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MISC ACOUSTICS AND AC/ELEC GUITARS

Accoustic Accessories

1. BBE Acoustimax Acoustic Instrument Preamp, (close-up), (back panel).  Excellent studio or stage tool to tweak your acoustic tone, while providing BBE processing to your tone.  I could write a 500-word essay trying to describe the BBE process but just know that it makes your guitar sound crisper, cleaner, with each note sounding more distinct, while making your guitar "jump" out of the mix if desired.  Here's a simple video recorded direct, and with the BBE on, using no EQ'ing, just the BBE.  The Acoustimax has a 3-band recording-console-quality EQ with sweepable mid and low frequency notch filter, as well as phase reversal, ground lift, line level out, dedicated tuner out, TRS effects loop, and a pre/post switchable DI output with pad.  This adds up to a unit that shines in both the studio or stage.  This unit lists for $392, selling well discounted to $199.  This one's mint in the box for $125. 

2. Aphex Acoustic Xciter, (pic2).  Excellent sounding acoustic preamp and DI.  Doesn't have quite as many features as the Baggs I posted last week but is much more compact and the fidelity is just as good.  Features built-in Aphex Aural Exciter with "Big Bottom" technology.  Active/Passive switch, Lo Tune - Lo Blend - Hi Tune - Hi Blend controls, 1/4" or XLR outputs.  Like other Aphex units, your acoustic voicing will be clean and open, with better articulation, clarity, and projection with the feeling of a fuller reach to the lowest notes.  This will probably go to a guitarist but please note that it's made for ANY acoustic instrument including violin, cellos, saxophones, flutes, accordions, xylophones, and keyboards.  In Harmony-Central reviews (link), scored a 9.2 overall, 9.4 on sound quality.  Click here for a YouTube demo by Tom Bresh on how he sets his Xciter.  Perfect condition, not a scratch, but it does have two strips of Velcro on the bottom.  Very nice unit for the money, $99.  

3. Aphex Aural Exciter 204 with Optical Big Bottom, (front), (back).  Don't confuse with other Exciters - Aphex is the original and the best.  I remember when the first Aphex Aural Exciter came out in the 80's; a 1/2 rack unit that did magical things to a recorded mix. These units sold themselves at Hotlicks. We'd tell customers to bring us their demo tape, inevitably a cassette, play it in the bypass position, and then when we would engage the Aural Exciter their eyes would bug and they'd inevitably buy it on the spot.  In fact, I have one of the original 1/2 racks and the later full rack in stock for you old-schoolers.  As with the original 1/2 rack units, professional audio engineers use the Aural Exciter to increases loudness and clarity - brighten up sound dulled by analog equipment, got lost in a wash of effects, and now to liven up the mix during an analog to digital transfer. Now, with the Model 204, Aphex has brought back the Aural Exciter in an enhanced, 2-channel version PLUS included the Optical Big Bottom. While the Aural Exciter works on the whole mix, the Big Bottom focuses on the low end, providing deeper, more resonant bass with little or no increase in peak output. Briefly, the 204 increases presence and clarity of highs and lows, extends high frequencies with no added noise, gives low notes greater resonance, and does all this with no increase in peak volume.  With a list price of $399 the 204 sells new for $249, but this one is barely used, in original box with manual, and a good investment in your tone at just $159 - and this unit is made in America.    

4. Baggs M1 Acoustic Pickup (Passive), (pic2).  Completely passive operation; the M1's dual-coil design employs L.R. Baggs' exclusive TriAxial Dynamic Technology to produce clear, rich tones that are resistant to feedback, noise and hum, with string and body sound all in one. Forget about trade off between ease and performance - this thing sounds great and its soundhole design and end-pin jack install in minutes. Bagg's TriAxial Dynamic Technology allows the pickup to respond to the guitar's string and body vibrations. Unlike most stacked humbuckers, where lower coil cancels hum but doesn't contribute anything sonically other than adding "mud" to the sound, the M1 unlocks the second coil and allows it to make a positive sonic contribution while maintaining the pure open sound of a single coil. The hum-canceling coil is suspended under the main coil by a tuned support that allows it to move in three dimensions. The primary coil moves with the guitar top and creates a body signal in the suspended secondary coil. This brings the M1 to life, with string and body sound all in one. It's like having a dual pickup system in your soundhole. And it's all passive!  With a list price of $199, this is a killer pickup at the right price - just $99 - offered "as new" in the box.  

5. Dean Markley West Coast La Jolla Active Acoustic Guitar Pickup System.  Very good sounding complete active unit, with soundhole pickup plus under-saddle transducer, and preamp built into the end-pin jack.  The La Jolla Active pickup system perfectly unites the Gold River Accelerator Jack with two world-class pickups, the Dean Markley Tahoe magnetic sound-hole pickup and the Barstow Gold-Plated transducer pickup. The Barstow transducer pickup is connected to a discrete Class A preamp housed inside the Gold River Accelerator Jack. The Tahoe (a passive pickup needing no preamp) is wired to the passive channel of the Gold River, going directly to your amplifier system. This specially designed Gold River Accelerator Jack increases headroom, expands tone and output, and is completely internal.  We have several of these in stock which we're using as an affordable mod to transform any of our acoustics.  With a list price of $259 but we can install these on any acoustic in stock for $150, including parts and labor. 

6. DiMarzio Soundhole pickup, older-style model that uses a flex arm in back to hold it in place.  Hard-wired to a long cable.  Excellent sounding pickup and a fairly rare model.  $65

7. Fishman Ellipse Matrix Blend Soundhole Pickup, (installed/detail), (end-pin jack).  High-end features in a system that installs in a half-hour.  The Fishman Ellipse Matrix Blender fits inside the soundhole, requires no outward modification to the guitar, and uses a suspended condenser microphone and an under-saddled Piezo which can be blended to achieve a very accurate reproduction of the guitar's acoustic voice.  The condenser and piezo are blended at the preamp and the signal sent to an end-pin output jack.  You can install it in less than 30 minutes and no modification to your guitar is required (note: battery clip can be held on by 2-sided tape instead of the included wood screws).  This unit was previously installed but it's in perfect shape and works perfectly.  New cost on a Martin Ellipse is $219 but this nice used one's just $125 and includes everything you need including 9V battery holder, output jack, under-saddle Piezo, and soundhole preamp with suspended condenser mic.  

8. Fishman Aura Spectrum DI/Acoustic Pedal, (close-up), (sides), (bottom).   Note:  Another one - just like the other one...  To call this a D.I. is an understatement.  Sure, it does D.I. duties but just about everything else you want for your acoustic amplification including 3-band EQ, one-knob compressor, automatic feedback suppression with up to 3 notches, chromatic tuner, effects loop, and, yes, a high quality XLR D.I.   It also features 128 pre-loaded "images" (nylon, jumbo, 12-string, OM, etc.) with 16 user-defined locations.  It also features a USB interface for Image downloading from Aura Image Gallery (software included).  If you have 8 minutes to spare, here's a great demo (link) on YouTube.  This unit is in mint condition other the Velcro on the bottom which I can remove - and comes with rubber feet which have never been installed.  Sells for $329 new; this one's $100 cheaper at $229.  

9. Fishman Acoustic Matrix Natural I, (manual).  As the name implies, a very natural sounding pickup for your acoustic guitar.  Made primarily for concert or auditorium size (steel or nylon) guitars, with its slight bass boost in the preamp, it will also work in dreadnoughts and jumbo's, especially at low to medium stage volume.  Installs easily with just a small hole under the saddle for the cable to pass through - signal goes from the saddle transducer to the long end-pin jack which also houses the preamp.  9V batter clip included and is generally mounted on the neck block.  Recently discontinued, with a list price of $159, this one is complete and just $79.  Includes original manual.

10. Sabine Solo SL-820 Digital Feedback Eliminator, (close-up front/back).  A must-have for players who are serious about acoustic amplification.  You've tried the rest - now try the best - at least in the sub-$400 price range.  Designed for single channels, the 820 offers 8 patented FBX Filters, 20-bit digital resolution and increased headroom.  The 820 outshines virtually all other feedback controllers in accurately controlling feedback during live performances.  Equally at home when hooked up to an acoustic/electric guitar, wired mics, wireless mics, monitors, harmonica mics, and multi-mic locations.  It automatically senses feedback and quickly places a narrow 1/10-octave adaptive digital filter directly on the resonating frequency. Each of its FBX filters are 10 times narrower than 1/3-octave graphic EQ filters (which are actually one full octave wide, spaced out on 1/3-octave centers), so the FBX provides more gain before feedback without a loss in sound quality.  In fact, the FBX gives back more than 90 percent of the power lost with using a graphic EQ to control feedback. This unit sells new for $319 ($369 list) but this one is "as new" in the box and a full $100 cheaper, just $219.  If you want to say goodbye to feedback forever, without sacrificing tone, here's the answer.  Full details - click here.  

11. Taylor Prints, original dealer displays.  I have the set of 5 (each one different) that I bought around 5 years ago.  You can buy them unframed - or I can also include a solid oak frame that I purchased for each one.  This was a very successful ad campaign that ran from late '99 with just a subtle reference to the advertiser being a Taylor headstock pictured in the corner.  These are very high quality on thick poster stock, 23.5" X 16.5", large enough to be a center piece in your jamming room or den.  Email me if you want pics of the 3 that aren't pictured here.  Price for a poster and frame is $35 (you cut the mat).  

12. Taylor Accessories - Jacket (pic2) and Strap.  Show your pride with this stone-wash Taylor jean jacket (size Large) and genuine fine leather Taylor strap.  Jacket features an appliquéd guitar and embroidered script "Taylor Guitars" on the back framed by extra-wide vertical seams, and a Taylor logo embroidered on the left chest, with 2 front flap pockets and 2 side-welt pockets.  Strap is light brown with Taylor logo in gold with adjustable length and choice of leather string tie or strap pin hole.  Both are in excellent condition; jacket appears to be unworn.  New cost on these are $99 and $59, respectively, but here's the deal - buy the "as new" jacket for $99 and get the $59 strap for free!

13. Taylor Luggage Case, for your X-12 (312, 512CE, etc.).  Very heavy, very plush, and the best protection around for your prized Grand Auditorium size acoustic.  Mint condition.  $165.  

Classical/Flamenco

1. Esteve 1GR07 Classical, 2003 – NEW, old stock, and another r-e-a-l Spanish classical.  Features solid Western Cedar top and the same fan bracing and integrated neck-body construction of the GR08, except with laminated Rosewood sides and back.  This one is also a new floor model, near mint 9.9 condition and with a retail price of $925, another exceptional value at just $525.

2. 2005 Fender CG-7 Classical, new-old-stock, good quality classical that features Spruce top and Meranti back/sides.  If you don't have a nylon string in your guitar collection, here's an inexpensive way to get started.  Fender builds quality into all their guitars, even imports such as this one, but the price is around what you'll pay for an off brand at $129.  Ships set-up but never retailed, in original factory box.    

3. Suziki Model 70 Classical, Japan, nice sounding classical, much better quality and tone than you’ll get for comparably-priced Chinese or Indoneasian classicals, $175

4. 1990 Takamine EC132C Acoustic/Electric Classical Cutaway, (front/back), (headstock), (preamp).  Excellent quality Japan-made Tak and if you're not afraid of a little Willie Nelson vibe (repaired crack), an excellent value.  The crack isn't pretty but it's totally stable and poses no future problems nor does it affect the tone.  Described as refined and elegant, the EC132C's tone comes from a hand-picked Spruce top on a Rosewood body for an excellent acoustic tone, and this older style preamp reproduces the tone very well for amplified use.  Select Mahogany is used for the neck while the cutaway body design allows total fret access all the way up the 19-fret rosewood fingerboard.  An exquisite three color mosaic wood marquetry rosette surrounds the soundhole.  This model currently sells for $949 ($1375 list) but this one is player priced at half-price; just $475.  

5. 2009 Taylor NS34-CE, (front), (headstock), (back/preamp).  Taylor's fine Nylon Series which they started a few years back and Taylor indeed upped the bar on playability of classical guitars.  Classicals are frequently clumsy and hard to play, but Taylor engineered them to Taylor specs and the result is something that sounds great--acoustically or amplified--built for many years of use, and plays wonderfully.  The NS32-CE is their Grand Auditorium model, with resonate Sapele sides and back - with a bright Sitka Spruce top.  Also features a very attractive and intricate soundhole rosette of Mexican Cypress, Ebony fretboard, black binding, Tusq nut and saddle, Fishman preamp with end-pin output jack, Gold tuners with ivoroid buttons, 25.5" scale, and 1 7/8" width at the nut.  For full specs and info click here for Taylor.  Current list is $2048, selling in the stores at $1499 but this one is flawless, set up by the area's licensed Taylor tech (Martin) and just $1050.  Includes a perfect Taylor's fine Luggage case and manuals.

6. Yamaha CG-150CA Classical, (pic2), Yamaha, in Taiwan, builds some very nice guitars and they're generally the best of the Asian imports, with quality above Korea and lighyears ahead of China and Indonesia.  This is an excellent classical for the money, especially for a solid cedar top.  Other woods Ovangkol sides and back, mahogany neck, rosewood fretboard and bridge - with wide 2-1/16" nut width, wood body bindings, wood rosette, rosewood headstock overlay, and gold tuners.  This guitar is exceptionally clean, plays well, and sounds very nice.  If you need a classical and you're on a budget - don't buy a new junker when this nice one's just $250

Acoustics/Acoustic-Electrics

UPGRADE TO ACOUSTIC-ELECTRIC:  Need to amplify your acoustic?  Any of these can be changed to an acoustic/electric with a variety of pickup systems - just inquire as to what's available at any time.  We can do anything from an easily removable Seymour Duncan "Woody" Single Coil Soundhole Pickup  for less than $50 - or for $150, something like this dual element system (saddle piezo and soundhole pickup with preamp built into endpin jack):  Dean Markley West Coast La Jolla Active Acoustic Guitar Pickup System, or as simple as a Fishman Acoustic Matrix Natural I (active) with the preamp built into the endpin jack.  Again, we usually have a variety of new and used systems, so feel free to inquire.  

1. Alvarez RD-20S, solid spruce top, very clean overall, one top crack repaired, $199 (mgr)

2. B.C. RICH U.S.A. ACOUSTIC - THE ULTIMATE GUITAR FOR THE B.C. RICH COLLECTOR:  (Bernie Sr's. Last Guitar), (pic2).  More pics and full description at this link:  www.chrisguitars.com/bernie.html.  Owned by Martin Miranda, my world-class tech, who was a close friend of Bernie and this was the last guitar that Bernie ever built, albeit not quite finished, and he was working on it the very day of his untimely passing.  Click the link for a full description and feel free to email Martin Miranda directly at the address on the page.  

3. 2006 Bourgeois Custom JOMC - Redwood & Figured Walnut, Celtic Style, (back/sides), (headstock/neck binding), (cosmetic appts.), (case), (site specs).  2006 Custom order with specs the same as the CS-JOMC (Celtic Style jumbo OM cutaway) - I'll call Dana to determine if was spec'd to premium woods only.  Dana Bougeois builds guitars in very low numbers, carefully crafting each guitar with perfection that few builders can match.  In 1990 he went to work at PRS, designing a PRS acoustic line that never went into full production.  When the PRS project was finally cancelled after 11 prototypes, he went on to open Bourgeois Guitars in Lewiston Maine in 1993, with the JOCM, first developed in the late 80s, as the centerpiece of his line.  With the JOMC Dana's goal was to design a mid-sized guitar, with the balance and clarity of an OM, but with a bigger voice.  Dana took the outline of  an OM, enlarged it a bit, changed the curves and deepened the sides.  The result, the JOMC, has a deceptively small feel, but delivers excellent projection with a wide dynamic range.  Body size, of course, only accounts for part of a guitar's voice.  Much of the magic comes from the tonewoods.  Redwood produces lush, dark tones full of complexity and richness.  It's similar to Cedar, but with a slightly darker tone.  It lends itself very well to fingerstyle because it responds well to a light touch, and has a quick decay that allows for better definition from note to note.  Unlike the major manufacturers, Dana takes it a step further by tap tuning every top, which allows for subtle tonal differences from one piece of wood to the next.  Walnut is a wonderful wood for an acoustic body, warm with solid, snappy low end and a nice midrange that is more complex than mahogany and the top end is bright, but very smooth.  Walnut is also noted for its dramatic figuring and the figuring on this JOMC is especially nice with a perfectly bookmatched back and some very consistent flame on the back and sides.  This guitar is beautifully appointed with it's Celtic fretboard inlay, and flamed maple adorn all edges including soundboard, back, neck, and headstock.  The top, back, neck, and headstock also feature multi-ply binding along side the maple binding.  An attractive 3-ring abalone rosette adorns the soundhole; walnut neck has walnut headstock veneer with mother of pearl inlaid logo and gold Waverly tuners with butterbean buttons.  Other features include 25.5" scale, 15-5/8" lower bout, rounded cutaway, gloss natural finish, 20-fret ebony fingerboard with 14 frets clear, 1-3/4" nut width, ebony bridge, and clear plastic pickguard.  For more info on Bourgeois, click here for their site, pantheonguitars.com.  This Celtic JOCM currently lists for $5795 and stores that discount them only knock off 10%, $5199.  This guitar is immaculate and $2000 less than a new one.  Just $3199(SOLD-John S 10/18) including a fine original case.   (Note: I also have a fine Breedlove CM/W Master Class in Walnut, but with a cedar top, on my acoustics page). 

4. Breedlove CM/W - CM Classic - Asymmetrical Concert, (front/back), (headstock), (side), (binding), (case).  Described as "ultimate expression of the Breedlove aesthetic."  The CM Classic is part of Breelove's flagship series, the Master Class.  It's an asymmetrical Grand-Concert body, with Sharp Cutaway in the Breedlove style, with beautifully figured Walnut back and sides, Western Red Cedar top, Master Class Bloodwood binding and abalone rosette.  It's one of those guitars that are nearly as much a piece of art as it is a world-class acoustic guitar.  Most of you are familiar with Breedlove by now but, if not, click here for their Master Class page, and have a look around the site.  To most who have played them, they're clearly a cut above nearly all other USA manufacturers.  Retail price on this guitar is $6799, sold with little discount but this one is immaculate, and a remarkable deal on a Master Class at just $3599.  

5. 1996 Collings 0001,  (front/back), (headstock), (case).   Another great OM-size acoustic, which have become my most popular models in the past few years.  This one is a 1996 model, serial 2217, in lovely condition and a truly fine guitar.  Collings, from Austin Texas, has been one of the premier boutique builders of acoustic guitars for around 35 years but he builds in such low numbers (avg. less than 1000/year) that there are very few on the used market.  Every one I've had has been a premier in its class, as is the case with this 000-size.  Collings 0001 has the same width and depth as the OM, but a longer body which typically produces more bass and overall volume. This makes the Collings 000 ideal for string-band purists or anyone looking for maximum power from a comfortably-sized guitar with an elegant, old-time appearance. To me, this 0001 had an uncanny vibe to an old Martin 000, with a similar sweet, open voice.  Body is 20 1/4" long, 4 1/8" deep, 15" lower bout. Features include select Sitka spruce top, Honduran mahogany back & sides, tortoise-style binding, pre-war scalloped bracing, black/white wood nitrate strip rosette, beveled tortoise-style pickguard, high gloss nitrocellulose lacquer finish, Honduran Mahogany Neck, ebony fingerboard, ebony pyramid bridge, optional solid peghead with (Brazilian? ) rosewood overlay, 25 1/2" scale, mother-of-pearl Collings logo, pearl dot fingerboard markers, fully adjustable truss rod, bone nut and drop-in saddle, ebony bridge pins and end pin, nickel Waverly slot-head tuners.  The fretboard is very wide, measuring 1 13/16" at the nut, which is very comfortable for fingerstyle work or for players with big hands.  The tone is wonderfully rich with more clarity than normally found on a spruce/rosewood guitar and it can definitely be a great fingerstyle guitar.  Projection is excellent for a smaller body, slightly less than their D-size but surprisingly loud for an orchestra model.  If you're a Collings fan, or you've heard the buzz and want to try one out, this one's much cheaper than new and in lovely condition.  Current list price on this model is $4150, plus $50 for the non-slotted headstock, selling at discount for around $3550.  This one is in beautiful condition, plays superbly, and a nice savings at $1300 less, $2250(HOLD-Jon C 8/29).   Includes Collings hardshell case with arched lid and crushed velvet green lining.  For full specs and info, click here for Collings site.  

6. 2007 Fender "Ford" Sonoran SCE and bonus Ford Watch, (front/back), (headstock/v-neck), (side/preamp), (bonus watch).  The Collector's Edition watch by Milan, sells for $49--free with this guitar--and features a "Ford Tough" metal casing, Japan quartz movement, and steel belt loop with leather conecting strap.  Whether you're a Toby Keith fan, Ford fan, or just a player looking for a nice acoustic/electric, the Sonoran SCE is a good value for the money.  Part of Fender's "California Series", which are reissues, based on acoustic models that Fender built in the late 60's/early 70's.  The most distinctive aspect then - and now - is Fender's Strat headstock shape and 6/side tuners.  The Sonoran SCE features a solid spruce top, laminated mahogany sides and back, dreadnought body shape, V-shaped mahogany neck with rosewood fretboard, onboard Fender CE-300 preamp with a separate easy access 9V battery compartment, checkerboard soundhole rosette, rosewood bridge with compensated saddle, multiple body binding, and vintage style tuners.  This particular model is a limited run issued to Ford dealers to coincide with Toby Keith's advertising campaign where he played this model.  I've seen these Ford Limiteds selling for $499, which reflects the usual upcharge for a limited edition model.  This one is in pristine condition and plays better than anything hanging in the stores.  If you're a Ford nut who plays guitar, this is one of the coolest things you can add to your collection...for just $379.  

7. 1969 Harmony H-158 (Birch Jumbo), (front/back), (headstock), (case), (detail).  The H-158, produced only from ca. '68-'69, was a budget jumbo flattop, featuring a birch body with a very wide waist and a forward-shifted soundhole.  This guitar is totally playable and in very nice shape overall, although it does appear to have been oversrpayed and tuners have been upgraded from the original strip tuners.  Dating on Harmony is easy - this one is stamped S-69 meaning it was made in the summer of '69.  For more info, click here for a great Harmony site.  Although the tone isn't what you'll hear coming out of an old Guild or Gibson, it's a decent sounding guitar and very reasonable for a USA guitar from this era.  $175 and includes old chipboard jumbo case. 

8. Ibanez Artwood AW20CE, very good quality acoustic electric at a price that's unmatched for a solid spruce top with Fishman system.  The AW20CE has an attractive Antique Violin finish, Ibanez/Fishman preamp system, solid Spruce top with maple back and sides.  Appointments include multi-ply body binding front and back, maple headstock overlay that matches body, and Venetian cutaway to allow easy access to the upper frets.  One really nice appointment is an Earvana nut, usually found on higher end guitars and makes a huge difference on proper intonation.  List price is an amazing $499 and sells in stores for $345, but if you can live with a cosmetic flaw that I can't even find, grab this one, fully setup and ready to gig, for just $275.  

9. 1986 Kramer Ferrington Acoustic/Electric with case, (front/side/back), (headstock), (controls), (case).   Get "unplugged" with this loving Ferrington KFS-2.  Released during the hair-metal era, when bands had to do the obligatory ballad every set, the Ferrington sports a thin body and electric style neck which were a natural transition for shredders of that era.   Features of the Ferrington KFS-2, include a bound maple body, large elongated bound sound hole, dot inlays, active preamp with volume-bass-treble, non-angled pointing headstock *without* scarf joint, and double-cutaway "Strat" style body.  This model was also made in a "KFT" body, which was the single cutaway Tele style.  We'll also include your choice of Schaller or Dunlop strap lock pins.  "FA" serial number indicates late '85, early '86 manufacture which makes this an early model.  The cool thing about these guitars when they were released was that they had an electric guitar neck on an acoustic/electric body, so shredders didn't have to get used to completely different feel when they played their acoustic ballads.  This guitar has a decent acoustic tone but with the thin body, it's not going to sound  like a fine vintage Martin dreadnought, but it still holds its own and has good projection.  Plugged in, it sounds very good and the active preamp gives you plenty of boost to allow sufficient volume without feedback.  Cosmetically in extremely clean shape with no major flaws and it has a very comfortable set up.  Includes proper Kramer case for just $399.  

10. Larrivee D-03 Lacewood, (front/back), (headstock),   A 12-string, an OM, and now a Dreadnought - what a day for some great Larrivee guitars.  This one is truly something unique, a special run by Larrivee and when they're gone - they're gone.  Larrivee dreadnaughts are awesome, and this is an awesome, limited edition D-03 in Australian Lacewood.  Lacewood (aka "Grevillea Robusta"), also known as Silver Oak, is a visually striking wood, very intricately figured with thin, overlapping waves of figuring, much like flamed maple in appearance. Tonally, Lacewood is quite dense with a loud sustaining tap tone which translates into superb bass/mid/treble balance with excellent volume and projection.  It isn't unlike mahogany in its warmth, but has a more powerful, but not boomy, bass and sweet overtones not found on mahogany. I read some luthiers compare the tone to Sycamore.  It is in many ways a nice compromise between a clear finger style guitar, and one used for hard strumming.  Other specs include:  all solid woods Lacewood/Silver Oak back and sides, solid Sitka spruce top, Rosewood binding, single piece mahogany neck, ebony fretboard and bridge, dove-tail neck/body joint, Tusq nut, saddle, and bridge pins, 1-11/16" nut width, 25.5" scale length, and 16" lower bout.  With a list price for the Lacewood model at $1599, it's only slightly discounted by dealers that have one, $1429.   This one is immaculate, set up to perfection, and one of the most refreshing sounding dread's I've had for just $1129. Includes Larrivee case, truss rod wrench, and manual.  

11. 1993 Martin D-1 Dreadnought, (front/back), (headstock), (case).  If you don't count the 1980's Shenandoah series, which were a Japan/USA co-op, the D-1 was the original affordable Martin guitar.  This was back in the early 90's and the company was building guitars at a fraction of the rate of today.  The serial number of this one is in the 500,000's while today they're well over a million.  Few corners were cut with this guitar and its much the same as a D-18, except for laminated mahogany sides - top is solid Spruce; back is solid Mahogany - and it has a gloss lacquer finish.  It was discontinued later in the 90's when Martin came out with cheaper guitars such as the DM and X-series which are made from artificial wood.  Several years later they ushered in the return of  D-1, hyping it as an improved model with all solid woods, but the fact is they're now done with a satin finish, and a gloss finish is an $800 upcharge from Martin, and Sapele has replaced Mahogany.  In a shootout with any affordable Martin built today, this D-1 will blow it away.  In a blind test I would easily mistake it for a D-18.  Simple truth. Its a great guitar.  I would urge anyone who's getting ready to spend $899 for the satin finish Sapele models to seek out one of these original D-1s.  They're simply a much better guitar at a better price.  This one has a few light cosmetic flaws, some dings and scratches in the clear coat only, but nothing through to the wood (shown here).  It will likely be in service for many decades.  It is a real Martin.  For a gloss finish Martin with solid top and back, very reasonably priced at $679(Tent. Hold - Jon C 1/16) with original case. 

12. 2004 Martin 000-18, (front/back), (headstock), (case).  One addition to yesterday's "Acoustic Guitar Bonanza"...  Wonderful OM-sized Martin in mint condition.  The 000-18 is basically the D-18, with the same woods and appointments, in a slightly smaller body style.  The difference in body size between the 000 and D (pic here) is a bit tighter in the waist and more rounded in both the upper and lower bout.  Also, the 000 is slightly (less than 1") less wide in the lower bout and body depth.  Most people find the 000 size more comfortable to play, especially while seated and tonally, it's not quite as boomy as a dreadnought and better balanced throughout the frequency spectrum, making it more suitable for fingerstyle work.  As part of the Standard Series which comprises all of Martin's classic models (D-18, HD-28, D-35, D-45, etc.), it features all solid woods with a Sitka spruce top and genuine mahogany sides and back, with a mahogany neck, all with polished gloss finish.  Other features include Mahogany Block/Dovetail Neck Joint; 20 frets - 14 Frets clear; Style 28 rosette; non-Scalloped 5/16'' top braces; Style 18 back purfling; Black Boltaron end piece; Black Boltaron binding; Black/White multi-ply body binding; Low Profile neck shape; Standard Taper headstock; headstock veneer - Solid East Indian Rosewood with raised gold foil logo; Solid East Indian Rosewood heel cap; Solid East Indian Rosewood fingerboard; 24.9" scale length; 1 11/16'' nut width; Style 28 position inlays; Solid East Indian Rosewood bridge; 16'' Radius/Compensated/Bone saddle; Gotoh Chrome tuners with large knobs; Black w/white dots bridge/endpins; and black pickguard.  This is a very loud guitar for an 000 and compared to my D-18 has less low end, less highs, but overall is warmer sounding.  I don't automatically think of a mahogany guitar for fingerstyle work but this one can easily cover that ground, and in an acoustic jam the remarkable volume will keep it from being buried under the dread's and jumbos.  This model sells new for $2099 ($2799 list) but this one is in immaculate condition for $1479.  Includes original case and paperwork.  

13. 1967 Martin D12-35, (close-up), (headstock), (back), (bass side).  Nothing beats Brazilian rosewood for tone.  Since importation of Brazilian was halted in 1969, recent models made of this cherished wood are inevitably limited editions or custom orders, which fetch 3X the price of comparable Indian Rosewood.  Prior to 1970, however, Martin built nearly all of their finer Rosewood models out of this wood, most notably the D-28, D-35, and D-45.  Martin also built 12-string models which correspond to cosmetic and structural specs of the 6-string models, such as the D12-28 and this D12-35.  Many of them have been converted into 6-strings, either permanently, or by simply stringing them up as a 6.  This 1967 example is one of the nicer ones I've had in terms of condition, tone, and especially nice playability or a 12...for a Martin 12.  Specs include; spruce top, Brazilian rosewood sides and 3-piece back, 12-fret mahogany neck with slotted headstock, white-bound 19-fret ebony fingerboard, dot inlays, 1-7/8'' nut, 24.9'' scale, ebony bridge, black pickguard, and white-bound body.  It would hardly be a Martin if it didn't have a repair of some sort and this guitar is no exception - a pro-repaired side crack on the treble side, virtually invisible from a foot or so away - see pic here - with and without flash.  It has been cleated  (shown here) and is a totally pro repair, both cosmetically and structurally.   Other than the repaired area, all original finish with no overspray and cosmetically this guitar is in very nice shape for a 60's.  Gbase prices on a late 60's D12-35 average $4200, both with back cracks.  This one is a smoking deal on a very nice Brazilian Martin at just $2600.  Includes blue Martin case with purple lining.  

14. 2003 Martin DM Dreadnought Mahogany, (front/back), (headstock), (case).  Martin's best value in an all-wood dreadnought, sort of a budget D-18 with similar tone, feel, and playability.  The DM features a solid spruce top with laminated mahogany body, black binding, herringbone rosette ring, low profile neck w/adjustable truss rod, rosewood fretboard with dot position inlays, tortoise pickguard, chrome tuners, and a tone-friendly satin finish.  This guitar plays great and is in very clean shape with just a few glossy areas in contact areas, common to satin finishes.  These sell new for $899 ($1199 list) but this nice used one is $650 and includes hardshell case pictured.  

15. 2008 Martin 000X1, (front/back), (headstock), (gigbag).  Remarkable flattop for the money.  Although it's a solid Spruce top, the sides, back, and neck are high pressure laminate.  I wouldn't have though that alternative source guitars would sound so natural; so "woody".  The tone is virtually indistinguishable from a mahogany or rosewood body.  Similarly, the projection is excellent and even with the smaller auditorium body style it sounds very big and is quite loud.  You may have noticed that Martin action has come down over the past decade and this guitar is no exception.  Action is low and comfortable, although it can easily be raised if you do very hard strumming.  For the money, this is a hard guitar to beat.  "As new" condition, eminently playable, and just $429.  Includes quality Martin gigbag.  

16. 2007 Martin 000M, (front/back), (headstock), (case).  One of Martin's popular Road Series, with Nazareth PA quality at a friendly price.  This Orchestra-size flattop features solid Sitka spruce top, with laminated mahogany, Mortise/Tenon Neck Joint, black body binding, single herringbone ring around soundhole, low oval profile neck, rosewood fretboard w/ pearl dot markers, compensated Tusq saddle, White Corian nut, 25.4" scale length, tortoise pickguard, and matte finish.  Very warm tone as you would expect from a mahogany body and surprisingly good projection from this 000 size, which is just slightly smaller than a dreadnought.  Offered in mint condition with original tolex/wooden Martin case and paperwork.  Online and superstores sell at $899 but this beauty, in unplayed condition and set up to our high standards, is a nice 000 for $729.  

17. 1972 Martin D-18, (front), (back), (front/back), (headstock/frets).  Very nice shape, excellent player, and at 35 years, the tone is superb and only gets better as the years go by.  Martin (Miranda) explained to me the properties of wood and lacquer, and how everything gets more settled in with the passage of time.  This is one of the main reasons that old guitars sound so good.  He also mentioned a trick that some of the session players used to do to speed up the process.  They would place their guitar in a stand and sit it right in front of a speaker, letting music vibrate the wood for hours every day.  The belief was, and it makes sense to me, is that this would make the guitar "open up" and get that old, broken in tone faster.  One other unique aspects with old acoustics, especially Martins, with the passage of time the action gets higher and after you've squeezed every millimeter out of the saddle, nut slots, and sometimes the bridge - they need neck reset - unless you like uncomfortably high action.  This one is all set though, as it just had a neck set prior to coming to me with, literally, an hour's use since then.  As shown on the receipt (pic here), it also had a bone nut and bone saddle installed at the same time, along with a fully setup of course.  The D-18 has remained largely unchanged since it's introduction in 1932 and has been Martin's sparsely appointed spruce and mahogany dreadnought.  The tone is warm and full-bodied and it's a great guitar to play alone in your home or at a solo gig.  This one's in excellent vintage condition with just the typical small crack from pickguard shrinkage that's been repaired and is no problem -  and a small wear spot on the back and some lacquer wear from picking above the sound hole (shown here) .  If you A/B this with a newer one, you'll immediately notice a richness in the tone that you won't find on recent models. Assuming they were built with comparable quality tonewoods, they'll sound as nice one day but why buy new when you can get this 35-year-old model for around the same price, just $1750, and with the fresh neck set you'll be good to go for another 25 years.  Note:  Martin (Miranda) just played this guitar and he said it was the best *sounding* D-18 he had played, commenting that it had remarkable bottom end without being boomy.  Includes tolex hardshell case (pictured here).  

18. 1979 Martin HD-28, (pic2), (pic3).  Man, what a beauty...Insanely clean condition - one of those "under the bed" guitars that was played sparingly throughout the years and was likely put away for along time.  All original finish and no repairs, other than the typical small crack caused by pickguard shrinkage (pictured here) which Martin fixed and then installed a new pickguard to prevent any future problems.  One other mod, which will be a plus for anyone who might be using this for stage use - it has a Martin saddle pickup installed.  It's a passive system so there is no 9V battery; just the strap pin changed to an end-pin output jack.  If you don't need to amplify the guitar, we'll be happy to remove it and return it to a stock strap pin.  I sometimes come across vintage guitars that weren't played very much because they don't sound good.  That is not the case with this one.  It sounds wonderful - very loud with lots of bottom end but not overly boomy.  Definitely one of the nicer sounding old Martins I've had.  The top has aged nicely and has a nice orange hue.  Specs of this model include all solid woods with Indian Rosewood Sides and back, Sitka Spruce top, white body binding, herringbone top trim, scalloped braces, maple bridge plate, and Ebony fretboard with white pearl dot markers.  A new HD-28 is going to set you back around $2500 ($3299 list) and I'm pricing this beautifully preserved, superb sounding vintage model for the same price--or less if factor in a saddle transducer--just $2499.  Includes original Martin plastic case.  (Note: I obtained an original Martin case badge which was installed after the pic was taken).  If interested, inquire about a Fishman outboard preamp if you want a little more control in stage settings.  

19. 1995 Ovation Standard Balladeer Mod. 1711, (front/back), (headstock), (preamp), (case).   Finished in Cadillac Green.  Long recognized as a great stage guitar that's nearly impervious to feedback, these deep bowl Ovations have a quality acoustic tone that's frequently overlooked.  The 1711 was expertly engineered by Kaman and built with quality construction in their New Hartford CT factory.  It and features a solid Sitka spruce soundboard mated to deep bowl back, A-bracing, attractive black&white oak leaf cluster rosette, walnut bridge, 1 7/8" nut width, 25.5" scale.   Two pieces of mahogany set with the grain in opposing directions make the neck naturally stable. The Kaman Bar reinforcement makes the neck virtually unwarpable and provides a precise and solid joint with the body.  The rosewood fingerboard is a radiused 10" and has 20 hand-finished frets.  The OP-24+ preamp was top of the line for this era with a 3-band EQ with 400Hz/1kHz center frequency shift on the mid control, EQ bypass, a preshape circuit that lifts the bass and treble and reduces frequencies below 40Hz, and an battery on/off switch.  Changing batteries is a breeze with access via a sliding door next to the preamp.  This guitar has a very nice setup, quality tone both acoustically and plugged in, and overall beautiful shape except for a 2 very minor clear coat cracks around 1" long on the top.  It carried a list price of $949 when discontinued 11 years ago and is a great value for an American acoustic at just $550.   Includes original case.  

20. 2007 Takamine EF-341SC, (front/back), (headstock), (preamp).   B-stock but never retailed and flawless condition.  Springsteen has played this model for many years but even if you're not Bruce, who punishes his guitars night after night, I recommend this for anyone else looking for a quality Japanese Tak.   One of Tak's quality Keystone series, made in Japan, and this model is their Dreadnought cutaway model.  Features solid Cedar top, with laminated Maples sides and back, all in a high gloss lacquer finish.  Other features include multi-ply bound body, bound neck, bound headstock, snowflake inlays, and pearloid inlaid logo.  It also features Tak's CT-4B preamp; one of the best available, noted for it's warm sound and effective 3-band graphic EQ plus an extremely stable and accurate chromatic tuner. Great for non-standard and open tunings.  With a $1719 list these sell everywhere for $1199 but if you don't mint a "used" stamp on the back of the headstock save some big bucks plus get a pro setup for free.   I didn't get Tak cases with these but will include a quality tolex hardshell and at $779, this is a sweet deal on a beautiful guitar.  Full specs are at this link:  (Tak's site link). 

21. Takamine EG523SC Jumbo Acoustic/Electric, (close-up), (back), (headstock), (preamp), (appointments).  As above, unplayed condition, with plastic still on the pickguard.  The EG523SC has identical specs to the EG523SC-12 in a 6-string version, and a different preamp, the TK4NT (specs here).  Although this guitar is virtually unplayed, it did develop a short top crack which we noticed and stabilized before it grew, and re-lacquered over it.  It's barely noticeable and I had to manipulate the colorization to get it to show up (right side pic), and is nearly invisible otherwise (left side pic) - shown here.  Like the 12-string, this guitar has a fabulous set-up and that huge tone that you want out of a jumbo.  With a list of $999, the EG523SC sells new for $699 without a case or gigbag.  This one is in flawless condition and just $429.   You can add this (Tak case), a $108 value, for $65 if desired, which is the top quality Canadian wood/Tolex model, better than the optional Asian case for their G-Series.  

22. 1997 Takamine FP350SM Acoustic/Electric Dreadnought, (front/back), (headstock/neck), (sides), (binding/back stripe), (preamp), (case).  A truly fine acoustic/electric with great looks, quality tone, and superb craftsmanship.  Like all of Tak's best guitars, this one was built in Japan with the quality craftsmanship that has earned a very high reputation for many decades.  Although 13 years old, this guitar looks more like an '09 model than a '97 and it's obviously spend most of its life in the case.   It's a very attractive model with a sunburst finish over a solid spruce top and flamed maple sides and back.  Cosmetically it's somewhat understated but does feature multi-ply binding on top an back, with a nice inlay along the center seam on the back, and inlaid mother of pearl logo.  Preamp is Tak's Accuracoustic semi-parametric (link here), which was Tak's top of the line back in the day, and features lighted dials for ease of use on a dark stage.   It has a quality acoustic tone with excellent projection and clarity, and a very comfortable set up with low action throughout the fretboard.  This model listed for $1500 back in '97, which was a pretty hefty price tag back then.  In 2010 dollars, it's an excellent value on a quality Japan-made Tak at just $850 including hardshell case.   

23. 2003 Takamine EAN-40C, (front), (back), (headstock), (preamp), (case).  One of the fantastic "Natural" Pro Series, a high-end Tak with the craftsmanship that Japanese Tak's are noted for.  The EAN40C  features the popular and versatile NEX (grand auditorium) body size, basically a scaled down jumbo, with solid Cedar top and solid Mahogany back with Mahogany sides.  Other features include scalloped bracing, rosette of tinted wood rings, gold tuners with amber pearl buttons, 20 fret mahogany neck with rosewood fingerboard, rosewood pinless bridge, compensated saddle, 1 5/8" nut width, 25 1/2" scale, natural satin finish.  This guitar has a wonderful tone both acoustically or plugged in.  Amplified tone is courtesy of Tak's  CT-4B preamp; one of the best available and produces a very natural amplified tone that's resistant to feedback - and also features an excellent quality chromatic tuner. It plays exceptionally well and the tone has nice warmth and excellent clarity - definitely can hold its own as a dedicated acoustic, but it's comfortable size and quality electronics make it an exceptionally nice stage guitar as well.  For the player who wants a pro-quality Japanese Tak but couldn't justify the normal $1275 street price ($1859 list) when these were being made, grab this killer deal for just $799(HOLD-Ron K 11/12).  Includes hardshell case. 

24. Taylor Guitars K4 Preamp & Equalizer, (stock photo), (close-up).   Only $400 with purchase of a Taylor guitar.   Designed by engineering guru Rupert Neve and voiced specifically for Taylor's famed Expression System (ES).  Taylor has never been a company to jump on the bandwagon and they put considerable thought and R&D into every product before releasing it to the public.  The K4 is Taylor's very first piece of outboard electronic gear designed for the next step in your guitar's balanced signal chain and raising the bar for stage and studio performance.  It features a parametric EQ voiced specifically for the acoustic guitar, along with a Q control for pinpoint tone shaping.   The custom circuit, designed by Mr. Rupert Neve, is transformer coupled input and output with pure analog tone shaping, doubling as a quality active DI with effects loop and tuner out.  Building on the fully balanced output of the Taylor ES, the K4 is engineered specifically for the frequencies of the acoustic guitar, more specifically, for the Dynamic Sensors that are an essential part of the ES.  You can now shape your guitar's tone by zeroing in on the notes or frequencies of your choice and then cut or boost them to perfection.   It has low impedance, transformer-coupled balanced inputs and outputs which connect directly to the balanced output of an ES-equipped guitar.  Features include: bass and treble controls, sweepable two-band Parametric midrange control with adjustable "Q", an effects loop with choice of "Pre" or "Post" EQ, phase invert, headphone jack with independent level control, mute feature and a dedicated tuner output.  It is a well built and compact unit with polished aluminum chassis with a wood-trimmed top.  For details and videos, check out Taylor's site here.  Taylor recently dropped the price on these, With a list of $898 these sold in the chain stores for $779 before recently dropping for $499.  This one is immaculate and a must have if you want the ultimate tone out of your ES-equipped Taylor.  Nicely priced at $399 - or $350 with the purchase of any Taylor ES-equipped guitar.  

25. 2001 Taylor 312 Grand Concert, (pic2), (pic3).  If you want something slightly smaller than the 314, we just got back in this wonderful 312.  One of Taylor's most popular grand concert models, due no doubt to its modest price, while the workmanship and tone are as fine as any of the higher series.  Please note that this guitar was mislabeled at the factory as a "312CE".  It obviously doesn't have a cutaway and no onboard preamp and is, in fact a regular 312.  This is the 5th mis-labeled Taylor I've had throughout the years so don't be alarmed.  The 312 features all solid woods including gloss finished Spruce top and satin finished Sapele back and sides.  Sapele is an excellent tone wood with characteristics similar to mahogany, very warm and cozy sounding which, despite the smaller GC size, fill the room with sound.  Other features include 14-fret mahogany neck, black-bound 20-fret ebony fingerboard, pearl dot inlays, 1-3/4" nut width, 25-1/2" scale, ebony bridge, tortoise plastic pickguard, black-bound body and chrome Grover Rotomatic tuners.  This one also includes the nice brown Taylor Luggage Case, which is one of the finest cases ever made - rather than the newer lightweight black cases.  Offered in excellent condition with typically superb Taylor action.  Very nice Taylor for $850.  

26. 2005 Taylor 314 Grand Auditorium, (front), (back), (headstock), (case).  Taylor's most popular grand auditorium - where quality tonewoods and fine craftsmanship combine with a modest price, at least by Taylor standards.  Taylor's 100- and 200-series are good guitar for the money but the 300-series is really in a different class and in my opinion, the best value in their line.  The 314 features all solid woods including solid Spruce top with a gloss top and satin-finished Sapele back and sides.  Sapele is an excellent tone wood with characteristics similar to mahogany, very warm and cozy sounding which, although slightly smaller than a dreadnought, fills the room with sound.  Other features include 5-ply B-W-B-W-B binding,14-fret mahogany neck, black-bound 20-fret ebony fingerboard, pearl dot inlays, 1-3/4" nut width, 25-1/2" scale, ebony bridge, tortoise plastic pickguard, and chrome Taylor tuners.  A great choice for fingerstyle work but it projects enough to hold its own for loud strumming.  Offered in superb condition with typically superb Taylor action.  If you're looking for a quality Auditorium size, this one's an easy recommendation at just slightly more than a 200-series, $850.  Includes non-original hardshell case.  

27.  2004 Taylor W-14-CE Grand Auditorium, (front), (headstock), (cosmetic appts.), (back/sides), (case).   Special order with Engelmann Spruce top, hand-picked flamed Claro Walnut sides and back, 900-series bridge inlay, ebony tuner buttons and slightly more narrow nut, 1 11/16".  The Grand Auditorium slightly smaller than a dreadnought and is one of the best for finger style work while still having the depth to project well for strumming.  The Venetian cutaway allows easy access to the entire fretboard while the slightly smaller body enhances articulation - the tone is very crisp and well defined.  The Walnuts were near the top of the line for Taylor and with limited supplies of seasoned woods their production numbers were fairly low, with the line discontinued by Taylor last year.  Walnut is a like the best of both worlds in comparison to mahogany and rosewood. Its rich and complex tone has the color and fullness of rosewood and the "snappiness" of mahogany.  Players often think that the walnut seems to have a better response than rosewood, similar to maple. All in all, it offers a truly unique sound, suitable for all styles.  Engelmann Spruce is a premium top wood.  Even Taylor's esteemed 900-series discontinued it around '07 and switched to the cheaper Sitka spruce.  The combination of an Engelmann Spruce top and Walnut body makes this guitar sound like a symphony, covering the entire frequency spectrum.  It is an extremely warm and comforting sound that begs you to pick it up and play, and with a tone that's so thick, it's almost like having a whole band playing with you.  By the same token it may not be an ideal choice in an acoustic band situation where you want your instrument to cut through the mix.  Specs include: solid Engelmann spruce top, flamed Claro walnut back, flamed Claro walnut sides, Abalone Soundhole Rosette , Tropical American Mahogany neck, Ebony fretboard, "Celtic" fretboard inlay, Ebony headstock overlay, multi-layer Ivoroid binding,  Ebony bridge with 900-series inlay, Tusq nut and saddle, gold-plated Taylor tuners, 1 11/16"  nut, Scalloped bracing - X-Brace, gloss finish, and Taylor's Expression System for amplification.  The W14CE last listed for $4448, selling at discount for $3113, without any options.  As outfitted, especially with the Engelmann, it's around $4k on a special order.  This guitar was collector owned and offered in flawless condition.  If you appreciate the sonic quality of Engelmann, the beauty of flame walnut or aren't a fan of the wide 1 3/4" nut, this is a nice buy at $2799. 

28. 2006 Taylor GS Rosewood, (front), (front/back), (headstock), (case).  One of our favorite models - Indian Rosewood and Western Red Cedar, AKA the G7 or GSRC (rosewood/cedar).  Considering all the Taylors I get in, it's remarkable that this is only the third of Taylor's "new" GS-series that I've had.  From the first strum my first impression of the Grand Symphony (GS) was a perfect marriage of Taylor and Martin.  It has the thin neck and low action of a Taylor, but the tone is much more like Martin, with a very open sound and excellent projection.  For players who only considered Taylors for finger-style work, this guitar is equally at home as a hard strummer.  The cedar top adds more warmth than spruce, and blends perfectly with the bold tone of the rosewood body giving it a very fluid, clear tone with a well-defined bass.  It also has a unique body shape, with a raised, narrow waist that's very comfortable to play, and a wide lower bout that's almost as big as a jumbo.  Features include: solid Western Cedar top, Solid Indian rosewood back and sides, Mahogany neck, Ebony fretboard, Ebony bridge, Abalone rosette, Abalone dots inlays, Ivoroid binding, Gold-plated Taylor tuners and strap pin, Scalloped X bracing, wide 1 3/4" nut width, 25-1/2" scale, 16-1/4" body width, 20" body length and 4-5/8" body depth.  For a good review of this "new" model, click here for AcousticFingerStyle.com.  This model sells new online for $2099 to $2249, moderately priced for an impeccably built Taylor with these features.  This one is in immaculate condition and superbly set up by the area's licensed Taylor tech, for just $1649. 

29. 2006 Taylor T5-C Thinline 5-way Custom with Dual Humbuckers, (front/back), (headstock), (controls), (side view).  We had to call Taylor on this one.  Neither Martin nor myself had seen these guitars with dual humbuckers on the top.  Taylor said they offer this as an option and basically it replaces the body sensors which are normally placed under the soundboard.  Switching is the same as the "regular" T5C with the exception of the 1st position, all the way forward, is the neck humbucker combined with the "invisible" pickup under the neck.  Click here for tone description of all 5 settings.  Another cool feature is the custom finish on this one, which is a metallic red, much like Candy Apple Red.  This beauty is crafted with a solid spruce top with Sapele back, T-5 Custom Artist fretboard inlays, full multi-layer binding, bone nut and saddle, Ebony bridge, stylized F-holes, mahogany neck, Ebony fretboard and Ebony headstock overlay with pearloid logo.  A resonant, fully hollow thinline body is the backbone of the T5, and yields incredible presence and excellent projection for a thinline body.  Its comfort and playability are what you'd expect from Taylor, low action while giving you the freedom of a solid body and the feel and sound of a finely crafted Taylor acoustic.  Whether played through an electric or acoustic amp, it delivers an excellent range of pure tones from smooth, strumming acoustic to crunchy electric chords.  Again, electronics include a unique 5-way pickup system composed of a magnetic acoustic humbucker located under the neck, and a pair of magnetic electric humbuckers with chrome covers, as well as a preamp system for mixing up the exact tone you need.  My main man Martin as the area's licensed factory tech for Taylor - he knows this model like the back of his hand so you're guaranteed to get the best playing one around.  This model sells in stores for $2399, if you can find one.  This one has virtually no players wear, without a single pick scratch or button scratch on the back and frets are like new.  Includes Taylor case, unsigned warranty.  Set up to perfection and a lovely and unique T5 for just $1850.  NOW ON SALE FOR $1699(SOLD-Gino A 1/17) . 

30. 2001 Taylor 510 Dreadnought, (pic2), (pic3).  Taylor's fine Engelmann Spruce and Mahogany Dreadnought.  Absolutely pristine 510 with the exception of one top crack (pic), pro-repaired and re-lacquered such that you can see it but can't feel it and it's a non-issue as far as integrity is concerned.   Taylor's 500-series are right in the middle of their range with features such as gloss natural finish, Engelmann spruce top, mahogany back and sides, 14-fret mahogany neck, 20-fret ebony fingerboard with pearl snowflake inlays, Abalone dot bridge pins, 1-3/4" nut width, 25.5" scale, ebony bridge, tortoise plastic pickguard - plus (pic here) - rosewood-bound body, and attractive Koa rosette.  I'm not a Taylor dealer so I can't sell anything as new but let's just say it hasn't been played - plastic is still on the pickguard and flawless condition all around.   The 510 sold for $1949 ($2598 list) when discontinued last year and if you can live with a single top crack that's a total non-issue, this one is almost 1/2 price, just $999(HOLD-Dee E 10/4) and includes Taylor luggage case, tags, and manuals.  

31. 2009 Taylor 210 Dreadnought,  (front/back), (headstock), (case).  Get Taylor's superb playability and sweet tone for a sweet price.  Taylor's 200-series feature satin finish over a solid spruce top with laminated rosewood back and sides.  It has Taylor's very comfortable, thin neck, with an oil finish and a sleek ebony fretboard.  Body features white binding and an ebony bridge.  This one has very nice looking grain in the rosewood and although not a fancy guitar, is very attractive.  Martin can set up a Taylor better than anyone and this one will likely play better than most of the 600-series models hanging in your local super store.  Cosmetically, the guitar is "as new" except for a missing label inside the guitar.  With a new one going for $750, you might want to try this flawless used one for just $539.  Includes Taylor case.   

32. Washburn EA8-Red Acoustic-Electric Cutaway (Cherry), (front/back), (headstock), AND  EA8TBL (Trans Blue).  I just found a few of these in a cherry finish.  If you're looking for a decent acoustic-electric for under $200, look no further.  The Washburn EA-8 offers killer looks in a good quality import with some nice features such as multi-ply body binding, bound neck, die-cast low-friction tuners, spruce top, and mahogany back/sides/neck.  These come from the factory with so-so set-ups but after Martin does his voodoo, the result is a beginner-priced acoustic that plays like a much more expensive instrument, which is especially important for someone just starting out on guitar.  This Festival Series guitar lists at $599 and is a good value in a budget acoustic/electric at just $199. 

33. Washburn D6S Dreadnought - Solid Spruce, (front/back/side), (headstock).  Excellent buy in a solid spruce dreadnought with a very nice in-house setup that puts it head and shoulders above anything in the stores or online superstores.  Features solid spruce top with laminated mahogany back and sides, mahogany neck with rosewood fretboard, tortoise body binding, tortoise neck binding, genuine dovetail neck joint, 1 11/16" nut, 25.5" scale, rosewood bridge, flat 16" fretboard radius, die-cast tuners, satin finish.   Although a cosmetic second for reasons we can't find, this guitar is immaculate condition and not pre-owned.  With a list price of $350, a very good buy at 50% off, just $175, set up and ready to play.  

34. 1999 Wechter USA Pathmaker Orion, (front), (headstock), (back/side), (preamp), (label), (case).  Abe Wechter is a fine luthier, with some innovative design techniques, and an all around good guy I might add.  After making only custom-made guitars for 12 years, he designed the Pathmaker as his first regular production guitar, released in 1994, and aimed at reaching a wider market .  This Pathmaker Orion, built in his "new" shop in Paw Paw MI,  was his most affordable in the Pathmaker line, primarily due to the satin finish on the sides and back (top is gloss) which is much less expensive to produce than a lacquer finish.  The good news is it sounds as good, or better, as it allows the wood to resonate more freely.  Like the standard Pathmaker it features a solid spruce top but he chose walnut for the sides and back which is actually an upcharge from many makers.  We're not sure, but it appears to be a solid sides/back.  You're not going to find much info on a Pathmaker Orion on the web but I contacted Abe himself and he verified that this was indeed an American model and, as the label indicates, the 322nd Pathmaker built.   The most unique aspect of the Pathmaker obviously are the deep and wide cutaways, which allow easier access to the top frets without sacrificing tone.  It has 19 frets clear of the body but the top 3 are much easier to access than a dreadnought.  Sonically, this guitar has a crisp attack, like maple, but is fuller sounding and not as bright as maple.  The bottom end is has a lot of warmth, much like rosewood.  Overall it has a very balanced sound.  The Fishman Prefix preamp does a good job of reproducing the acoustic tone with a bass, contour with corresponding frequency cut/boost, and treble.  This guitar has seen very little playing time.  Except for two small scratches in the top (in the lacquer only), it's pretty much flawless.  For an American made guitar of this quality, a very good buy at $850(SOLD-Local 12/22), including original case.  

35. 1999 Yamaha APX-4A Acoustic-Electric, (front/back), (headstock), (preamp/battery comp.), (binding/rosette), (gigbag).   Yamaha's APX series are designed as both a good quality acoustic guitar but really shines as a stage guitar, built for comfort and a quality amplified tone.  I've had the earlier version, model 4 with composite body, and this 4A provides a far acoustic tone.  The APX-4A is basically a cutaway dreadnought shape, except more shallow than a standard dread - plus the cutaway make playing the higher notes a lot easier.  Features include spruce top, nato back and sides, unique oval soundhole with attractive wooden inlay rosette cap, 5-stripe bound body, 22-fret rosewood fretboard, pearl dot inlay, rosewood bridge with white pearl dot pins.  A simple but versatile preamp includes 3 Band EQ with AMF (adjustable mid-range frequency), volume, battery light, and mute.  An access door on the upper bout makes changing 9V batteries a breeze.  Click here and here for a few YouTube clip of the APX-4A played straight acoustically, and here plugged in, although a bit buried in reverb.  This is a well built guitar in the tradition of Taiwanese Yamaha's and a very good choice for a moderately priced stage guitar at $299.