive sometimes doesn't give enough or is too smooth. In contrast, Robert Keeley's design is transparent, has a better frequency response, and gives you that cutting edge for lead breaks.  It was a Reader's Choice winner in Guitar Player magazine so a lot of folks seem to like it.  For anyone who cares, this one is serial no. 14.  For more info and loads of sound clips, click here for Keeley's site.  Click here for YouTube demo and a few comparisons to other boutique pedals.  Mint in box $149. 

Fulltone Robin Trower, (pic2).  Robin Trower is one of those guitarists who is known for a signature tone and this pedal delivers it exceptionally well.  Excellent touch response and huge-sounding sustain for days - plus crystal clear when the guitar's volume knob is rolled back, great for changing your tone at live gigs on the fly.  Designed to work equally well with Fenders and Marshalls to meet Robin's needs, it will likely work well with any amp you're using since most circuits are cloned after these in the first pace.  This one's serial number 65 for anyone who cares.  For more info and sound clips, click here for Fultone's site.  Click here for YouTube demo and a few comparisons to other boutique pedals.  Mint in box $159(HOLD-Gavin 7/1). 

Blankenship Variplex 50 Head, (top), (panel), (back), (Variac).  Attention - seekers of the "Brown Sound".  Here's your amp.  Roy Blankenship does some of the best Marshall Plexi clones ever made and this model is the '68 Plexi designed to run off variable voltage (i.e. a Variac) to modulate the power output.  This is a trick made popular by Eddie Van Halen, but on a normal Marshall circuit, the amp will shut off below 85 volts and most amps risk serious damage by running them at low voltages.   Blankenship engineered the Variac at the design phase of this amp by stabilizing one of the operating voltages and as a result the Variac acts as an infinite master volume -- giving you from 50 watts down to 0 watts with the turn of a dial.  To clarify, a Marshall might run okay and sound great down to 85 volts; the Variplex sounds great at any voltage, even down to 2 volts.  In the prototyping, they tried every combination of coupling caps, resistor types, transformers, even combining resistor types.  They used an Axess Amp Switcher and had players compare theirs to the original, and when 10-of-10 chose the prototype, they had the winner.  Here is a lively discussion with clips at the gearpage.net (link) and another at acapella.harmony-central (link).   YouTube has some demo's as well at this link.  Click here for more on Blankenship at Roy's site.  This amp is an ingenious design and it sounds incredible.  For seekers of Ed's Brown Sound, this could be the end of their search for the perfect tone but it's really for anybody who craves to the tone of a 60's Plexi, an amp that virtually defined rock music, with the added benefit of being able to control that beast.  Offered in green Levant, which I don't think is a stock color, this amp is in mint condition and with a new Variplex 50 costing $2500, save some serious cash and get this mint one for $1750(HOLD-Kevin H 6/16).  

1975 Fender Dual Showman Reverb (click to enlarge), (top), (back), (side).  With factory-equipped international voltage switch.  Not the cleanest example and has pics of Michael Jackson on top and side, in addition to changed knobs, but this amp has been regularly serviced and sounds...perfect.  No snap-crackle-pop, it's quiet at idle, and as you would expect from a properly tuned 100W Silverface Fender, very loud.  The Dual Showman *Reverb* is certainly the more desirable amp when compared to regular Dual Showmans, which have vibrato only.  Fender's reverb circuit is one of the best and any of their models which came with or without, finds the non-reverb models much less in demand.  Basically, the Dual Showman Reverb was the Fender Twin Reverb in a piggyback configuration, with a head and separate 2X15 cabinet.  While the original cabinets on these are unnecessarily huge, these heads are terrific sounding and can be paired with virtually any cabinet of your choice.  Specs of this amp are the same as the Twin Reverb, with 6L6 power tubes cranking out 100W RMS (also rated at 220W Peak Music for what that's worth).  Dual channels "Normal" and "Vibrato", with low and high inputs for each channel as well as a "bright" switch on each. Separate vol-treb-mid-bass controls on each channel; Reverb is available on Vibrato channel only, although there's a simple mod to make it available on both channels.  During this era Fender used a Master Volume (pic) with push-pull boost for "variable control of distortion, harmonics, and overall sound level."  Although maligned by Fender purists, the Master Volume is actually not a bad feature for an amp with this extreme power.  If you only want the classic Fender clean sound, just ignore the Master and keep it up on "10" and the amp will react as the previous non-master amps.  If they still made an amp of this quality today, it would be custom shop at a cost of $2K or more.  These amps are extremely dependable and they work night after night without failure.   While this amp wouldn't be of interest to most collectors, for a player looking for a classic Fender clean tone with loads of headroom, this amp sounds *perfect* and if you don't like the artwork you can just paint over it.  A great sounding head for $399(HOLD-Ted/Dhy).  Note:  If you need a matching cab, I have a '73 2X15 matching cab available (Cab-1), (Cab-2) (Cab-inside).

B.C. Rich Warlock Guitar Case.  Gray tolex with black leather ends, plush black fur interior.  Excellent quality, TKL Canadian, much better protection than the Chinese models on the market today.  Excellent shape and includes key.  $85.  

Line 6 Variax 600 Modeling Guitar, (front/back), (headstock), (features), (gigbag), (footswitch).  I was impressed with the VG Strat I had recently in terms of versatility and a rather convincing modeling tone but the Variax takes it 10 steps further with loads more guitar models and tuning options.  It's like having 25 guitars in one!  For a complete listing, click here for Line 6 site.  For many of us setting up for a gig means lugging at least two electrics and probably a 12-string and an acoustic.  Imagine a single guitar that plays fantastically, that can cover all the bases.  Ladies and Gents, the Variax.   With a seeming endless variety of sounds from classic acoustic and electric tones all the way to sitar and banjo - plus without magnetic pickups, your notes come out crystal clear without any noise whatsoever. Variax also allows you to plug into a computer and customize your tone or apply alternate tunings to any of the 25 presets.  Line 6's exclusive Variax Workbench software lets you fine-tune all the details of each tone, or change your tuning to Open G, DADGAD, D-MODAL, Drop-D, or any tuning you can imagine, without ever needing a tuner.  It also integrates seamlessly with POD XT Live and Vetta II - not only powering the guitar but also letting you control the entire signal chain right at your feet.  It can also run either on batteries or by the included phantom adapter - or receive power from Vetta II, PODxt Live or POD X3 Live.  Other features include Comfort-contoured basswood body, one piece maple neck, 22 medium profile frets, 25 1/2" scale, 9.5" fingerboard radius, custom L.R. Baggs tremolo bridge, standard 1/4" guitar output jack plus digital I/O jack for PODXT Live, POD X3 Live, Vetta II, and Workbench connectivity, volume and tone controls, included XPS A/B footswitch selects between two outputs: 1/4" standard guitar output for connection to any guitar amp or XLR balanced output for sending acoustic sounds to a separate amp or PA.  This is a very impressive sounding guitar, especially at an $1119 list price.  This used one is in mint condition, plays exceptionally well, and priced at $679(HOLD-David G 6/17).  Includes one of the best gigbags made, footswitch with power supply, and stereo cable.  

Ernie Ball Musicman Axis Super Sport HH with match headstock and tremolo, (front/back), (headstock), Beautiful Orange Quilt with matching headstock, optional vintage tremolo, and lightly figured maple neck.  As you probably know, this model was essentially the EVH model, after Ed's contract with Ernie Ball ended.  There have been some improvements to the guitar since the EVH days but by appearances it's much the same.  Many of you will say "that looks like a Wolfgang" but the roots of this model, the EBMM EVH, preceded the Wolfgang by around 8years.  Set up is perfect and Musicman's custom wound DiMarzio's sound fantastic.  Spec's of this model include Basswood body with bookmatched, figured maple top, Maple neck with 5-bolt neck joint, Maple fretboard, 22 high profile, medium width frets, 2 custom DiMarzio humbuckers, Music Man tremolo, Schaller M6LA tuners with pearl buttons, Graphite acrylic resin-coated body cavity and aluminum-lined control cover, volume and tone controls with 3-way pickup selector, Cream body binding, 25-1/2" scale, 10" fretboard radius, and 1-5/8" nut width.   Offered in immaculate condition with a fantastic setup and your choice of a Musicman deluxe gigbag or new aftermarket Tolex/wood case.  This model lists at $2575, selling online for $1799 but this beautiful used one is just $1099. 

1989 Fender Japan '62 Reissue Stratocaster, (front/back), (headstock), ("inside" pics), (aged hardware/pickups), (pickguard), (aged body).  As clean as the Candy Red '95 model is below, this black '89 is the opposite.  This is a true relic, complete with finish chips, lines in the finish and plenty of scratches, oxidized hardware, and rusty screws.  As worn as this guitar is, the frets are perfect and the setup is great.  To me it looks like a guitar that had a careless owner who played it sparingly and never wiped it down.  The tuners, for instance, aren't at all rusty but they've oxidized to a point where the nickel plating has turned to a pewter color.  The pickups and knobs are naturally aged, while the pole pieces have the rusty look of a real '62.  It even has the requisite cigarette burn on the headstock.  With a guitar that looks this good, it's a bargain compared to a genuine USA Relic series or if you compare it to the new Mex "Road Worn" series, this one looks much more authentic because, well, it IS authentic.  This is another *Made* in Japan, a quality guitar in all regards that a few of my customers swear are better than comparable USA models.  Compared to a $950 Mex Road Worn and this one is a bargain at $599 and includes old style Fender molded case.  Note: I may have a back cover for the trem cavity if you remind me.  This is one cool Strat. 

1995 Fender Japan '62 Reissue Stratocaster, (front/back), (headstock), (pickups/neck butt).  Another fine "Made in Japan" model from the mid-90's, with the anniversary seal on the back of the headstock.  I used to think all Strats of the same lineage, e.g. a '95 MIJ Strat, sounded the same.  Some 100's of Strats later I've learned that there are some which are simply exceptional sounding guitars.  Regardless of pickups or other factors, they have tone woods that have that "something extra" that sets it apart from a good sounding average example.  This is one of those guitars.  It's all stock, and without benefit of some expensive aftermarket pickups, it has a singing quality with a fatness that's not common on a Strat, and excellent sustain.  This model doesn't have your average C-shaped neck which Fender uses on virtually all their "Classic Series" guitars.  During the MIJ era the necks much closer replicated the original with a very chunky V on their '54, the sharp smaller V on their '57, the deep chunky on their '62, etc.   The '62 has a rather substantial U-shaped neck (pick here) -  click here to see the difference.  Other distinguishing features include vintage routing including the "worm track" in bridge pickup route; Alnico single coils with stagger pole pieces; 3-ply mint pickguard with aged plastic parts; and stamped saddles with "Fender" engraved and the heavy trem block.  This fine Strat has seen very little playing time and there's little to no actual player's wear, however, there are two small pain chips (shown here), which we can touch up if desired, or if it's going to be a gigging guitar, you've got a head start on an honest relic.  A lot of people feel that these earlier "Made" in Japan are better guitars than the later "Crafted" in Japan models.  Personally, I think they're pretty much equal but I do see the "Made's" selling higher most of the time.  One thing's for sure, this is one nice Strat and with the price of a new "60's Classic" now going for $1099, this one wonderful Japan model is a nice model - for $400 less.  $699(HOLD-Jamie H 6/20) includes your choice of a rather rough case, an era-correct Fender gigbag, or a recent Fender deluxe gigbag.  

1996 Fender Standard Stratocaster - with upgrades, (front/back), (headstock/neck), (GFS pickups), (orig. guard).   A beautiful '96, barely played in 13 years, in one of the very popular finishes from the era, Electric Blue.  This one has two tasteful upgrades - a blue/gray paisley pickguard which matches to blue finish very well and a new set of GFS "Hot Alnico Staggered" pickups, which received a "10" in sound quality from 6 Harmony Central reviews (link).  This guitar has an excellent setup and with these GFS pickups, it definitely sounds better than a stock Standard Strat.  It even has a little bit of flame on the neck which is a nice touch.  If you're looking for a very clean Strat in Electric Blue, discontinued many years ago, here's one that's a real beauty.  If you don't care for the cosmetic upgrade, original pickguard is included and you can switch it back to white.  With a new stock Standard Strat running $499, this nice one with the GFS upgrade, is an excellent value at $399, set up perfectly and ready to go.  

2004 PRS Custom 22 Artist, (close-up), (front/back), (headstock), (gold hardware), (case), (tag).  Stunning PRS.  Artist Package with Raspberry Quilt top and gold hardware plus colorful Paua shell inlays, oh man.  Before I forget, this one features the Wide-Fat neck carve, which is kind of a misnomer since it's only 1/16" thicker at the nut than their wide-thin.  This one was also ordered with the McCarty switching system.  If you're not into the 5-way rotary, this is much more intuitive and even gives you one more tone than the 5-way.  The Artist package includes the top quality figured tops, termed "artist grade" by PRS, extremely colorful Paua bird inlays, rosewood headstock overlay with inlaid Paua signature, gold hardware including low mass locking tuners and PRS tremolo, and deluxe leather hardshell case.  These guitars are a good example of "guitars as art" and each are stunning in their own right.  Finished in rather rare Raspberry, which stains beautifully over figured quilt.  It looks great from any angle and doesn't have any "weak" areas, which you would expect for a an Artist grade top.  With these options, this guitar lists at $5150, selling at discount after rebate at over $3600.  In these tough times people look for value and when you can save $1300, that's a very good thing.  This beauty, has just a few miniscule flaws but overall is a beautiful 9.8 condition and a sweet deal at just $2199.  You won't regret it.  This is one fine PRS.  

2006 Fender Deluxe Active Jazz 5, (front/back), (headstock), (controls).  In one of my most popular finishes, Vintage White, with a tortoise pickguard.  A real bang for the buck winner, electronics and hardware found on American Deluxe models, at less than 1/2 the cost.  If you're thinking about moving up to a 5-string, I can't think of a better choice, especially for the price.  If you're like most players, anytime you watch a concert or video you always zoom in to see what basses the pro's are using.  If you notice the bass player is playing a 5-string, chances are he'll be playing a Fender V.  Nothing else combines the classic tone, look, and feel of a Fender.  The Deluxe Active Jazz V has the tone of the Jazz you know and love, without the noise you don't love, and those vintage tuners, still found on many models, don't stay in tune as well as the new lightweight Gotoh mini tuners used on this model.  Features include: modern C-shaped maple neck with pau ferro fingerboard; solid Alder body; 20 medium-jumbo frets; Fender Vintage Noiseless Jazz 5 pickups. Active circuit includes: Master volume, pickup blend to choose neck - bridge - or any blend in between, and active EQ with bass, mid, and treble cut/boost.  Sells new for $879 ($1100 list) but this beautiful '06 model doesn't have a scratch, plays exceptionally well, and is $300 cheaper at $579.  Includes free Fender gigbag or upgrade to Levy's EM8-S for $15 more. 

Mesa-Boogie Rect-o-Verb 50 Series 2 Combo, (front-panel), (back), (back-panel), (acc.).  A monster sounding Boogie - killer tone and very loud - rated at 50 watts Class A/B power, it sounds more like a 100 watter.  The Rectoverb 50 is a dual channel, but with 5 modes:   on Ch-1 choose Clean or Pushed - Ch-2 choose Raw, Vintage High Gain, or Modern High Gain.  Front panel of this single rectifier has independent controls for each channel, with switches for "Clean"/"Pushed" and "Raw"/"Vintage"/"Modern".  Indicator lights let you know if you're on Ch-1 or Ch-2.  Back panel  has external switching jacks for channel-solo-reverb (footswitch included), parallel effects loop with "mix" control, Bias Switch for EL34 and 6L6 power tubes (a new feature added with the Series 2 models), 8-4-4 ohm output jacks, and slave output.  The amp is currently set up with EL34 power tubes but it's designed to run on 6L6's as well, if that's your preference.  Purchased locally at The Only Guitar Shop (having fun Dave?), this amp has seen very limited home use only and is in superb cosmetic condition.  This is a fantastic amp, which is largely the consensus of 132 reviewers on Harmony-Central where it scores a remarkable 9.9 on sound quality and a 9.6 overall (link).  For a very good review from PlayMusicFree.com, click here, although I think the review was on the Series I.  This amp can cover a lot of ground and is equally at home in rock, jazz, metal - even country - and would be a good choice for players who need versatility such as cover band guitarists.  Included is original cover, 3-button footswitch with a long stage cable, manual, and hang tags.  I only have the '08 price list where this amp shows an $1800 retail, and discounts are minimal to none.  If you've heard these amps, you know that this is a smoking deal for a clean Series II at just $799(HOLD-Dave, local).  Priority will go to guitar trades, ideally USA Fender, Gibson, or PR.  

OFF-HOLD:  Schecter Sunburst PT w/Duncan, excellent player and upgraded with a killer Duncan Hot Rails bridge pickup.  Has seen almost no playing time and the top is very clean (some reflections in picture) and the only noteworthy flaw is a small touch-up on the back edge (pic here).  This model is an evolution of the Tele style Schecter that Pete Townsend used to play (thus the PT moniker) and is an excellent quality import Tele copy.  Set-up is superb and any Tele fan should be happy with this beauty.  Just $275 with gigbag.  

Zoom G2.1u Multi-effect with expression pedal (click to enlarge), the new generation of Zoom, after their wildly successful 9000-series and later their 500-series.  The G2.1u is 100X more powerful, with better tones than ever thanks to 24-bit 96 kHz sampling, and meets the needs of digital recording with a USB interface.  There are way too many features to go into here, but click here for Zoom's page and full description.  The things that impressed me the most was ease of editing, the Sitar effect, a killer acoustic guitar, and the expression pedal which can be used for anything from rotary speed (like a real Leslie slowing down), to chorus speed, to the amount of gain you want on an overdrive setting.  Runs 7.5 hours on 4 AA batteries on power supply (included).  The only down side I can think of is the 2-digit alpha numeric display, but I quickly remembered that 29, 88, and C4 were my favorites and what they did - or you can also set up your patches in order of your set list.  Our guitarists used to write down the number next to the song on his old Roland GP-8.   There's a cool site with patches for many multi-effects, and around 500 for this unit alone.  Want a classic ZZ Top, a sitar, Hysteria or other songs - click here for haax.se.  Includes original manual and original power supply.  That's a small gripe for a killer sounding multi-effect that sells for the price of many single pedals.  With a $279 list price, this is a smoking deal on a killer little multi-effect, jut $99(HOLD-Matt Local). 

1998 Taylor W-14C, (front&back), (headstock), (sides).  For the player who wants just a straight acoustic - here you go - no Fishman, no Expression System, just a world-class acoustic.  Stunning appointments on these older W-series, basically this is like a 914C except with Walnut back and sides and Cedar top.  There's nothing like the older Walnuts (and 900's), as the appointments (as shown here) are much more visually appealing than the recent models.  The headstock inlay and Cindy fretboard inlays are intricate, colorful, and immediately identify this as one of Taylor's top models - the entire soundboard is bound in colorful Abalone trim.  This one also has the Western Red Cedar top, rather than the more common Spruce found on many of the Walnut series.  The Grand Auditorium is a more versatile guitar and doubles as a superb finger style guitar but also has excellent production that holds up when you want to do some heavy strumming.  The Venetian cutaway allows easy access to the entire fretboard while the slightly smaller body enhances articulation - the tone is very crisp and well defined.  The Walnuts fall near the top of the line for Taylor, with limited supplies of seasoned woods, and their production numbers are fairly low.  Walnut is a like the best of both worlds in comparison to mahogany and rosewood. Its rich and complex tone has the color and fullness of rosewood and the "snappiness" of mahogany.  Players often think that the walnut seems to have a better response than rosewood, similar to maple. All in all, it offers a truly unique sound, suitable for all styles.  The combination of a Cedar top and Walnut body makes this guitar sound like a symphony, covering the entire frequency spectrum.  It is and extremely warm and comforting sound that begs you to pick it up and play since it's the closest you can come to having a whole band playing with you it's so thick.  Specs include: solid cedar top, Grafted Walnut Back, Claro Walnut Sides, Abalone Soundhole Rosette , Tropical American Mahogany neck, Ebony fretboard, "Celtic" fretboard inlay, Ebony headstock overlay, Ivoroid binding with the entire top trimmed in Abalone, Ebony bridge, Tusq nut and saddle, gold-plated Taylor tuners, 1 3/4" nut, Scalloped bracing - X-Brace, and gloss finish.  Includes Taylor luggage case for the best protection.   A few minor incidental flaws but not from extensive playing - overall very clean shape and an exceptionally nice sounding Taylor.  For those of you who like the old one-piece necks, and the obviously nicer cosmetic appointments of 90's Walnuts/900's, this is an exceptional guitar for just $1899.   P.S. I caught these screen shots of Dave Matthews on the Today Show (pic) and the new Jimmie Falon show (pic) in early June.   He his road worn W-14C is getting a lot of action as he's on tour through October.  

1998 Klein Electric, (front), (back), (trem), (back edge), (gigbag).  If you don't know what this is you're probably not interested.  If you know what it is, you know how rare these guitars are.  This one was built by Lorenzo German, the man who bought "Klein Electric Guitars
 and is the real deal - not the replica model built by Erikson.  This model is no longer in production by Klein and so few were ever made - and so few are on the used market - that they are virtually impossible to find.  If you come across one, be prepared to pay up unless you happen to run across a brother deal with somebody who waited a few years to have one built and somehow grew tired of it.  Features include chambered swap ash body in Burgundy Burst, highly figured *solid* Rosewood neck (South American), Steinberger S-Trem, Joe Barden pickups in HSH configuration with coil splitters, original Klein/Reunion Blues gigbag.  Perhaps needless to say, this guitar plays phenomenally and sounds incredible, but most people don't buy these to gig with, which is a shame in a way since they're one of the most ergonomically designed guitars every made  I rarely do consignments and have only had 5 or so in my entire history, but this one was too cool to pass up.  One-owner guitar, a local collector, who purchased it new in 1998 and it has remained virtually unplayed since the day it was received.  These were expensive guitars when new; and more expensive on the secondary market.  This one is consigned at $9K.   If you have any run of the mill trades, like Fender/Gibson/PRS, let me know and I'll possibly kick in that portion of the cash.    

1980 Yamaha Studio Lord SL500S, (front/back), (headstock), (Pleather Bag).  Excellent quality Les Paul copy from the fine Nippon Gakki factory.   In case there's any doubt as to which guitar it was copying, you'll notice the "Studio Lord" is written in a script that's a dead ringer for "Les Paul Model."  Yamaha made the Studio Lord series both as a lower-end bolt-on neck - or higher end models such as this set-neck SL500S, which also features the requisite maple cap/mahogany body.  1980 was right in the middle of the golden era of Japan copies and brands such as Yamaha, Greco, Edwards, Burny, Ibanez, Fernandes, and others, were building guitars that were on par with, and many would argue, better than, their American counterparts, .  Overall very nice shape, especially for 28 years.  The only non-original aspect appears to be two filled holes where the strap pin has been relocated (pic).  Includes brown "pleather" gigbag which is original equipment for most Japan guitars from this era.  This is an absolutely killer playing guitar with insanely low action (shown at 12th fret), good quality pickups, quality hardware, and excellent fit & finish.  Compare this to a Gibson from the same era and this Studio Lord is a bargain at 1/3 the price - but equal in quality.  Just $650 for this golden era Gakki model.  

2004 Fender Standard Stratocaster Floyd Rose,  (front/back), (headstock), (Floyd/DiMarzio).  Higher end member of the Fender Standard Series, with all the features of a Standard PLUS factory Floyd Rose double locking tremolo including Floyd Rose nut.  This one has been slightly modified/upgraded with a single DiMarzio humbucker in the bridge with custom ordered 3-ply tortoise pickguard and backplate, and only two controls, volume and tone - original configuration was Hum-Single-Single Mex pickups with 3 knobs and 5-way.  Other specs include Alder body, modern C-shaped neck, Fender Ping tuners, and neck tilt adjustment via neckplate.  Olympic White finish is immaculate except for one tiny  touch-up on the back edge of the belly contour (shown here) and the normal small lacquer crack in the cutaway, worth mentioning only because this Strat is otherwise extremely clean.   This model features an excellent quality Floyd Rose, made by Ping (specs here), which is identical to the Original Floyd in specs and the only licensed model which is allowed to carry the Floyd Rose logo.  This guitar has an excellent setup and the DiMarzio makes it especially good at rock/metal tones.  The stock HSS Floyd Rose sells for $699 but for many of us, this single DiMarzio is cooler and better - for just $499(HOLD-Rene G 6/3).  Includes Fender gigbag. 

2005 Ibanez Joe Satriani JS-1200 Candy Apple Red, (front/back), (headstock), (Edge Pro), (case & acc.).  Collector's condition and a fantastic playing Satch.  This is the higher end Japan model (see Ibanez page for a JS-1000 and several JS-100 models) and another fine J-Craft product.  Features include some nice DiMarzio's with a PAF Joe in the neck and a Fred in the bridge; Edge Pro tremolo, 25.5" scale, Ibanez' own Aerofoil body design,  1-piece maple JS Prestige neck with tall and narrow 6105 frets and a slightly flat (around 10") fretboard radius, Abalone dot inlays, and Basswood body which falls right between Alder and Mahogany tonally for a nice mix of warmth and clarity.   The Precision-sculpted basswood body is light on the shoulder with otherworldly looks and great high-fret access and, frankly, it has some sexy curves (shown here).  For me, this guitar represents the pinnacle of Ibanez manufacture.  I have other higher end models like the Anniversary Jem but for pure playability and tone, I haven't found anything that beats it in Ibanez' current line up.  The Edge Pro is one of the best locking systems I've used.  Very comfortable on the heel of my right hand, very accurate, and impervious to string slippage.  This guitar appears to have seen little to no playing time and is cleaner than the new models hanging in your local super store.  For full specs click here for Ibanez' site.  Includes original Ibanez Prestige case, manual, trem arm, tools, and zippered bag.  I'm even including a matching Planet Waves Satriani strap.  With a new one going for $1799 ($2399 list), this one is "as new" and a great value for the player at $1350. 

1980's Fender Squier 15 - This amp came in as a total beater with the cabinet painted with silver graffiti, replaced grill cloth and no logo as shown in this ("before" pic) but it's received a total "face lift" and we switched all the components over to a very clean Frontman 15 cabinet.  We sold a ton of these at Hotlicks back in the 80's and at $79 in 1986 money they weren't cheap, but they were a great little practice amp.  With 3 gain stages and 3-band EQ, these are capable of loads of gain or it actually has a lot of headroom for a nice glistening Fender clean tone if desired.  Features headphone out for private practice.  I only paid $30 for the original beater amp but with another $35 for a non-working Frontman, and over an hour of bench time, I'm into it for almost $100 but at least it looks great now and I feel better selling it.  Nice sounding little Fender and  definitely a superior amp to the later model Frontman.  Priced at $65.  If you want the original amp from the Frontman, I'll throw them in for $10 and it might make a nice project.  

2009 TTM Guitars Devastator,  (front/back), (headstock), (double-locking trem), (bound body/neck).  A shredder's delight at a remarkable price.  I don't know they do it, but TTM imports their parts but then custom builds their guitars in the USA and puts them out on the street at prices that are comparable to regular imports.  You can custom order any parts your heart desires - it all depends on how much you want to spend.  This guitar is stock with perhaps the top being the only upgrade, but you can order this same guitar with Sperzel tuners, Wilkinson trem, EMG's, etc.  This model, and the brand in general, is aimed at hard rockers - the harder the better - and the have a client list of some very big name shedders.   Beautiful looks, with a perfectly bookmatched quilted maple veneer over a bound basswood body, it features a pair of very hot humbuckers that actually sound very good, 5-way pickup selector, 24 medium jumbo frets, bound maple neck with rosewood board, fretboard inlays that spell D-E-V-A-S-T-A-T-O-R, reverse headstock, and Wilkinson tuners.  The fit and finish on this guitar is excellent.  Check out the neck fit (click here), which is as tight as a set neck.  You couldn't fit a cat hair between the body and neck.  Click here for a few reviews from guitargearheads.com and for a good YouTube demo, click here to see a young dude absolutely wailing away on his Devastator.  Is this guitar as good as a USA Jackson?  No, but it's 80% as good  - and at 25% of the price.  I would love to try out one of their more upgraded models but for the money, you're not going to beat this for a very heavy metal axe.  Just $399 for a guitar that was actually built in America.  Amazing.  

1991 Peavey Odyssey, (front/back), (headstock), (maple cap), (case).  Wonderful guitar and in the Peavey tradition, one of the best values on the used market.  Although Peavey's fame in guitar building came almost exclusively from the EVH Wolfgang, they have built many other fine guitars over the years.  Models such as the current "HP" signature, the T-60 from the 70's - Peavey's original guitar, the Vandenberg Signature model from the 80's, and the Odyssey which ran from ca. '89 to '94.  The Odyssey was Peavey's attempt at a high end guitar and while it met with less than overwhelming success in the sales department, it is nonetheless one finely crafted guitar with a traditional look that should appeal to most players.  By appearance, it seems to be a cross between a Fender with it's Tele body shape - but more of a Les Paul with it's 3/side headstock, set neck, bridge/tailpiece, control layout including selector on the upper bass bout, and dual humbuckers.  In fact, it's more versatile than either a Tele or a Paul, plays wonderfully with quality tones - and it's definitely got it in the looks dept.  I can only think the only reason it fell of the inventory so quickly was the $1000+ price, a lot of money 20 years ago.  As I mentioned, the electronics are much like an LP, with the exception of an added coil tap.  In the bridge or neck position, it turns the humbucker into single coils; with the pickup selector set in the middle (both pickups), and the coil tap engaged, it uses the inside coils of both pickups out of phase, which makes it hum canceling an adds a cool tone to it's tonal palette.  In all, this guitar yields 6 tones.  For the body they used the classic combination of a mahogany body with bookmatched flamed maple cap.  It's not a thin veneer like many makers call a maple top but a thick slab, enough to contribute to the magical marriage of mahogany and maple, the warm full tone of mahogany with the nice snap of maple.  The neck is solid mahogany, bilaminated for strength and stability.  It features a "heelless" neck joint for comfort and ease in paying high notes, set neck/body construction, 24 nickel-silver frets, 24 3/4" (Gibson) scale, bound Ebony fingerboard with a super flat 15" radius, dual "Frequency Tailored Distortion Class" Alnico humbuckers, adjustable bridge (Nashville style) with stud tailpiece, bound headstock with 10 degree pitch angle, genuine mother-of-pearl Triangle fretboard inlays, Graphlon nut, Dunlop strap lock pins, and gold hardware.  This has turned into a long description but the fact is a guitar of this quality can't be described in a few lines.  To really appreciate it though, you need to play it.  Ergonomically, it's much more comfortable than a Fender or Gibson and with it's nicely figured top, gold hardware, binding and inlays, it's very attractive, without being gaudy.  For a quality American guitar, I can't think of a better value at $650.  Includes original case.  

Weber California 12, mint condition replacement speaker.  80W and a good choice for anyone looking for the JBL D120F tone at a much friendlier price.  Good choice for your Fender Twin or any other higher powered amp.  Features 60 oz. ceramic magnet, 2" voice coil, and curved cone.  Sells new for $105 but this one is "as new" for $69.  

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1996 ESP Mirage, (front/back), (headstock), (tremolo), (case), (pickups), (neck/body markings).   A real stunner - immaculate condition and a just a gorgeous custom order *real* ESP, which are really getting hard to come by unless you want to plunk down $2K for a new one.  Even better than its looks is the playability.  This one came in as barely mediocre at best but Martin worked his magic and has transformed it into one of the best playing ESP's I've had.  Back in the 80's/90's you could, probably still can, custom order ESP's with any configuration you wanted, as indicated by the "Custom" seal on the back of the headstock.  At one time these were all supposedly USA models but I don't have any hard info to support that.  Doesn't matter though as Japan ESP's are as well respected as most USA makers.  This one was ordered with a highly figured swamp ash body with matching headstock veneer, reverse headstock, Sperzel locking tuners, Wilkinson bridge, black hardware, "ESP" inlay at the 12th fret and Abalone dot inlays elsewhere.  Pickups are in an HSS configuration, with a DiMarzio Tone Zone humbucker in the bridge, Duncan Cool Rails Strat Humbucker in the neck, and DiMarzio Fast Track Strat humbucker in the middle - controlled by 5-way selector, master volume, and master tone.  Although 13 years old, this guitar looks like it was bought this year but the price is less than it cost back in '96 at just $950.  Includes original ESP case.  This is one nice Mirage.  

2006 Fender American Vintage '52 Telecaster with Nocaster Pickups, (front/back), (headstock), (case/acc.).   One of the best playing V52 Tele's you'll find.  I've had a bunch of these and they pretty much all play very good but this one is clearly a cut above the rest.  In addition to super nice action, it's a very resonant piece of ash and the guitar just sings in that wonderful Tele twangy voice - due in part to the pickups being upgraded with a set of Custom Shop "Nocaster" pickups.   In production since ca. '82, the USA V52 Tele has remained one of the most desirable Tele's to collectors and players alike.  Originally conceived when Fender discovered the high demand for their original black-guard Tele's.  Players were turning up their nose at the current 80's American Tele's, opting to pay an even higher price for the "used" (later called "Vintage") guitars from the 50's. Spec's have remained virtually unchanged for the past 25 years including: premium ash body, one piece U-shaped maple neck, 21 vintage frets, vintage hardware, brass 3-barrel bridge, 2 vintage style single coils w/cloth wire, 3 way toggle, volume and tone, single-ply black pickguard, butterscotch blonde finish.   This one's a nice weight at just 7.6 lbs. with a nice looking ash body.  Accessories include the extra 6-saddle bridge, ash tray bridge cover, certificate with matching serial number, polishing cloth, and assorted paperwork - plus original G&G/Fender tweed case in nice shape.  With a new V52 Tele going for $1839, this killer playing '06 model is in excellent condition with perfect frets, upgraded with the Nocasters, and still $550 less at just $1289.  

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Boss CE-5 Chorus Ensemble, an excellent chorus pedal and the 4th pedal in Boss Chorus Ensemble line, going back to the famed CE-2 and the original CE-1. The CE-5 added a level control and a high and low filter control and has been in production for 18 years - which is far longer than any other chorus in the CE series. Click here for a good YouTube demo.  Super clean condition; great chorus pedal for $49.  

Boss HR-2 Harmonist, (pic2).  One of the coolest Boss pedals, discontinued in '98 after a brief production run of less than 5 years.  The HR-2 Harmonizer lets you create one or two voices of harmony when playing single note passages.  It's an excellent pedal for doing Brian May type harmonies as shown in this YouTube demo (click here).  You have 2 different voices which you can select what steps you want them to create harmonies in (up to an octave up or down on each voice). You can also select the key that you are playing in, and it creates an instant harmony with your playing. Separate controls for each voice (level control and pitch control). The HR-2 does 1 and 2 part harmonies in any interval in the following keys: Am, Bm, Cm, Dm, Em, Fm, Gm, A, B, C, D, G, F.   It's a "smart" harmonizer in that the harmony notes play in scale rather than staying exactly "parallel" to the root note.  Museum condition with original box and manual.  $139(HOLD-Joe G).  

Boss DS-1 Distortion, Boss's longest running distortion pedal, in production since 1978 and still a huge sellers 31 years later.  It's noted for a distortion sound with a hard edge and a much lower noise level compared to other distortion pedals.  Immaculate condition and just $32.  

Gibson Firebird V Maple Wing, (front/back/solid maple wings), (headstock), (center), (case).  One of Gibson's "Guitar of the Week" series from week 24, 2008, with a run of just 400 pieces. Some of these GOTW models were a little far-fetched with some odd combinations of styles and colors but this Firebird is not one of those and it's actually pretty close to the Firebird V. It has the same neck-thru body design, but in place of the mahogany wings Gibson went with SOLID flamed maple. Yes, these wings are one-piece maple; there's enough flamed maple in one of these guitars to make 4-5 maple cap Les Pauls. If you look around the web you'll see some conflicting info regarding specs of this model, such as PAF humbuckers instead of mini's, Grover mini-tuners instead of banjo tuners, and set-neck rather than neck-thru. I guess Gibson was scurrying to come out with a new press release every week or something. It is in fact a neck-thru model with an 11-piece body which adds incredible strength, using a combination of mahogany, walnut, and probably coco bola in the center section, with maple wings.  Other features include 60's slim taper neck with 14 degree pitch, banjo style tuners, rosewood fretboard with trapezoid inlays, dual volume with master tone and 3-way selector, dual high-output ceramic mini-humbuckers which sound great on this guitar with the full sound of a PAF but less dark and muddy sounding.  This is a striking guitar as you can see in the pics.  I'm sure the flame on these ranged from fair to excellent and this has got to be one of the nicer ones with no "bald" spots and very consistent flame all over.  This guitar is in immaculate condition.  It was an unclaimed layaway form January and has been unplayed since new.  For what is essentially an Firebird V, except with some very stunning maple, it's a nice buy at $1499(HOLD-Ken G, local).  

Fender Champion 600 Reissue, (back/side), (top).  Super clean condition.  Cool little reissue of a 50's "student model" Champ with 2-tone cosmetics and at 5 watts, all tube, through a 6-inch speaker, a killer lil' practice or studio amp. This simple tribute to the cute and collectible 1949-53 era Fender guitar amplifier makes small-room sessions lots of fun. No longer considered a student model, the original Champions are cherished by professionals for its low output and studio-friendly capabilities. No muss, no fuss, just adjust the volume and start wailing. Different from the original largely by Fender adding a higher-gain preamp circuit to take the overdriven tone beyond that of the original, which used a 6SJ7 low-gain preamp tube. and a choice of High- or Low-gain inputs, while an internal speaker output jack allows the use of a larger speaker cabinet.  Everybody needs a 5-watter and it's hard to beat this one in terms of cuteness, vintage vibe, and tone, especially at $199.  

1997 Budda Twinmaster Ten, (back/spkr code), (top), (front panel), (back panel), (Tuki cover).  Back in the day Jeff Bober had a small company that did some of my repairs and built some killer little amps called Budda.  These were all hand-wired and built in small numbers.  Jeff gained fame doing Marshall mods or many of the touring acts like the local band "Kix."  His extensive knowledge went into designing some of the best boutique amps ever made.  Eventually Jeff sold his company but still runs production at the Maryland facility.  Sadly, the hand-wired series were soon phased out in favor of the "Superdrive" Series, which are good amps but are strictly circuit board.  The Twinmaster Ten is wonderfully simple with just 3 knobs - the only bells and whistles are a high/low gain channels, effects loop and DI output..  It's a Class A circuit with a pair of EL84’s cranking out 18 watts, but you’re going to swear it’s 35, with a 5U4 GE rectifier and a pair of 12AX7’s in the preamp.  Excellent sounding pair of Mojo/Eminence 10” speakers.  Extremely lightweight with real Birch construction.  The tone is best described as a cross between a baby Plexi and an AC30 with a more complex and touch sensitive gain structure.  I have a Tuki cover, custom made for the TM10 which will be included.  The last Budda handwired built was their 10th anniversary re-issue which was a Twinmaster in a 1x12 configuration, with a $4995 list and the were this exact same amp except for the speaker, upgraded tone caps and fancy cosmetics.  A better bargain is this nice early Twinmaster, not mint but no major flaws and for a point-to-point quality 2X10 combo, a modest price of $1150, which is less than a new Superdrive Series.  

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Breedlove SC-20/R Deep Concert Cutaway Acoustic/Electric, (front/back/side), (headstock), (preamp), (spec sheet), (case).  Another fine American Breedlove in their superb Focus Series.  These Focus models are noted for a deep, warm, responsive voice with rich harmonics and sustain, in either an acoustic setting or stage-ready with a quality Fishman preamp. It's a highly versatile guitar with excellent volume and balance, Features of this fine acoustic include: Western Red Cedar Top, East Indian Rosewood Back and Sides, Black Bound Body and Neck with Decorative Top Purfling, one-piece mahogany neck with Ebony Fingerboard and Ebony Peghead Overlay, Abalone rosette, bridge truss bracing, gloss hand-rubbed finish, Breedlove "FS" Position Markers, and Fishman Prefix Pro Blender System.  Breedlove uses a dowel that extends from under the bridge to the end block which takes some of the twisting force from the bridge, specifically the top just to the rear of the bridge, which allows the top and top bracing to be much lighter with more vibration.  For a good review of a Focus S-series click here for musicgearreview.  Breedlove still makes the SC20 but no longer the Focus line it appears.  It was a pricey guitar when new in the early 00's, and a similarly outfitted model today will run around $3K.  This one has been played but very well cared for and is in excellent condition with no issues.  A very nice Breedlove for $1599(HOLD-Mark M 6/5).  

Taylor Accessories - Jacket (pic2) and Strap.  Show your pride with this stone-wash Taylor jean jacket (size Large) and genuine fine leather Taylor strap.  Jacket features an appliquéd guitar and embroidered script "Taylor Guitars" on the back framed by extra-wide vertical seams, and a Taylor logo embroidered on the left chest, with 2 front flap pockets and 2 side-welt pockets.  Strap is light brown with Taylor logo in gold with adjustable length and choice of leather string tie or strap pin hole.  Both are in excellent condition; jacket appears to be unworn.  New cost on these are $99 and $59, respectively, but buy any Taylor T-5, all currently on sale $1399-$1899, get your choice for free, as well as a new Taylor T5 T-shirt. 

2000 Fender 60's Classic Custom Telecaster, (front/back), (headstock), (3/4 view), (vintage routing).   Very well built reissue of a fairly rare early 60's Tele Custom, finished in high gloss 3-tone sunburst.  Back in the 60's Fender tried offering the workhorse Tele with a dressed up appearance, for an upcharge of course, with a bound body, front and back.  This first version of the Tele (or Esquire) Custom lasted until the late 60's, only to reappear in ca. '72 as a completely different guitar, referred to as "version 2", which didn't have a bound body but it did feature a humbucker in the neck as well as a larger pickguard and dual volume/tone controls, mounted to the pickguard.  This first version features the vintage style body route, Tele bridge with 3 stainless steel saddles, 8-screw - 3-ply white pickguard, rosewood slab fretboard, vintage c-shaped neck with truss adjustment at the body end, single string tree, spaghetti logo, and Kluson-style tuners.  This is a fairly rare model compared to a regular 60's reissue.  Fender currently makes another Mexican 60's Custom Tele, but it's offered only with a Bigsby tailpiece, and with a discount price of $1219, not too easy on the wallet.  If you don't want a Bigsby but are looking for the dressed-up looks of a 60's Tele Custom, this one is the deal and less than 1/2 the price of the new Bigsby model.  For $599(HOLD-Tim B) you're getting a guitar that looks to have been unplayed, with a great setup and a nice vintage vibe.  

2007 Fender American Deluxe Stratocaster HSS QMT, (front/back), (headstock), (features), (case/acc.).   One word to describe this guitar:  stunning.  Well two...stunning and immaculate (is that three?).  If you ignore the $6K Master Built models, the American Deluxe Stratocaster QMT HSS guitar is perhaps the most elegant looking production guitar in their history.   The craftsmanship is impeccable and the top isn't a 1/64" veneer like most of their figured tops, but a beautiful 1/8” slab of solid quilted maple, hand-bent to the top of the alder body.  No pickguard is used on this model, so as to completely display the top.  Other makers like Don Grosh have been building these kind of Strats for years, but they're around twice the price and when all is said and done, they're not Strats.  Other features of this model include tobacco sunburst finish, modern C-shaped maple neck with ebony fingerboard, deluxe polished  two-point synchronized tremolo with pop-in arm, abalone inlays, 22 medium jumbo frets, LSR roller nut, locking tuners, and rounded heel and neckplate for comfortable access to the upper frets.  Electronics include a Fender DH-1 humbucking pickup with two Samarium Cobalt Noiseless pickups - al controlled by Fender's S-1 switching system (click here for info) for 10 great tone choices - via the 5-way blade and push control in the center of the volume knob.  For the full skinny, click here for Fender's site.   Includes Fender's deluxe brown hardshell case by G&G, itself too cool for words, as well as leather Fender straps with straplocks installed, all tags, manual, S-1 instructions, and tools.  Sells new for $1919 ($2400 list) but when you buy online you never know what you're going to get.  Here's a sample of two from the web, with this one to the far right.  Assuming their using at least an average top for their web description, this one is clearly one of the nicer ones you'll find.  This one is a real beauty that plays as nice as it looks, and a sweet deal at just $1319.  

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2008 Rickenbacker 360JG, (front/back), (headstock), (Output), (case).  True classic from Rick in the very elegant Jetglo finish with white binding.  New Ricks are still hard to find and if you don't want to wait 18 months (some models are up to 3 years) for one to be built, this one is pretty much pristine and ready to ship today.  Ricks continue to go up on the used market as the demand far exceeds the supply.  Why Rick doesn't just double their factory is a mystery but I guess this adds to their cache'.   Rather than wait, some players go with a different brand, but nothing will scratch that Rick itch - nothing sounds like it; nothing has that Rick vibe.  This one has zero player's wear and is cleaner than most new ones hanging in your local super store.  Specs are basically the same as they've been for many decades:  hollowbody design, all maple, "Rick-o-Sound" stereo outputs, comfortable round contour around body, dual truss rods, Master presets for volume and tone, bi-level pickguards, and triangle pearloid fretboard inlays.  If you want a new Rick 360 in Jetglo, good luck finding one.  You might find a 360, you might find something in Jetglo, but they're so scarce that trying to find a certain finish in a certain model can be an exercise in futility.  Of course you can always go to Ebay, but many of these are bought up by resellers who have them bought and paid for before they even arrive at the dealers, thanks to Rick's site listing all recent shipments.  These entrepreneurs are buying them at 10-20% off list and then selling them at full retail - or above retail - at auction.  God bless free enterprise.  Here's an identical '08 360JG that reached $1700 (link) but...reserve not met.  If you want one fine Rick, this one's $1550(SOLD - David T 5/21) and....no reserve!  Includes original Rick case in perfect shape except or one of the metal "feet" is pushed in slightly.   

1990 Fender U.S. Stratocaster Plus, (front/back), (headstock), (case/strap), .   A real beauty in rare Blue Frost finish.  Two of the most unique finishes Fender has offered throughout the 23-year run of the American Standard were this Blue Frost and a corresponding Red Frost.  Offered only on the "Plus" series, from '89 to around '96, these Frost finishes have a metallic opaque finish around the edge, feathered in to a transparent non-metallic finish toward the inside, as shown here.   It's a striking look, especially under stage lights.  This is the second version of the Plus Deluxe, with Blue-Silver-Red Lace Sensors (neck, middle, bridge, respectively); the first version ('87-'89) came with Silver-Silver-Blue.  This version with the hot Red bridge pickup and the P90-sounding Blue in the neck, provide much more versatility while the Silver middle pickup is a fatter mid-range tone that sounds especially good in positions 2 and 4 for Strat's signature "out of phase" tone.  Other features all the "Plus Deluxe" (pic here), locking tuners with staggered height eliminating the need for string trees,, Wilkinson roller nut, Schaller strap lock pins, highly polished 2-point tremolo with "pop-in" tremolo arm, and tone control for neck pickup with a TBX for the middle and bridge pickup.  These Lace Sensors were truly a revolutionary design - they're  non-magnetic and without the magnetic string pull the strings vibrate longer plus they're designed for zero-hum so they eliminate the #1 complaint of vintage pickups.   The locking tuners and LSR nut are a simple but effective alternative to a locking tremolo system and even with considerable tremolo use these guitars stay in tune extremely well.  This guitar is in nice shape with just a few minor finish touch-ups on the edge, nicely done, with no buckle rash or deep gouges in the finish.  Frets are near immaculate and lettering on the original Fender Lace Sensors isn't worn, which tells me it has seen little playing time in  its 19 years.  Frost Blue is one of the most sought after finishes from my experience and combined with the features of a Plus Deluxe, you've got wonderful Strat that plays great, looks great, and sounds great.  I'm including a high quality blue leather strap with sparkle musical notes that matches the guitar and has a double loop on the bass end to lock in the strap pin.  $950 includes original rectangular molded case.  

1993 Fender Custom Shop American Classic Stratocaster - Holoflake,  (front/back), (headstock),  (electronics), (case & acc.).  Fantastic Custom Shop in the absolutely coolest finish on this model, black Holoflake sparkle this looks great under stage lights as shown in this finish close-up,  Collector owned and virtually unplayed, although this is one great playing Strat.  100% original and a look under the pickguard reveals '93 pot dates, orange drop capacitor, Custom Shop Texas Special pickups with cloth wires and middle pickup RWRP and a hotter bridge pickup.  The American Classic debuted in 1992 so this '93 is the first full year of production.  Other features include birdseye maple neck with rosewood board, comfortable C-shaped neck with 9.5" radius, Alder body, and highly polished 2-point tremolo.  The American Classic was basically an upscale American Standard but with Team Built quality and more detailed nut and fret work, figured woods, and in many cases, non-standard finishes.  Among these finishes, this Holoflake is the best.  It looks different in different lighting conditions and from different angles and will really pop when used on stage.  Offered in 9.9 condition with no flaws that I have found and includes original deluxe Tolex case with certificate, strap, cable, polishing cloth, manual, etc.  You're going to pay $1599 for a new regular production American Deluxe Strat hanging in your local super store.  For just $100 more, you can have this Custom Shop model, in the coolest of finishes, and its probably as clean as their new floor models.  Just $1699 for this beauty.  Oh, did I mention its just 7.4 lbs?  

 2008 Fender FSR Highway One Stratocaster HSS, (front/back), (headstock), (Deluxe Gigbag).  Never retailed, unplayed and ships in original shipping carton.  This FSR (Factory Special Run) model features and all-black look including black body with matching headstock, black pickguard, and black pickup covers, knobs, and tip - plus a raised chrome logo - and jumbo frets   Highways are the best value in a USA Strat.  Fender uses a nitro satin finish on these, which is less expensive to produce than a buffed out gloss finish.  Other than that, the quality is the same as the American Standard.   Specs include: Factory Special Run (FSR) of just a few hundred pieces, matching headstock with raised chrome logo; super-size frets; '70s style large headstock; vintage tremolo with stamped steel saddles; Hot Single-Coil pickups with Alnico 3 magnets in the neck and middle positions with a Fender Atomic humbucker in the bridge; solid Alder body; modern C-shape neck with satin finish; master volume; tone 1 = neck pickup with "greasebucket" tone circuit; tone 2 = bridge pickups with "greasebucket"; Fender Ping tuners; 9.5" radius; and Nitrocellulose Lacquer Body Finish. The thin nitrocellulose lacquer finish lets the body wood's natural tone shine through. Nitro is a rather expensive finish to do, mainly because of its long drying time - it's rarely found on a guitar in this price range.  One upgrade we offer on Highways is a buffed out finish, which gives the guitar a high gloss finish and with the thin Nitro finish, more of a vintage look, as shown here, side by side.   The stock model Highway One HSS sells new for $899 ($1149 list), which is a nice price for an American Strat, but I have a few of these, unplayed and perfect - with a killer set up the day it ships out - for just $759.  Includes Fender deluxe gigbag, tags, polishing cloth, manual, etc.  If you want more of a vintage look you can have it buffed out for $60 more  

2000 Peavey EVH Wolfgang Special TR FMT,  (front/back), (headstock), (trem/D-tuna), (case/etc.).  The USA Special FMT is my personal favorite of the Wolfgang series and 10X more rare than flametop Standards. This Special TR (tremolo) FMT (flamed maple top) is the model that most closely resembles the Musicman EVH from which it was derived - with a flat figured maple top with maple binding rather than the carved top of the Standard.  Same USA quality and the flame on these Specials is usually more consistent than the average Standard.  This one's in beautiful condition, around a 9.7 on a 10 scale.  Frets are perfect and, of course, it's a killer player with low action, no fret out, and trem stays in tune through heavy dive bombs.  Prices on Wolfgangs began to rise as soon as Ed's contract with Peavey ended and many original owners have sold them for more than they cost new.  I've predicted in the past that these particular Wolfgangs are going to be the hottest ticket in years to come. Throughout the years I've gotten in around a dozen Standards for every Special Flametop.  This one is $999, which is lower than a Standard, although it's much, much more rare. Includes clean Peavey case, manual, and factory checklist.

1990 Rickenbacker 610, (front/back), (headstock), (case).  The 610 was discontinued years ago, although it's basically the same guitar as the current but more upscale 620 with its bound body and triangle inlays.  It features the same electronics as the 300-series from the era so the tone has much of the signature "jangle" tone that Rick is famous for.  Features include maple body with "cresting wave" body shape with super easy access to all frets, two high-gain single coil pickups which "achieve a clear, ringing brightness", mono output, 24.75" full scale length with 21-fret neck, 1 5/8" nut width, flat 12" fretboard radius, light weight 8 lb. body weight, "R" tailpiece, Neck-thru body construction, Schaller tuners, and black hardware.  Although almost 20 years old, this guitar is in beautiful condition with the only real flaws being two tiny finish chips on the headstock which we can touch up if desired (shown here).  Also, original case has part of the blue lining removed, but is otherwise in very nice shape.  This red finish, discontinued in the late 90's, is much more rare than you Fireglo, Jetglo, Mapleglo, etc. and looks great with the black hardware   If you're looking for that Rickenbacker tone, for around 1/2 the cost of a new 620, this one plays great, is in great shape, and just $899(HOLD-Andy Y 5/17).  

Gretsch G6120SH Brian Setzer Hot Rod - Candy Apple Red, (pic2).  Never retailed - unplayed - perfect.  Brian and his Hot Rod grace the catalog cover (pic) of this month's nation's leading online retailer, selling for $2524, which reflects a recent price increase and makes my Hot Rod and ever better deal at $774 less.  Brian has been playing the Hot Rod more and more, and evidence by his recent appearance on "Dancing with the Stars" where Brian play a Candy Red (pic here).  This is a very cool model, and an anomaly for Gretsch which usually are outfitted with more knobs and switches than you know what to do with.   The Setzer Hot Rod is sort of their version of the Kramer Baretta - just a 3-way selector and volume control.  For a lot of players, what else do you need?  This is one of  new models that feature superb TV Jones Classic pickups, along with 1959 trestle bracing, Sperzel locking tuners, pinned Adjusto-matic bridge, Bigsby B6C Vibrato tailpiece, neo-classic thumbnail inlays, the cool finishes, in this case Candy Apple Red.  Killer setup, killer tone, and beauty in its simplicity.  Click here for Harmony-Central reviews, where 24 reviews rated this model scored an incredible 9.9 in the tone department and a 9.5 overall.  With a list of $3600, these sell online at $2524.  As I always say, save your hard-earned cash or buy a nice amp with the difference.  This one's perfect, unplayed, and a deal you won't find anywhere, and better than 50% off list -  just $1750(HOLD-Pete 7/2).  Includes Gretsch case, certificate, and assorted paperwork.

Phantom Teardrop, (front/back), (headstock), (detail), (case).  Phantom Guitar Works builds excellent replicas of the old Vox guitars from the 60's.  This Teardrop model is a reissue of the famed Vox MK III, which was made in England, Italy, and USA, at various times, and a few models such as the Custom 24 and 25, and White Shadow, were made in Japan in the late 80's.  The original model earned notoriety as a primary axe of Brian Jones of The Rolling Stones and a little known fact, also used by Drake Levin of "Paul Revere and the Raiders" on their daily TV show, "Where the Action Is".  Every day after school I'd love watching the Raiders, not for the crazy antics or funny costumes, but to drool over the entire line of Vox gear that the manufacturer kept them supplied with.  From what I've read, Phantom got their start after buying up a large quantity, all the remaining stock, of vintage Eko/Vox parts.  There's not a lot of info about the company on their web site so I don't know how much, if any, of these guitars are NOS Vox parts but the bottom line is they're very good copies.  I had around a half a dozen of the USA Vox's  when they suddenly reappeared around 1998.  This Phantom compares very favorably with those recent Vox's in all regards and I actually like the tone a bit better.  The three single coil pickups have a character of their own.  Not at all Stratty, with more warmth and fatness.  Oddly enough, Vox can no longer call their models Phantom or Teardrop, as those names are owned by Phantom Guitar Works.  Anyhow, this is a very well made guitar with excellent tone and a wonderful setup, and a distinct vibe.  No hollowbody has the vibe of a Gretsch; no solidbody has the vibe of a Vox.  This one is in mint condition and in a Surf Green finish that, apparently they no longer offer.  The Teardrop sells new direct to the public for $880, including the hardshell case - or you can have this mint beauty in a very cool color for $200 less, just $680(HOLD-David G 5/15). 

1997 Guild JF30-12 Jumbo 12-String with pickup, (front/back), (headstock).  Very desirable Westerly RI model, built well before the Fender buyout.  Very lush and crisp tone, superb action, and a very big tone from this jumbo 12.  Features include 17" jumbo body, natural finish, solid spruce top, figured solid maple sides, figured arched laminated maple back, 2-piece maple neck with mahogany center strip, 20-fret rosewood fretboard with dot inlays, rosewood bridge, black plastic pickguard, gold Grover mini Rotomatic tuners, white-bound body, 4-ply top purfling, pearloid Chesterfield headstock inlay and logo, 1-7/8" nut width, 25.5" scale, body depth runs 4" to 5".  Tone is very bright and articulate and really cuts through in a jam session, plus the added size of the body lends itself to a fuller tone on the bottom end.  This guitar has seen very little playing time so it has perfect frets and no notably flaws other than a tiny bit of finish flaking by the end-pin jack shown here.  This one also has a good sounding piezo pickup added (no modification was required).  Under Fender's leadership, Guild discontinued this model in favor of their Chinese line, model GAD-JF3012, which are good guitars for the money ($1089), but why pay that for a quality Chinese model when you can get a quality USA model for less.  Just $999(HOLD-Bill K 5/14) for this Westerly model in desirable Natural finish.  I forgot to shoot pics of the case but its the standard Guild wood/tolex case in nice shape. 

2007 Fender USA Custom Stratocaster w/Knopfler Neck - Daphne Blue,  (front/back), (headstock/neck), (neck/body dates), (relic hardware), (relic body/guard), (Pickguard Assem.), (case).   2007 Fender USA Highway One body with Nitro finish and light relic job married to a 2007 USA Fender Mark Knopfler Strat neck.  The body only has some minor wear spots but let us know and we can go to town on it for minimal charge.  The neck isn't relic'd at all and since it's such an expensive piece that may be re-used by the buyer, we left it alone.  The hardware has extensive relic'ing and I even sacrificed some of my real vintage screws for the pickguard and backplate.  Too nice of a guitar for the stock Highway pickups, they've been upgraded with a brand new set of Fender Custom '54s which, I recently found out, now combine beveled pole pieces in the middle and neck - with flat, although staggered pole pieces in the bridge.  These are some of Fender's best custom shop pickups, selling for $189 a set, and feature staggered, hand-beveled Alnico 5 magnets and Forvar magnet wire wound for classic bell tones and clear harmonic enhancement while the bridge pickup is calibrated for increased, balanced output.  The neck is a genuine Fender from a $2000 Artist Series Mark Knopfler, tinted maple and rosewood fretboard with a '62 "C" Shape, 21 Medium Jumbo Frets, vintage - 7.25" Radius and 1.625" nut width.  It is finished in Nitrocellulose lacquer.  The body is a USA Highway One which is a very popular model for relic jobs due to the thin Nitrocellulose finish which "wears" easily and looks realistic, especially if buffed out.  This guitar plays wonderfully and the tone is exactly what you want out of a Strat with a bell-like tone that allows nuances in your playing to really come out.  With a stock Highway One at $899 with gigbag, you can get a Strat that's so much better and includes Fender hardshell case.  $899 takes it.   

2007 Gibson '61 Les Paul SG Standard VOS, (front/back), (headstock), (case/acc.).   I've said it before but...I love these VOS models.  They're not only built to the exact spec's of the original model but they also have the patina of a 45-year-old guitar and aged hardware.  You get the feeling that you're playing a an actual vintage instrument rather than a shiny new guitar that obvious just rolled off the assembly line.  1961 was a pivotal year for the Les Paul.  Gone was the single cutaway model that had been around since the early 50's - and which was less than an overwhelming success - replaced by the new all-mahogany double-cut body with beveled edges, which eventually was renamed the "SG" for Spanish Guitar.   Everything was different about this "new" model Les Paul and for the player, access to the upper frets was markedly improved which along with the new lightweight design, made this guitar a joy to play.  Unlike the original Les Paul model, which disappeared from '61 to '67, the SG design has stayed in the Gibson line for 48 straight years.  Spec's of this model include Mahogany body, Set one-piece mahogany neck with long tenon, 22-fret rosewood fretboard, Burstbucker 1 & 2 humbucking pickups, Stop bar tailpiece with tuneomatic bridge, 24-3/4" scale length, and wide 1-11/16" nut width.  The only flaw on this guitar is a small red mark on the back of the neck (shown here) which was a reaction from the Nitro finish and a rubberized guitar stand.  This model, properly called a "Les Paul"  is still being made, although it's lost the "Les Paul" name and called merely "Gibson Custom SG Standard Reissue VOS", (shown here) which sells for $3399 ($4774 list).  For $1000 less, you can have this wonderful guitar, in unplayed condition with plastic still on the pickguard and not a hint of use.  $2399. 

2004 Fender 60's Classic Jazz Bass with 60's G&G/Fender case, front/back), (headstock), (case/acc.).  Get the vibe, tone, and playability of a true classic for a fraction of a Vintage Series.  Like the 60's Classic Strats and Teles, these Jazz basses are very well made, imminently playable, and have the tone and vibe that made it a true icon.  The Jazz got its start in 1960 as the "stacked knob" model and a few years later it was changed to the more popular Vol-Vol-Tone layout as used on this model.  Features of the 60's Classic include 3-Color Sunburst finish over ash body, C-shaped maple neck that's a thin 1.5" at the nut, 2 Standard Vintage Alnico Magnet Jazz Bass Single Coil Pickups, Vintage Jazz bridge with individual steel saddles, nickel/chrome hardware, and vintage styling throughout.  Sells new or $839 with a gigbag...or you can get this immaculate used one with Fender/G&G brown case with plush gold lining ($189 online - $219 list) for $100 less.  Just $739 for a great playing Jazz and top of the line case.  But wait...there's more...to further add to the vintage vibe, this bass has a genuine vintage style chrome bridge cover and vintage style thumbrest, which is another $25 in free parts.   

1999 Parker Fly Classic Mahogany with Roland and Sustainiac Upgrades, (front/back), (headstock), (upgrades), (controls/outputs), (control "map"), (case).  Yet another killer original USA Parker, and this one has been factory upgraded with both Roland and Sustainiac pickups, for the most flexibility you can get from a guitar:  "regular" guitar with dual humbuckers, synth guitar for using any Roland-compatible synth product, "acoustic" guitar with Fishman bridge, and "Sustainer guitar with Sustainiac pickup.  I've had guitars with 3 of these features before but never with all 4.  A number of good techs wouldn't attempt these mods as these early generation Parkers have an extremely sophisticated design and circuit and they're best left to true experts, and that's who was used on this guitar.  The Roland synth pickup and 13-pin jack was install by Roland Corp. - the Sustainiac conversion was done by Sustainiac, who charges $175 for the installation (link here and here).  You'll notice plenty of knobs and switches but if you're already familiar with a Fly Classic, there's only a few more controls to memorize and you'll have it down by the 3rd time you use the guitar.  Like all the USA Parkers I've had this guitar plays exceptionally well and with a good selection of regular guitar tones and with the mods, so much more.  Super clean condition.  Most people seem to agree that the original Parkers are better guitars.  Perhaps that's due to the price on the new models.  The new Fly Mojo Midi will run you $4K.  This beautiful '99 model with every feature you could want on a guitar is less than 1/2 that.  Just $1750(SOLD-NB local) for this absolutely wonderful Parker.   

1987 Boss CE-2 Chorus, Japan, (pic2).  For collectors only - it doesn't get any cleaner.  Not a chip or hint of wear anywhere on this beauty.  Looks like it was put away in a shoebox where it remained until 22 years later.   I've been asked many times, but I really can't tell the difference between this green bottom and the earlier black label.  If you're looking for the best - here it is.  $179 (HOLD-Chuck 5/14).  With an original box, and manual, it would be a $250 pedal. 

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Gretsch "Billy-Bo" Jupiter Thunderbird G6199, (front/back), (headstock), (detail).  A pretty radical guitar for Gretsch with an interesting history.  Based on the original model that Bo Diddley designed in 1959, and one of 3 that Gretsch built for him back in the day.  Eventually Bo gave one of his original Bo's to Billy Gibbons who used it on stage from time to time.  Fast forward to the new millennium:  Billy and Gretsch teamed up to design this production model Jupiter Thunderbird, model G6199.  The Billy-Bo was built to Billy's spec's with a futuristic body design and features that include: Chambered Mahogany Body with ultra-thin laminate maple top, One-Piece Mahogany Neck with Rosewood Fingerboard, TV Jones Power 'Tron Plus (bridge) and Power 'Tron ) neck pickups, Adjusto-matic Bridge and "G" Tailpiece, Firebird Red top over black back, 3-way pickup selector, individual volume controls, master tone, and a master volume on the lower bout, 1-11/16" nut, 24.6" scale, and vintage style Grover open-back tuners.  This guitar has never been retailed but is a cosmetic 2nd due to some sight finish discoloration on the back of the body only.  I think that after we buff it out, it will be pretty much dead mint.  This model sells online and in super stores for $2600 ($3725 list).   I didn't get a case with this guitar but at $1000 under store price, there's plenty left over to buy a case.  Just $1550(HOLD-Jim G 5/19) with gigbag.  This guitar plays wonderfully, sounds great, and has a vibe like nothing else. 

2006 Epiphone Ltd Ed '57 Reissue Les Paul Junior (upgraded), (front/back), (headstock/neck).  Excellent quality Custom Shop model which was available for only several months back in '07.  I had 3 NOS ones back then and they were killer guitars.  This guitar is actually *better* than new with the pickup swapped out with a Jason Lollar P90, which runs $90, not counting labor.  Lollars are one of the premier boutique makers of pickups, and a favorite of gearheads and members of the various Les Paul forums.  This Junior could have come right off the showroom floor; looks to have seen little to no use.  One of my favorite Epi's (and Gibsons for that matter), with the killer tone of a single P-90, and the simplicity of a wraparound intonated tailpiece, with a single volume and tone.  As Leslie West knows - that's all you need to make a Les Paul sound great.  Don't confuse this with the cheaper regular production models with bolt-on neck, this is the set-neck model and, possibly because of this, this guitar has excellent sustain and a pure "singing" quality.  You don't see many of these in Vintage Sunburst (VS) and I think it's probably more rare than the TV models that I've seen - plus this VS finish looks more authentic than what they are calling "TV" on the other finishes.   You won't hesitate to use this guitar at a gig.  The tone is superb and the action is incredibly low.  Anytime you can get a guitar that's suitable for professional use for under $500, it's usually a bargain.  With this Lollar installed this is a smoking deal for just $329 - or add a quality Canadian TKL Ibanez case that cut for a junior's smaller lower bout (pic), for $379.  (HOLD-Dennis K)

2004 Fender Standard Telecaster with Duncan Hot Rails, (front/back), (headstock).  Finished in Midnight Wine with a maple board, this is one beautiful Tele.  Plays great, looks great and with the addition of a Duncan Tele Hot Rails humbucker in the bridge, has a much fatter tone and hotter output.   It's a 4-conductor so we can change to a 4-way switch if desired for an upcharge but it sounds great the way it is.  Also has quality CTS pots and switch for years of no-hassle electronics.   No scratches to speak of, no fret wear, overall a very nice 9.8 condition.  With a new stock Tele at $549, here's one that already has a $75 upgrade and a setup better than factory - for just $399.

1965 Gibson ES-125T w/Protec Case, (front/back), (headstock/neck), (finish checking) (all original parts), (neck joint).  I've had this one for over a year, trying to decide whether or not to part it out but in the end, it's too much hassle and, bottom line, I hate to part out a perfectly good playing guitar that has all original parts.  The bad:  Has an extra control hole drilled in the top for unknown reasons.  It has also been refinished in the neck heel area, top and back, leading me to conclude that it had a heel repair done at some point.  Lastly, on the first string - and first string only - it frets out somewhat at 12th and 13th fret.  Upon request we can raise the action to medium which will take care of this, but it plays so nicely everywhere else that we've left the action low.  Nitro finish is checked throughout - body top and back, sides, neck, and headstock.  The good:  No cracks or repairs other than as mentioned, even the output jack, which typically develops cracks, is in clean shape.  Appears to be all original vintage parts, which, parted out, would exceed my price for the guitar, figuring you could also get $300-$400 for the body/neck.  It's a nice playing archtop with low action and no buzz, except the 1st string 12/13th fret.  Lovely Brazilian fretboard in nice shape and frets are excellent.  Original tuners hold tune nicely.  These guitars do Delta Blues better than any electric in my opinion and this one sounds as nice as a $1500 collector's condition example.  $744 (HOLD-Ralph P 4/27) includes a Pro-Tec case (pic) that offers better protection than a wood/tolex and is around twice as thick.  For the player, this is a solid 40+ year old guitar for the price of a high end Korean archtop.  

1980's ESP Mirage Deluxe - Black/White Crackle, (front/back), (headstock), (ESP/Floyd), (heel/neckplate), (ESP case).  As I mentioned 5 years ago, real ESP's were going to become very scarce and new ones were going through the roof, so it's somewhat of an event when I get in a "real" ESP these days.  Even more rare, to get in one in a custom finish like this black & white crackle, that just screams 80's metal axe.  While Candy Red and Black are great colors, it's just nice to get in something more rare.  This guitar has seen very little use and is extremely clean with no buckle scratches, finish chips, or other wear.  It has only one noteworthy flaw - a very small finish chip on the side of the headstock, not visible from the front (from 3 angles).  The Mirage Deluxe features a bound neck and headstock, with small block inlays, HS pickup configuration with a slanted ESP dual-rail humbucker in the neck and a Duncan in the bridge.  Quality hardware with a low-profile ESP-licensed double-locking Floyd Rose tremolo and ESP tuners that work great.  One of the signature features on these guitars is the beveled heel that's thinner on the treble side and uses a non-square neckplate.  The neck is stamped "Made in Japan" while the neckplate is the standard plate from the 48th Street Custom Shop so it's likely a MIJ neck on a guitar that was built in New York.  These are generally great playing guitars and from my experience are a cut above the Kramer "Americans" from the same era, even though the Kramer parts were built by ESP.  This one plays great, stays in tune very well, and is a fantastic shredding machine.  If you're looking for a guitar that oozes 80's metal, this is one of the best.  A stock M-II in a plain finish is going to run you $1399.  This Mirage Deluxe in a very cool finish is in beautiful shape, over 20 years old, and a much cooler guitar in my book - for less.  $999(HOLD-Shane 5/28) includes original ESP case.  

2008 Fender Road Worn 60's Stratocaster - Olympic White - Mint Guard,  (front/back), (headstock), (examples of wear), (finish checking), (deluxe gigbag etc.).  Unplayed and "Mint" Condition.  I've long been a fan of distressed or "relic" guitars, ever since Fender came up with the idea in the early 90's.  For a lot of players, nothing beats the feel and vibe of a genuine vintage guitar, complete with chips, finish wear, oxidized hardware, and especially a broken in neck.  Problem was, original examples were selling for the price of a new home.  For a fraction of the cost of an original example, players could get a guitar that was historically accurate, with the vibe and tone of the original.  While these fine Custom Shop guitars brought the price within range of many more players, not everybody could afford $2600 for a Strat, and it still left most players with no where to turn other than DIY aging, frequently with less than realistic results.  Finally, in 2008, Fender put a relic guitar within the price range of many more players by moving production to just over the border at Fender's facility in Ensenada Mexico.  Named the "Road Worn" series, these guitars feature an alder body, with misc. finish wear, chips, finish checking over almost the entire body - with un-vintage but popular large 6105 frets on a C-shaped neck and a worn finish on the back for a great broken in feel.  Likewise, the hardware is dull and lightly oxidized, as with a guitar that has been exposed to the elements for half a century.  Not just looks alone, these guitars are loaded with quality USA electronics and quality Tex-Mex pickups, known for their snap and bit, and  are preferred by many over the Texas Specials or the Vintage '57/'62.  Also features the quality tremolo with heavy steel trem block.  You might think Fender would use their lower grade Alder on these guitars but this guitar is a very nice weight.  These come in several colors but Olympic White with a green guard is THE look of the early 60's in my opinion, and the relic job they did on this guitar is one of the best I've seen.  With a list price of $1200, this model sells new for $950.  This guitar has seen zero use and is offered in "worn-mint" condition for $779(Tent. Hold - Joe C), set up to perfection and an excellent sounding lightweight Strat.  Includes deluxe gigbag with factory sealed accessory bag, hang tag, and original box.  If you prefer a maple neck:  

2008 Fender Road Worn 50's Stratocaster Neck, (pic2).  Removed from a 2008 Road Worn when new - the owner didn't bond with the V-neck.  Zero hours of use and a great neck with a cool vintage vibe.  I got this without tuners but it takes your standard vintage style shown on the 60's Roadworn above.  $329(Tent. Hold - Joe C).  

1989 Fender HM Strat Neck, (pic2).  This is an excellent neck - clean shape and it set up perfectly when installed on its original body.  Frets are in great shape, with just light wear primarily on 2nd/3rd frets, 2nd/3rd strings as shown here.  All of these said "Made in USA" on the neck plate but from the majority of web sources, the E9 serials without "Made in Japan" above the serial indicates that it's a USA model.  It's sort of a moot point since nobody seems to know the real story and all HM's are great guitars of equal quality.  We buffed out the headstock to a high gloss, no wear to the back of the neck.  A perfect choice for restoring your HM or creating your own 25" scale Super Strat.  Great neck for $275.  

1980 Ibanez ST-50 Studio, (front/back), (headstock/neck), (close-up), (case). Typically superbly constructed guitar from Hoshino/Ibanez Japan.  While the 50 was near the bottom of the Studio range, it features the same quality construction and components as the models with fancy cosmetic appointments.  The ST-50 features set neck construction, large George Bensen style headstock, Gibraltar bridge and Quick Change tailpiece, and Ibanez Pat. Pending Velve Tune tuners.  The body is well rounded on all sides which makes it very comfortable to play whether strapped on or seated.  Pickups are one original DiMarzio-inspired V2 humbucker in the bridge - and the neck is an old DiMarzio PAF.  They're both strong and clear and with a simple 3-way, volume and tone, it's the ultimate in simplicity.  Worst flaw is a small hole (shown here - 5' and close-up) which we can plug, paint and lacquer if desired - plus some finish touch-ups on the edge (shown here).  Overall though, this guitar is very nice for 29 years with little actual player's wear and excellent frets (shown here).   I obviously wouldn't recommend this for the discriminating collector but for others--especially players--this is an extremely well made guitar, that plays great and sounds excellent.  It's a guitar that's easily good enough to gig with for just $399(Sold - Dave C).  Includes original green-lined tolex case in good shape.  

2005 Fender Lite Ash Stratocaster w/upgrades, (front/back), (headstock/fretboard), (close-up).  One of Fender's fantastic upscale imports with high end features such as real Seymour Duncan pickups, Abalone inlays, birdseye maple neck, and quality tonewoods.  As the name implies, it's light in weight - but heavy in tone thanks to its exceptional light ash body and Seymour Duncan Alnico Pro Staggered  pickups.  Other features include abalone inlays, 22 medium jumbo frets, 2-point fulcrum Am Std style bridge, and chrome hardware.  This one also has one cosmetic upgrade - a vintage style tortoise guard, plus has a set of Sperzel locking tuners which are some of the best on the market.  For complete specs, check out Fender's site here.  Original pickguard (pic) is included if you prefer the original look, as shown here.  Beautiful condition, great setup.  With a stock Alder body Standard Strat now over $600, this one with real Duncans and $80 in upgrades, is an incredible value at $499.  Includes Fender gigbag.  

OFF-HOLD: 1968 Fender Bassman Head with Bassman 2X15 Cabinet, (Head-1), (Head-2), (Head-3), (Cab-1), (Cab-2) (Cab-inside).  1968 head with silver trim has the exact same circuit (AA165) as the 1967 blackface Bassman and is a very desirable model.  The Bassman is a great sounding amp for either guitar or bass and 50 watts of 6L6 power makes it a good club amp for medium size venues.  Sort of outdated, power-wise, for bass but still capable of delivering some killer lows if you're in a small bar - or other clubs if you DI or mic the cab.  Although I personally think the later silverface models sound pretty good, they're often slighted by many critics but, again, this one is the blackface circuit which many believe is the best post '59 Tweed Bassman made.  Accompanying the head is a later, ca. 1973 Bassman 2X15 cab, which is a more reasonable size than the earlier models, in a sealed, non-ported design for loads of punch.  Speakers are original CTS 15" with heavy magnets, date coded 48th week of '73..  At 30"X28"X12", it's much easier to fit into the back seat of your car than the huge earlier models.  Casters are included for portability and also features factory handles on both sides of the cab.  The head has the sliding latches to connect to the cab - they're easily available online or I might even have a set if I look around.  This setup is extremely clean other than discoloration to the grill, primarily on the cabinet.  Tolex, panel, and grill are otherwise quite clean and this would be a nice setup for the collector but priced within reach of the working player.  Priced separately, the head is $SOLD; cab is $450.  

Email Me:  chrisgtr@nycap.rr.com

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Mon-Fri 9:00am-3:30 pm and 6:00 pm-8:30pm or Weekend days:  (518-432-4168)

Chris' Guitars, specializing in semi-vintage and clean utility guitars and basses within the price range of working musicians.  My inventory generally leans toward Fender and Gibson, though I usually have a supply of PRS, Gretsch, Guild, Martin, Taylor, Jackson, etc., as well as an assortment of moderately priced--but very playable--less famous brands.  Our price system is designed to keep prices below book value, rather than amassing a huge collection of full retail priced merchandise.  On Vintage gear and higher end items, I tend to deal in all-original pieces but do my best to identify questionable features so there are no surprises when your new guitar arrives at your home. I also get in a lot of pro-sound, keyboard, and studio gear and, again, my aim is to price it low and keep it moving—and I’m always looking for trades.  Thanks for checking out my web page and if you have any questions, please click on my email address above or at the top of any of the pages.....I'd like to take a moment to thank all of my customers who have made my humble little site such a phenomenal success, especially my valued regular customers—you are the greatest...  Regards, Chris

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