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MISC ACOUSTICS AND ACOU/ELEC

 

Accoustic Accessories

  1. DOD Acoustic 1 Muli-Effect, (pic2).  Good value on an all-in-one acoustic processor.  The Acoustic 1 incorporates features and effects specially designed to complement acoustic instruments. Included are an improved analog compressor section, flexible three-band EQ with boost/cut capabilities, analog notch filter with frequency control and noise gate.  Digital effects section includes chorus, flange, phase, tremolo, detune, 12-string emulation, mono/tap delay and reverb.  A chromatic tuner with three references can be accessed in program bypass mode, and the unit's expression pedal input can be used with most passive volume pedals for master level control.  Equipped with 30 factory and 30 user-defined presets, the Acoustic 1 offers a "Jam-Along'' input to play along with CDs or cassettes, as well as a standard headphone output.  List price on this unit back in '97 was $299, selling in stores for $229.  Today, it's priced at what you'll pay for a single effect, at just $85.  

  2. D-TAR "Solstice" Two-Channel Preamp/Mixer, (pic2), (close-up front/back).  D-TAR are experts at acoustic amplification.  D-TAR stands for Duncan-Turner Acoustic Research, and marks the union of Seymour Duncan with noted luthier and acoustic amplification expert, Rick Turner.  The Solstice is a combination two channel preamp and mixer designed to handle a variety of inputs.  It offers 1/4" and XLR connectors on both channels, plus you can use both channels together for stereo operation. It can boost a signal up to 24dB, and includes a phase reverse switch, mute switch, tuner output (not affected by the mute switch), and an effects loop for inserting external processing or just taking an independent output.  You can use it with whatever pickup/sensor system you're using or D-TAR also makes a fine under-saddle pickup which is very nice.  The Solstice won Guitar Player's "Pick Award" - for a GP mag review, click here - or for D-TAR's site, click here.  This unit sells new for $329 but this one's mint in the box with manual and power supply for just $250. 

  3. Fishman Pro EQ, especially good choice for passive under the saddle pickups or any acoustic without an onboard preamp.  Mint in the box, works on batteries or 9V adapter is included as well.  Also includes belt clip which attaches the unit to your guitar strap or belt.  Quality Fishman unit, made in the USA and will probably never fail you.  $SOLD. 

  4. Highlander iP-1 Acoustic pickup, Like the Fishman Matrix in the Hummingbird above, the Highlander iP-1 is another "all in one" active system, with the preamp built into the elongated output jack and no major modification is required to your guitar, simply a very small hole under the saddle.  Excellent design and loads of accolades on their site, the iP-1 "hears" the tonal properties of the wood and design, not just the dry sound of pressure against the thin transducer under the saddle.  Check out Highlander's site here and the iP-1 here.   Lists at $189 and sells at discount for $159.  This one's never been installed and just $119(, or $135/installed on any guitar in stock.  

  5. L.R. Baggs Para Acoustic D.I., (close-up), perfect condition in the box, studio-quality direct box + pre-amp + equalizer.  For a very modest price, this could possibly the last preamp you'll ever need for your acoustic.  Quasi-passive 5-band EQ with sweepable mids, notch filter, and presence control.  Boosts your signal up to an incredible 24dB.  Runs on 48V phantom power or a 9V battery, phase inversion for the best recording mix, XLR balanced output, ultrahigh input impedance to get the best out of any pickup, series effects loop and low cut filter to eliminate thumps.  Sells new for $160 - save big and get this one for $115(HOLD-Peter S 7/31).  

  6. Sabine Solo SL-820 Digital Feedback Eliminator, (close-up front/back).  A must-have for players who are serious about acoustic amplification.  You've tried the rest - now try the best - at least in the sub-$400 price range.  Designed for single channels, the 820 offers 8 patented FBX Filters, 20-bit digital resolution and increased headroom.  The 820 outshines virtually all other feedback controllers in accurately controlling feedback during live performances.  Equally at home when hooked up to an acoustic/electric guitar, wired mics, wireless mics, monitors, harmonica mics, and multi-mic locations.  It automatically senses feedback and quickly places a narrow 1/10-octave adaptive digital filter directly on the resonating frequency. Each of its FBX filters are 10 times narrower than 1/3-octave graphic EQ filters (which are actually one full octave wide, spaced out on 1/3-octave centers), so the FBX provides more gain before feedback without a loss in sound quality.  In fact, the FBX gives back more than 90 percent of the power lost with using a graphic EQ to control feedback. This unit sells new for $319 ($369 list) but this one is "as new" in the box and a full $100 cheaper, just $219.  If you want to say goodbye to feedback forever, without sacrificing tone, here's the answer.  Full details - click here.  

  7. Taylor Guitars K4 Equalizer, (stock photo), (close-up) - we're talking some top shelf gear here, the Taylor K4 was Designed by engineering guru Rupert Neve and voiced specifically for Taylor's famed Expression System (ES).  Taylor has never been a company to jump on the bandwagon and they put considerable thought and R&D into every product before releasing it to the public.  The K4 is Taylor's very first piece of outboard electronic gear designed for the next step in your guitar's balanced signal chain and raising the bar for stage and studio performance.  It features a parametric EQ voiced specifically for the acoustic guitar, along with a Q control for pinpoint tone shaping.   The custom circuit, designed by Mr. Rupert Neve, is transformer coupled input and output with pure analog tone shaping, doubling as a quality active DI with effects loop and tuner out.  Building on the fully balanced output of the Taylor ES, the K4 is engineered specifically for the frequencies of the acoustic guitar, more specifically, for the Dynamic Sensors that are an essential part of the ES.  You can now shape your guitar's tone by zeroing in on the notes or frequencies of your choice and then cut or boost them to perfection.   It has low impedance, transformer-coupled balanced inputs and outputs which connect directly to the balanced output of an ES-equipped guitar.  Features include: bass and treble controls, sweepable two-band Parametric midrange control with adjustable "Q", an effects loop with choice of "Pre" or "Post" EQ, phase invert, headphone jack with independent level control, mute feature and a dedicated tuner output.  It is a well built and compact unit with polished aluminum chassis with a wood-trimmed top.  For details and video, check out Taylor's site here.  With a list of $898 these sell in the chain stores for $779 if you can find one in stock - and you'll have a hard time finding any on the used market.  This one is immaculate and a must have if you want the ultimate tone out of your ES-equipped Taylor.  Nicely priced at $599.  

  8. Taylor Suede Guitar Straps, brown - 2 available, specially cut to fit the strap pins on Taylor guitars.  Soft suede is very supple and it has a broken in feel right out of the box plus it's excellent at resisting slippage compared to slick leather.  Fully adjustable and features embroidered Taylor logo.   A must have for Taylor collectors or anyone who wants a comfortable strap that will last for many years.  $24/each. 

  9. Taylor Prints, original dealer displays.  I have the set of 5 (each one different) that I bought around 5 years ago.  You can buy them unframed - or I can also include a solid oak frame that I purchased for each one.  This was a very successful ad campaign that ran from late '99 with just a subtle reference to the advertiser being a Taylor headstock pictured in the corner.  These are very high quality on thick poster stock, 23.5" X 16.5", large enough to be a center piece in your jamming room or den.  Email me if you want pics of the 3 that aren't pictured here.  Price for a poster and frame is $35 (you cut the mat).  

  10. Trance Audio "Amulet" - True Stereo Acoustic Pickup System.  Complete system consisting of: (left-to right in pics)  (1) two Acoustic Lens T3 transducers with RCA jacks connect to (2) preamp module, which connects to (3) a special proprietary cable, which feeds (4) the Amulet preamp.  The Amulet runs on batteries or a adapter which is included.  For a full description, click here for Trance's site.  For a couple of reviews on Harmony-Central, click here.  This unit has been previously installed but works perfectly.  It's an easy install, in just minutes, and is one of the most true sounding amplification systems available.  Sells new for $495; this used one is just $295. 

Classical/Flamenco

  1. Esteve 1GR07 Classical, 2003 – NEW, old stock, and another r-e-a-l Spanish classical.  Features solid Western Cedar top and the same fan bracing and integrated neck-body construction of the GR08, except with laminated Rosewood sides and back.  This one is also a new floor model, near mint 9.9 condition and with a retail price of $925, another exceptional value at just $525.

  2. 2005 Fender CG-7 Classical, new-old-stock, good quality classical that features Spruce top and Meranti back/sides.  If you don't have a nylon string in your guitar collection, here's an inexpensive way to get started.  Fender builds quality into all their guitars, even imports such as this one, but the price is around what you'll pay for an off brand at $129.  Ships set-up but never retailed, in original factory box.    

  3. Epiphone EC-20 Classical, (pic2).  ca. mid-70's and a very good quality made in Japan classical.  Features Spruce top with Mahogany back and sides, Rosewood fretboard, nickel silver frets, scrolled gold-plated tuners, and Ivoroid tuner buttons. This guitar has a pleasing tone and cosmetically, in stunning condition.  Very thin finish is near immaculate and you'll find it hard to believe that it's 30 years old.  Good quality for low bucks, just $159(HOLD-Peter S 7/31). 

  4. New World Guitar Co. - Palo Escrito Model, 1998, (label),  (back), (front/back/rosette inlay), (headstock), (sides/binding).  Some of you may be more familiar with the parent company, "Hill Guitar Co.", but these New World models are excellent quality classicals in their own right.  Built exclusively for veteran luthier Kenny Hill, with a goal of uncompromising quality with a reasonable price.  The techniques and materials used on New World are the same used on Hill guitars in Ben Lomand, Calif.  All instruments are given final setup and adjustment in the California shop before being offered for sale.  As the name suggests, this model is made with Palo Escrito sides and back, with a solid Cedar soundboard and Ebony fretboard.  The craftsmanship is first rate, especially the hand-inlaid rosette and immaculate wood binding, adjoined by black and white pin striping.  Tonally, it is described as very open and lively.  Although this particular model isn't in their current catalog, you can read about Hill and New World, just click here and click on "catalog."  This is one of the best values I've had on a hand-made classical.  I've certainly had cheaper classicals but as far as quality vs. price, a really nice find at $699 with choice of case or gigbag.

  5. 2002 Jose' Ramirez R4, (label), (front/back), (appointments), (sides/binding), (headstock/neck).  When you think of Concert classicals a few names come to mind, and Ramirez is at the top of the list and the R4 is the top of line for Ramirez' R-series.  Founded in 1882 by Jose Ramirez, and his superb style and skill in lutherie was handed down from father to son.  Ramirez was world renowned, creating guitars in his own personal style which still serves as the model for Ramirez guitars today.  It is a widely held belief that the most important breakthroughs were accomplished by Jose Ramirez III, who created a series of decisive modifications to the internal structure of the guitar and at present, Jose Ramirez IV is in charge of the workshop and devotes his time to design in collaboration with Jose Ramirez III.   Each and every guitar released from their workshop is subjected to his supervision before it lands in the hands of the new owner and he backs it all up with a lifetime limited guarantee.  The R4 is part of their "Conservatory" line and features all  solid woods with the highest grade quarter-sawn red cedar top, Indian rosewood back and sides, and ebony fingerboard on a Spanish cedar neck with a standard scale of 25.82" and top quality Fustero Tuning Machines.  List price on this world-class guitar is $3749 and you'll see it discounted at the chain stores for $2999  This one is immaculate, barely touched, and I'm proud to offer this fine classical for over $1150 less than new, just $1850.  Includes original Ramirez case - guitar fits like a glove - which offers excellent protection; note the back edge has a slight gap.  

  6. Suziki Model 70 Classical, Japan, nice sounding classical, much better quality and tone than you’ll get for comparably-priced Chinese or Indoneasian classicals, $175

  7. 2000 Takamine Concert Classical C132S, (pic2).  One of the higher end classicals from Takamine Japan.  Solid Cedar top with *solid* Rosewood back, intricate Marquettery (tri-color wood) rosette with multi-layers of binding (pic), Rosewood fretboard, wide 2" nut, 25.5" scale, gold hardware, and gloss finish.    Very rich tone with excellent set up and feel.  This is a quality guitar and carries a $1215 List price, selling for $849 everywhere.  This one is in mint condition, other than a fingernail scratch on the top that was impossible to photograph, and an excellent quality concert classical for $629.    Includes excellent quality Takamine case.  

  8. Yamaha CG-150CA Classical, (pic2), Yamaha, in Taiwan, builds some very nice guitars and they're generally the best of the Asian imports, with quality above Korea and lighyears ahead of China and Indonesia.  This is an excellent classical for the money, especially for a solid cedar top.  Other woods Ovangkol sides and back, mahogany neck, rosewood fretboard and bridge - with wide 2-1/16" nut width, wood body bindings, wood rosette, rosewood headstock overlay, and gold tuners.  This guitar is exceptionally clean, plays well, and sounds very nice.  If you need a classical and you're on a budget - don't buy a new junker when this nice one's just $250

  9. Yamaha G-60, (pic2), very early model from the early Japan days, made in the famed factory of Nippon-Gakki.  As old as this guitar is, it has apparently been well cared for an exhibits no cracks or repairs, no warping, no problems at all.  Nice playing classical in nice shape for a guitar of this age.  Includes old semi-hard case and is an interesting piece for the Gakki collector, or player who wants a good quality classical at a reasonable price.  Just $179.  

Acoustics/Acoustic-Electrics

  1. Adamas 1581-5, (front/back), (headstock/fretboard), (front detail), 1995 model.  I've had dozens of higher end Ovations, including collector's series from a dozen or so years, but Adamas are the cream of the crop, so much in a class by themselves that they don't even share the Ovation name.  Adamas are guitars of the stars and while it may appear that they're playing Ovations, Adamas is the choice of most.  Being the first Adamas I've had I wasn't familiar with all the info on the label but thanks to Ernie, I now know that the "5" following the model is the color, in this case 5=black while the "87" refers to this guitar's fundamental frequency, in this case 87 Hz.  Serial numbers on the back of the headstock are consecutive and this one indicates 1995 production.  Features include a top comprised of two layers of carbon fiber, sandwiched around a layer of walnut, deep bowl cutaway body with Adamas Quintad bracing, suspended top with an ornate Adamas ring around the top's perimeter, original Adamas II epaulettes (sound holes) which have become the signature look on many Ovation models, Walnut bridge, 5-piece Mahogany/Maple neck with Walnut fingerboard, Adamas II fretboard inlays, Bone nut with 1 11/16" width, and gold Schaller tuners.  Click here for Adamas site specs where the 1581 is the 2nd one down.  Excellent preamp system on this guitar, the "Optima" preamp (shown here) with 9V power supplied via easy access door.  This preamp may have been a custom order, which isn't uncommon on Adamas guitars.  The Optima was state of the art when this guitar was built and contains a very accurate chromatic tuner - just hit a string and it'll tell you what note you're hitting, with red arrows that indicate "flat" or "sharp" and a green dot is displayed when you're dead on.  It also has "pop-up" control knobs for gain and notch filter; once you're dialed in, simply press them down and they're out of the way.  A 4-band EQ allows 12dB of cut/boost.  This is a very effective notch filter, with a range of around 70Hz to 700Hz.  If the guitar starts feeding back through the monitors, simply rotate this knob until you hit the offending frequency and the feedback goes away.  For more info on the Optima electronics, click here for a manual in pdf form.  Other features (pic) include Dunlop strap lock pins and choice of Low-Z or Hi-Z output jacks; if the Low-Z is used, Phantom power will power the preamp.  This is an exceptionally nice playing guitar with very low action and a quality acoustic tone - with an even better amplified tone.  This guitar has been played very little and after we cleaned and conditioned the walnut fretboard, it looks even better than the pics.  Includes hardshell case, shown here, that is formfit to the bowl and supports the neck the entire length.  Adamas has reissued this guitar as a 30th Anniversary model, priced at discount at $2529.  This one is in near pristine condition with zero noteworthy flaws and a sweet deal on an original 1581-5 at $1599.  

  2. Alvarez RD-20S, solid spruce top, very clean overall, one top crack repaired, $199 (mgr)

  3. Alvarez Yairi DY38, 1992, “Wood Ridge Mahogany”, fine Canadian Spruce top with Rosewood fretboard and bridge, Mahogany sides and back, neck adjustment system and magnesium “U” channel are same as Yairi used on his top of the line models, this is one of those guitars that just speaks to you when you pick it up with a very warm and natural tone, nice setup and 8 condition with just moderate players wear and no breaks or repairs, excellent value in solid wood Yairi at $450.

  4. Breedlove Custom Shop SD25-Focus/R, (pic2), (pic3).  Simply a wonderful acoustic and the more Breedloves I get, the more convinced I am that they are the best handmade acoustics on the market for the money; reminds me of Taylor in their early days before all the "improvements".  This Rosewood beauty is offered in mint condition and is one of the best acoustics I've had.  Breedlove's Focus line is one of their most versatile instruments, equally at home in the studio, on stage, or in the living room.  I called Breedlove regarding this guitar and was informed that it was a special order, with appointments from the Focus series, but with the SD-25 (Dreadnought) body.  Features of this model include:  Sitka Spruce body with soft Venetian cutaway and custom depth, Breedlove's Signature Voicing System, select Indian Rosewood back and sides, Mahogany neck, S-class appointments with upgraded Ivoroid binding, Abalone ring soundhole rosette, the Focus style fretboard inlay, S-Series Ivoroid decorative BWB purfling and a gloss finish.   Also features the LR Baggs Dual Element Electronics, with small controls for Volume and Mix accessible on the inside edge of the sound hole.  Breedlove said that list price on this model was $3999, which may have been discounted to $2999 depending on the dealer; very reasonable for an American acoustic of this quality.  This guitar is in mint condition, is an exceptional player with beautiful tone, and a nice deal at $2350.  I received this guitar without a Breedlove case but I'm including a Datt (Canada) tolex case that's at least as good as the original.  

  5. 1998 Breedlove MJ20/E 12, (pic2), (pic3).  As fine a 12-string as I've ever played.  One of Breedlove's high end "Premier" series, which today would fall between the Master Class and the S-Series on the price scale.  I called Breedlove (great customer service these guys) and they confirmed that it was a special order shipped on 6/5/98 which if built today would price out at $4700 with the following specs:  Jumbo body with gloss lacquer finish, solid Sitka Spruce, solid Striped Ebony sides and back, Ivoroid binding, gold hardware, Mahogany neck, 1 7/8" nut width, multi ply binding on neck and binding, gloss headstock overlay, Ebony fretboard, and Abalone rosette in a wide band around the soundhole.   My immediate impression was that it was an outstanding 12-string, built with superb woods, immaculate construction, and perfect engineering combine to make a 12-string that's extremely comfortable to play, with exceptional tone, and some of the best looking Striped Ebony you'll see.  The MJ20/E is an excellent choice for doing solo gigs, where you have a lot of sound spectrum to fill out, and the jumbo body adds the extra bass and fullness that are especially critical without a backup band.  In fact, the original owner of this guitar used it for solo gigs and had a quality Fishman pickup with active circuit installed.  It sounds superb plugged into an amp.  It's in very nice shape with no major flaws, just light player's wear and frets are perfect.  If you ordered this today through a Breedlove dealer it would sell discounted to $3300.  This used one, which has been well taken care of for the past 9 years, is $1000 less, just $2299.  Includes Breedlove case.  

  6. 2007 Collings OM2H - German Spruce,  (front/back), (headstock/neck), (side), (case).   Pretty exciting find for me.  Collings has been one of the premier boutique builders of acoustic guitars for 32 years but he builds in such low numbers, less than 1000/year, that there aren't many on the used market.  Every one I've had has been a top-notch guitar, among the best in its class as is the case with this OM.  The OM2H is his 000-size which is just slightly smaller than a dreadnought with a 15" lower bout - plus Herringbone trim which adds a tasteful vintage look.  In fact, the internal construction is based on the original Martin OM, produced from around '29 to the early 30's.  Other features include gloss natural finish, German spruce top ($300 option) with Sitka pre-war scalloped bracing, Indian rosewood back and sides, 14-fret Honduran mahogany neck, 20-fret ebony fingerboard, slotted diamond inlays, 1-3/4" nut width, 25-1/2" scale, ebony bridge, ivoroid-bound body, herringbone top trim, Brazilian rosewood headstock overlay with pearl logo, nickel Wavery tuners with butterbean buttons.  This is an excellent finger style guitar, with a very balanced tone and good projection.  The action is very low - probably too low for many players so just ask and we'll raise it up.  I can't find a database for serials, but the customer bought it brand new in '07; serial is 12960.  No buckle/button scratches, sides and back are immaculate, and just a few miniscule impressions on top; overall 9.9 condition.  If you're a Collings fan, or you've heard the buzz and want to try one out, this one's much cheaper than new and nearly perfect - for $2700.  Includes Collings hardshell case with arched lid and crushed velvet green lining.  For more info from Collings, click here.

  7. Cort Dove Copy, nice playing flattop with the look of a Gibson Dove, slightly modified of course, and a built in saddle pickup and preamp.  Many of they same features of the Dove including bird pickguard, split block fretboard inlays, bound body, bound neck, bound headstock.  This is a nice playing flattop with good Korean quality, and at $175, cheap enough to take to the beach or leave on the back porch. 

  8. Epiphone EJ-200 Jumbo Vintage Sunburst, New!,  Like the classic Gibson 200’s, features Maple body with select Spruce top - body, neck, and headstock are all fully bound, famous mustache bridge, gold Grover tuners and a set Maple neck with a crown inlay on a Rosewood fingerboard – truly a stunning presentation. This guitar is has never been retailed but was factory recondition with a tiny cosmetic repair on the back edge, thus the “used” stamp on back of headstock.  Not a scratch anywhere – any flaws that appear are just reflections - with a great setup and typically huge tone that only a maple J-200 can provide.  List price is $665 and found at major online stores discounted to $399 but save on this one at $299.  You can expect it to play BETTER than new with a pro setup prior to shipping and ready to play right out of the box. 

  9. Fender DG-22CE acoustic/electric, beautiful flamed maple all around with a good-sounding Fishman preamp, overall in nice shape other than dings on the back of headstock by a sustaining clamp.  List price was $730 but this one's in very nice shape for a used guitar and just $225. 

  10. Guild GAD-50 Dreadnought (multi-ply binding, inlaid with wood) - high end features - such as all solid woods - on a very modestly priced acoustic.  Constructed in the traditional dreadnought body shape, Guild uses solid Indian Rosewood for the back and sides, a solid spruce top that features scalloped bracing, with a one-piece mahogany neck attached with the traditional dovetail neck joint.  Very nicely appointed, with Indian Rosewood for the fingerboard and bridge with additional quality tone woods in the ebony for the pearl dot inlayed bridge and strap pins, and the entire top and back are adorned with wood bindings.  These are expensive touches, generally found in acoustics at or above the $2K list price. Lastly, Grover Rotomatic tuning gears are used and for the best in tone and intonation, Guild uses a bone nut and bone compensated saddle.  The neck is adorned with pearl fretboard inlays as well as inlaid Guild and Chesterfield logo's on the headstock.  This guitar is a cosmetic second but, regardless, it's extremely clean and is an excellent sounding flattop with nice action.  It's a lot of guitar for $459 (HOLD-HRG 10/10).  

  11. Hugo Vintage parlor guitar, (pic2), ca. 1930's USA, sunburst, fake binding, very chunky V-shaped neck, appears to be all solid woods, includes old Nick Lucas music book with "Hugo School of Music" stamp, older soft case, neck set remains perfect and plays excellent all the way up the neck.  An inexpensive and nice looking addition to your parlor and a cool piece of Americana for just $175

  12. Ibanez AEJ-70, 2000, very cool blend of acoustic and archtop designs, nice acoustic tone that projects well enough for acoustic jams – plus the addition of a PAF-style pickup for a very fat and nice-sounding jazz tone, intonated saddle with floating bridge and fixed wooden tailpiece, deep treble cutaway for easy access to upper frets, very unique guitar with excellent playability and a good value in a Korean import at $275(HOLD-Mark M 7/21)

  13. 1997 Ibanez "Acoustic/Electric" Artwood AC-100 OM-Size, (pic2), (pic3).  Delightful little Orchestra Model, with the power and resonance of a solid Sitka Spruce top, and warmth of Mahogany sides and back.   This OM size is a full scale, although the body is slightly scaled down from a full size dreadnought, with 14 3/4" lower bout and 9 3/4" at the waist, making it a very comfortable guitar for smaller players, or any player who prefers the OM or 000 size bodies.  The AC series was only made for a few years, and was discontinued 9 years ago.  This one is wonderfully preserved and obviously seen very little playing time; virtually flawless condition.  Features include multi-ply bound body, bound rosette, quality sealed tuners, pearloid inlays, and this one even has a professionally installed under the saddle saddle pickup with end-pin jack for amplified use.  This one wasn't a great playing guitar when it came in but Martin re-worked the nut and did some light fret work so that it's now a very nice player.  There aren't many OM models on the used market, especially in the lower price range, and I consider this one a very good value at $259(SOLD-Carson 3/10).  

  14. Ibanez PF5CE Cutaway Acoustic Electric, (pic2), good quality flattop for the living room - or stage - with a Fishman/Ibanez AEQ40 preamp with 3-band eq and battery indicator.  Very attractive trans-blue finish with fully bound body and neck.  This model has been discontinued and carried a $399 list when new.  This one has a great setup, is in decent shape, and a nice acoustic for $179(HOLD-Daniel, local, 8/15).  

  15. Ibanez Artwood AW20CE, very good quality acoustic electric at a price that's unmatched for a solid spruce top with Fishman system.  The AW20CE has an attractive Antique Violin finish, Ibanez/Fishman preamp system, solid Spruce top with maple back and sides.  Appointments include multi-ply body binding front and back, maple headstock overlay that matches body, and Venetian cutaway to allow easy access to the upper frets.  One really nice appointment is an Earvana nut, usually found on higher end guitars and makes a huge difference on proper intonation.  List price is an amazing $499 and sells in stores for $345, but if you can live with a cosmetic flaw that I can't even find, grab this one, fully setup and ready to gig, for just $275.  

  16. 1984 Ibanez AE-405TV, (pic2), (pic3).  Early model stage guitar along the lines of Washburn's Festival Series, featuring a more shallow body (profile pic) than a normal acoustic, with a large/wide soundhole, and deep cutaway for access to the upper frets.  Many makers have since come out with acoustic/electric stage guitars but from my recollection, this is one of the earliest models made.  This is a very well made guitar as are most of the Japan models, featuring laminated woods but quality constructed for many years (obviously) of use.  The acoustic tone isn't overly loud but it does ring clear with a fairly even response in all registers and a nice crisp snap that sounds very good for finger style work.  This guitar is 23 years old and hasn't spent its life in the case so if you're looking for a mint example, look elsewhere.  No problems such as breaks or repairs, just a few minor finish chips, scratches, etc.  It played horribly when it came in but after 2 hours on the bench Martin has this one playing just fine, plus he buffed it out so the finish has a nice shine.  The electronics are very simple, with just a volume and tone mounted on the upper bout.  It has a good amplified tone but definitely benefits from a little EQ'ing on your amp.  In all, this is a solid player with a lot of years left in it and at $299(SOLD-Christopher N 9/14), including original case, a good value in a Japanese Ibanez.  

  17. 2007 Martin 000-15S with Pickup, (front/back), (headstock).   Immaculate condition but there's something about this model that has a definite vintage vibe, reminiscent of early model mahogany slot heads.  Features all mahogany construction, with a very nicely figured top.  Mahogany is a great wood for just sitting around playing by yourself.  It's a warm, cozy tone that covers lows-mids-highs without discrimination; very well balanced and an excellent strumming guitar.  While this wouldn't be the best for fingerstyle, the smaller body seems to contribute to better note definition than a mahogany dreadnought.  Features include 000 size body of all solid mahogany, neck meets body at 12th fret, slotted peghead, chrome enclosed gears with pearloid buttons, 1-3/4" nut width, 25.4" scale, herringbone rosette, tortoise pickguard., and a matte finish which also contributes to a very "open" tone.  This one also has an active under the saddle pickup installed with the battery velcro'd to the bass of the neck and end pin jack installed (shown here).  With a $1629 list, the 000-15S sells in stores for $1249 - around $1500 with the pickup installed.  This one is in unplayed condition, set up to perfection, and a very impressive 000 for $1050.  Includes original Martin wood/tolex case.  

  18. 2007 Martin 000M, (front/back), (headstock), (case).  One of Martin's popular Road Series, with Nazareth PA quality at a friendly price.  This Orchestra-size flattop features solid Sitka spruce top, with laminated mahogany, Mortise/Tenon Neck Joint, black body binding, single herringbone ring around soundhole, low oval profile neck, rosewood fretboard w/ pearl dot markers, compensated Tusq saddle, White Corian nut, 25.4" scale length, tortoise pickguard, and matte finish.  Very warm tone as you would expect from a mahogany body and surprisingly good projection from this 000 size, which is just slightly smaller than a dreadnought.  Offered in mint condition with original tolex/wooden Martin case and paperwork.  Online and superstores sell at $899 but this beauty, in unplayed condition and set up to our high standards, is a nice 000 for $729.  

  19. 1972 Martin D-18, (front/back), (headstock/frets).  Very nice shape, excellent player, and at 35 years, the tone is superb and only gets better as the years go by.  Martin (Miranda) explained to me the properties of wood and lacquer, and how everything gets more settled in with the passage of time.  This is one of the main reasons that old guitars sound so good.  He also mentioned a trick that some of the session players used to do to speed up the process.  They would place their guitar in a stand and sit it right in front of a speaker, letting music vibrate the wood for hours every day.  The belief was, and it makes sense to me, is that this would make the guitar "open up" and get that old, broken in tone faster.  One other unique aspects with old acoustics, especially Martins, with the passage of time the action gets higher and after you've squeezed every millimeter out of the saddle, nut slots, and sometimes the bridge - they need neck reset - unless you like uncomfortably high action.  This one is all set though, as it just had a neck set prior to coming to me with, literally, an hour's use since then.  As shown on the receipt (pic here), it also had a bone nut and bone saddle installed at the same time, along with a fully setup of course.  The D-18 has remained largely unchanged since it's introduction in 1932 and has been Martin's sparsely appointed spruce and mahogany dreadnought.  The tone is warm and full-bodied and it's a great guitar to play alone in your home or at a solo gig.  This one's in excellent vintage condition with just the typical small crack from pickguard shrinkage that's been repaired and is no problem -  and a small wear spot on the back and some lacquer wear from picking above the sound hole (shown here) .  If you A/B this with a newer one, you'll immediately notice a richness in the tone that you won't find on recent models. Assuming they were built with comparable quality tonewoods, they'll sound as nice one day but why buy new when you can get this 35-year-old model for around the same price, just $1750, and with the fresh neck set you'll be good to go for another 25 years.  Note:  Martin (Miranda) just played this guitar and he said it was the best *sounding* D-18 he had played, commenting that it had remarkable bottom end without being boomy.  You see a lot of D-18's where the case was parted out but this one includes original blue case  

  20. 1979 Martin HD-28, (pic2), (pic3).  Man, what a beauty...Insanely clean condition - one of those "under the bed" guitars that was played sparingly throughout the years and was likely put away for along time.  All original finish and no repairs, other than the typical small crack caused by pickguard shrinkage (pictured here) which Martin fixed and then installed a new pickguard to prevent any future problems.  One other mod, which will be a plus for anyone who might be using this for stage use - it has a Martin saddle pickup installed.  It's a passive system so there is no 9V battery; just the strap pin changed to an end-pin output jack.  If you don't need to amplify the guitar, we'll be happy to remove it and return it to a stock strap pin.  I sometimes come across vintage guitars that weren't played very much because they don't sound good.  That is not the case with this one.  It sounds wonderful - very loud with lots of bottom end but not overly boomy.  Definitely one of the nicer sounding old Martins I've had.  The top has aged nicely and has a nice orange hue.  Specs of this model include all solid woods with Indian Rosewood Sides and back, Sitka Spruce top, white body binding, herringbone top trim, scalloped braces, maple bridge plate, and Ebony fretboard with white pearl dot markers.  A new HD-28 is going to set you back around $2500 ($3299 list) and I'm pricing this beautifully preserved, superb sounding vintage model for the same price--or less if factor in a saddle transducer--just $2499.  Includes original Martin plastic case.  (Note: I obtained an original Martin case badge which was installed after the pic was taken).  If interested, inquire about a Fishman outboard preamp if you want a little more control in stage settings.  

  21. 1994 Martin D-18 with pickup, (pic2), (pic3).  Very nice older Martin - one of the real classics from America's premier maker of lifetime acoustic guitars.  The D-18 has remained a top seller for many years and is noted for being a no-frills acoustic, with quality tonewoods (Spruce and Mahogany), and will likely be handed down from generation to generation.  This one is in great shape - top is clean and even has some flame which is remarkable for Spruce - back has no buckle scratches but there was a small finish chip - *not* a crack - that Martin (of Chris' Guitars) finished over so you can't feel it but it is visible from a close distance (see arrows in pic here).  This one also has a quality saddle pickup (appears to be the higher end Fishman) installed, with active circuit with the 9V battery installed at the base of the neck.  Very low action but we can raise it up for player's who like typical Martin (higher) action.   No issues whatsoever on this guitar, overall beautiful shape and a very nice sounding Martin that most would say has a better tone than a new one straight from the factory.  $1350 and includes Martin thermoplastic case.  

  22. 1928 Martin 2-17, (pic2), (pic3).  Wonderful little parlor guitar and, remarkably, at 77 years it's still quite playable and it sounds very good.  With a parlor guitar, especially an all-mahogany, you would expect excessive mid-range tone but this one is actually very well balanced with a very sweet, pleasing tone and remarkably good projection.  It's as loud as many 00 or 000-size guitars.  At some point the guitar has been refinished and it naturally has some repaired side cracks in both sides (pic here) which Martin (Miranda) glued and clamped so it's a non-issue. Remarkably, I don't see evidence of any previous top or back cracks nor has the neck ever needed repair.  Speaking of the neck, it's mahogany with a Brazilian rosewood board and the neck set is pretty good so the action is well within the playable range and there's no bridge lifting (pic here - string height and bridge).  Tuners are old Waverly's but 50's/60's era and not the original 20's Waverly's.  The Model 2-17 has some historic significance in that it was the first model ever that Martin offered that was braced for steel strings.  This steel string bracing first occurred with the 2-17 in 1922 and by 1928 all of the 2-size guitars came with steel string bracing.  This one is currently set up with silk&steel, which I recommend on any guitar of this age just to be safe - there's less string tension but they still sound very good.  This is one of the oldest Martin's I've had in years and I've enjoyed keeping it in the family room to play during commercials.  Although not recommended for the discriminating collector, for the every day guitar enthusiast it's a very playable guitar that sounds good and a good value for a 1920's Martin at $1299. 

  23. Ovation Special Badalleer Model S771, (pic2).  New-Old-Stock and perfect first quality Ovation.  The OP-30 preamp has 3-band EQ with 400Hz/1kHz center frequency shift, EQ bypass, a preshape circuit that lifts the bass and treble and reduces frequencies below 40Hz, and best of all, a quality chromatic tuner built in.  The S771 is a mid-depth cutaway with a solid A-grade spruce top, A-bracing, rosewood fingerboard, hand-inlaid rosette, walnut bridge, and chrome tuners.  Lists at $1095 and sells online for $779 but if you don't mind a never-retailed 2002 model, save some serious cash here, $300 less than discount stores, just $479(SOLD-Robert M 7/29).  Sorry, no case with this one.  

  24. Rogue Honduran Dreadnought, best all-mahogany acoustic I've seen in this price range.  I did an A/B comparison with the Martin D-15 mahogany dread and there was seriously little difference - or definitely not $500 difference.  Remarkable warmth, good clarity, with a nice "airy" quality for mahogany.  They also set up very well and in a blind test you'd never guess you're playing a guitar that sells for under $200.  List price is a very modest $259 and we're pleased to offer them BETTER than from the factory.  We set-up and adjust every one before it arrives at your home which guarantees no burrs on the fret ends, comfortable action, and no disappointments.  All this for $149 and if you remember to ask, we'll probably have a free gigbag to include.  

  25. Takamine ENV460SC, (close-up), (front/back), (preamp/binding).  TAK'S FINEST, hand-crafted of all-solid woods by a special team at Takamine, Nashville models are as close to a luthier-built instrument as you will find from an international guitarmaker.  The ENV460SC is one of the acclaimed Nashville series, beautifully appointed and constructed of the finest handpicked tonewoods.  Featuring Tak's smaller NEX body shape topped with striking "bear claw" solid spruce with each top individually voiced to maximize its power and dynamic range.  The entire soundboard is trimmed with 100's of pieces of Abalone inlay as well as an Abalone soundhole rosette.  Sides are solid Indian Rosewood; back is perfectly bookmatched and, again, solid Indian Rosewood.  Also features abalone snowflake fretboard inlays and gold Grover tuners.  For amplified use, it features is the CT-4B "Cool Tube" preamp; one of the best available and produces a very natural amplified tone that's resistant to feedback - and also features an excellent quality chromatic tuner.  For detailed info on this preamp, click here, or for Tak's description, click here.  This is the most expensive Takamine made, with a $2859 list price, street priced at $2099.  Although this guitar is stamped "used", which normally indicates a cosmetic flaw or repair, we can't find any obvious issues at all and it appears to be first quality stock and quite possibly stock over run.  This guitar had never been retailed when I got it two years ago...it sold quickly to a local collector...traded back in last week, still in unplayed condition.  Set up is spectacular and the tone is rich, complex, and very well balanced.  This is an excellent deal on Tak's best acoustic/electric at $1350.   

  26. Takamine 2004 Limited Edition, (pic2), like all high-end Tak's, this is a world class guitar, with superior tone woods, uncompromising craftsmanship, top-notch engineering, and stunning cosmetic appointments.   All solid wood construction including Solid Sitka Spruce top and solid Indian Rosewood sides and back - with an Ebony fretboard.  Each year Tak does a Ltd. Ed. model and the 2004 is as unique as any as it depicts the two titans of the northern skies; Draco the Dragon and Ursa Major the Great Bear, caught in their eternal vigil around the celestial pole.  The rosette of contains the constellation stars placed exactly as they are in the night sky, and the sound hole label inside the guitar continues the "sky map" completing the northern axis of the heavens.  The fretboard is adorned with a swirling cascade of stars marking the traditional fret positions.  This one is a factory second (stamp on label) for a cosmetic reason, but the flaw was so minute that I can't find it; certainly no cracks repaired or otherwise, and just a minor blemish somewhere.  It's immaculate in all regards.   This is a fine sounding acoustic in its own right but with this preamp, the Takamine CT-4BII (click her for specs), it's just a killer stage guitar.  As these Limited Edition guitars were...limited...no more are available in stores, but the retail price was a hefty $2399 - discounted to $1679, which is reasonable for a guitar of this quality.  This one is flawless, with a great setup, and the epitome of Takamine craftsmanship, artistry, and tonewoods, nicely priced at $1099(Tent. HOLD-Shawn 7/2).  Includes deluxe Tak case, cloth, manuals, etc.  

  27. Takamine EF-341SC, (pic2), (pic3).  B-stock but never retailed, unplayed, with plastic still on the pickguard (the logo will come off the pickguard when plastic is removed).  For Springsteen fans, who has played this model for years, or anyone else looking for a quality Japanese Tak, it's hard to be the EF-341SC.  Features all solid woods with a Cedar top and Maple sides and back.  The only reason these aren't "A" stock is that they were shipped with the earlier AccurAcoustic preamp (pic here) rather than the current "GraphX".  The two preamps are almost identical, with built-in LED's which are great on dark stages, but AccurAcoustic doesn't have the "Exciter" control of the current model - but in its place it features a parametric mid control which for me is much more useful.  With a $1635 list these sell everywhere for $999 but if you don't mint a "used" stamp on the back of the headstock save some big bucks plus get a pro setup for free.  I got these without case but at $679 (1 more available; hold 1 - Jim D 1/31), I'll have plenty of cash left over to buy a nice case.  Full specs are at this link:  (Tak's site link). 

  28. 1999 Takamine FD360SC Dreadnought Cutaway with Programmable Preamp, (front/back/appointments), (preamp), (case).   I'm a big fan of the higher-end Tak's, the Japan-made models, and the quality, beauty, and innovation is as fine as any of the major American manufacturers.  As with any of the Yairi's I've had, these are guitars built to last a lifetime and can withstand daily use and rigors of the road with the best of them.  I guess that's one of the reasons that I see so many Tak's on TV in the hands of major touring groups, in fact, this model is referred to as the "Pete Townsend Model", as it was the model Pete used for much of his acoustic work on stage.  This one is a first-quality Takamine and although it's a '99 model, it's clean enough to be sold as new, apparently spending its life in the case.  Spec's of this wonderful dread include Gloss finish, solid spruce top, rosewood back and sides, 1-11/16" nut width, white-bound 20-fret rosewood fretboard with oval maple inlays, fancy soundhole rosette and backstripe handcrafted with padauk, ebony and walnut, rosewood peghead veneer with vertical logo, w-b-brown-b double bound body, under saddle pickup and Tak's new digital, fully programmable AD-1 DSP preamp (on board reverb, tuner w/alphanumeric display, feedback absorber, parametric E.Q., & personal programmable E.Q. patches).  List price on this beauty was $1739, with a discounted price of around $1229.  The acoustic tone is superb and it can definitely hold its own as a straight acoustic, but as a stage guitar it really shines, with the convenience of changing effects settings at your finger tips plus memory for some choice settings; no wonder Pete liked this model.  Offered in pristine, "as new" condition for $850(Hold - Jack 4/16).  Includes original Tak hardshell case.  

  29. 2005 Taylor Doyle Dykes 10th Anniversary Edition DDAE, (front/back), (headstock), (label, etc).  "As new", unplayed condition and a wonderful finger-style acoustic in the name of one of the best finger-style players of our time, Doyle Dykes.  Signature model for one of the best finger-style guitarists of our time.  The DDAE marks the 10th Anniversary with Doyle's association with Taylor and comes in a special color, Brown Sugar.  Like the regular Dykes signature model, the DDAE is a Grand Auditorium size with a slightly shorter scale, 24 7/8", better suited for finger-style playing.  The Anniversary model came in both Fishman and Expression System (ES) amplification systems; this one has the ES.  This color was very hard to photograph without flash and although you can't see it in the pic above, with a flash you can see the wonderfully figured 3-piece back (shown here) made of solid, big leaf maple.  Likewise, the sides are figured maple, while the top is a matching finish, over Sitka Spruce.  The neck is hard rock maple with an Ebony fretboard.   Whether you're a collector, or a finger style player looking for one of the ultimate working guitars, you can't go wrong with this one.  List on new was $3998 but this one is in untouched condition, with the heavy Taylor luggage case, tags, manuals, and unsigned warranty for just $2299.

  30. 2004 Taylor XXX-RS 30th Anniversary, (front/back), (headstock), (font/inlay).  As new condition.  What a beautiful guitar and in addition to it's stunning aesthetics, the tone is even more beautiful. The XXX-RS was one of the Limited Edition (250 total pieces) models from 2004  featuring the popular Grand Concert body size with Sitka spruce top and select Indian Rosewood back and sides with gloss finish all around - plus it marked Taylor's first production of a "short scale" guitar.  In addition to a finger-style-friendly 1 3/4" nut width, it also features shorter scale of 24 7/8 inch, revoiced top, and a slightly deeper body.  The result is a looser feel and tone with increased volume, creating a wide array of timbres with a large dynamic range and outstanding sustain, perfect for flatpicking, fingerstyle and hard strumming.  If you've found Taylors a little too compressed when you lean into them, the forward bracing on this model solves this problem and makes it an excellent choice for an all-around guitar.  Cosmetically it has some stunning features including a pearl and gold 30th Anniversary fretboard inlay, Ivoroid binding with Abalone trim along the entire soundboard, Paua shell rosette, scalloped X-bracing, Waverly Sloane gold tuners with Ivoroid buttons, slotted headstock with Ebony overlay and inlaid logo on front - Ebony overlay with floral inlay on back, Ebony fretboard and bridge, and American Mahogany neck.  List price was $5598, discounted to $3639 but many stores which only received one of each guitar sold them near the list price.  If you missed one of the 250 on the only run of this fine guitar, this might be your last chance to get an "as new" example.  Offered in flawless condition, with an incredible setup, for $2639.  Includes Taylor luggage case, unsigned warranty, and manuals.  

  31. 2006 Taylor 714CE-LTD, (front/back), (headstock), (flamed maple appointments).   Immaculate condition - a truly fine Grand Concert.  Each year Taylor produces a small run of select models which are greatly anticipated and sell out quickly.  The 2006 Fall Limited featured tonewood upgrades and maple detailing, with 8 different models - a Dreadnought and Grand Concert in their 400, 700, 800, and 900 series - all featuring the Taylor Expression System.  The 714CE boasts Indian rosewood back and sides, topped with Engelmann spruce for sweet, deep tones.  Limited features include flamed maple body binding, flamed neck binding, a slice of flamed maple for a back wedge, as well as a ring of lustrous abalone encircling the soundhole.  Other specs are the same as a regular 714CE, grand auditorium size acoustic/electric with rounded cutaway, gloss natural finish, 14-fret mahogany neck, bound 20-fret ebony fingerboard, pearl dot inlays, 1-3/4" nut width, 25-1/2" scale, 15-7/8" lower bout, 3-5/8" to 4-3/8" body depth, ebony bridge, tortoise plastic pickguard, wood body binding, rosewood peghead overlay with pearl "Taylor" logo, gold tuners, and factory Taylor Expression pickup system.  A new stock 714CE is going to set you back $2799 at the super stores and it will be like every other 714CE Taylor has made for years.  For $600 less, you can get this "as new" Limited model, set up to perfection and a real beauty - just $2199.  Accessories include pink "poodle" luggage case, unsigned warranty, CD, and Taylor info sheets.  This is one fine Grand Concert.  

  32. 2007 Taylor T5S-12, (pic2), (pic3), (Controls).  The T-5 aka "Thinline Fiveway", revolutionized the thinline electric guitar.  This 12-string version is the latest from Taylor, new for 2007, with very few on the used market.  Not your average electric 12 by any means.  In addition to being a T-5, Taylor of course re-engineered some aspects of a 12-string design.  With an innovative compensated saddle design that’s unique to the new T5 12-string, they “level” the fundamental and octave strings for a smooth, even attack, a feature you won’t find on any other electric 12-string and one that will change your expectations.   Built with the basic specs of the acclaimed T-5, described as an artistic merger between the acoustic and electric worlds, the T5-S-12 is crafted with a solid spruce top, chrome hardware, microdot fretboard inlays, full binding, bone nut and saddle, stylized F-holes, mahogany neck, Sapele body, Ebony fretboard and Ebony headstock overlay with pearloid logo.  A resonant, fully hollow thinline body is the backbone of the T5 12 series, and yields incredible presence and excellent projection for a thinline body.  Its comfort and playability are what you'd expect from Taylor, low action while giving you the freedom of a solid body and the feel and sound of a finely crafted Taylor acoustic.  Whether played through an electric or acoustic amp, it delivers an excellent range of pure tones from smooth, strumming acoustic to crunchy electric chords.  Electronics include a unique 5-way pickup system composed of a magnetic acoustic humbucker, magnetic electric humbucker, and a single Dynamic Body Sensor soundboard pickup, as well as a preamp system for mixing up the exact tone you need.   It's hard to find these in stock at most Taylor dealers, which is why they're selling for new cost on the used market.  This guitar is dead mint, flawless condition, and with Martin as the area's licensed factory tech for Taylor, you're guaranteed to get the best playing one possible.   For full specs click here, video clip of the T-5 here, and 200 sound clips click here.  With a list of $2798, these sell at discount for $2099 for the stores that have one in stock.  This one is "as new", set up to absolute perfection and just $1799.   Includes Taylor luggage case, unsigned warranty, CD/Manual, etc. 

  33. 2003 Taylor 412CE L4 Limited, (front/back), (headstock), (side/detail).  Taylor's popular Grand Concert with Expression System and Venetian cutaway - one of the best performance finger-style guitars in its price range.  Taylor's 400-series are certainly pro-quality instruments and while you can pay a lot more for dramatic cosmetic features of the higher series, the craftsmanship and design on this 412CE are on par with a 900-series, which costs 3X the price.  The 412CE features back and sides of solid ovangkol, an African tonewood similar to Indian Rosewood, that gives it a wonderful, deep tone and its warm brown colors and unique grain are protected with a thin, satin finish.  The top is buffed to a high gloss, and is framed in white binding on the body and neck.  The Preamp is Taylor's acclaimed Expression System, among the best amplified tone ever made for an acoustic, which utilizes a humbucker pickup built into the base of the neck as well sensors placed behind the bridge and in the upper bass bout.  The result is a truly "natural" sound, much like a mic'd acoustic, but much more practical for stage use.  Other features include a sleek Ebony fretboard inlaid with pearl dots, Tusq nut, Tusq saddle, and quality Grover tuners.  Nothing sets up like a Taylor and most players who are comfortable with the low action of their electric, are equally comfortable strumming a well set-up Taylor.  If you're tired of messing around mediocre playing acoustics, give Taylor a try.  The 412CE was recently discontinued last selling online for $1849 ($2468 List) but this used one is in nice shape and a really nice Taylor for the money; just $1299.  Includes Taylor luggage case.  

  34. 1999 Taylor 314 Grand Auditorium, (pic2), (pic3).  Taylor's most popular grand auditorium - where quality tonewoods and fine craftsmanship combine with a modest price, at least by Taylor standards.  Taylor does have the 100- and 200-series, as well as the Baby's, but for a *real* Taylor, the 314 is perhaps the best value in their line.  The 314 features all solid woods including gloss finished Spruce top and satin finished Sapele back and sides.  Sapele is an excellent tone wood with characteristics similar to mahogany, very warm and cozy sounding which, although slightly smaller than a dreadnought, fills the room with sound.  Other features include 5-ply B-W-B-W-B binding,14-fret mahogany neck, black-bound 20-fret ebony fingerboard, pearl dot inlays, 1-3/4" nut width, 25-1/2" scale, ebony bridge, tortoise plastic pickguard, and chrome Grover Rotomatic tuners.  Note also that this guitar was built before Taylor changed to the new headstock joint and this one-piece neck is preferred by most Taylor fans.  Offered in excellent condition with typically superb Taylor action.  Very nice Taylor for $875. Includes Taylor case.  

  35. 2001 Taylor 312 Grand Concert, (pic2), (pic3).  One of Taylor's most popular grand concert models, due no doubt to its modest price, while the workmanship and tone are as fine as any of the higher series.  Please note that this guitar was mislabeled at the factory as a "312CE".  It obviously doesn't have a cutaway and no onboard preamp and is, in fact a regular 312.  This is the 5th mis-labeled Taylor I've had throughout the years so don't be alarmed.  The 312 features all solid woods including gloss finished Spruce top and satin finished Sapele back and sides.  Sapele is an excellent tone wood with characteristics similar to mahogany, very warm and cozy sounding which, despite the smaller GC size, fill the room with sound.  Other features include 14-fret mahogany neck, black-bound 20-fret ebony fingerboard, pearl dot inlays, 1-3/4" nut width, 25-1/2" scale, ebony bridge, tortoise plastic pickguard, black-bound body and chrome Grover Rotomatic tuners.  This one also includes the nice brown Taylor Luggage Case, which is one of the finest cases ever made - rather than the newer lightweight black cases.  Offered in excellent condition with typically superb Taylor action.  Very nice Taylor for $850.  

  36. 2001 Taylor 510 Dreadnought, (pic2), (pic3).  Taylor's fine Engelmann Spruce and Mahogany Dreadnought.  Absolutely pristine 510 with the exception of one top crack (pic), pro-repaired and re-lacquered such that you can see it but can't feel it and it's a non-issue as far as integrity is concerned.   Taylor's 500-series are right in the middle of their range with features such as gloss natural finish, Engelmann spruce top, mahogany back and sides, 14-fret mahogany neck, 20-fret ebony fingerboard with pearl snowflake inlays, Abalone dot bridge pins, 1-3/4" nut width, 25.5" scale, ebony bridge, tortoise plastic pickguard - plus (pic here) - rosewood-bound body, and attractive Koa rosette.  I'm not a Taylor dealer so I can't sell anything as new but let's just say it hasn't been played - plastic is still on the pickguard and flawless condition all around.   The 510 sold for $1949 ($2598 list) when discontinued last year and if you can live with a single top crack that's a total non-issue, this one is almost 1/2 price, just $999 and includes Taylor luggage case, tags, and manuals.  

  37. Taylor T5-C Thineline Fiveway Custom, (pic2), (pic3), 2006.  In very rare Aztec Gold!  Taylor did a very small run of these for a single-store retailer in '06 and this is the last one in this color anywhere in the world as far as I know.  You have to give it to Taylor, when they finally came out with an electric guitar they did something truly innovative but the focus remained on tone and playing comfort.  The T-5 is described as an artistic merger between the acoustic and electric worlds.  This beauty is crafted with a solid spruce top with Sapele back, T-5 Custom Artist fretboard inlays, full multi-layer binding, bone nut and saddle, Ebony bridge, stylized F-holes, mahogany neck, Ebony fretboard and Ebony headstock overlay with pearloid logo.  A resonant, fully hollow thinline body is the backbone of the T5, and yields incredible presence and excellent projection for a thinline body.  Its comfort and playability are what you'd expect from Taylor, low action while giving you the freedom of a solid body and the feel and sound of a finely crafted Taylor acoustic.  Whether played through an electric or acoustic amp, it delivers an excellent range of pure tones from smooth, strumming acoustic to crunchy electric chords (pic of switch and tone chart).  Electronics include a unique 5-way pickup system composed of a magnetic acoustic humbucker, magnetic electric humbucker, and a single Dynamic Body Sensor soundboard pickup, as well as a preamp system for mixing up the exact tone you need.  My main man Martin as the area's licensed factory tech for Taylor - he knows this model like the back of his hand so you're guaranteed to get the best playing one around.  This guitar has never been retailed, and is leftover dealer stock from a store that recently closed.  It is dead mint, flawless condition, includes deluxe Taylor case (with hang tag, CD, unsigned warranty, etc.), and with Martin as the area's licensed factory tech for Taylor, you're guaranteed to get the best playing one around.  A standard T5-C currently lists at $2998 and sells online for around $2299 in standard finishes.  Why not spend a lot less and be the only kid on the block with this rare Aztec Gold model, offered "as new" for just $1899.  

  38. 2006 Taylor T5-C Thinline 5-way Custom with Dual Humbuckers, (front/back), (headstock), (controls), (side view).  We had to call Taylor on this one.  Neither Martin nor myself had seen these guitars with dual humbuckers on the top.  Taylor said they offer this as an option and basically it replaces the body sensors which are normally placed under the soundboard.  Switching is the same as the "regular" T5C with the exception of the 1st position, all the way forward, is the neck humbucker combined with the "invisible" pickup under the neck.  Click here for tone description of all 5 settings.  Another cool feature is the custom finish on this one, which is a metallic red, much like Candy Apple Red.  This beauty is crafted with a solid spruce top with Sapele back, T-5 Custom Artist fretboard inlays, full multi-layer binding, bone nut and saddle, Ebony bridge, stylized F-holes, mahogany neck, Ebony fretboard and Ebony headstock overlay with pearloid logo.  A resonant, fully hollow thinline body is the backbone of the T5, and yields incredible presence and excellent projection for a thinline body.  Its comfort and playability are what you'd expect from Taylor, low action while giving you the freedom of a solid body and the feel and sound of a finely crafted Taylor acoustic.  Whether played through an electric or acoustic amp, it delivers an excellent range of pure tones from smooth, strumming acoustic to crunchy electric chords.  Again, electronics include a unique 5-way pickup system composed of a magnetic acoustic humbucker located under the neck, and a pair of magnetic electric humbuckers with chrome covers, as well as a preamp system for mixing up the exact tone you need.  My main man Martin as the area's licensed factory tech for Taylor - he knows this model like the back of his hand so you're guaranteed to get the best playing one around.  This model sells in stores for $2399, if you can find one.  This one has virtually no players wear, without a single pick scratch or button scratch on the back and frets are like new.  Set up to perfection and a lovely and unique T5 for just $1850.  Includes Taylor case, unsigned warranty.  

  39. Taylor W-14CE, (side/preamp), (front&back), (headstock&inlay), 1999.  If you missed my W-12CE a few weeks ago, here's another Walnut beauty, this one in the deeper Grand Auditorium size.  There's nothing like the older Walnuts (and 900's), as the appointments are much more visually appealing than the recent models.  The headstock inlay and Cindy fretboard inlays are intricate, colorful, and immediately identify this as one of Taylor's top models - the entire soundboard is bound in colorful Abalone trim (picture).  Like the W-12CE, this one also has the Western Red Cedar top, rather than the more common Spruce found on more of the Walnut series.  The Grand Auditorium is a more versatile guitar and doubles as a superb finger style guitar but also has excellent production that holds up when you want to do some heavy strumming.  The Venetian cutaway allows easy access to the entire fretboard while the slightly smaller body enhances articulation - the tone is very crisp and well defined.  The Walnuts fall near the top of the line for Taylor, with limited supplies of seasoned woods, and their production numbers are fairly low.  Walnut is a like the best of both worlds in comparison to mahogany and rosewood. Its rich and complex tone has the color and fullness of rosewood and the "snappiness" of mahogany.  Players often think that the walnut seems to have a better response than rosewood, similar to maple. All in all, it offers a truly unique sound, suitable for all styles.  The combination of a Cedar top and Walnut body makes this guitar sound like a symphony, covering the entire frequency spectrum.  It is and extremely warm and comforting sound that begs you to pick it up and play since it's the closest you can come to having a whole band playing with you it's so thick.  By the same token it's not the best thing for a band situation where you want your instrument to cut through the mix.  Specs include: solid cedar top, Grafted Walnut Back, Claro Walnut Sides, Abalone Soundhole Rosette , Tropical American Mahogany neck, Ebony fretboard, "Celtic" fretboard inlay, Ebony headstock overlay, Ivoroid binding with the entire top trimmed in Abalone, Ebony bridge, Tusq nut and saddle, gold-plated Taylor tuners, 1 3/4" nut, Scalloped bracing - X-Brace, gloss finish, and Taylor/Fishman Prefix Onboard Blender that features a saddle pickup plus a microphone suspended inside the body.  Includes Taylor luggage case, warranty, and instruction sheets, etc.   In 2006 this model listed for $4448, selling at discount for well over $3K.  This one was collector owned and absolutely perfect - not a scratch - and could be sold as new - and it is cosmetically so superior to current specs that it's a sweet deal at $2399.  

  40. Taylor 414CE, (pic2), 2005.  Very attractive woods on this 414CE!  Excellent quality Grand Auditorium with Expression System and Venetian cutaway.  Taylor's 400-series are certainly pro-quality instruments and while you can pay a lot more for dramatic cosmetic features of the higher series, the craftsmanship and design on this 414CE are on par with a 900-series, which costs 3X the price.  The bear claw figuring on this guitar, as well as the very dark and highly figured back and sides, are remarkable and rarely have I seen woods this nice on a 400-series.  The 414CE features back and sides of solid ovangkol, an African tonewood similar to Indian Rosewood, that gives it a wonderful, deep tone and its warm brown colors and unique grain are protected with a thin, satin finish.  The top is buffed to a high gloss, and is framed in white binding on the body and neck.  The Preamp is Taylor's acclaimed Expression System, perhaps the best amplified tone ever made for an acoustic, which utilizes a humbucker pickup built into the base of the neck as well sensors placed behind the bridge and in the upper bass bout.  The result is a truly "natural" sound, much like a mic'd acoustic, but much more practical for stage use.  Other features include a sleek Ebony fretboard inlaid with pearl dots, Tusq nut, Tusq saddle, and quality Grover tuners.  Nothing sets up like a Taylor and most players who are very comfortable with their electric, are just as comfortable strumming their Taylor.  If you're tired of messing around mediocre playing acoustics, give Taylor a try.  The 414CE sells new online for $1849 ($2468 List) but this used one is in nice shape and $600 less than new at just $1249(SOLD -Joe UK 10/31).  Includes Taylor luggage case.  

  41. Taylor 306GB Big Baby, (pic2), 2000.  Best value in a solid Spruce full-size (25.5” scale) Taylor and best value in a USA solid spruce acoustic.  Also features Sapele back/sides, which has tone characteristics of Mahogany, with excellent warmth and a very full tone.  The 306GB has a soft varnish finish that feels great and, acoustically, contributes to better tone as it lets the wood resonate better.  As I've mentioned before, my tech, Martin, is Taylor's upstate NY factory repairman and he can set up these guitars like nobody else.  Excellent playability especially for a guitar in this price range and a very pleasing tone as well.  This guitar as seen very little use and is pretty much perfect.  A very good quality acoustic for just $339.  Includes extremely high quality Taylor gigbag.  

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  44. 2003 Taylor 414 Grand Auditorium, (pic2), (pic3).  Believe it or not, I'm still posting gear from the Philly Show last Nov, as with this fantastic 400-series.  Excellent quality Grand Auditorium with the unparalleled playability that Taylor is famous for.  Taylor's 400-series are certainly pro-quality instruments and while you can pay a lot more for dramatic cosmetic features of the higher series, the craftsmanship and design on this 414 are as good on this as on a 900-series, at one-third the price.  The 414 features back and sides of solid ovangkol, an African tonewood similar to Indian Rosewood, that gives it a wonderful, deep tone and its warm brown colors and unique grain are protected with a thin, satin finish.  The top is buffed to a high gloss and is framed in white binding on the body and neck.  Other features include a sleek Ebony fretboard inlaid with pearl dots, Tusq nut, Tusq saddle, and quality Grover tuners.  Nothing sets up like a Taylor and most players who are very comfortable with their electric, are just as comfortable strumming their Taylor.  If you're tired of messing around mediocre playing acoustics, give Taylor a try.  The 414 sells new online for $1399 ($1868 List) but this beautiful used one is the deal at $500 less, just $899(HOLD-James T 6/21).  Includes Taylor luggage case.  

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  46. Taylor 410K Koa, 1996, wonderful Limited Edition 400-series that features solid Koa sides and back in place of the usual Ovankol.  Other 410 features include solid Sitka Spruce top with bear-claw figuring, multi-ply binding adorns the top with matching soundhole rosette, Ebony fretboard, Grover tuners, Rosewood headstock overlay, large Pearl dot inlays, and Taylor luggage case.  This guitar was collector owned and is in pristine condition, except for minor pickguard scratches.  If you don’t have $2500+ for a K-series Koa, you can enjoy the tone and beauty of this 410K for $1150(Available in Baltimore)

  47. Traveler Pro Grand Travel Guitar, (assembled pic) very cool idea for a FULL SCALE travel guitar - the "body" detaches and tucks away for traveling - just remove one screw flip it around, and the body is back in place for playing.  The amazing design of the Traveler Pro makes it the only travel guitar to feature a full 24-3/4" scale fretboard.  It features an internal resonate pickup coupled with a unique Stethophone headset that allows private listening without an external power source. When you do plug it in, it gives you a choice or mix of a custom acoustic pickup and a traditional single coil.  Weighs only 3-1/2 lbs. and is only 28" long, making it extremely easy to travel with.   Made in USA entirely of one piece of American hard maple.  Very clean shape, great action, and a cool axe for $250.  Includes gigbag and "stethophone" for private listening.  

  48. 1993 Yamaha APX-6N, (front/back), (headstock).  This is the nylon string version of the APX-6 and fairly well regarded by classical players.  It features the same electronics as the steel string model above, with the primary difference being an Ovangkol back and sides, wide classical bridge, wider neck, non-cutaway body, and a typical slotted headstock.  This is also a Taiwan model, very well made, and carried a $799 list when discontinued over a decade ago.  Amplification is especially difficult with classical guitars and the dual pickup system really works well in this guitar.  You can dial in a very natural tone and with some minor adjustment, it's rather impervious to feedback.  Very clean shape and, again, an excellent choice for classical stage use at $379. 

  49. Washburn Acoustic-Electric Cutaway EA8B (Black) or EA8TBL (Trans Blue), killer looks in a good quality import with some nice features such as multi-ply body binding, bound neck, die-cast low-friction tuners, spruce top, and mahogany back/sides/neck.  These come from the factory with mediocre set-ups but after Martin does his voodoo, the result is a beginner-priced acoustic that plays like a much more expensive instrument, which is especially important for someone just starting out on guitar.  This Festival Series guitar lists at $599 and is a good value in lower-line acoustic/electrics at $195. 

  50. Washburn WD-54SW "Flint Hill", (pic2), (pic3), (pic4), a gorgeous piece of art and more, with quality tonewoods, all solid, with solid Sitka Spruce top and solid Ovankol sides and back.   Abalone all over this beauty, including the entire soundboard edge, rosette, cloud inlays, and headstock emblem and logo.  I can't think of a more striking guitar, short of a Martin D-45.  I can't quite recommend it for the finicky collector type - although it's seen no playing time, there are a few repaired cracks (pic here), but they're not problematic and the tone is perfect.  Excellent setup and the best value I've found on an acoustic that's tricked out like this.  List price is $899 and this one is nicely priced at $379(Tent. Hold - Robert N 3/22).  If you don't mind a few repaired cracks that don't affect tone or performance in the least, it's a total winner.  Includes Washburn deluxe padded gigbag. 

Acoustic Accessories:  

Fishman Pro EQ, for you players without an onboard EQ, Fishman builds this quality preamp that shapes your tone and matches the level to your amp or mixer.  Has optional belt attachment to strap onto your belt or guitar strap.  As new condition in the box.  $99

K&K Sound Pure Preamp, outboard acoustic preamp that's excellent sounding, easy solution to add EQ and signal boost to under-the-saddle transducers.  Fishman, Martin Thinlines, etc., are excellent sounding piezo pickups but they offer no EQ and, especially their passive models, produce a very low signal that's prone to noise if you crank up the your gain input.  The Pure Preamp is the solution.  At around 2.5" X 3.5", it's small enough to attach to your strap (clip included) and allow quick and easy access for tweaking as needed.  For a good rundown of features and comparison of this model and Fishman's Power Jack, click here or click here for K&K Sound Info.  Excellent condition and at $59(SOLD - BILLY 2/13), is a lot cheaper than installing an onboard preamp to your prized acoustic.