Chris' Guitars - Acoustics - Martin, Taylor, Takamine, Guild, Breedlove, new used guitars vintage guitars

Burns Scorpion Bass, (front/back), (headstock), (gigbag). New-old-stock and harder to find since Burns USA folded a few years ago. Burns London, since the 60's, was always thinking outside the box has built perhaps the most evil looking bass I've ever had. This one's actually an update from the 80's model. Feature P and J pickups with 3-way selector and mini-toggle for phase switching which allows a lot of cool collection of tones. Pearloid neck binding makes for comfortable slides up and down and deep cutaways allow for easy access to the upper frets. With a list of $899, you'll see these for $659 but this one is perfect with plastic still on the pickguard AND pro-setup prior to shipping - for just $529. Includes very plush EI gigbag with black/white spotted lining.
Carvin AC-40 Fretless Acoustic/Electric Bass, (front/back), (headstock), (Case). This is a cool bass and especially recommended for players who are used to playing an upright, or anyone looking for a quality American-made fretless that weighs in at just 5.6 lbs. It was engineered to produce acoustic bass tones through an amplifier so you can expect it to sound closer to a "dog house" bass than any do-it-all solid body basses. This one features a lovely cherry sunburst finish over solid spruce top, with a mahogany back and neck, with neck-thru construction. Optional gold hardware looks great on the cherry sunburst finish. Carvin uses hand-selected mahogany for the body and neck. All of their woods undergo a long conditioning process in a de-humidification chamber to remove any stress in the wood and prevent future warping or twisting. The body is carved out of a single piece of mahogany for maximum resonance while maintaining stability, and the neck runs the length of the body for increased sustain and strength. The mahogany construction produces warm tones, perfect for a semi-hollow instrument. It is similar in size to a solid-body bass, at 13.4" wide at the widest point, and is 1.8" thick. A lovely AAA Engleman spruce top is standard and is higher quality than Sitka spruce tops used on many guitars by other manufacturers. A 34" scale ebony fingerboard has small position markers on the side of the fingerboard with a smooth neck heel allows easy access all the way up to the 24th fret. It uses an LR Baggs ribbon-acoustic pickup which is less than 1/32" thick and contains a film sensor laminated between layers of Kapton and then laser-trimmed to its final form - reliable and innovative - with a sensor that is responsive to vibration but not to pressure on the pickup itself, which minimizes the sterile sound that is characteristic of most pressure-sensitive under-saddle pickups, because as the guitar top moves with the vibrations of the strings, so does the pickup, naturally reflecting the actual sound and dynamics of the bass. It has an active circuit with volume, bass cut/boost, and treble cut/boost. Cosmetically it's in beautiful condition and has a great set-up. If you're looking to reproduce the tones of an acoustic bass, either on stage or in the studio, you can't go wrong with this one, especially at $599, a steal for an American made bass of this quality. Includes optional Carvin/G&G tweed case with some stains on the outside but otherwise perfect shape.
Danelectro Longhorn Pro Bass, (pic2), 2004, Blue Metallic, One of the new Pro series with upgraded hardware - better tuners and bridge, as well as stacked knobs for individual volume and tone controls for each pickup. These basses are fun to play with a comfortable short scale and very lightweight, but the tone is surprisingly good and even if you don't play one all night, it's cool to play for some select songs. Pro-setup and a killer player, and a cool bass for $350. Add a nice Dano case for $49.
ESP M-IV Fretless, (front/back), (headstock). Real ESP's (i.e. pre-Ltd) are becoming hard to find and basses are especially few and far between. This one's from around 1990 and finished in a cool flip-flop red pearl finish. With its distinctive "scoop" in the treble cutaway and overall body shape, you might notice a similarity with Kramer Forum, which was the bass equivalent of Kramer American guitars series. ESP was the actual builder of the Kramer American guitars and Forum basses with the M-IV being the ESP equivalent of the Forum II. This is an excellent quality, typical of ESP Japan from this era and features active electronics with EMG P/J pickups, black hardware, Alder body. Typical light player's wear with a few minor dings and one Grover replacement tuner but overall pretty nice shape and fantastic tone. Martin just set this one up and it's a nice player, with that tone that you can only get from a fretless. This bass had an original list price of $1295 over 10 years ago this is a steal at $399 with Ultra-lite case or gigbag.
2005 Ernie Ball Music Man Stingray 4, (front/back), (headstock). Super clean - barely touched - fantastic player. The choice of more pro players than just about anything else made. By virtue of it's utter simplicity, comfort, ease of play, and most of all tone, the Stingray became an immediate classic when first introduced in the 70's. With its characteristic large pickguard and oversize pickup, the Stingray is immediately recognizable as a veritable funk machine. It's hard to picture "Flea" without seeing him slinging a Stingray. Although simple in looks, traditionally with a single pickup, deceptively versatile. When combined with an optional 3-band active EQ (bass-mid-treb cut/boost), the Stingray is capable of dialing in just about any tone to suit any situation. This bass is clean all around with perfect frets, clean fretboard, and no scratches on the body. For full specs, click here for Musicman's site. A new Stingray 4 in sunburst runs $1470 ($2100 List) but if you can deal with a well-padded gigbag instead of a case, save big time on this super clean '05 model at just $899.
2004 Fender 60's Classic Jazz Bass with 60's G&G/Fender case, front/back), (headstock), (case/acc.). Get the vibe, tone, and playability of a true classic for a fraction of a Vintage Series. Like the 60's Classic Strats and Teles, these Jazz basses are very well made, imminently playable, and have the tone and vibe that made it a true icon. The Jazz got its start in 1960 as the "stacked knob" model and a few years later it was changed to the more popular Vol-Vol-Tone layout as used on this model. Features of the 60's Classic include 3-Color Sunburst finish over ash body, C-shaped maple neck that's a thin 1.5" at the nut, 2 Standard Vintage Alnico Magnet Jazz Bass Single Coil Pickups, Vintage Jazz bridge with individual steel saddles, nickel/chrome hardware, and vintage styling throughout. Sells new or $839 with a gigbag...or you can get this immaculate used one with Fender/G&G brown case with plush gold lining ($189 online - $219 list) for $100 less. Just $739 for a great playing Jazz and top of the line case. But wait...there's more...to further add to the vintage vibe, this bass has a genuine vintage style chrome bridge cover and vintage style thumbrest, which is another $25 in free parts.
2002 Fender Deluxe Active Jazz, (front/back), (headstock), (deluxe gigbag). One of the real "bang for the buck" winners with high-end features at a lower end price. Most notably, the Active Jazz features American Deluxe pickups and active electronics controlled by master volume, pickup pan, and separate bass/mid/treble boost/cut controls (shown here). Other features include quality vintage-style tuners and bridge, Alder body, medium-jumbo frets, and C-shaped maple neck with rosewood fretboard. Beautiful condition, easily a 9.5+ with no real flaws and no wear at all. 3-Tone Sunburst finish shines like new and looks great with the tortoise guard. Plays great - sounds great, and with the new model Deluxe Active Jazz selling for $809 ($1020 list), an excellent value for a clean used model at just $529(SOLD-Ed 1/8). Includes Fender deluxe gigbag.
Fender Mike Dirnt Signature Precision Bass, (pic2). Another cool signature model, this one a Mike Dirnt's (Green Day) signature model, which is a very cool mix of the old and the new, loosely based on the '51 slab body Precision, except with some modern features such as the split coil pickup which followed later in the 50's, an arm contour which never appeared on a slab body P, a Badass II bridge which has been a common upgrade since the 70's, and medium jumbo frets rather than the small vintage frets of the original model. This model has some nice upscale features (pics) including an Ash body, Custom Shop '59 pickups, and quality Fender-stamped vintage tuners. It has a special shaped and lightly tinted neck with vintage logo - the size of which is a little more substantial than your Standard series P-bass, nicely rounded in the back. It's a very fat sounding bass, although with a nice snap thanks to the ash body. With a list of $1180, these sell in stores for $939 and they're a good value at that price. Better still is one, never retailed with plastic still on the pickguard, for just $659. Includes Fender gigbag and, of course, in-house setup prior to shipping.
2005 Fender Squier Affinity P-bass - Black, (front/back), (headstock). Never retailed and immaculate condition. Fender's Squier version of the famed Precision bass provides the best bang for the buck on the timeless tone and look of this classic bass. Features include a contoured hardwood body, maple neck with rosewood fingerboard, split-coil pickups, and 4-saddle bridge. With a list price of $330, Affinity basses now sell in stores for $199, usually with mediocre playability. This one has just had a complete pro setup and has action as low as an American Standard - for just $175. Note: I also have this model in Baltic Blue on my "Basses" page.
1989 Fender Korea Squier Precision Bass, (front/back), (headstock). Same quality as the MIK Strat above but a few years earlier when the Squier logo was more pronounced - and a perfect mate if anyone is looking for a guitar/bass set. Excellent player with the fat bottom Precision tone that works great on recordings or live settings - plus a nice weight that will be comfortable set after set. Tuners are quality vintage style licensed Schallers that stay in tune perfectly. Compared to the current model Indonesian or Chinese Squiers, these Korean models are better quality in my opinion and are generally more highly regarded perhaps because Fender's production was simply much lower 19 years ago. Very nice shape and a good value P-bass at just $199.
2003 Fender '51 Precision Reissue, (front/back), (headstock/neck), (case). Quality crafted reissue of the original P-bass, which revolutionized bass playing forever. Prior to Leo's design of this solidbody model, bassists had to lug around the huge "dog house" acoustic stand-up basses with little in the way of amplification for large gigs. The Precision, so named because of its frets which guaranteed accurate, "precise" notes, was compact, easy to play, and with an amp was as loud as you wanted it to be. This is the first version of the P-bass, with its single coil pickup, large pickguard, small headstock, slab body with large pickguard and chrome control plate, has much the same appearance as the Broadcaster/Telecaster of the era. Later 50's would take on more of the look of a Stratocaster with a contoured body and larger headstock, plus split-coil pickup and smaller pickguard. Finished in 2-tone sunburst over ash, it features original string-thru construction with 2-saddle bridge, Maple neck and fingerboard, and single ply white pickguard. Although not spec for this model, this one also features some nice figuring in the neck as shown above. This model is still made in Japan, where labor is at least as high as the USA thus the new cost is currently $939 ($1179 list) without case or gigbag. For $200 less you can have this beauty WITH a nice hardshell case, with a set up that makes it play as nice as it looks.
Fender Squier Affinity Precision Bass, (pic2), 1999, in cool new color "Baltic Blue". This is one of the Affinity Series, which are the best bang-for-the-buck that Fender has ever offered. Classic Precision fat tone, well constructed, and very playable. This one's in overall very nice shape with the worst flaw being a little paint touch-up (2 pics of same spot) that we color matched pretty well. These are a $299 list but this one is pro-setup and an excellent beginner--or spare--bass for just $139.
Fender Squier Affinity P-Bass, 2003, new-old-stock, best value in a Precision bass and a killer starter bass with classic look and tone, hardwood body with split-coil pickup, 4-saddle bridge, maple neck with rosewood fretboard. Absolutely mint condition with plastic still on pickguard and an excellent value at $159. Add Fender gigbag for $19.99
Fernandes APB-100 5-String, front/back), (headstock/nut). Super nice high-end bass. This one was custom made for a Fernandes endorser, with all custom options done at the Japan factory as the bass was being built. It is a world class bass, in my opinion, at $1K less than most of the boutique basses. Features include Swamp Ash body with trans blue stain and gloss lacquer, which is a striking appearance with the gold hardware. Custom EQ'ed F.G.I Active pickups and electronics (Low freq. 85Hz, Treb. 3.5 KHz) 12 db boost and cut with center detent on both. Controls are, vol/pan with center detent/bass and treble via a 9 volt system. Rosewood fretboard on a 3-piece maple neck with gloss finish and light flame. Brass adjustable nut for perfect intonation. Prototype (at the time it was built) Gotoh Bridge, which can be a thru-body if holes are drilled and ferrules installed. Quality Gotoh tuners. 34" scale with no floppy low-B string. Lastly, it's a custom color, unnamed by Fernandes but it's a Royal Blue that allows the figuring of the ash to show nicely. If you've priced Japan-made Fernandes, you know that none of them are cheap. This one pre-dates the Gravity series which were still in the design phase when it was made. A Gravity 5 Deluxe is going to run around $1099 but this one is in immaculate condition with the added benefit of being a true custom built bass. How much more is it worth? How much less am I selling it for? Around $550 less. $649 for this fantastic Fernandes. Includes super nice gigbag or not super nice hardshell case.
2007 Gibson SG Supreme Bass - Natural, (front/back), (headstock/neck), (case). The following are currently in stock: (#314 Top - ),, (#600 Top). Untouched except by my tech and first quality Gibson. One of the classic model from the 60's returns in a more upscale look, including thinner beveled edges and figured maple top in place of the Cherry finished mahogany. This model has its roots in the 60's/70's Gibson EB-3, whose growl can be heard on countless recordings by such top players as Jack Bruce, Andy Fraser (Free), Bill Wyman, Trevor Bolder (David Bowie), Glenn Cornick (Jethro Tull), and Chris White (Zombies). Like the EB-3, the SG Supreme features the same short 30.5" scale and large neck humbucker (TB Plus) with a mini-humbucker in the bridge. The original models were solid Mahogany but the Supreme model features the classic marriage of mahogany and maple. Not just a maple veneer, the SG Supreme features a thick slab of carved maple, fully one-half the thickness of the body (pic here). Other features include AAA maple top with natural satin finish, well-rounded mahogany neck with slim profile, vintage style TB Plus humbucker and bass Mini-humbucker pickups, pearloid trapezoid inlays, inlaid Gibson logo and flower pot headstock inlay, 20 fret neck with Rosewood fingerboard, 1.695" nut width, Trapezoid inlays, Chrome hardware, 3-way adjustable bridge, Schaller tuners, and Two volumes with one tone control. If you're looking for a classic "Cream" growl in your bass tone, in an easy to play short scale bass, here you go. This Supreme model with AAA Natural top has been discontinued but the all mahogany model SG Bass sells for $1429 in cherry ($1299 in blue satin). Own one of these beauty's for just $1199. Includes plush lined Gibson case, manual, etc.
1970 Gibson EB-0, (front), (headstock), (control cavity), (back), (checking), (bridge/tuner), (case). Here's the bottom-end brother to the '70 SG, with the same Walnut finish, no volute, and one of the cool slot-headstock models. Gibson has always chased Fender in bass guitars, never gaining the popularity of the P or J basses, but they have a cool tone and these EB-0's with their short scale and narrow neck width are great for guitarists making the change to bass. When I was a youngster an EB was my dream bass, probably because Jack Bruce was never seen without one. Other than the bridge, 100% original with no touch-ups or overspray on the finish, and all original solder joints. Other than finish checking this bass is in remarkably nice shape and hasn't seen a lot of playing time. Worst flaws are bridge has been changed to a Fender style and a cap for one of the tuners is missing. The stud inserts are still in the body and original studs are included so if you want to chase down an original bridge it would be an easy install and cover up any holes from the current bridge. It has a nice set up and like the SG, the kind of tone that is sweeter by virtue of 40 year old wood. At $1299, it's priced less than a new SG bass and I'll guarantee that it sounds much better. And when it comes down to it, I can't imagine buying a new instrument when you can get a comparable vintage model at a comparable price. Includes original blue-lined case with a nice 70's painting of a Pieces symbol. Hey, that's my sign. Am I supposed to keep this? Hmmm...
Hartke HBCK Bass, very nice moderately priced bass for the beginner or intermediate bassists, the CK "Street Rod" Series has everything you need in a bass guitar. Made of solid Basswood with a smooth contoured design somewhat reminiscent of a Spector design, the bass has a slim maple neck with a 24-fret rosewood fingerboard. Also features versatile P-J pickup configuration, two Volume and Master Tone controls for an excellent selection of tones. Very sleek and “bad” looking with glossy black finish and all black hardware. Neck has some moderate flame and it’s autographed by someone on back of headstock (I can probably remove or you can keep it on for a conversation piece). All in all, good Korean quality and with a list price of $369, a good value, in clean shape, for just $149.
1998 I banez EDB600GP Ergodyne Bass, (front/back), (headstock), (controls/bridge). Gray Pewter finish. The Ergodyne series has long been one of the best selling basses on my site. They set up extremely well and, as the name would imply, they are designed with ergonomics in mind, with a body that is radically contoured to fit the belly area in back, and curved on top as well with the treble and bass bouts curved out and down to allow for extreme comfort and easy access to the playing area of the best. It is in m opinion, the most comfortable bass made to strap on and play. Features include slender 2-octave EDB5 maple neck offers fast and easy fretwork, Ibanez' own Luthite body, and powerful pickups with Ibanez DXH5N and DXH5B Bartollini style with active EQB-III tone circuitry is an active 3-band circuit to dial in the perfect tone. For anyone used to a single passive tone pot, you're in for a thrill when you play this baby. For the money it's a hard bass to beat. P and J basses are great, but pretty much limited to one cool tone. The EDB600 does so much more. All original except for Dunlop locking strap pins installed but we can swap out if desired. Overall this bass has seen very little use and the only real flaw is a small finish flaw (shown here) that we color matched nicely. This model was fairly expensive in '98, selling new in stores for $499. Again, this one's in beautiful shape and good enough for the intermediate to advanced player for just $349, set up to perfection and ready to rumble. For Harmony-Central reviews, where it scored a remarkable 9.6 overall on 25 reviews, click here. Includes free gigbag or, if you prefer, a really nice Ibanez hardshell case for $65.
2000 Ibanez SR406 Soundgear 6-String Bass, (front/back), (headstock), (case). A great playing 6-string in one of the most popular bass series of all time. Ibanez Soundgear have stood the test of time and from my experience, they're the 2nd most popular basses, behind Fenders P and J basses. The higher end models like the SR406 have higher end features than the vintage style Fenders, having been designed in the 90's instead of 5 decades ago. Don't get me wrong, Fenders are fantastic basses but in terms of versatility, it's hard to beat Ibanez' active tone circuit with 3-band EQ, volume, mix, and DX6 pickups. This allows you to dial in a wide variety of tones to suit the song or compensate for the venue. Want the big bottom of a Precision - just boost the bass and cut the mids and highs; for a Jazz, boost the mids, etc. With its body of light American maple with a clear gloss finish, this looks like a bass player's bass. Add in a thin but very wide fretboard and deep cutaways and you have a neck that's very easy to get around on - from the first fret to the top. For a bunch of reviews, click here for Harmony-Central where it scored a 9 overall. This bass plays superbly, with action lower than many of the so-called boutique basses I've had. If you're thinking about moving up to a 6, you don't have to spend 4 paychecks to get a nice one. These ran around $900 new but this ones in nice shape and just $529 with a high quality Canadian wood/Tolex case (pictured above) or if you'd rather have a gigbag, just $489.
Ibanez Japan Soundgear SR800 Bass, (front/back), (headstock), 1991, first year for this model. Excellent Japan-made Soundgear built with superb quality and comfort. Features include Poplar body, IBZ B IV bridge, 24-fret fingerboard, and active electronics and good quality P/J pickups - IBZ DXP and DXJ - controlled by Volume, Blend, Bass Boost/Cut, Treble Boost/Cut. Ibanez' popular Soundgear line has been around since '87 and their nicer ones, such as this Japanese SR800, are the choice of many pro players, musicians who can afford to play any bass they choose. With the low impedance P/J combination and excellent sounding EQ, this bass can do the fat P-bass tone, the J-bass tone that jumps out of the mix, with great power and no noise. Overall beautiful condition with an excellent setup and quality tone and resonance. This was a fairly high end bass, with the last list price of $900. I consider it a pro quality bass for the price of a beginner/intermediate at just $399.
2004 Ibanez SRX-500 Passive, (front/back), (headstock), (pic4). Wonderful player and killer looks, and if you want a nice Soundgear bass but aren't a fan of active electronics or like to have a 3-way selector, this one has been changed over to passive with installation of three CTS pots (volume, volume, tone) a 3-way selector in place of the volume, volume, bass, treb. The stock pickups on these are passive so the only change was the circuit and I will add that these PFR (passive, full range) high output pickups are definitely quality pickups. Other features include basswood body with flamed maple top, 3-piece maple neck with rosewood fretboard, high-mass Accu-cast bridge, pearl fret markers, and medium frets. This bass has nice low action and the tone is remarkably nice for a bass in this price range. Overall extremely clean except for a few scratches on the back. Sells new for $479 but if you like passive electornics and a standard pickup selector, this one is made for your taste and just $329.
Ibanez AEB10 Acoustic/Electric Bass, very good quality import and a good quality bass for the money. The AEB10 features a slim neck, feedback resistant body, and high fidelity electronics - very well suited for live performance. It features all maple construction and a high-gloss black finish, Fishman Sonicore pickup Ibanez AEQ-SS Shape Shifter EQ, colorful abalone rosette, quality nut and Ivorez nut. List price is $499 and although this one is a factory second--although we can find any flaws--it's nicely discounted to $269, fully setup and ready to your unplugged gig. Nice TKL Acoustic Bass Case available for $65.
Ibanez Soundgear LEFTY SR300 Deluxe, mod. SR-300DX LH, very clean shape and an absolute killer player with very low action and excellent tone. The DX model features “Phat Bass Boost” circuitry and this lefty model lists for $450 on a new one. The clean used one probably plays better than factory setup and is a good deal for $199.
Ibanez Soundgear SR-305 Deluxe, excellent buy for the money - features active circuit with "Phat Boost" that works on either pickup and makes this thing sound huge. Quality touches such as brass inserts for the backplate, 9V battery access via control cavity held in place by a strong retainer, volume for each pickup and master tone plus the Phat Boost works on both of the DX5 Soapbar pickups. Good quality and versatility for the money - includes hardshell case for $359.
Jerry Jones "Neptune" Longhorn Bass, (front/back), (headstock) - In beautiful Copper Burst. The best Dano reproductions on the market. While the Korean models offer a good guitar for the money, Jerry Jones makes pro quality USA instruments in his Nashville TN shop. The Neptune Longhorn is based on the Danelectro model from the 50's and features excellent balance, superb playability, and fantastic tone in a 30" short-scale. It's light weight and 30" scale make it a dream to play during long gigs, and the tone is rich enough that you can use it throughout the night, rather than pulling it out for a few songs. Other features include hollowbody construction, Indian Rosewood fretboard with 14.5" radius, truss rod at the heel, quality Gotoh tuners, 4-way rotary pickup switching, Gotoh bridge with adjustable steel saddles and, most notably, Jerry Jones own lipstick tube pickups, widely acclaimed as the best lipsticks on the market. For all the info on the Neptune Series, click here for Jerry Jones' site. To quote Jerry, the Neptune has a "punchy percussive tone that can really cut through the mix. String this one with flat-wounds and leave your upright at home." Taking his advice, this one is strung up with a fresh set of nylon flatwounds and after playing it I can't imagine a better setup for this model for comfort and tone. You can order this bass direct from Jerry's site for $1150 (includes $100 for burst finish), or buy this immaculate used one for just $799.
Kubicki Factor-Style Custom Bass, (pic2), (pic3). I don't know anything about the history of this one other than what I can see and hear - very unique appearance, modeled, loosely, after an Factor bass with the elongated upper horn, very deep treble cutaway, and extra cutaway in the bridge area. It's a fantastic player with quality features (pic here) such as DiMarzio DP-127 P-bass pickups, Badass II bridge, and quality Ping tuners. Very comfortable unfinished neck with Ebony fretboard with perfect frets. Finish is a thin brushed finish that reminds me of Gibson's black finishes from the 80's - not perfect but a nice job overall. If you're looking for something truly unique that plays exceptionally well and sounds very good, I can easily recommend this one and at $399, it's around what you'll pay for a new Mex P-bass.
2005 Martin 00-16GTAE Bass, (pic2), (front/back), (headstock/neck), (case). Fun to play and nice tone, whether plugged in or sitting on the back porch. Features a comfortable & thin 00-size cutaway body with gloss finish solid Sitka spruce top, satin finished solid mahogany sides and back, Fishman Prefix Pro system, rosewood fingerboard with only side dots, 1.58" nut, 34" scale, body depth of 3-1/4" to 2-3/8", black body binding, black chrome tuners, and original green-lined tolex/wooden Martin case. If you're a bassist and don't have an acoustic/electric, I highly recommend this model. It's size makes it more fun to play than a deeper body but the tone is definitely as nice as many of the larger body models I've had. Online and superstores sell new at $1549 ($2099 list) but this bass appears to have seen zero playing time and set up to our high standards, for $1099
Michael Kelly Dragonfly 5-String Fretless Acoustic-Electric, (front/back), (side), (preamp), (headstock), (fretboard detail). A beautiful example of "guitars as art". The DF5-FL QN (Dragonfly 5 fretless quilted natural) is just sheer beauty from the natural-finished quilted maple, to the edge trim, of which are bound with multi-ply binding on top and back, and most notably the fretboard and headstock inlays. Reminiscent of various "tree of life" inlays, the DF5 features a "dragonfly" inlay that adorns the entire length of the fretboard, continuing on the headstock, and is painstakingly made of genuine pearl and abalone. Likewise, the wide soundhole rosette is made of genuine abalone. The all maple body features some of the nicest quilted maple you'll see and more than looks, gives the bass an improved attack and acoustic projection. Although you can play acoustically, the low string on acoustic 5's are notoriously unimpressive so it's better suited for plugged-in play and the DF5 has it covered with a Fishman active pre-amp and Fishman under-saddle pickup, which includes a side mounted 3 band EQ and volume control. This is a limited edition model, with 25 made per month in each color, and when they're gone, that's it. The run for quilted natural finish is long passed and it's usually the most desirable finish. Remarkably, these sell new for $599 ($860 list), which is less than the upcharge to get just pearl and abalone fretboard inlay on most guitars. This one has barely been played and offered in perfect condition. It is quite possibly the best looking acoustic bass I've ever seen and a good value in a full body acoustic/electric 5-string at $450.
OLP MM-2 Licensed Musicman Stingray, (pic2), features the Ernie Ball/Musicman trademark headstock, custom shaped neck and classic shaped body profiles - the feel and vibe of a Stingray - at a fraction of the price. Features Basswood body, North American Maple neck, Musicman style wide pickup, controlled by two volume and one tone controls. Nice playing bass with good assortment of tones (each side of the pickup has it's own volume) and super clean without a scratch. Offered stock as pictured for $199 with gigbag. We will also offer this with an EMG circuit upgrade - an EMG BTC preamp which is a stacked pot with bass boost and treble boost - the other two knobs will remain volume controls. Cost for the upgraded bass would be $299, which includes labor and the EMG preamp, which is a $92 list.
Peavey Milestone 5-String, (pic2). Note - this is the original Milestone series, don't confuse with the later Milestone II or III series. If you've been thinking of moving up to a 5-string but don't want to spend a fortune - here's the ticket. This Milestone is set up great, is in nice shape, and is an excellent quality bass for a great price. Very flat 8" fretboard radius, extended horns on the Poplar body for great balance in any position, dual single coil J-style pickups that are humbuckers when used in tandem, and lastly just a cool looking player's bass with a glossy blue metallic finish. Nice setup and ready to gig for just $229 with gigbag.
1981 Peavey T-60 Bass Parts - Please note that I have another one - just like the one pictured - that I'm parting out. Let me know if you need any T-60 parts.
1981 Rickenbacker 4001, (front/back), (headstock), (case). Serial UJ-3677, made in Oct '81. This is one of those genuine time-capsule pieces - many would probably rate it a 9.8 but when evaluating a 27-year-old bass, some favor a "vintage scale" but, regardless, it's easily a 9+ condition with virtually no player's wear. No buckle/button scratches, no fret wear, to finish chips, touch-ups, or any other issue. Thin nitro finish has a nice aged patina and typical "finish suck" where the finish has settled into the wood, but no real checking or other detractors and has the low-luster shine that these black Ricks take on. Slight tarnish to the nickel tuners that can easily be cleaned and some pitting on the output jack plate are the worst flaws. Excellent setup and classic Ricky tone favored by Chris Squire, McCartney, Lemmy, and countless others. Case is likewise in near pristine shape and has original sticker which can be used as a badge on the outside. Check gbase prices for '79 to '83 4001's and you'll see most in vg-ex cond at $2200-$2800, but why buy one in typically good shape when you can have investment quality for the same price or lower, just $2299.
Samick AB-1 Acoustic/Electric Bass, one of the new Greg Bennett designs and offers remarkable quality for a reasonable price, this one was a cosmetic second but it's easily in near mint condition - with a nice setup and good tone amplified or acoustically. Nato sides/back, select spruce top, rosewood board, die-cast tuners, passive electronics, Abalone soundhole rosette, soft-cornered bridge, high-gloss finish, several available at $199 . Nice TKL case available for $69.
Samick 5-String Bass, (pic 2). I haven't had time to look up model info on this bass but it plays great and this gold-leaf finish is fantastic. I had a Tom Anderson with this finish and it remains one of my favorite. Samick makes great guitars and basses and, in fact, they make probably 75% of the instruments in the world, although with many different names on the headstock. Excellent sounding with active electronics and 9v easily accessible via the backplate (pic here). One of the best playing 5's I've had for this price and a real bargain in the looks and tone department as well. Just $299(HOLD-Ray C 10/25) with gigbag.
2003 Spector NS4CRM Euro4 Quilt-top Bass, (front/back), (headstock), (case). Almost 1/2 Price Of A New One! I remember when we got in the first Spector basses at Hotlicks in the mid-80's and dreamed of one day owning such a fine bass. These were the first basses that I can remember that were designed ergonomically and conformed perfectly to the body, with a curved back and extremely rounded edges, with perfect balance and the narrow body is just super easy to get around on. At around $2K 20 years ago, all I could do was dream... Fast forward nearly 20 years and enter Spector's Euro series, which are finely crafted basses, now made in the Czech Republic. The look, feel, and tone are the same as the original NS4, but the price was much more accessible. The body is a Ned Steinberger design, with a very attractive quilted maple top, neck is graphite reinforced 3-piece maple and well rounded in back with 24 frets and 34" scale length, crown inlays look great and are true to the original NS4, gold-plated Schaller tuners and strap pins/strap locks, brass nut, high-mass brass bridge transfers the energy from the strings very well and overall this bass is very responsive, "real" EMG P/J combination with a simple control layout - Volume, Pickup Pan, Bass boost/cut, Treble boost/cut. Click here for a bunch of Harmony-Central reviews on the NS4CRFM, where it earned a 9.8 in features and sound, and a "10" for Stu's customer service, which has remained the best in the business since he's been in business. If you ever call Spector, chances are Stu will answer the phone and he always seems to have unlimited time to help. This bass sold for $1399 six years ago (orig. invoice) but are now running $1899 plus $164 if you want the case - well over $2K total. This bass appears to have seen very little use an is offered in near immaculate 9.8 condition, and almost $1000 less than a new Euro4 with case at just $1099.
Tacoma Thunderchief CB285C 5-String Acoustic/Electric Bass, (front/back), (headstock), (preamp), (sides), (case). We just got in a small shipment of Tacoma, labeled as "Used" to force non-competition and any warranty claims, but we've been over every square inch and these are all perfect in every way with no flaws or repairs. The only flaw anywhere is a "Used" stamp on the back of the headstock. Tacoma's high-end acoustic/electric bass, winner of numerous awards and the best sounding acoustic bass I've had. Both Martin and myself agreed that this bass sounds even better than a Taylor AB-series. Even the 5th string rings true, which I found extremely remarkable. A combination of superb tone, playability, and sheer killer looks, the CB285C features top quality tonewoods, and all are solid woods, even the insanely flamed maple sides and back. Features include gloss-finish body all over (top/back/sides) on jumbo body with solid spruce top and solid flamed maple sides and back; gone-piece satin-finished mahogany neck with ebony fretboard; ebony bridge; black Tacoma tuning machines; 34" scale; 4.875" body depth; 1 3/4" nut; inlaid pearl logo; offset paisley soundhole; tortoise shell binding; pearl dot inlays; compensated saddle; Graphtech tusq nut; "tone shaped" bridge; and perhaps the main contributor to the tone - the "voice support" bracing system. This one also features optional electronics with the Fishman Prefix Plus with a parametric mid-range controlled by the "Contour" knob in conjunction with the frequency slider that's variable from 250hz to 10KHz - plus a notch filter to tune out annoying frequencies, selectable down to 40Hz. List price as outfitted is $2465, street priced at $1849. If you don't mind a used stamp on the back of the headstock save a ton on this one - just $1099(SOLD-12/7) and includes deluxe hardshell case. Made in Tacoma, Wash. USA.
1996 Tobias Basic 5 Zebra, (close-up), (back), (headstock), (controls), (gloss finish), (case). Made in USA. A true world-class bass and a more high end bass than the current model Basic 5 with Zebrawood body and gloss finish, neither of which are available on recent models. This is one of the nicest playing 5's I've ever had and the obvious beauty is certainly a plus. It's also one of the best ergo dynamically designed basses ever made, it hangs perfectly, body size is slightly small with all edges well-rounded and cutaways provide easy access to the top frets. Beautiful woods composed of 5-piece maple/purpleheart neck-through a Zebrawood body finished in high gloss clear lacquer. Electronics are top-notch as well with a pair of Bartolini soapbar pickups controlled by Volume, Pan, Cut/Boost pots for Treb - Mid - Bass, and a 3-way mid-range switch for selecting the crucial mid-range frequency, choice of 250 Hz, 500 Hz or 1 Khz. Also features Dunlop Strap lock pins, Grover tuners, and the earlier style bridge. Overall very nice shape for a used bass, not mint but nice. One thing that is nice is the price. I don't know what a gloss finish Zebra Basic 5 would cost today, probably close to $4K if they still made it, but this super bass, capable of practically any tone you're looking for, is just $2100.
Washburn XB-100 Package, with Washburn case, excellent playing Washburns XB-100 bass in classic gloss black finish with Washburn case, strap, cable, and picks. Great package for the beginner - or even good enough for the accomplish player. Features solid Mahogany body, Maple neck, and Washburn 100-series P-style pickup that delivers big fat bottom, punchy mids, and is designed with an incredibly balanced feel to make it one comfortable playing machine. List price is $499 but these are just $199 while supplies last and unlike the superstores and auction sites, this one will arrive professionally setup to make it one of the most incredibly playing basses in this price range.
2003 Warwick Corvette Standard Fretless, (front/back), (headstock), (tailpiece/bridge). The real deal German-made model, not to be confused with their import Rock Bass series. For many, this is a bassist's dream bass with premium tonewoods throughout including a bubinga body, 3-piece ovangkol neck, and wenge fingerboard. This is a passive bass traditional tone and incredible punch through MEC "Dynamic Correction" J/J pickups, controlled by volume, blender, and tone. You can get a wide variety of tones from this simple passive system. Other features include an excellent quality Warwick bridge and tailpiece that's mounted directly to the body, plus easy-access control cavity (pic). List price on a new one is around $1799 but this used one is barely played, in beautiful condition with no discernable wear anywhere, and just $799. Includes quality gigbag.
Warwick Rock Bass Corvette, (pic2), (pic3). Excellent value in a Warwick as part of their import line. Marketed to rock players, with the string spacing, active electronics, and a fast neck feel that lets you play hard-driving, powerful bass. From a player's standpoint, it's extremely well balanced, easy to play, and loads of tonal options via the active preamp section. As with all Corvette Basses, it features quality MEC "Gold active single-coil pickups and 2-band active electronics, maple neck, rosewood fingerboard, and nickel frets. The body is alder with a transparent blue finish. This bass sells new online for $549 and is a pretty good bargain for a bass with these specs. Better still, this super clean used one for just $375.
2007 Yamaha RBX375 5-String Bass, (front/back), (headstock), (pickup/bridge). High end features in a nice playing 5-string. For years Yamaha has been synonymous with two things - Pianos and basses. For many decades they have built the best bang-for-the-buck basses, going back to the BB-series in the 70's, many of which are still being played today. The RBX375 is much more high tech than the old BB's, with active electronics, newly designed bridge, and high output ceramic hum canceling pickups, but with a list of only $579, this is a lot of bass. Features include: bi-level headstock, solid alder body, 24-fret neck, 2-band active EQ, master volume, and blend pot. One of my favorite design features, are the notches cut in the pickups, which make a perfect anchor point for the thumb, whether you're fingering close to the bridge or in the mid-body position. This is an excellent player in beautiful shape, and at $289, much more versatile than an import P or J-bass and less money. Highly recommended for anyone who wants to try out a 5-string, or any beginner/intermediate player who wants a good quality bass without spending a month's pay. I have a vintage BC Rich case (pic here) that fits well, 2 replaced latches but very serviceable, for $49 if desired, or inquire about other cases.
Yamaha BBN5 Bass, excellent quality import bass and an inexpensive way for bassists who are thinking of transitioning to a 5-string, $599 list on new but this one’s in nice shape and only $275.