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1.   Ahead “Virtual Guitar”, (controls), (accessories), click here for info, PC-based guitar and game and more.  Actually a well constructed unit, made in Canada, and built to last, unlike the very cheap Guitar Hero/Rockband models.  Uses around a 6" length of real strings (shown here) in the picking area, along with sensors in the fretboard.  Comes with everything you need to install and play via your PC, guy on the box is really rocking out which might indicates to me that this must really be fun to play, $35 (I have two of these in you want a pair) .  Note that the box is somewhat tattered but the unit itself is perfect.  
2. Andrew Olsen Zebrawood/Mahogany Venus HollowRim Custom, (front/back), (headstock), (detail) (more pics at link in text below).  Serial number 007, built for the same collector I got the other Venus Custom from last month.  True boutique guitars, Andrew Olsen builds each guitar to order, in very low numbers, with craftsmanship as fine as you'll see from any builder.  This model was commissioned by a local customer who has had four AO's built for him.  This one, serial 007, features beautiful zebrawood over a mahogany shell.  Rather than trying to explain the construction techniques, Olsen has this guitar on his site and you can see it in various stages of completion.  See pics at Olsen's site at this link with more info on options at this link.  Unlike the last AO I had, which was a solid body, this The Hollow Rim is totally hollow for that wonderful open voice, yet has no F-Holes to lead to feedback issues - plus Andrew leaves enough wood around the rim in both the belly cut and arm facet to keep the Hollow Rim as comfortable as possible.  The playability and tone of this guitar are clearly above any production guitar you'll play; the quality is evident from the moment you pick it up and hit your first note.  Superb sustain, very low action from the nut to the top fret, and remarkable sustain.  You'll notice that this guitar was ordered without switches.  For electronics, this guitar features custom-ordered Wolftone pickups with a straightforward dual volume, dual tone, and a 3-way.   For a guitar built of exotic woods, the hollow aspect keeps it lightweight and is well balanced when strapped on.  It has a hand-rubbed oil finish which enhances tone and a great feeling neck that feels very fast, even when you perspire.  The base price for the Venus is $1900 but with options such as hollow rim, exotic woods, etc., and it adds up into the high $2K's.  My other AO was put on layaways shortly after posting it but if you're looking for something truly unique and quite honestly one of the nicest guitars I've owned, I encourage you to jump on this one, at just $1599(HOLD-Tom L 5/7). 
3. Agile PS-100 PRS Copy, (front/back), (headstock).  The PS-100 is Agile's copy of a PRS Standard, with a similarly shaped body style and headstock, and other details such as the neck humbucker located against the butt of the neck and PRS style stoptail.   Fit and finish are perfect and this guitar has a setup that rivals guitars costing 3X the price.  Stock humbuckers sound good but we can upgrade if you want something a little more zippy.  Stock Grover tuners keep it in tune very well.  This guitar has seen little to no playing time and is in flawless condition.  One of the best set necks I've had at such a nice price, just $229.  
4. B.C. RICH ACOUSTIC - THE ULTIMATE GUITAR FOR THE B.C. RICH COLLECTOR:  (Bernie Sr's. Last Guitar), (pic2).  More pics and full description at this link:  www.chrisguitars.com/bernie.html.  Owned by Martin Miranda, my world-class tech, who was a close friend of Bernie and this was the last guitar that Bernie ever built, albeit not quite finished, and he was working on it the very day of his untimely passing.  Click the link for a full description and feel free to email Martin Miranda directly at the address on the page.  
5. B.C. Rich USA Mockingbird, (front/back), (headstock), (case).  Off-hold and now with a decent Rich case is this most excellent 1980’s USA model with cool and rare BlueSparkleBurst finish (close-up).  Hard to do it justice in the pics but the finish looks great, with tiny silver flake in it which gives the guitar a great appearance under stage lights.  Features a great sounding pair of EMG's, with the Zakk style EMG 81/85, top quality double-locking Kahler/Floyd Rose (pic) recessed into the body, Sperzel tuners, factory original no tremolo cavity cover (no screw holes), abalone dot inlays (may be replacements), nice player and killer tone.  Played but overall nice shape with no major flaws.  Good deal on a nice semi-vintage American Rich at just $575.  
6. B.C. Rich Kerry King King V with Kahler Tremolo - EMG-KFK Upgrade, (front/back), (headstock), (Kahler).  A killer metal axe with cool looks with Tribal graphics, Widow headstock, and beveled edges which catch light and give it a very 3D look on stage.  The main attraction of this axe, however, is one major upgrade in the tone dept. - a brand new EMG-KFK Kerry King set (pic here) which includes an EMG81, EMG85, and a PA2 20dB gain booster switch.  Now this guitar sounds as bad-ass as it looks.  Features include basswood body with bolt-on Canadian hard rock maple neck, die-cast Rich tuners, master volume and tone with 3-way selector (plus added boost switch), KKV inlay at the 12th fret, 24 jumbo frets, locking Floyd Rose style nut, excellent quality Kahler-X tremolo that's very similar to the older Kahler Pro.  Originally this model had two volume controls but one of them was sacrificed to make way for the boost switch.  You won't miss it.  This model sells new for $469 and the EMG-KFK is another $240 - and with $60 labor you're at $769.  It's offered in immaculate condition for just $539 and I'm adding a matching tribal graphic strap for free.  If you're going to be on the road and want some excellent protection, here's a nice Coffin Universal Extreme case (shown here), which sells new for $149 - for just $85 with the purchase of this guitar. 
7. B.C. Rich Style - Kramer factory - Custom-Made Lacewood Mockingbird, (pic2), (pic3).  This is of interest to collectors of one-off's or other custom guitars, with an interesting history and, more importantly, a fantastic guitar in beautiful shape.  One change to my initial description is a good thing - tremolo is a Kahler Steeler (Mod. 2760) that’s arguably better than the original Floyd rose (solid steel with “harmonically tuned” plate). These trems are highly sought after and sell for quite a bit on Ebay.   Description:  Hand-made by an ex-Kramer employee at the old factory for one of upstate NY's hottest female guitarists.  Built in the late 80's near the end of Kramer's glory days with all top shelf woods and components, most notable an absolutely superb slab of Lacewood over mahogany.  Not just an 1/4" veneer, this piece of Lacewood is as deep as the pickups and as shown (in this pic), encompassing the entire beveled area of the top (see arrows).  The neck joint is beveled to allow easier access on the treble side, plus the whole cutaway is contoured, again, making it easier to finger in the upper register.  Maple neck with rosewood board and mother of pearl diamond inlays.  Excellent tremolo system with a Floyd-licensed Schaller, double  locking, with a Floyd nut.  Pickups are Duncans (pic) with a JB in the bridge and Jazz in the neck.  With gold hardware including pickup rings, knobs, tip, etc. (pic).  Includes an older pink-lined hardshell case that fits well and has been with the guitar since new.  This is an extremely well made guitar and little expense was spared in building it.  Playability and tone are superb and it's every bit as good as any USA Rich you'll play.  It should appeal to anyone who's into locking trem guitars that rock with the best of them - but are beautiful as well.   For a hand-made guitar, this one's a bargain at $950, especially with a neat story that comes with it - "Kramer meets BC Rich".  
8. 2003 B.C. Rich Acrylic Series Warlock, (front/back), (headstock), (case).  These are cool - a transparent body made of Lucite, just like the old Ampeg's.  This transparent body looks great under stage lights but know that these are a little heavier than their wood counterparts so not recommended for the weak back player. Features include 2 BDSM humbuckers, Ice Acrylic body with a Maple neck, acrylic Widow-style headstock, rosewood fretboard, 24 jumbo frets, 25.5" scale, chrome hardware and sealed die-cast tuners.  Tonally, this guitar doesn't sound radically different from a wooden guitar and definitely handles high-gain amp settings with ease and the playability is excellent.  The two other latches hold it closed just fine.  If you're looking for something a little different, this one's in beautiful shape, barely played, and just $389(HOLD-Alex R 5/27).  If you need it, I have one of the top quality Rich cases (TKL made), custom fit for a Warlock and in very clean shape except the right latch is inoperable but should be an easy fix - only $39 with purchase of the Warlock. 
9. B.C. Rich NJ Neck-Thru Wave Quilt Top, (front/back), (headstock).  How low do you want to go?  Super low action, all the way to the 24th fret and an absolute killer imported Rich in their NJ Neck-Thru (pic) line, which offers some of the best non-bolt-on guitars for the money.  This one is immaculate and even better than new with the addition of a DiMarzio X2N bridge pickup.  Also features a good quality double-locking licensed Floyd Rose (pic) that stays in tune perfectly.  One oddity, especially considering it's a factory mod, is the output jack was obviously changed from a barrel type to a square plate (pic) and for some reason they didn't locate the square plate over the plugged barrel.  It's definitely factory as the finish bears, and doesn't affect performance.  Features include quilted maple top Wave body style with beveled edges, mahogany body with 5-piece maple/mahogany neck thru, Ebony fretboard, recessed licensed Floyd Rose trem, black hardware, Diamond inlays, matching quilted maple headstock veneer, thin profile neck with 24 jumbo frets, Controls are straight ahead and simple with volume controls for each pickup, master tone, and 3-way selector.  This guitar is in immaculate condition, plays better than anything you'll find in stores, and with the addition of the X2N, the tone is better than stock.  Especially considering it's a neck-thru, it's a whole lot of guitar for $425 and I'll guarantee you won't find a better playing Rich - of any series - than this Wave.    
10. Boutique Tele Thinline by Joseph Zackus previously of Washington DC, tree-of-life inlay, one of the best flamed chunky necks ever, bound top&back, Vanzandt pickups, gold hardware, I know very little about this builder other than he build guitars in very small numbers, selling at cost at $1400  

11. 2000 Brian Moore i2P, (front/back), (headstock), (piezo bridge).  Piezo/acoustic bridge, Duncans, Sperzels, and drop dead killer looks.  From Brian Moore's fantastic i2000 series, which in my humble opinion, are the best quality Korean imports from any manufacturer.  I've had around 10, including 4 different models, and every one was a beautifully made, exceptionally well-engineered guitar.  The i2P features, most strikingly, a truly stunning quilted maple top finished in cherry sunburst.  The top is not only carved, it's bent (shown here), from edge to edge, and the back is likewise contoured, making this an extremely comfortable guitar to play.  Features include highly figured maple top - either flame or the more desirable quilt such as this one, Seymour Duncan humbuckers with gold covers, set-neck design, ivoroid-bound top, single cutaway mahogany body, 2-piece set mahogany neck, ivoroid-bound 22-fret rosewood fingerboard, abalone dot inlays, 1-11/16" nut width, 24-3/4" scale, gold hardware, tune-o-matic bridge with piezo saddles for acoustic sounds (uses stereo cable), gold Sperzel locking tuners, and Moore's signature sculpted headstock.  One of the best setups you'll find on any guitar with extremely low action from the 1st to the top fret.  For full specs, click here for Brian Moore's site.  List price on this guitar is currently $1995 but this used one has barely been played and is an exceptional guitar for $850.  Includes your choice of super nice Brian Moore gigbag (pic here) or an aftermarket hardshell case.  

12. BRIAN MOORE i81:  New Brian Moore i-Series:  Most affordable model in the i-Series but an exceptional import in its own right.  Has the same Brian Moore signature looks including sculpted headstock, sleek contoured body, and unique rear output jack of the higher end models.  When BM went in search of factories to do their imports they did it right and the quality rivals many US makers in my opinion.  The i81 features bolt-on neck, mahogany body with beautifully bookmatched flamed maple top, classic "iM" Alnico humbuckers, and "iM" precision tuners.  All include a superb quality Brian Moore gigbag, etc.   These guitars will be shipped with optimum setup, better than your local store or online superstore.  

    • Charcoal flametop, List $595, Sale $325 (HOLD-one for ZACH 3/3)

    • Cinnamon flametop, List $595, Sale $325

    • Tuquoise flametop, List $595, Sale $325

13. Carvin DC-200, (front/back), (headstock).  Carvin remains one of the best buys on the USA guitars - especially on the used market.  They're quality is top-notch but as Carvin sells directly to the public there is no retail store to take a bite of the profit.  This one comes in a high gloss black finish with features that include neck-thru construction, dual Carvin humbuckers, Carvin/Wilkinson fulcrum tremolo, graphite nut, Sperzel locking tuners, Ebony fretboard with block inlays, active electronics with easy access battery door on back, indestructible stainless steel frets, and Schaller locking strap pins.  The electronics suite in this one include the normal 3-way selector plus mini switches for coil splitting and in/out phase for each pickup.  Excellent playability and endless choice of tones.  At $529, this is a great buy on a USA neck-thru guitar.  Includes free gigbag or substitute used a hardshell case available for $55.  
14. Charvel San Dimas Style Musikraft, (front/back), (headstock),  (case), (trem), (straplocks).  Top quality woods/electronics/hardware, superb tone and playability, and definite San Dimas vibe.  Body and neck are quality USA parts from Musikraft in NJ, who hare coming on strong as makers of some of the finest licensed parts on the scene today.  All of their parts are painstakingly hand-shaped after manufacture, to guarantee the utmost comfort and looks.  Body is Musikraft Strat spec and ONE-piece mahogany ($255), minimally routed for more wood thus the small volume pot route - around the size of a LP selector route.  Neck is Musikraft San Dimas Charvel spec quarter-sawn maple with skunk stripe and dual-acting truss rod adjustment at heel ($265) with wide 1 3/4" nut, medium C-shape, 25.5" scale, hand-shaped flat bottom bone nut, Dunlop 6000 super jumbo frets.  Tremolo is a vintage-style 6-point solid brass tremolo (purchased from Michael Charvel and built for Wayne Guitars by the original guy who machined brass back in the day), with screw-in arm and separate brass screw-on tip for arm ($150).  Tuners are Gotoh SG38 gold finish mini tuners ($45 from Warmoth).  Pickup is a custom shop Seymour Duncan "'78 Model" (shown here) which sold for $190 for the pickup alone.  The '78 is a faithful recreation of the legendary low-output, Alnico 2, PAF.-style humbucker that Seymour designed in 1978 for various high-profile artists he was working with at the time. It's built to order and this one features F-spacing, Alnico II magnets and a moderate 9K output.  It's a very sweet and warm, making this a perfect mate for the mahogany body.  Note that the pickup was originally installed with the pickup ring (included), but I think it's better mounted directly to the body without the ring, although 4 small holes are slightly visible with the ring un-installed.   It's currently set up with a new set of Thomastik-Infeld 11-53 gauge strings but we can change to any ga. of our SIT strings.  This guitar is in beautiful shape with the only notable slight flaw being a 1/4" indent on the top by the builder.  It also has two small holes where a locking nut was originally going to be installed.  It was later changed to a Floyd style retainer tree.  Frets are perfect and its seen very little playing time.  With the one piece solid mahogany with minimal routes - married to the Duncan '78, this guitar sounds huge.  It's warm and fat, and lends itself to almost any playing style.  You can build this guitar yourself for around $925 with these quality parts - or buy it with assembly and set up by a qualified tech - for less.  Just $699 for this killer axe with a new quality gigbag or add $100 for this 90's quality Tolex case (shown here).  
15. Charvel USA Standard San Dimas 1HB, (pic2), (pic3), (pic4).  Another fantastic USA San Dimas with one of the coolest necks around - the profile seems to get thinner as you go up the neck and around the 7th to 12th frets it seems skinnier than at the lower frets - just super comfortable and very easy to get around on.  You may remember the snakeskin graphic I had a few weeks ago and this one is less flashy, but it's every bit as fine a guitar.  One of the greatest necks of all time and more, the complete package, very reminiscent of the original early 80's Charvels on which this guitar was based.  The time was finally ripe for these guitars to come back, with vintage models climbing above the $5K mark, with a huge demand with virtually zero supply.  Charvel was originally a parts supply business, sort of the All-Parts of its era and starting in 1979 they started building their own guitars, essentially parts guitars from various suppliers.  Within a few years they had a thriving business, eventually joining Jackson as "Charvel/Jackson", with Charvel taking care of the bolt-on models and Jackson producing the neck-thru's.   The San Dimas NOS 1HB model features include Alder body, quarter-sawn Eastern hard rock maple neck with thin oil finish, early 80's pointed headstock, 1 11/16" nut width, 22 jumbo frets, 25.5" scale, compound neck radius, Seymour Duncan TB-14 Custom 5 Trembucker pickup, "NOS" brass tremolo and black hardware. These guitars are built to the same high quality specifications as the originals, including the famous "broken in" neck feel, with each being hand built using the finest wood, hardware, and pickups, to product a true Hot Rod Guitar at a truly affordable price.  Many NOS (New Old Stock) Charvel parts are used, along with the newest advances in parts technology.  It is, in fact, among the best playing guitars I've had with super low and even action - and the neck is the best feeling neck ever made, identical to the originals that I've played.  Offered in near immaculate condition with the only flaw being some finish had started to lift on the headstock (before pic - after pic) which has been repaired such that you can only see a faint line if viewed from an angle and barely noticeable from straight on.   List price for this guitar was $2099, with a street price of around $1550.   If you don't mind one barely noticeable flaw on an otherwise mint guitar, save big time on this beauty.  Just $1099.  Includes original G&G case, and vintage style trem arm with metal tip.  
16. 2008 Charvel So-Cal Style 1 2H, (front/back), (headstock), (Floyd/controls), (gigbag/acc.).  One of the great new models from Charvel USA, virtually unplayed, and a killer rock/metal axe in the Charvel tradition.  Part of the new "USA Production Model Series" with an official release date of July 15th '08 and they're termed Charvel "bumper to bumper", meaning they are tooled and built with the same specs as the originals including little touches like the recessed back plates.  The Standard color is black, with a new custom color each quarter.  Features include Alder Body with gloss finish and black matte pickguard, 1-Piece Maple Neck, DiMarzio Tone Zone and Evolution pickups, Compound Radius neck 12" to 16", wide neck - 1 11/16" at the nut, genuine Floyd Rose Tremolo - not a "licensed" or Floyd II, Grover Mini Tuners, black hardware.  Controls are simply a volume control, and 3-way selector.  To me, USA Charvels have always had one defining feature - the gunstock oil neck.  As soon as you run your hand down it, it feels like the neck you've been looking for your whole life - and it's just as friendly to sweaty palms as it doesn't "stick" the way lacquer does.  Click here for all specs on the new USA Production Series.  This model sells everywhere at $999.  I'm surprised Charvel didn't street these around $400 higher, which they certainly could have done, but I think they're selling at a marginal profit with the hopes that they'll make it up on quantity on this very affordable guitar.  The quality is top notch.  I've had other recent USA Charvels that sold for nearly twice the price and this one is every bit as good in fit&finish, playability, and tone.  It's a true bang for the buck winner, especially this "as new" example at just $799(HOLD-Joe C 4/22).   Includes Charvel deluxe gigbag, factory checklist, and factory sealed accessory bag with Dunlop strap locks, tools, trem arm, paperwork.  
17. 2008 Charvel USA San Dimas "Style 1" HH, (front/back), (headstock), (Floyd/neckplate), (gigbag/acc.).  The 1st custom color in this series, Candy Apple Red, offered in perfect condition, nearly unplayed, and a killer rock/metal axe in the Charvel tradition.  Part of the new "USA Production Model Series" with an official release date of July 15th '08 and they're termed Charvel "bumper to bumper", meaning they are tooled and built with the same specs as the originals including little touches like the recessed back plates.  The Standard color in this series is black, with this Candy Red being the first custom color, with a new custom color to follow each quarter - Candy Blue and Slime Green .  Features include Alder Body, 1-Piece Maple Neck, Seymour Duncan pickups with a JB bridge and '59 neck, Compound Radius neck 12" to 16", wide neck - 1 11/16" at the nut, genuine Floyd Rose Tremolo, Grover Mini Tuners, black hardware.  To me, USA Charvels have always had one defining feature - the gunstock oil neck.  As soon as you run your hand down it, it feels like the neck you've been looking for your whole life - and it's just as friendly to sweaty palms as it doesn't "stick" the way lacquer does.  Click here for all specs on the new USA Production Series.  This model sells everywhere at $999.  I'm surprised Charvel didn't street these around $400 higher, which they certainly could have done, but I think they're selling at a marginal profit with the hopes that they'll make it up on quantity on this very affordable guitar.  The quality is top notch.  I've had other recent USA Charvels that sold for nearly twice the price and this one is every bit as good in fit & finish, playability, and tone.  It's a true bang for the buck winner, especially this mint example at just $799(HOLD-David W 2/13).   Includes Charvel deluxe gigbag, factory checklist, and factory sealed accessory bag with Dunlop strap locks, tools, trem arm, paperwork. 
18. Charvel Charvette 150, 1990, features a nice sounding set of pickups with a Charvel Ceramic Plus in the bridge and a Carvel high-gain single coil size stacked humbucker in the neck.  These are high output pickups but the tone isn't at all harsh to my ears.  Also has a Floyd-licensed tremolo system with fine tuners.  Has one mod that bears mentioning - someone removed the locking nut and replaced with a plastic cover.  Not necessarily a bad thing unless you like to do dive bombs.  Overall this guitar is in very nice shape with a near perfect finish that shines like new.  Frets are near perfect and it has an excellent setup.  Compare this to the Chinese guitars you can get for $200 today and this is an excellent value at $175.  
19. Collings City Limits Deluxe, (front/back), (headstock), (case).  Some of you will remember a pair of Collings I-35 models I had a year or so ago.  That model introduced Collings into the electric guitar market and what an introduction.  They were the finest semi-hollowbody guitars I had ever played.  Following closely on the heels of the highly acclaimed I-35, Collings released their solidbody model, the City Limits.  Like the I-35, it may loosely resemble other classic styles but the resemblance is merely in the body profile - the quality is far above any other single-cut maple/mahogany model I've had.  A few features are truly innovative, starting with the back (pic here) and the neck joint which is much easier to work around than a vintage style - plus comfort cut in the lower waist as well as the bass lower bout, which makes it extremely comfortable to play, whether standing or sitting.  Little expense was spared in building this guitar.  Fine tonewoods like Brazilian rosewood, perfectly figured and carved maple, and top notch hardware and electronics.  Features include Premium flamed maple with fully carved top, solid mahogany body, grained ivoroid top binding, high gloss lacquer finish, custom Jason Lollar humbuckers, Tone-Pro bridge and tailpiece, custom-made grained ivoroid knobs and pickup rings, 22-fret ivoroid bound mahogany neck, Brazilian rosewood fingerboard, Mother-of-pearl dot fingerboard inlays, 24 7/8" scale length, Ivoroid bound peghead, Brazilian rosewood peghead veneer, Mother-of-pearl Collings logo, Sperzel vintage tuners with ivoroid buttons, and Deluxe hardshell case.  Collings offers this model with fancier inlays and bound neck, as well as a regular City Limits without the grained ivoroid features.  As outfitted, this CL Deluxe lists for $5300 and sells for $4769 new.  This one is dead mint and priced $1K less, just $3769 will make you one happy picker and the envy of all your buddies.  Click here for Collings info.
20. Unique Mahogany Body Style Custom Made Strat Head, (pic2).  For the player who wants something truly unique...this is a one-off Custom made guitar.  Very unique looks, top-notch parts, and quality woods.  The body style is a cross between a Les Paul Single Cutaway, although with a much rounder upper bout and deep & pointy cutaway - while the lower bout is something straight out of the builder's imagination - there really isn't a comparison that I'm aware of.  The neck appears to be custom built as well and is perfectly straight, featuring a rosewood board and Strat headstock.  Please note that we relocated the string tree to the traditional position and plugged the small hole where it is located in the pics.  Excellent electronics all around with a cool blend of Fender, Les Paul, and acoustic.  Pickups are a DiMarzio DP-181 Fast Track in the bridge, Gibson PAF in the neck, and a Fishman HS100P piezo bridge for acoustic tones.  Switches are 3-way selector for the magnetic pickups on the upper bout, 3-way mini-toggle near the knobs to select magnetic - magnetic and piezo - piezo alone.  Control knobs are master volume, master tone, and Piezo volume (white knob).  Body is one-piece mahogany (end view) which yields a very warm and full tone.  Control cavity is shielded, neatly wired, and contains the circuit board for the Fishman system and 9V battery (pic here).  Output jack is conveniently located out of the way, in the cutout area at the end of the body which also features a bird in flight Abalone inlay (pic here).  This is a great playing guitar and should appeal to players who want a lot of versatility but, especially, want to strap on something that's truly unique and a hand-built one-of-a-kind instrument with top quality components.  Very cool piece for $750.  
21. Daisy Rock Debutante Short Scale, (front/back), (headstock), (case).   I just got in a few of these for the holidays.  If you've got a young player, not quite ready for a full scale instrument, but you want to buy a *real* guitar rather than a toy at the department store, this is an excellent choice.  The quality is equally on par with Fender's Squier series with good quality electronics and hardware and after Martin does his magic on them, they set-up with very comfortable action, which is imperative for beginners.  If a guitar is difficult to play, it's not going to get played.  At 22.5" scale length (distance from bridge to the nut), it's 2"-3" shorter than a full scale, just enough to make it easy to get around on but nothing that they're going to grow out of in a few months.  With a list price of $249, in my opinion this is an excellent buy on a "real" guitar at just $149 which includes a pro setup prior to shipping.  Comes in pink with white accents.  
22. Daisy Rock Tom Boy,  (front/back), (headstock), (thin, rounded heel).  Never retailed, unplayed, immaculate.  Don't let the name fool you.  Daisy Rocks were originally aimed for the "girl" market but there's particularly girlish about this guitar.  The Tom Boy closely resembles a Tele Custom in style and function with a traditional Tele pickup and bridge plate plus a PAF style humbucker in the neck.  This model has more sonic versatility though as both are humbuckers with single coil capability, each with a slider switches for choice of humbucker, single coil, or off.  Pickups are very good quality Duncan Designed Alnico humbuckers.  Other features include a thin and lightweight agathis body, maple neck and fretboard, 24-3/4" (Gibson scale) with a slightly narrow neck make it easier for smaller hands to get around on.  Also features string-thru body construction, Grover tuners, plus dual volume controls and master tone.  These pickups do a good job with a wide range of tones, from crunchy and heavy to clean and twangy.  With a list of $499 the Tom Boy sells in stores for $349.  This one's new, old stock, and set up better than factory for just $279.  
23. Danelectro '59 DC, (front/back), (headstock).  "Kool Kopper" finish.  Reissue of a true American classic guitar.  Even touring pro's who can afford any guitar they want frequently have one of these in their rack, ready to make an appearance 4-5 times per show.  I've seen Clapton use this model as well as Dave Matthews just recently and, of course, Jimmy Page was probably the pro most associated with the '59 DC.  I get in loads of '56 U-2's but rarely one of these, for reasons I can't explain, but since it's been discontinued I rarely get in any 59DC models.  Specs are much the same as they were back in the 50's with a Hardboard (aka Masonite) top and bottom with plywood frame, Hard maple neck with rosewood fingerboard, 25” scale, 21 frets, taped "binding" around the body, chrome bridge with rosewood saddle, headstock painted to match body, stacked pots for individual volume and tone controls with 3-way selector, "lipstick" pickups - brass tube w/chrome plating with original formula 50’s style Alnico magnets.  This is one of the later models with the improved "D" tuners, although it's pre-"Pro" model. I don't know why Dano saw fit to "improve" upon this model with the '59 DC Pro but from what I can tell the '59 Pro is a cheaper model and, in fact, less of a "pro" guitar.  With the newer "Pro", gone are the stacked knobs in favor of a master volume and tone and the rosewood bridge, which gave it much of it's feel and tone is gone, replaced by regular old stamped metal saddles.  If you missed this model during it's production in the late 90's/early 00's - and a "Pro" just doesn't cut it - here's a chance to get one that's near immaculate 9.9 condition with a simply killer setup - for $399 with gigbag.
24. 2004 Danelectro '56 U-2 - Upgraded, (front/back), (headstock), (bridge/controls).  Finished in desirable Limo Black and features a few upgrades including excellent quality Gotoh tuners, metal saddles that are individually adjustable instead of the wood block, and a piezo pickup controlled by a mini 3-way switch (piezo only, piezo and lipstick pickups, lipstick pickups only).  The single coil lipstick pickups are controlled by the regular 3-way switch with stacked volume/tone knobs to give full control to both pickups.  The piezo system isn't really an acoustic tone, but it does add a lot of body to the sound, especially in the middle position, when combined with the magnetic pickups.  I last had this guitar around 3 years ago and it appears as though it was unplayed since it was last in my hands.  Finish has all the luster of a new model and frets are perfect.  These Dano's are every bit as good as the original 50's Dano/Silvertone models and one of the best values on the market.  Nothing sounds like them and once Martin gets a hold of them, nothing plays like them.  His setups on Dano's is simply incredible.  If you're looking for a great U-2, with some very smart upgrades, this one is only $50 more than market price on a stock one.  $349.  
25. Danelectro '56 U-2 in dark blue, Blue Suede, getting harder to come by since Dano discontinued all their guitars a few years ago (they're now making one model only).  Player's love these, even if only to pull them out for one or two songs per set.  But they set up flawlessly, are feather weight, and, hey, nothing sounds like these vintage lipstick pickups.  Stacked knobs give you volume and tone on each pickup plus the usual 3-way selector.  Very clean shape with barely a mark, and just a little discoloration on the tape binding.  Pro setup and ready to rock for $299.    
26. Danelectro '56 U-2, cool reissue of the famed 50's model and in Limo Black this one's just like Jimmy Page's (if you don't count the number of cutaways).  Incredible player with low action all the way up the neck and some of the coolest tones you'll ever coax out of a budget guitar.  They haven't made this model for over 2 years and they're going up but this one's in nice shape and still just $299.    
27. 2006 Dean USA Hardtail , (front/back), (headstock), (side), (keyring), (case).  Simply gorgeous figured maple that looks great from any direction - from top - bottom - or either side.  Dean called this one a quilt but I call it wide flame.  Either way, it's gorgeous.  This guitar is absolutely perfect, never retailed and unplayed condition.  I get in just about every higher end production guitars made and this is, without a doubt, one of the finest production guitars made - with looks, tone, and playability as good as it gets.   This guitar has one of the best acoustics tones I've ever heard from a solidbody electric.  The Hardtail was the first guitar designed by Dean Zelinsky after his 12-year hiatus from Dean, with 3 years in the making, finally debuting at the 2001 NAMM show.  Dean uses only the finest tonewoods - hand-selected mahogany with the highest quality figured maple, as well a fine Ebony fingerboard, wood binding, quartersawn neck, Abalone inlays on fretboard as well as headstock logo and model, nickel hardware with Grover tuners - Tonepros bridge -  and Duncan pickups.  Very nice weight and extremely comfortable to play.  For full specs see Dean's Site here.  If you're a fan of PRS this guitar should appeal to you - the vibe is similar and the quality is as good or better.  Current list price on this guitar is $3850 and this one is in unplayed condition - at way under 50% off, just $1750 and one of the best tops you'll see on this model.  Includes excellent quality formfit Dean case.
28. Dean Razorback V Standard - NOS - Black or Candy Apple Red, (front/back), (headstock/V neck profile).  Personally designed by the late, great Dimebag Darrell in 2004 before his untimely passing.  By this year Dimebag had returned to Dean and had begun work on several signature models with this Razorback V being one of his final contributions.  It cuts a figure much like the time-tested Flying V, only more dangerous looking with a few more jagged edges and actually more comfortable with the addition to sleek body bevels.  The Razorback V features a mahogany neck and body, a rosewood fretboard with a super flat 16" radius, and a very comfortably contoured neck heel (shown here) which allows very easy access to the upper frets.  Pickups are a Seymour Duncan Dimebucker pickup at the bridge with a Dean humbucker in the neck with the edges taped down, Dimebag style.   The neck is a radical departure from rock/metal axes, traditionally outfitted with a very thin profile.  The neck on this model is quite substantial, with a rounded-V profile that feels a lot like a '56 Strat.  Quality hardware with Grover tuners and a recessed, double-locking licensed Floyd Rose tremolo (pickups/trem) keeps it in tune perfectly.  Controls are straight ahead 3-way selector with master tone and volume, with easy grip circles on the volume.  With a list of $1550, these were selling for $999 but I have a few in stock, never retailed, first quality, and perfect, for 55% off list, $697.  With a pro in-house setup, these guitars are an incredible value for the money.   Includes Dean hardshell case and comes in gloss black finish or Candy Apple Red metallic.  
29. Dean Dimebag Far Beyond Driven Tribute ML, an incredible guitar that's a fitting tribute to the late Dimebag Darrell, with excellent quality and top-notch features including flame maple top, a mahogany body with a set-in mahogany neck, a Floyd Rose licensed tremolo bridge system, and the classic Dean Series II V headstock with a screened collage of Dimebag. Other features include a rosewood fingerboard, cream body and neck binding, a vintage Brazilliaburst finish, Dimebag Traction knobs, a Dimebag Quad image sticker on the body, and a Dimebucker Treble pickup (bridge position).  Killer setup, killer tone, a super axe all around.  For complete details, check out Dean's Site.  Between Dean and Washburn there have been a lot of Dimebag models released and it's somewhat confusing to many customers.  Having had most of them I can attest that the best of the lot are the Korean set-neck models, and that this is the best of the lot.  Even the case is superior, with a very heavy Canadian Hardshell Case rather than the newer&cheaper lightweight Chinese case.   List price on new is $1539, selling everywhere for $999, but this one was collector owned and offered in mint condition for just $699.
30. Dean Baby ML,  (front/back), (headstock).  Now offered at lower price with stock pickups installed.  Ultra-cool ML looks in a "fun-size" scaled down body - but don't get it wrong, it's a full scale and the tone is huge.  The ML is a cool guitar because it has unique looks but is still very well balanced for such a radical body.  The edges are nicely contoured, an improvement over the Explorer, V, and other radical shapes, and it utilizes strings-thru-body which is an tonal improvement over a stop bar and tuneomatic.   Cosmetically, no player's wear but you can see the remnants of "System of a Down" (pic) on the back side and a Wylde sticker on front (we can probably remove if desired).  Dean makes some good quality imports and this is a good example of good playing guitar at a modest price.  Very cool axe for just $199.
31. 1998 Dean USA Chrome Custom ML Showpiece, (pic2), (pic3), (pic4).  Here's one for the collection - one of a kind Dean USA ML with aircraft aluminum.  This is the very guitar featured on page 4 of the 1998 Dean catalog, which is included with the guitar (catalog pic).  Aluminum body was bolted together with recessed bolts, thus no control cavity on back, every piece is chromed and polished, one of a kind fretboard inlays, mahogany neck, original V headstock, Seymour Duncan Pearly Gates pickups, construction supervised by Ben Chafin, only one ever built.  Please note that this guitar is impossible to photograph properly and you'll see many things in the finish that aren't there.  In person, it's dead mint and beautiful.  Let's face it, this guitar is aimed at the collector, to the 5% of the buying public for which rarity, uniqueness, and condition mean everything.  To be the only one in the world with this model guitar; that sums it up nicely.  Not one of 50; one of 12, one of 5.  With the collector in mind, it's in all probability, the heaviest guitar I've had tipping the scales at around 19 lbs.  I had a 70's Les Paul Custom once that was around 14 but this eclipses that record.  It's actually a good sounding guitar with excellent resonance but for most of us is going to be more comfortable to play while seated.  Original price was around $6K and this is the find of the year for a Dean collector, nicely priced at just $3000.  Includes Dean case, catalog, and certificate (picture).  
32. Dean USA Bel Aire, (pic2), 1983, in very cool Silverburst.  Shape isn't as radical as most Deans from that era but the quality is definitely there.  Features HSS pickup configuration, nicely flamed maple neck, and 3+3 Dean headstock.  Cosmetically, has some finish touch ups on the edges but top is nice and overall very presentable.  Highly recommend for anyone with a Silverburst collection or just a good gigging guitar for less than an arm&leg.  $450.  
33. 2005 Dean Black Gold V,  (front/back), (headstock).  An upscale take on the classic Flying V accented by a flamed maple top in transparent black, gold hardware, and binding on all edges.  The Black Gold V utilizes the tried and tested maple top over a mahogany body to provide warmth and sustain, with a nice "snap" on the attack.  Also contributing to the sustain is the set-neck construction and strings-thru-body design.  Cosmetic features include multi-layer binding to the body and headstock, bound neck, pearl block inlays with "Black Gold" at the 12th fret, and fully covered (no pole holes) humbuckers.  Also noteworthy, this beauty hits the scales at under 7 lbs., which makes it a pleasure to play for long sets.  Setup is low and comfortable and these high-output humbuckers sound great.  Offered in pristine condition - plastic film is still on the pickups - and could be sold as new.  These sell for $649 in the stores, with a $999 list, but this one is perfect and a killer deal on a V with these features for just $499.  
34. Denyle Walnut & Maple Single Cut, (front/back), (headstock), (back/neck joint), (pickups).  Very unique guitar in terms of looks and design, totally hand-crafted in USA in very low numbers.  I think this builder has only made a handful of guitars and the hand-built aspect is very obvious, definitely no CNC machines used on this guitar.  The body shape is unique, sort of a highly exaggerated Tele style, except with rounded edges.  It features a center second of quilted maple, with mahogany wings, with a set-in poplar neck with ironwood fretboard.  Pickups are a Gibson humbucker in the bridge, with a P100 stacked P90 style in the neck.  A striking headstock, which combined with the billowy body, bring to mind Prince's Cloud guitar, or something of that ilk, in fact I think this guitar would look great with an off-white or yellow finish.  Tuners are Grovers.  This guitar is the very one pictured on Denyle's site (4th one down) and you'll notice it had a different tailpiece at one time (more factory pics).  Some time before it got to me the unusual tailpiece and bridge were changed to a stop bar/tuneomatic. If you look closely you'll see telltale signs of the earlier hardware but it's not very noticeable.  If you're looking for something truly unique and appreciate the quaintness of a small builder, this one is priced around 1/2 of the original price at $850.  
35. Electra Les Paul Custom with Burstbucker, (pic2), (pic3).  Low action fans note - this thing plays itself.  Gibson LP Customs are among the best playing guitars made; I've found that, universally, they set up better than LP Standards, other Gibsons, or just about any other brand made.  This Japan-made Electra plays like a Gibson LP Custom, cut low at the nut for low action at the first fret, and since it has an excellent neck, the action stays low all the way up.  Somebody loved this guitar enough to invest $115 in a Gibson Burstbucker (pic here) and although the stock neck pickup sounds good - it really shines when using the bridge pickup.  Some nice features including w-b-w-b-w-b body binding, vintage style double-ring tulip tuner buttons, multi-ply headstock binding, neck binding, pearloid logo, and some great looking pearloid fretboard inlays (pictured here).  I'm not sure how to date this era Electra but the "Fan" headstock and features probably make it an early 80's model.  Cosmetically, the top is nice, back has it's share of scratches so if you're into cosmetics I would pass on this one.  For a player though, it's an exceptional playing Paul and with the Burstbucker you get some great tone - all for $350 with gigbag.  Note also:  We change the neck pickup to another Gibson $75, labor included and/or add pickup covers at $10/each.  
36. Ernie Ball Musicman SUB 1, (front/back), (headstock). Lightweight 7.8 lbs.  Musicman quality at an affordable price.  Basically a stripped down version of a Silhouette Special, the defining feature of the SUB is a textured finish is cheaper to produce, one of the primary reasons that these fine USA SUB's are such a good bargain.  Features include solid poplar body, diamond plate pickguard, locking tuners, satin finished neck and headstock, single Musicman humbucker with volume and tone controls, signature Musicman 4/2 tuners/headstock, and vintage style tremolo.  This single humbucker model appeals to players who only use one tone, who feel extra pickups just get in the way.  Also features the locking tuners that go with the trem-equipped models.  25.5" scale with a 10" radius and a nicely rounded neck profile that Musicman is noted for - feels great in the palm.  This guitar is immaculate, very lightweight, and an excellent value in a well made American guitar at $450.  Includes free gigbag or used Fender/other case optional at $59. 
37. 1999 Ernie Ball Musicman Axis Sport Limited Edition, (Case).  Extremely rare factory "Gravity Games" graphic with only 16 made as grand prizes in conjunction with the event (link-press release).  These Axis guitars have the same feel as the old EVH models, nicely rounded in back - easy to get your hands around - and a very thin sealer coat that's as slick as glass but without the thick lacquer that deadens the sustain and gains friction when your hand sweats.  Very nice birdseye maple neck with locking tuners, EBMM tremolo, and 100% Axis Sport specs except for the graphic.  All original and overall condition is a beautiful 9.5+ with a few miniscule impressions but no scratches or actual player's wear.   Like most EBMM's, this guitar has a great neck that sets up perfectly - low action with no fret outs during bends.  Simply a killer guitar to play.  Priced lower than before and with the case now included, a smoking deal on a great guitar for the player or collector at $799. 
38. Fernandes Vertigo - upgraded, (pic2), These are cool guitars in the vein of the Baretta with just a single humbucker and a volume control.  Every now and then we get in an inexpensive guitar that sets up so well that I feel it would be an injustice to sell it with a cheap stock pickups and tuners.  Such was the case with this one.  Overall exceptional condition with the exception of one small finish chip that we paint matched and filled (pic here) - and we upgraded it (upgrade pics) with a set of Gibson Kluson tuners and a new DiMarzio PAF Pro DP-151.  The result is a guitar that's good enough for the pro musician who wants a killer player with nice tone and one that stays in tune.  All this for just $299.  
39. Fender Tele Copy - SX Traditional Series Tele Style, (front/back), (headstock).  The few SX "Traditional Series", I've had have been very good guitars for very modest money, and this Tele style is a good example.  I was told this was Lacewood but it doesn't have the characteristic look like my BC Rich Lacewood (pic here) so I'm not sure what to call the wood.  It is, however, an attractive grain and very lightweight at just 7.4 lbs.  This one is "as new", with plastic still on the pickguard and pickups.  For looks, vintage vibe, and quality tone, it's hard to beat this for the price.  With a pro setup prior to shipping, an excellent value at just $145.
40. Floyd Rose Discovery DST1-R w/accessories, (pic2), 2004, new-old-stock, these cool Floyd guitars now come in an affordable, quality-made import model.  They use the same unique patented Speed-Loader system.  Features the new Floyd Rose Speedloader tremolo bridge, 3 high-output single coils, Basswood body, and the cool, low-mass headstock that's constructed largely of "air".  The best thing about the Speedloader system is string changes can be done in less than a minute - it's truly a no-brainer easy job.  For specs on this bridge, click here.  These guitars are very well constructed as you'd expect with anything that Floyd would put his name on - with excellent setup and quality tone.  These are $399 everywhere for the guitar alone but this one includes genuine Floyd Rose accessories including gigbag, strap, picks, cable, and tools for just $389 - plus a pro-setup that's better than factory.   
41. Floyd Rose Discovery DSF2-BK w/accessories, (pic2), 2004, new-old-stock, same basic design as the DST-1 above except in a non-tremolo model with the Speedloader Fixed Bridge with dual hot humbuckers.  For bridge specs, click here.  These are $399 everywhere for the guitar alone but this one includes genuine Floyd Rose accessories including gigbag, strap, picks, cable, and tools for just $389 - plus a pro-setup that's better than factory.   
42. Gibson set-neck SG Style:  Fender Squier Set-Neck S-73, as new, excellent Korean model with an eye toward the SG.  The Squier S-73 is a double cutaway solid mahogany guitar with a set mahogany neck. The rosewood fingerboard has jumbo nickel silver frets and newly designed block inlays, and a 24 3/4" scale length. This guitar features two Seymour-Duncan designed humbuckers.  List price on new is $726.99 but this one is dead mint with plastic still on the pickguard and back plate and ships in original factory box for just $325.
43. 1991 G&L SC-3, (front/back), (headstock), (bridge/MFD pickups).  Excellent condition and an excellent player.  Nothing like the rarity of the SC-1 above, but a fine G&L in its own right.  The SC-3 was the evolution of Leo's original Stratocaster with a number of refinements along the way.  Features maple body with 3-bolt maple neck and rosewood fretboard - a dark & nicely figured fretboard on this one.  Other features include 2-point G&L fulcrum tremolo, locking Sperzel tuners, Magnetic Field Design pickups with adjustable pole pieces mounted on black pickguard with volume, tone, and 5-way selector.  This one is also very light for an SC-3 at 7.6 lbs.  From what I read specs called for matching headstock on this model from '86 onward so this one, with an unpainted headstock would seem to be rare, unless they had different spec's for SC-3's in black.  For complete specs and info on this, the 3rd version SC-3, click here for ggjaguar.  This is an exceptional Strat-style guitar, with a quality that just feels significantly higher than Fender's American Standard from the same era.  Body and neck both dated May '91 and appears to be 100% original and, again, very clean condition.  Includes original trem arm and aftermarket hardshell case.  I just looked around the web and saw another nice '91 SC-3...for $1799...whoa...  While that may be a tad high, compare this to a Fender from the same era - this is a better guitar for about the same price, just $699.  
44. G&L Asat Classic Pickup and Bridge, NOTE:  Parts only - removed when new so mint condition.  Includes pickup with cloth wires, 6 brass saddles, and bridge.  Impossible to find on the used market but this mint set is here and just $85.
45. 2007 G&L Asat Classic Bluesboy Semi-Hollow Tribute, (front/back), (headstock), (bridge), (Deluxe Gigbag).   I consider G&L's Tribute series the best quality traditional guitars (i.e. guitars with their roots in the 50's/60's), on the market today.  Although other manufacturers produce some good quality imports, they compromise on hardware and electronics.  The only exception I can think of are Japan-made Fender and Epi Elitist, but these are guitars that cost almost as much as their USA counterparts.  G&L's Tribute series, on the other hand, use the same USA hardware and electronics as their American lines.  Quality parts alone mean little without quality control on the overall product and the Tribute series has that under control as well.  In my opinion, these guitars are 85% as nice as the USA models at under 50% of the price.  The G&L Tribute ASAT Classic Bluesboy, with a semi-hollow, toneful swamp ash body, is a serious blues guitar, but can cut it with any style other than metal.  Features USA parts including a Seymour Duncan Seth Lover humbucker in neck position with a traditional size G&L Magnetic Field Design single coil in Bridge position.  This humbucker with a Tele bridge is a favorite of legends such as Keith Richards and Albert Collins.  Also features quality locking tuners and a G&L boxed bridge with six brass saddles for improved intonation.  Other features include Lightweight Swamp Ash body with twin Voice Chambers with "F"  hole, Hard Rock Maple with Maple fingerboard, 7.5" vintage neck radius, 1 5/8" nut width, and traditional T-style control plate with 3-way, volume, and tone.  This is a remarkable guitar at its price point.  At $749 street price ($1079  list), it has all the quality electronics and hardware you'd want to upgrade on most imports.  This one is in flawless condition and one nice playing, excellent sounding Thinline and a sweet Tele style for just $559.  Includes G&L gigbag, one of the best gigbags on the market.    
46. 1998 G&L ASAT Special with Rio Grande's, (front/back), (headstock/neck), (case/acc).  Special order with G&L tremolo, large neck, locking tuners, and best of all, just a killer look with Blue Metal Flake finish and mirror pickguard.  Stock pickups on this model were G&L soapbars, which are good pickups but this one has been upgraded with a *great* pickups with a pair of Rio Grande Asat pickups.  In addition to tone and looks, this thing plays like a monster and if you're a fan of chunky neck, this one is just huge, with a baseball bat soft-V shape reminiscent of a mid-50's Fender.  Has seen very little playing time and offered in exceptional condition and after Martin did some of his magic, it's one killer player.  For some of you Tele fanatics, this is the ultimate Tele style, especially if you're looking for a little flash to go along with your twang.  With options such as metal flake finish ($400), G&L tremolo ($100), graphite nut ($30), matching headstock ($150), Schaller locking tuners ($50) and mirror pickguard ($50) this guitar has $720 in options alone, which makes it is a smoking deal on a higher end Asat for just $1199.  Includes G&L Case.  9.2 lbs.
47. Godin G4000, USA, excellent tone via humbucker and two singles, Schaller deluxe tremolo block, Grover tuners, nice trans-blue finish on a body that’s somewhat reminiscent of a Jaguar, excellent player and nice tone, the G-Series Godins are excellent quality and when you buy used they’re perhaps the best bargains on the market, $275    
48. Godin Solidac Leaftop 2 Voice -  with Acoustic Bridge Tranducer in "Light Burst", 2002.  (pic2), Fantastic acoustic/electric that combines the sound of magnetic pickups with a quality Baggs transducer system for acoustic sounds.  Has the versatility of a humbucker-single-humbucker pickup configuration along with a transducer-equipped tremolo bridge.  Individual outputs for the magnetics and the bridge, with the bridge output doubling as a mix out for both signals when used alone.  There is an internal preamp voiced to provide excellent acoustic sound when used with any full range system and it produces very good acoustic tone even when plugged into a regular guitar amp.  These are exception guitars for the money and provides the same hand-finished quality that is a standard feature in every Godin.  Wide and flat fretboard that's 1 11/16" at the nut with a 16" radius.  Quality locking tuners.  These sell on the web for $699 with gigbag but this one is perfect, includes quality Godin hardshell case that fits like a glove, and is $150 less at $550.  If you' haven't tried Godin for a stage guitar, you're missing out.  Incredible features, looks, and versatility at a killer price. 
49. Godin Radiator, USA made from Canadian parts, cool vibe, cool tone, nice playability, nice axe and very near mint for $275(HOLD-Pierrig 6/8)
50. Godin SD HSS, 2004, assembled in the USA from parts hand-crafted in Canada, nice sounding Godin pickups, excellent playability with a fast 24-fret neck, good selection of single coil and humbucker tones via 5-way selector.  Very clean with no scratches except on pickguard and no fret wear.  One of the best quality guitars in this price range, $259(Sold - Keith K 4/28) with a nice gigbag or $275 with hardshell case.  
51. 2008 Grosh Bent Top Custom, (close-up), (headstock), (front/back), (3/4), (case), (specs).  One-owner, collector-owned, and unplayed since new.  One of the most visually appealing quilted maple tops you'll find and looks aside, Grosh makes some of the finest instruments that I've ever played.  Whether it's a traditional Alder body Strat or a more tricked out beauty like this, Grosh guitars are in a class by themselves.  The ultimate in playability, superb tone, and incredible sustain.  Grosh builds guitars in very low numbers - this one's serial 2004 - and the close attention to detail is obvious.  Features include one-piece mahogany body with bookmatched quilted maple cap, matching quilted maple headstock, maple neck with satin lacquer finish and Indian rosewood fretboard, medium/large roundback neck profile, 10" fretboard radius, 6150 medium frets, Abalone dot inlays, 23.75" (Gibson) scale, Grosh/Gotoh vintage 1088 tremolo, vintage style *locking* Kluson tuners, Fralin pickups (Unbucker neck and bridge with Vintage Hot middle), controls are 5-way selector - volume - tone - blender - with a push/pull coil tap.  Includes Certificate and paperwork, trem arm with chrome and black tip, and a velvet lined G&G vintage case.  For around the price of a base-model Alder custom shop Strat, this guitar is truly hand-made and a better guitar.  Just $2499 for this unplayed beauty.  
52. 1982 Guild X-82 Nova, (front/back), (headstock/neck), (1982 Catalog Specs), (case).  Insanely light - 6 1/2 lbs!!!  Update:  last owner called this finish Holoflake, rather than Black Sparkle, which would make this a rare guitar among a rare series.  It may look like silver flake and black on quick inspection, but under bright lights you can see that it actually reflects red, green, blue, and yellow sparkles as shown here.  During this era many makers were coming out with radical body shapes, ready made for the metal scene which was just starting to blow up.  This 3-pointed body style somewhat resembles an Explorer and shares the same all-mahogany construction, but the body of the X-82 is somewhat scaled down and is very lightweight for a mahogany guitar.  Other features include a 24-fret neck, 24 3/4" scale, ebony fretboard, Guild XR-7 humbuckers, Guild SP-6 tailpiece and adjusto-matic bridge, 3+3 headstock with inlaid logo, set-neck construction, and bound body.  The smaller body size, nice weight and deep treble cutaway, as well as the easy bends on the Gibson scale combine to make this a very fun guitar to play and the XR-7 pickups, which were designed for Guild by DiMarzio, sound great and the high output makes them especially well-suited for rock guitar.  It has apparently seen very little use and is in very tidy condition, especially considering it's 26 years old.  Just some very minor rubs on some of the points but overall, exceptionally clean for a vintage guitar.  For the collector of mid-line vintage - or the Guild collector who wants one of the harder-to-find 80's electrics, this is a very nice piece for $1050.  Includes original dark brown form-fit case.  
53. Greco "Device" Jackson Strat Copy, 1985, (pic2), a shredder's dream guitar with action so low it makes you laugh like a small child.  Excellent Japan model that was made for Japan distribution and not imported from what I find.  Cool color, Salmon Pink, which was a Fender custom color back in the 60's.  The body (pic here) is a dead knockoff of a San Dimas era Jackson with an identical small control plate and identical contours.  Features real Kahler tremolo and superb sounding pickups (pic3).  I don't know what model the pickups are but they're Duncan style with large pole pieces and a brass band around the sides if that helps to identify them.  All three pickups sound great.  Controls and knob layout is Jackson all the way, with volume and tone mounted straight across, with three 3-way mini-toggles (one for each pickup) to select humbucker-single-or off.  Bound 24-fret neck feels great and is thinner at the nut that most metal axes.  Also features black hardware, Grover tuners, and football output jack which is another Jackson touch.  I would hold this guitar up against any USA made during this time and, trust me, the action is as low as it gets.  It's in extremely clean, collector's condition, with no flaws of note.  A sweet metal axe that's a rare find in the USA, for $499.   Free gigbag or take a form-fitting Charvel chainsaw case for $35 with 3 of 4 latches intact.  
54. Gretsch G6122-12 Country Classic 12-String, (front/back), (headstock), (case/acc).   Never retailed, offered unplayed and immaculate.  I've never had one of these before and I wasn't even aware that they had made a Gent 12 until a few months ago.   The Country Classic 12 is an update of their most popular Country Gentleman design, with that classic 12-string jingle-jangle sound that helped definite the 60's by such group as the Byrds.  As one of Gretsch's Professional series, this guitar is very well made and is likely a better guitar than Gretsch made back in the 60's.  The Country Classic 12 is a hollowbody double cutaway with all-maple construction, including arched laminated maple top with dual faux f-holes, maple sides and back, and 2-piece maple neck. Other features include dual Filter'Tron pickups, 3-way pickup switching, Volume 1, Volume 2, and Master Volume controls, 3-position toggle Master Tone switch, Standby switch, ebony fingerboard with neo-classic MOP side thumbnail markers, ebony-based 12-string Adjusto-Matic bridge, Gretsch G-Cutout Tailpiece, Gold hardware, and Grover Rotomatic tuners. Specs include 24.6" scale length, body is 17" wide and 2" deep, 1-11/16" nut width, 12" fingerboard radius, and 22 frets (plus zero fret).   This guitar plays very nicely with low action and a nice light touch for a 12.  Unplayed, first quality Gretsch and with a list price of $3075, nicely priced at $1850.  Includes Gretsch case, all paperwork, and ships in original box.  
55. 2007 Gretsch G6121-1955 Chet Atkins Solid Body, (front/back), (headstock), (leather trim).  "As new" condition.  Now that Gretsch has the Chet Atkins name again they've revamped almost their entire line.  This Chet Atkins Solidbody is one of the new models.  Loaded with Gretsch Western vibe, from the iconic "G" brand, to the cactus and steer inlays, to the leather studded binding - everything you love about the original 6120 in a solid body form.  Features include semi-hollow mahogany body, arched laminated maple top, 1-piece mahogany neck, 22 fret rosewood fingerboard  with aged inlays of wide-block pearl cactus, steer heads & fences, 1-11/16" nut width, 24.6" scale, Western style tooled leather side-body trim accented with aged furniture tacks, "G" brand on body, inlaid aged pearloid steer head & Gretsch logo on headstock, 2 DynaSonic single coil pickups, 3-way toggle switch, 2 volume, 1 tone & master volume controls, arrow knobs, Bigsby B3GBVN tremolo tailpiece, Grover vintage style Sta-Tite tuners, Bigsby compensated bridge, and gold hardware.  Sells on line for $2500 ($3575 list) but this one is flawless, new in the box condition with a killer setup for just $1950.  Includes vintage style Gretsch case, also with western trim, with velvet lining and Gretsch banner inside, as certificate, tags, manuals, etc. 
56. Gretsch G1627 Syncromatic Sparkle Jet with F-Hole, NEW, in very cool Blue Sparkle, similar to the Silver Jet but with F-hole to add retro looks and feather weight, Gretsch vibe and tone at a fraction of the price, in the Gretsch tradition you’ll find the pickup selector on the upper bout plus a master volume on the lower bout, excellent player with a pair of quality sounding Gretsch single coils, pro setup and ready to gig, never retailed and mint, with a list of $540 you can add this to your stage arsenal for only $279.
57. 2002 Hamer USA Newport (Model "NEW"), (front/back), (headstock), (case).  Another fine American Hamer archtop.  The Newport debuted in 1999 as a traditional hollow body guitar with a hand-carved solid Spruce top with dual  f-holes Honduras Mahogany neck and body.  I'm not sure what the finish is called, or if it was a standard finish in '02 but it's like a Vintage Orange transparent except it has metal flake which is more apparent under different lighting conditions (close-up of finish here).  Features of this fine guitar include Seymour Duncan "Phat Cat" single coils which have the footprint of a humbucker but are actually P90's, arched top made of 5/8" hand-carved spruce, dual F-holes, Mahogany body with 17.6" lower bout and single ply Ivoroid binding, Bigsby tailpiece, Mahogany neck with vintage rounded profile .900" to .960" thickness, Rosewood fingerboard with 14.5" radius, Hamer wide oval frets, 24 3/4" scale, and 1.65" nut width.  Although Tonepro's bridges weren't stock in '02, this one has been upgraded with a Tonepro's System II bridge, as well as Grover Imperial pearloid buttons.  The Newport retails for $3800 and sells at discount for $2999.  This one is in flawless condition in an extremely cool finish and priced $1000 less.  Just $1999(HOLD 5/11) for this beauty.  
58. 1996 Hamer USA Studio - Dark Burst aka GATSSO, (front/back), (headstock).  I'm getting more and more Hamer fans, converts if you will.  Players who know that Hamer continues to build guitars they way the "other" company *used* to build them.  A company can only rest on laurels for so long and then people start to seek out alternatives when they're not finding the same quality in newer guitars that they found on the vintage models.  Okay, that's my recurring editorial, but I've  been saying for many years that Hamer has built its reputation by building, in essence, copy guitars that are better than the guitars they are patterned after.  These fine Studio's, have their roots in the late 70's Hamer Specials and are essentially Les Paul DC Plus models, designed 15 years before Gibson "introduced" that model.  '96 was the first year for the tuneomatic bridge with stop tail, replacing the wraparound tailpiece.  Features include a thick maple cap over hand-crafted Honduras Mahogany body with the bookmatched Flamed Maple top is meticulously finished with 14 layers of hand-buffed lacquer, oversized dovetail joint connects a 3-piece Mahogany neck with a quarter-sawn Rosewood fingerboard, Hamer/Schaller tuners, Dunlop locking strap pins, gold hardware, and a pair of Seymour Duncan '59 pickups.  One of my favorite features is the deep cutaways and zero neck heel (shown here) which makes playing the 22nd fret as easy as the 12th.  The flame on this one is truly beautiful, perfectly bookmatched and consistent side to side, all the way up into the cutaways.   Current list price on the USA Studio is $3600, selling in stores for $2520.  Buy used and save - this guitar is in immaculate condition with insanely low action, superb sustain, and player's priced at $950 with a brand new TKL Canadian case (shown here).    
59. 1996 Hamer USA Artist (Studio) GATASO, (front/back), (headstock).  A real stunner in Honey finish - solid maple top with beautiful flame (top) in beautiful condition.  The Artist Studio features an offset double cutaway mahogany body with sound chamber, carved bookmatched solid maple top, mahogany neck, single f-hole, 22-fret neck, Wilkinson hardtail wraparound bridge, Schaller tuners, and a great pair of pickups - Seymour Duncan Seth Lovers.  Extremely clean condition with the worst flaw being a little milky clear coat on the edge of the fretboard, which is a common flaw on Hamers but overall a solid 9.  List on a new Artist Studio is $3300, street priced at over $2300, which makes this a pretty good value at $1350.  Includes Hamer case. 
60. 2001 Hamer USA Artist Custom,  (front/back), (headstock), (case).  Stunning Artist model with upgraded quilt top (another pic).  Hamer made their name building classic Gibson styles but soon they started incorporating some unique characteristics such as their Artist model with semi-hollow design and single F-hole.  I believe Hamer calls this finish Aztec Gold, which is sort of an Amber/Orange mix.  Although it's roughly a Les Paul double-cut  in appearance, this model was marketed to compete with ES-335 style guitars and with the Seth Lover humbuckers and chambered body with F-hole, like a 335, the tone lends itself to many different styles, from rock to jazz to blues.  Features include labor-intensive hand-carved maple top, precision routed semi-solid Honduran Mahogany body, 14 coats of hand-buffed lacquer, bound body, bound neck with Crown fretboard inlays, Dunlop locking strap pins, and Schaller hardware.  This is one of the nicest tops I've had on a Hamer, close to some I've had on Artist Ultimate (see my "electrics" page).  Barely played and offered without any notable flaws.  With a new Artist Custom  going for around $2600 ($3700 list) - not including optional upgraded top - you can own this beauty for $1K less, just $SOLD.  
61. 1999 Hamer USA Artist Mahogany HB, (pic2), (pic3).  Another great example of Hamer's fine craftsmanship.  Whether building solidbody LP styles such as the Studio's I posted 2 weeks ago, or hand-crafted semi-hollowbody's such as this Artist, Hamer is clearly one of the finest USA guitars today, with prices comparable to companies who are rushing production and selling guitars strictly on their old reputation.  Hamer still builds them the way they always built them, namely with strict quality control to ensure that only quality products leave their factory.  The Artist Mahogany features a semi-hollowbody archtop crafted of quality Honduras Mahogany with excellent sustain and a warm, round tone, accented by a pair of Seymour Duncan '59 pickups.  The neck set, as always, is perfect, allowing a beautiful setup with low action all the way up the neck.  This model sells new for $2K but this one is collector-approved mint condition, imminently playable, and only $1399.  Includes very tidy original case.  
62. Hamer Special Slammer, just your basic all-mahogany guitar but, man, what an incredible player.  Very thin profile neck with low action at the nut - all the way up the neck.  I've been playing this guitar for a few days and I hate to let it go.  Unique neck joint where the neck fits in like a set neck, but is actually a bolt on.  Good sounding humbuckers and overall excellent condition.  Best playing guitar I have in stock for under $350 and just $199.  
63. 2007 Hamer Sunburst Archtop P90 Goldtop, (front/back), (headstock).  One of the newest in Hamer's quality XT (Xtreme) import line, that features the time tested Mahogany/P90 combination.  Officially known as the "Sunburst" Archtop P90, it's somewhat of a misnomer since this model only comes as a goldtop--sunburst finish is not an option.  Modeled after Hamer USA’s popular double-cutaway Studio model, the Sunburst Archtop model offers great looks and excellent playability at an affordable price.  Sunburst Archtop P90 features the classic maple top over a Mahogany body with a set-in Maple neck capped with a Rosewood fingerboard and dot inlays.  Other features include sealed Hamer tuners, tuneomatic bridge with stopbar tailpiece, side barrel output jack, and deep cutaway with short heel that allow easy access to the top frets.  This model is Hamer's first import that features P90's.  This model lists for $469 and it's a lot of guitar for the money.  This one's in flawless, unplayed, condition, and with a quality setup and tone, an excellent choice for a P90 set-neck at just $269. 
64. 2008 Jackson DK2M Dinky - Black, (front/back), (headstock), (low-profile Floyd), (Dinky scoops).  Never retailed and immaculate.  Fairly new model from Jackson, with superb Japanese craftsmanship. The DK2M Dinky features a maple fretboard with contrasting black sharktooth inlays and the slightly smaller 7/8 size Dinky body. One of the most important features on this model are a pair of quality Seymour Duncan humbuckers with a JB (TB4) in the bridge; and a Jazz (SH2N) in the neck. The rock maple neck is bound and uses Jackson's compound-radius maple fretboard that goes from a flat 12" at the nut - to an even flatter 16" at the top. It also features Dinky's scalloped cutaway on top and scalloped heel on back, to make playing the upper frets a breeze. Tremolo is also top notch with Jackson's Floyd Rose-licensed low-profile double-locking system that is impervious to dive bombs and 3-fret up-pulls. Other features include: Alder body, bolt-on maple neck with scar joint headstock, black binding on neck and headstock, 25-1/2" scale, 24 jumbo frets, Black Delrin fin position inlays, 1.6875" nut width, black hardware, and 3-position blade pickup switch with master volume and master tone.  The setup on these guitars is great, comparable to the DK-1 and it's one fine guitar for blazing lead work.  With a list of $1149, which is almost in the Korean range, and a street price of $799, this one is flawless and unplayed, set up to perfection, and just $539.
65. 2008 Jackson DK2M Dinky - Candy Apple Red.  Never retailed and immaculate.  All features and specs are the same as the black model above.  With a list of $1149, which is almost in the Korean range, and a street price of $799, this one is flawless and unplayed, set up to perfection, and just $539.  
66. Jay Turser JT-55 SG Special Copy, (pic2), (pic3), (pic4).  Here's excellent proof that you don't have to spend $500 to get a superb playing guitar with quality tone.  When this came in it was a mediocre player, probably stock factory setup but with a little tweaking and we've got this one playing as nice as most of comparable Gibson models I've had.  I thought about putting some DiMarzio's in here but after playing it for over an hour, I really don't see the benefit.  These stock soapbars sound excellent.  Notes ring true with none of the "ghost" notes you sometimes get on high gain settings.  Nice lightweight feel, Abalone dot inlays and headstock inlay, good quality hardware, and perfect high gloss black finish.  At $239 this would be a good value for any type of guitar but for a set-neck model, that's truly a remarkable deal on a guitar that plays and sounds this nice. 
67. 1960's Kay SG Copy, (pic2), (pic3), (close-up).  From the electric guitar boom in the 60's when copies of Gibson and Fender were flooding the country like locusts.  Many of them, such as this Kay, did a pretty good job of copying the look if you don't look to closely, but upon closer inspection you'll easily see that they aren't particularly nice instruments.  Other makers, such as Ibanez, were building very good quality guitars during the timeframe, guitars that had the look AND quality.  With a plywood body and multi-laminate neck, this guitar wasn't built for the accomplished guitarist and while it's not a killer player the tone is actually pretty cool and these "wide-slice toaster" pickups have a unique tone and even if you don't make this your #1 player, the pickups and Bigsby style tremolo and Gretsch-inspired roller bridge are worth the money if you want to build your own project guitar.  A quick look around the web indicates that this is a higher end model compared to this "K-1" which is a single pickup model without the tremolo, unbound neck, dot inlays, no white trim on headstock, and single piece pickguard.   This guitar had a badly cracked control plate pickguard but Brian hand cut a new one out of single ply plastic and it fits perfectly and looks good.  The other pickguard with the Kay logo is original and intact.  This isn't the greatest neck ever made and because of that it's only going to be a fair player with medium action and buzzing in spot - or we can set up with high action and no buzz.  Want to play slide?  No problems there.  Overall condition is good with the top being much cleaner than the back.   If you look at the woods, hardware and electronics, you'll see similarities between this Kay and certain Teisco, Kent, and others.  A single factory in Japan would crank out 100's per day, and would be branded appropriately.  If you're a collector of off-the-wall guitars, it's right up your alley and while prices on many of the obscure Japan models have gone way up, this one is still very affordable at $175 and, again, worth it in parts alone in my opinion.  
68. Jon Kammerer "Iris Special Edition", (pic2).  All Kammerer's are rare but this one is #2 of only 2 made of this model - the result of a joint project with GuitarX that fell apart after the 2nd one.  Completely hand-made and the difference in a hand-made guitar will strike you as soon as you pick it up.  Absolutely incredible attention to detail and Jon's construction techniques are very innovative, yielding a very comfortable and tunefull guitar.  Super thin body - but a nice thick piece of flamed maple on top - Neck is superior to most anything out there and no scarf joints or finger joints here - one piece my man.  If you're unfamiliar with this maker, check out his site here:  http://www.jonkammererguitars.com/.   A current, similar model, without the Ltd. Ed. factor and the inlay, retails for $3250, discounted to $2250.  If you want one of the best hand made guitars I've played in a long, long time, buy this one, for just $1599.  
69. 1986 Kramer Baretta, (front/back), (headstock/neck), (neckplate/sidejack), (extra saddles), (Kramer Case).  Beautiful Baretta from the Kramer American series, in white, one of the more desirable colors for this model since EVH/Kramer ad campaign where he was inevitably holding a white one (as shown here).  Body is super clean with no buckle scratches, pick scratches, etc. and has a beautiful shine.  Only flaws are a few light finish impressions and a few lines in the finish from typical "finish suck" on a 23-year-old guitar.  Hardware is very clean including original Floyd Rose and Schaller tuners.  This one also comes with a set of Graphtec saddles installed but the original ones are fine, in clean shape, and are included in the case.  Picture of the barrel jack shown above since some of these on the market are converted Focus bodies but the square output jack on the Focus makes that a dead giveaway.  Baretta's are one of the most popular collectables from the hair metal era, thanks in large part to Eddie Van Halen's endorsement and stage use for many years, and they continue to rise in price and I'm paying now what they sold for a few years ago.  This one is still very affordable and an extremely clean Baretta for $650(HOLD-Jim F).  Includes a Kramer hardshell case, not as clean as the guitar but not rough.
70. 1986 Kramer American Pacer Custom, (front/back), (headstock), (pickups), (Floyd).  Here's one for the player looking for a nice playing vintage Kramer, with loads of actual playing time on it.  Finished in Flip-Flop blue, which looks blue, purple, or even red, depending on lighting and angle, with the surface mounted (non-recessed) Floyd Rose that allows for around two half-steps of up-pull.  Features include individual pickup selectors which allow for any combination of pickups, original Schaller tuners, Floyd Rose locking nut, Allen key holder on headstock, slanted bridge humbucker and single coils in neck and middle.  Chrome covers have been added to the middle and neck which looks cool but we can remove them at your discretion.  This guitar is not recommended for anyone concerned with cosmetics, as there are plenty of dings on front and back as well as some finish chips on the back edge (shown here), buckle wear, etc..  The back of the neck is worn nicely, with a bare wood feel and that worn look that you get from a 1000 hours of playing time.  This is a guitar that has fulfilled its design - it has been played.  If you've ever noticed, good guitars tend to get played and many lame guitars find their way into collections where they remain pristine for decades.  With the benefit of a nice refret job, however, this guitar still plays wonderfully and it's good to go for another decade before it needs any work.  There aren't any structural issues such as cracks to the body or neck; 100% sound.  Tonally, this guitar sounds great.  Bridge pickup has been replaced with a DiMarzio Super Distortion - neck and middle are original Seymour Duncan Vintage Staggered.  This guitar is worth more in parts than as a whole guitar but a good playing '86'-89 is hard to come by so it's offered for the player - at the player's price - just $399 and includes one of the nice "pleather" Kramer gigbags.  Note:  If you're looking an 80's Kramer, except in near pristine condition, check out the '87 F-6000 (pic here) I posted a few days ago for the same price.  
71. 1982/3 Kramer Floyd Rose Signature, (front/back), (headstock), (tuners/strap pins), (Schaller pu's), (Floyd Rose).  Fairly rare model from Kramer, in common red stain finish, commemorating the significant contribution Floyd made to the incredible success of the young Kramer company.  I don't know if Floyd designed this himself, I have a feeling he did, but it's basically a Pacer Imperial with a different body.  Overall pretty nice vintage shape cosmetically with only one area through the finish (on back of neck), all other flaws are in the clear coat only and not through to the wood - worst flaws are shown here.  There is also some wear on the edge of the fretboard as well as a few finish check lines.  This guitar came in with horrible action and intermittent electronics.  Again, Martin did his magic and turned this into a shredder's dream.  The action is insanely low, with just a hint of string buzz audible only acoustically, or we can raise to factory specs if that's your preference without any buzz.  I wouldn't touch a thing since right now this guitar seems like it plays itself.  The neck isn't one of the thinner ones that appeared in '84 or so, but fairly substantial.  Other features include:  Classic (chicken beak) headstock with Floyd Rose signature logo, original model non-recessed Floyd Rose tremolo and locking nut, Schaller humbuckers with 2 volume and master tone, gold Gotoh tuners with rounded buttons (aka "San Dimas" tuner) and straight mounted set screws, and brass "large head" strap pins.  This guitar appears all original, with the exception of missing one of the back plates (repro's available at minimal cost).   This is sort of an oddball guitar in the Kramer line but it's small body and light weight make it a joy to play.  It's not clean enough for collectors of near mint examples for others, a killer player in nice vintage condition.  These are hard to come by - first one I've had in 5 years - and a quality real American Kramer for $679.  I got this without a case or bag but will include a free gigbag or a used hardshell case for $59.  
72. Kramer Focus 3000, (front/back), (headstock).  Almost identical to one that sold last month; very cool ESP-made Kramer.  Players who know about these guitars don't let the Focus name scare them. They're quality Japan-made Kramers - just like the "Kramer Americans" that followed a few years later.  Unlike the ones a year or two earlier that features a Floyd Rose without fine tuners (what a fiasco), Floyd had it nailed by the time this one was built and with the addition of fine tuners, the "Original" Floyd  made it's debut.  This double-locking Floyd Rose is the same model found on the Pacer series from this era and became the standard by which all other locking tremolos were measured.  This one's in very clean shape (as shown here) and works great.   These are good sounding pickups, some of the best you'll find on an import, controlled by a 5-way blade and mini-toggle to split the bridge humbucker.  You get anything from Strat tones to fat metal tones and it sounds very good on every setting.  Nice shape, with a killer setup and every bit as good as the "Kramer Americans" (where were ESP Japan guitars) which followed.  Priced at $429 with original Kramer case.  If preferred, we can substitute an "Kramer American" pointy headstock neck for $175 more, with trade of old neck covering the labor and set up. 
73. Les Paul Copy by Karera , nicely flamed maple top, set neck design and a very cool sculpted heel that allows easier access than any other LP I've played.  Gold hardware, good sounding humbuckers, and absolutely new condition with protective film still on the plastic and a nice playing guitar for $199. 
74. OLP MM-1, (front/back), (headstock).  Red Metallic - perfect condition.  These MM-1's are a super value in my opinion and licensed by Musicman, the OLP MM-1 has the look and feel of the EVH or Axis at around 1/8th  the price.  Great feeling natural neck with a very rounded profile and custom contoured radius – fans of Axis, Wolfgang., and EVH models will find it immediately familiar  4+2  tuners on matching headstock, good sounding humbuckers that are mounted right to the body, and vintage tremolo.  I think OLP's license with Musicman has ended; they've definitely discontinued this model though.   This one is in perfect shape, set up to super playability that's better than factory, and excellent value in an EVH style at just $179
75. 1977 Ovation Viper, (pic2), this are very cool guitars and one of the best values in vintage USA solid bodies.  The Viper is one of Ovation's less radical solidbodies, coming from the company that produced whack-o models like the Breadwinner and Deacon.  The Viper is loosely based on a Les Paul style, featuring a single cutaway, large mass Schaller bridge with brass saddles, huge radio-type knobs, and a pair of single coil pickups, with the bridge pole pieces in a stair-step pattern.   This one also has a very nicely flamed maple neck (headstock&fretboard).  This guitar has seen its share of playing time with normal player's wear plus a worn area on the arm area on the front, plus pickguard has a piece glued on (both pictured here) but it does include a new pickguard that you can install if desired.   Again, the Viper is one of the best values in an extremely well built American guitar, perfect for the player who's looking for his/her own signature tone and look.  Good player with cool tone and at $575, a good deal on a 30-year old USA guitar.  Includes original Ovation case in rough shape. 
76. ca. 1964 Panaramic Triple-Cutaway, (front/back), (headstock, 3-pc neck, low action), (bridge, pickup, 3rd cutaway).  Very near museum condition - Italian design at its best.  It's been a while since I've had any cool old Italian guitars in stock, other than a few vintage Vox's which are in a different category altogether.  Vox rose to great fame through some major artist endorsements, such as Paul Revere and the Raiders, appearing daily on "Where the Action Is".  While Vox may have stolen the limelight, there were many other Italian brands, which never got the publicity they deserved.  Guitars such as this Panaramic, made by the Crucianelli accordion company, which also made guitars bearing the Vox, Elli-Sound, Elite, Tonemaster, etc., are very well crafted with quality components and, inevitably, feature some cool innovation and/or pure wackiness.   This guitar sounds great, looks as cool as any Fender surf guitar from this era, and the setup in absolutely incredible with remarkably low action and a excellent neck.  One of the quality features of this guitar is the neck joint, which is so tight fitting it looks more like a set neck, as if you could remove the screws and it would stay in place.  A precision fit like this is an indication of the overall quality craftsmanship on this guitar.  Controls are simple on/off sliders for "All, Treble, Bass, Off" with a master volume and master tone.  Good quality nickel tuners with nickel buttons and treble clef engraved on the back, zero fret, 21 fret neck, near immaculate sunburst finish that is close to Fender's Sienna Sunburst, with a transparent yellow finish in the middle, with brown on the edge - neck and headstock have the same sunburst finish, bound neck, bound headstock, raised metal logo over headstock veneer.   Overall this guitar is exceptionally clean, especially for 40+ years with around 4 major check lines on the back and a few smaller ones on front, but in terms of actual player's wear this guitar looks like it was played for a month or two after the Beatles first appearance on Ed Sullivan - and then put away in a closet, where it stayed until last week.  Remarkably, this guitar has action that rivals any high-end guitar you'll find, with a perfectly straight neck, obviously, that will sustain this type of setup.   Fetishguitars.com has some great info on vintage Italian guitars such as this Panaramic (link to identical model), with loads more info including this page (click here) dedicated to similar triple-cutaway models built under Panaramic, Ellis Sound, Crucianelli, etc. definitely worth bookmarking it. This guitar is obviously of interest to collector's of Italian or European vintage guitars but I could see a player making this their main stage guitar and to that end you would definitely break out from the masses of Fenders, Gibson, and their clones.  Fabulous guitar in all regards, better than nearly any Vox I've ever had, but priced less.  Just $599 for this beauty.  
77. 2007 Parker Fly Mojo Single Cut Flame, (front/back), (headstock), (case).  Newest model from Parker with the first new Parker shape since the Fly with mahogany body and set mahogany neck.  Parker's unique multi-finger joint and carbon-glass back provide superior sustain, extremely light weight and phenomenal strength.  Carbon-glass fretboard and stainless steel frets for superb playability and frets that are nearly impervious to wear.  While this body is a departure from the Fly, it's still a very lightweight guitar and has a similar belly contour, nicely recessed around the neck joint, with the same scooped out treble horn.  Other features include a stunning maple top with nice, wide flame, finished in Dark Cherryburst, Sperzel locking tuners, Seymour Duncan pickups with a JB (bridge) and Jazz (neck), TonePros bridge, 3-way switching with push/pull pot for coil splitting, dual volume - master tone, 10" to 13" conical fretboard shape, 25.5" scale, and Graphtech nut, .  With a list of $3199 this model sells at discount for $2111.  This guitar was never retailed and is cleaner than most floor models at your local superstore, 9.9 condition.  Nice axe for $1499.  
78. 1999 Parker Fly Deluxe - Majik Blue, (front/back), (headstock), (case).  Another killer Fly Deluxe in Majik Blue - identical to the last ones I've had.  Perhaps the most innovative guitars in the past 20 years, and at just 5 lbs., these USA Fly's are like no other guitar ever built.  Although built 95% of wood, the composite finish adds exceptional strength and allows the guitar to be extremely thin, thus the light weight. Other features include custom wound DiMarzio pickups, an Active Fishman Piezo system that's one of the best piezo systems ever and specifically designed for the Fly, a 3-mode tremolo bridge (hardtail, down bending, and full floating) that changes at the flick of a switch, stainless steel frets that are impervious to wear, Sperzel locking tuners, and super thin contoured body that fits the human frame like a glove.  Output jack is stereo/mono switchable via small red button beside jack.  With the button out signal is stereo and  humbuckers and piezo can be routed to separate amps - with button in, output is mono and with a standard cable both signals are routed to the same amp.  After a few year break Parkers are back up and running but, of course, you'll still hear hype about "original" Parkers being more desirable.  They're as pricey as ever, selling new for $2399 discounted price ($3199 list).  This one's in exceptionally nice condition, plays perfectly, and electronics are flawless - for just $1579.  
79. 2005 Parker PM10 Hornet, (front/back), (headstock).  The PM10 delivers the first new shape in the Parker line-up since the Parker Fly was first introduced in the mid-90's and is basically the same silhouette as the USA Fly Mojo Single Cut (shown here).   PM10 is a single cutaway design with a solid one-piece mahogany body and mahogany set neck, outfitted with a pair of custom wound Parker Stinger Alnico humbuckers, controlled by a 3-way selector plus push/pull pots on both the volume and tone knobs.  Other features include 25.5" scale, 1.65" nut width, Ebony fretboard with nickel/silver frets, 10-13" compound radius neck, "fat" neck profile that's similar to PRS wide-fat, and Grover tuners with 18:1 ratio.  This is a lightweight guitar at just 7 lbs. and is ergonomically and well-engineered guitar, perfect for playing multiple sets with minimal fatigue.  The set-up is fantastic and it's one of the nicer guitars you'll find in the under $1K list price range.  With a list of $799, this model sells new for $559 and is one of the better made imports at that price.  This beautiful used one is just $375 and includes a quality gigbag.  
80. 1983 Peavey T-30, (pic2), (pic3).  See the T-60 above some background on the T-series.  The T-30 is more of a scaled down model, with simpler electronics and hardware, and an ash body with only a sealer coat.  The quality of construction however was as good as the T-60 and this is a well made guitar and one of the biggest bargains on the used/vintage market.  Features a trio of single coil pickups with standard 5-way selector, master volume, and master tone.  The bridge is an effective but simple compensated bar and like a Les Paul Jr. is adjustable forward and back - up and down.  Tuners are Klusons style Peavey "Truelock".  It features a tilt-adjust neck attachment to easily set the neck angle.  It has a thin and comfortable neck with an excellent setup and, as you might expect, very much a Strat tone.  Includes the original plastic case and in my opinion a steal on a 24-year-old USA guitar at $399
81. 1999 Peavey EVH Wolfgang Standard, (front/back), (headstock), (fretboard), (case/acc.).  Beautiful world class axe and remaining a very hot ticket on the used guitar market as an alternative to the pricey Musicman EVH.  Quality control on USA Wolfgangs is perhaps the highest I've seen on a regular production model and I've yet to get in one that had any issues at all, with great necks that never fail to deliver the ultimate perfect set up.  This one is in beautiful shape, owned only by two collectors, with no discernable flaws anywhere.  Neck is beautifully figured with plenty of birdseye that I would rate above average figuring for this model.  Flame is evenly figured left to right; top to bottom.  Frets are near perfect, 99%, and the setup is superb.  The "NT" (non-tremolo) models are an example of superb engineering, with both the tailpiece and bridge recessed into the body for maximum transfer of energy from the strings to the body.  These guitars consistently rise on the used market and you'll see a few Ebay dealers who specialize in Wolfgangs relisting them until they get $1600-$1800 for a Wolfie like this.  At $1299, this one is priced less than it sold for new so in my book that's a decent deal on a guitar that has shown consistent appreciation over the past 4 years. Includes original case, factory check-list, manual, polishing cloth, and fretboard protector (not pictured).
82. 2002 Peavey EVH Wolfgang Special FMT TR, (pic2) (maple binding).  This is the only one of these I've ever seen, and it's just been traded back in after a long absence.  Very rare Special FMT in *black*.  At a quick glance you'll think it's just a regular Special but the maple binding is a dead giveaway and this guitar in fact has a maple cap.  Offered in mint condition - even the unfinished maple neck is clean - and 100% original except pickups were changed to Seymour Duncan Phat Cats, which are P90's fit in a humbucker route - and then we changed back to EVH pickups, although now with pickup rings.  Also includes a white Tone knob and tip (installed) EVH style, but the original black Vol knob and tip are in the case.  It sounds absolutely amazing, but I'm a big P90 fan.  This is probably the most rare EVH Special I've had and the new owner will be delighted - as if they went back 6 years and bought a brand new guitar.  At $1099, it's nicely priced for a such a rare and pristine Wolfgang.  Shown in this pic with the Phat Cats installed as well as Wolfgang case, inspection sheet, manual, etc.  Offered with your choice of EVH or Phat Cat pickups.  
83. Peavey Wolfgang Special NT with recessed straplocks, (front/back), (headstock), (recessed Dunlops).  Not coming in as fast as in years past but I'm still finding a few Wolfgangs from time to time.  I've hyped them for years as what I believe are the most consistent production guitars made.  I've never had a bad one and these Specials with flat top Basswood bodies are the best value as you get the Wolfgang tone in what many believe are a more comfortable guitar.  Also, there's the simplicity of a single volume control with a minimal circuit.  Peavey and Ed designed this guitar very well, with the bridge and tailpiece recessed into the body, right against the wood, which provides better transfer of energy than sitting up on studs.  This one's in overall nice shape, around an 8.5 with one pretty cool mod - recessed Dunlop strap locks (includes the "male" end as well).  Set up to perfection and just $650 with gigbag; $699 with Peavey case.  
84. 2002 Peavey Custom Shop Wolfgang, (pic2), (pic3).  Here's one for the collectors, a one-off Custom Built, offered in pristine condition.  This actual guitar was featured on Peavey's web site as an example of the variety of graphics their custom shop was capable of doing.  What immediately strikes you is the custom finish, blue and green stars on a field of black but look closely and you'll also notice the fretboard...it's Rosewood, which was another custom option that was featured on only a handful of Wolfgangs.  You'll be tempted to gig with this guitar since it's an absolute killer player, but there's definite investment potential on Wolfgangs, especially custom built models such as this.  It's definitely the rarest Wolfie I've had, among the 50 or so I've sold over the years and it would look extremely cool under the stage lights.  Be the only kid on the block - or in the world - with this custom Stars finish.  This is truly one for the player who wants something that's truly unique, and it's priced accordingly.  $1699.  Accessories include Wolfgang case, fretboard protector, check list, manual, warranty, tools.  
85. Peavey EVH Wolfgang EXP, 2003, only the 2nd Exp model I've had and it's a great guitar in it's own right.  Beautiful quilted maple veneer top and the rest of the Wolfie features you know and love including nicely rounded neck with wheel adjustment at the base, double-locking Floyd licensed tremolo, D-tuna, and great sounding Wolfgang humbuckers.  This guitar is mint and could be sold as new.  Like all Wolfgangs, they've gone up almost monthly since Eddie's contract expired and they had to quit making them, but this beauty can be yours, with original Peavey case, for just $650.
86. 1999 Peavey EVH Wolfgang Special, USA, Purple.  For those of you die hard Seymour Duncan fans - here you go!  Just upgraded with a new set of Seymour Duncans with a TB-4 (JB Trembucker) in the bridge and SH-2N (Jazz) in the neck.  Other than the Duncans, this Wolfie is 100% and is in exceptional condition.   Setup is superb and, tonally, probably more versatile than stock.  If you're one of those players who puts Duncans in all your guitars, you just saved $140 in pickup upgrades with pro installation by Martin.  A fantastic USA Wolfie for $675.  Includes a clean rectangular Wolfgang case.  
87. Peavey Raptor Strat copy, good quality Strat copy in nice shape, nice set-up and highly recommended for a beginner - or skilled player who wants a good playing 2nd guitar, $145.
88. 2007 Reverend Manta Ray HB-FM, (front/back), (headstock), (case).   Reverend is famous for making great gear, whether it's guitars, amps, or effects, at remarkable prices. This is the first year run import model which I understand is more highly sought after than the later models.  It's a semi-hollowbody, finished in Tobacco Sunburst, with a body built of solid mahogany - no plywood on this guitar - including solid mahogany top, with a very attractive flamed maple veneer.   Other features include:  Set neck design with 1-piece mahogany neck with tilt-back headstock, 22 fret rosewood fingerboard, pearloid dot inlays, 1-11/16" nut width, 24-3/4" scale, Reverend's custom volume & tone, bass contour & 3-way toggle switch, 2 calibrated Reverend covered humbucking pickups, Tuneomatic-style bridge with stoptail, black pickguard, chrome hardware.  Roughly speaking, this guitar is Reverend's take on the original 335 Dot, but some enhancements have been made which for many players make this a better playing guitar.  It's lightly beveled in the deep cutaways for easy access to the top frets, the single F-hole design is more resistant to feedback, and the volume control, mounted on the pickguard, is close enough to do volume swells with your pinky finger.  This guitar is nearly impervious to feedback, has a wonderful tone, and superb playability.  For full specs and a video/sound sample, click here for Reverend's site.   It's definitely one of the nicest import semi-hollow's I've seen in terms of overall construction and engineering.  This Manta is flawless in all respects and with a new one running $878, it's a sweet deal at just $599 and, again, is supposedly a better guitar than the new models.  Includes Reverend/TKL Canadian-made case of wood/Tolex.  
89. 2005 Rickenbacker 350V63 Liverpool, (front/back), (headstock).   If you can find one of these, do an auto-response email for price and you'll discover the discount price is now $2753.  This one is barely played and $1850 - and it's not a buyer-beware auction guitar but a real beauty with pro setup and no issues at all.   Please forgive the pics; shot at night with a flash but this guitar is barely played and extremely clean, 9.9 condition.  This one is of special interest to Beatles fans:  a black 350 and John Lennon are one of the most iconic associations in the history of Rock and Roll, right up there with Jimi and (various colored) Strats, Chuck Barry and his Cherry Red ES-355, and of course Paul McCartney and his Hofner 500/1 "Beatle Bass".  I'm surprised that this model isn't referred to as the "Beatles Rick".  Before I get too far let me point out that this model takes one major departure from the original - it is a FULL SCALE.  Rick recognized that 90% of players simply can't get around on the short scale and they took this one liberty on the most recent iteration of the 350V63.  Other than that, historically accurate and like all of Rick's Vintage Series, a very well made guitar that plays exceptionally well.  It has all the other vintage appointments you know and love including a trio of Vintage Single Coil Toaster Top pickups, all-maple including semi-hollow body and neck, solid black knobs, replica tuners, 6-way bridge, and plain trapeze tailpiece.  This one also has one of the most attractive pieces of Rosewood you'll find on a Rick (pic here).   Rick prices continue to soar and as they list recently shipped guitars on their site, most are sold by the time they arrive at the dealership - many of which are then sold at auction for list price or higher.   You can always order one from Rickenbacker if you don't mind an 18+ month wait.  The 350V63 in black lists for $3059 and sells new for $2753.  This one is $900 cheaper and available right now for just $1850(HOLD-Rob C 5/9) - or trade your Fender/Gibson custom shop with a similar new cost and we can probably do a straight swap.   Includes Rick vintage case and all the stuff that comes with a new Rick. 
90. 2006 Schecter C1 Plus, (front/back), (headstock), (side), (string-thru body).  We've been very impressed with these higher-end Diamond Series and this is another of these killer imports with drop dead looks, quality construction and parts, excellent tone, and perfect setup.  Features include Violin sunburst finish, flamed maple top over Mahogany body, set neck design with mahogany neck, Abalone and pearl "Vector" fretboard inlays, Grover tuners, Duncan Designed HB102 humbuckers controlled by volume and tone with push/pull pot for single coil/humbucker tones, jumbo frets, Tonepros TOM bridge with strings thru body, and cream binding all around - headstock, neck, and body.  The top is beautifully carved with a sharp arch, as well recessed knobs and switch.  This guitar feels, looks, and plays like a guitar that costs well over its list price of $869.  Sells new for $599 but this one has barely been played with no discernable wear of any kind and is a smoking deal at $450 with a setup that's guaranteed to please.  
91. Schecter C-1 Classic, (front/back), (headstock), (3/4 view), (vine of life inlay).  This is one stunning guitar.  From the perfectly  bookmatched flamed maple top, to the flamed maple binding, to the intricate vine of life inlay, to the gold hardware, it's a definite head turner.  Thankfully Schecter engineers quality components into their guitars so they're just not works of art and this one has quality parts in addition to great cosmetics.  Starting with a pair of Seymour Duncan humbuckers, with a JB Bridge and SH-2N Jazz neck, you're guaranteed quality tone and a good variety of tones as well.  Hardware is top notch as well, with a TonePros locking bridge and quality Grover tuners in brushed gold.  From a design aspect, it's made for excellent sustain with a neck-thru design of Maple with Mahogany wings, strings-through body for good string to wood transfer, and the area where the neck joins the body is nicely beveled to make playing the upper frets a breeze.  Other features include 24 jumbo frets, slightly substantial maple neck with a rosewood fingerboard, creme fretboard binding, 25-1/2" scale, and Schecter locking tuners.   I'm not sure what they call this finish but it's a dark tortoise shell, although the official name might be Antique Amber.  Regardless, it's stained in such a way that the figured maple is very pronounced, which isn't always easy on darker stains.  For over 100 ratings where it scored an overall 9.4 out of 10, click here for Harmony Central.  This guitar plays superbly and sounds as good as it plays.  With the quality of the high-end Korean guitars, players can finally get a top-notch guitar for well under a grand.  A new C-1 Classic is running $799 without gigbag ($1119 list) but this one is virtually flawless and a smoking deal for the intermediate to advanced player at just $599 with a quality gigbag.  
92. Schecter C-1 E/A, (front/back/side), (headstock), (detail), (Schecter Gigbag).  Another stunner from the C-1 series, the C-1 Semi-Hollowbody Electric Guitar with Piezo Pickup.  For me this guitar had an immediate vibe of the PRS Hollowbody with its dual F-holes, and slightly thick body that's 2" on the edge to around 2.5" at the center of the body.  The first thing you'll notice, as soon as you see it, is the perfectly bookmatched quilted maple top, finished in vintage sunburst - absolutely stunning in person.  With a pair of very good sounding Duncan Designed HB-103 humbuckers, plus a quality RMC piezo bridge, with your choice of summed or split output, this guitar is capable of many, many tones.  You'll first think jazz or blues with the hollowbody design, but this guitar was engineered to be feedback resistant and despite using the highest gain settings on my practice amp, I didn't get a hint of feedback.  Just pure quality tone.  Like it's electric sound, the RMC piezo does a good job of delivering acoustic tone which for many players means one less guitar to lug to gigs.  Features include: Quilted maple top on bound mahogany body with traditional F-holes, split trapezoid pearloid fretboard inlays, 25-1/2" mahogany neck, 22-fret rosewood fingerboard, Grover tuners, TonePros bridge, Duncan-Designed HB-103 humbuckers, RMC Piezo pickup system, Mixed or separate signal operation, Quilted maple top, Bound mahogany body, 25-1/2" scale, 22-fret rosewood fingerboard, Grover tuners, and TonePros bridge.  This guitar plays perfectly with nice low action and no fretting out.  For looks, versatility, and tone, it's hard to beat this model.  It's remarkable that Schecter could build a guitar with these features for just a $999 list, without gigbag.  This used one is immaculate and one nice hollowbody for $550.  

93. 2008 Schecter Hellraiser C-1 FR and 2008 Schecter Classic C-1 - both new, old stock, and immaculate.  Schecter's high-end C-1 Series with upscale appointments like quilted maple top, real Duncan pickups and Tonepros bridge (Classic) and EMG Active 81/89 and Original Floyd Rose bridge (Hellraiser FR) - both are neck-thru models with stunning Abalone appointments.  Along with PRS and Brian Moore, these are the finest Korean imports on the market in my opinion.  If purchased separately, the top-quality hardware and electronics alone on these guitars would run you $400-$500.   Details include:

    • Schecter Hellraiser C-1 FR front/back, (headstock), (2 push/pull knobs), (appointments/features).  A remarkable guitar in terms of features, playability, and looks, at an incredible price.  The C-1 FR Hellraiser features high-end EMG active pickups (EMG81TW and EMG89), both with coil split via dual volume knobs; an Original Floyd Rose tremolo with original Floyd locking nut; stunning Abalone inlay along the entire edge of the top; Abalone bound headstock; Abalone Gothic Cross inlays, black chrome hardware, neck-thru design with "ultra access" design for easy playing to the top frets, 24 extra jumbo frets, 25.5" scale, mahogany body with 3-piece mahogany neck-thru.  For a quality made Korean neck-thru, with top-quality hardware and EMG's, the Hellraiser C-1 FR retails at a remarkable $1299, currently clearance priced online at $899.  Better still, this one has never been retailed and is immaculate, with our killer in-house setup, for just $729.  

    • Schecter Classic C-1 front/back, (headstock), (inlay/close-up), (maple binding).   A remarkable guitar in terms of features, playability, and drop dead good looks, at an incredible price.  The C-1 Classic features *real* Seymour Duncan pickups (JB bridge, SH-2N Jazz neck), 5-way switching for a choice of humbucker and single coil tones, Tonepros Tuneomatic TOM bridge; string-thru body tailpiece, black chrome hardware, neck-thru design with "ultra access" design for easy playing to the top frets, 24 extra jumbo frets, 25.5" scale, mahogany body with quilted maple top in Blue Transparent, 3-piece mahogany neck-thru, maple bound body edge, cream binding on neck, bound headstock, and most notably, an intricate Abalone "Vine of Life" inlay running the entire length of the fretboard.  For a quality made Korean neck-thru, with top-quality hardware and real Duncans, the Classic C-1 retails at a remarkable $1119, currently clearance priced online at $749.  Better still, this one has never been retailed and is immaculate, with our killer in-house setup, for just $599.

     

94. Schecter USA Custom Shop "Vargas Girl" Tempest, (front/back), (headstock), 2003.  Here's another one for the discriminating collector - a one-off created for the 2003 NAMM Show with a hand-painted masterpiece by Chris Compston featuring his rendition of the Vargas Girl (close-up).  The original Vargas Girls rose to fame in WW-II as very risqué' (for the time) pin-ups, serving as a morale booster for troops serving overseas.  The artist for which these type paintings have become synonymous, Alberto Vargas, was never given the true credit he deserved.  His pictures, taped to the inside of countless lockers, or kept in shirt pockets and unfolded a thousand times, served of a constant reminder to the troops of what they were fighting for:  freedom and beautiful women.  Okay, on to the guitar...  Made in Schecter's Burbank CA Custom Shop so it's an impeccably made guitar in its own right, and the fact that it was a NAMM show display model is further assurance that it was checked out very closely before it was presented to America's musical instrument dealers.  Specs include: Solid Mahogany body with TV finish, bolt-on 22-fret maple cap neck with jumbo frets - one piece with NO scarf joint, 12" neck radius, 25.5" scale, Tempest 3/3 headstock with Sperzel locking tuners, bone nut - 1.673", neck width - 2.032"  at 12th fret and 2.193" at end of fingerboard, Wilkinson bridge/tailpiece - adjustable, Seymour Duncan pickups - P-90-1B and 1N, and dual volume with master tone.  This is an excellent playing guitar with a very meaty tone, without the usual noise level associated with P90's.  Another observation - the tone control on this guitar is very effective.  Rather than on/off, the way most tone controls seem to work, this one affects the tone in a more dramatic fashion, with a differentiation in tone at every number tone control changes at every I've always been a fan of the single wraparound tailpiece, despite their usual shortcomings, because they are perfect for string muting and just feels "right" with my right hand resting on it.  Unlike the old style wraparounds though, this one features intonatable 2/3rd string and 4/5th strings, allowing for near perfect intonation.  Offered in immaculate condition, other than a few scratches on the pickguard which we can probably buff out if desired.  Includes Schecter certificate and hang-tag, showing it's selling price as $3495 (shown here).   This is a cool find for the collector looking for the truly unique, one of a kind guitars - but at this price - most players can afford this and actual make it a working guitar.  Just $1799 and includes original Schecter/G&G custom-fit hardshell case (picture).  
95. Schecter Omen-6, 2001, Electric Blue, body very similar to my USA Sunset Classic with sleek lines and carved top, features straight-ahead setup with dual humbuckers, 3-way switch, tone, volume, stop-bar with tune-o-matic bridge, mint condition with plastic still on back plate, quality Grover tuners, looks-sound-plays great, looks identical to the ESP Ltd H-100 above, list price in ’01 was $469 but this used one is perfect with nice setup and just $225.
96. Schecter Omen-6, another Diamond Series and features the same body shape and headstock of the C1+ above, in a scaled down, more basic model.   Advertised as a great metal axe, I can easily recommend this to any entry-level or intermediate metal head.  Excellent setup, good pickups, and killer looks in a gloss black with carved top.  With a list of $499, this one's like new but the price isn't - just $239.  
97. Schecter PT, (pic2), a classic in Schecter's history and a recent Diamond Series version of the Tele-style made famous by Pete Townsend.  Features a pair of Duncan Designed humbuckers with coil tap tone pot, strings-thru-body design, bound Alder body with gloss black finish, Grover tuners.  Beautiful shape with no notable flaws - looks good - sounds good - nice player all around.  A nice PT for $325.

98. Silvertone Paul Stanley's - Kiss Fans:  Life size Paul Stanley Standup with his signature Silvertone guitars.  Original dealer display and great for you Kiss fans.  $79

99. SILVERTONE PAUL STANLEY MODELS:  KISS FANS and other Collectors:  After years with Ibanez and later Washburn, Paul Stanley has signed with Silvertone (dist by Samick) for manufacture of his signature model guitars.  I have a very limited selection of the entire line of electrics which are two different set-neck models and two bolt-ons.  The bolt-on’s feature Agathis bodies with sculpted Maple necks, 14” flat radius fretboard, dual high-output humbuckers, and die-cast tuners.  The set-necks feature sculpted Mahogany necks set into Agathis bodies, 14” flat radius fretboard, Grover tuners, and Seymour Duncan-Designed humbuckers.  I wouldn’t waste your time—or mine—by posting them at normal store prices.  Very limited quantity so grab one quick.  Paul Stanley stands behind Silvertone:  

    • Paul Stanley Apocalypse Special PSAP1, List $499, Sale $209

    • Paul Stanley Apocalypse Pro PSAP2, List $699, Sale $362

    • Paul Stanley Sovereign Special PSSN1, List $399, Sale $199

    • Paul Stanley Sovereign Pro PSSN2, List $699, Sale $SOLD

100. 2003 Suhr Carved Archtop Standard - solid Brazilian Neck, (sheer beauty), (front/back), (headstock), (neck), (solid carved maple top).  One of a kind Brazilian neck - with no plans to ever produce another.  Perhaps the must visually stunning Strat style I've ever had but it's so much more than looks.  This guitar has remarkable sustain and it's so lively, you'll feel almost like you're playing a thinline acoustic.  As I've mentioned before, I consider Suhr guitars on par with Fender Masterbuilt with impeccable craftsmanship and tone woods that are always top notch.  I've yet to have a Suhr that I considered only an "excellent" guitar; they're simply in another league when compared with regular custom shop and most other makers.  Looks and craftsmanship aside, there is still one aspect that sets this guitar apart from any other Suhr ever built:  the neck is solid Brazilian rosewood.  Confirmed with John Suhr that this is the ONLY solid Brazilian neck he ever made and, further, there are no plans to attempt another.  Initially 3 were built but the other two never made it out of the shop for unknown reasons.  Brazilian is a fine tonewood, but importing ceased in 1969...forever.  How much difference does it make in tone?  I personally think that it's a negligible difference, at least to my ears but the vibe of this wood is undeniable.  Complete specs are here but, briefly, they include mahogany body with incredibly flamed maple carved top in aged cherry burst finish, 1-piece Brazilian neck with 60's C-shape profile and heavy frets, 1.650" nut width, 10" to 14" compound radius, standard tremolo with steel block, gold hardware including Sperzel tuners, no pickguard - rear mounted controls, volume - tone - 3-way selector, side-mounted output jack, Suhr DSV humbuckers (cream and zebra), scraped binding, f-hole, abalone inlay on face and side dots, and abalone headstock logo.  Includes G&G custom form-fit case that hugs the body and support the neck the entire length, dual combo locks, plus fretboard protector, dealer order form, and manual.  This guitar is of interest to the discriminating collector with a fancy for one-of-a-kinds and, equally, guitars with exceptional tone and playability. Again, this is the only Brazilian neck Suhr in existence and there will likely never been another one made.  As outfitted with these options, this one-off is priced LESS than what you will pay for a new Carved Top Standard with Brazilian fretboard only.  Yours for $3800.  Note:  Some of you will remember this guitar as one I sold a while back.  It remains in mint condition and I'm happy to price it lower this time around.  I cannot stress enough, how fine this guitar is.  
101. Switch Stealth, (front/back), (headstock), (detail).  Only the second Switch I've had and like the last one, very impressive guitar for the money.  Switch uses alternative materials in building their guitars, namely a Vibracell® body and neck, which is a synthetic material that has tonal properties that, to me, are extremely similar to wood.  They're not the first company to experiment and I remember the original Dan Armstrong Plexiglas bodies as far back as the 60's.  The Stealth, whether intentional or not, has a vibe very much like a Parker, specifically, the Parker PM10 Hornet.  Features include a pair of Switch humbuckers, bi-level headstock with Grover tuners, nicely beveled body - especially in the cutaway areas.  The guitar is also beveled around the entire body, providing a thin, comfortable edge, contoured to a regular thickness toward the middle.  Electronics are simple with a volume, tone, and 3-way.  Finish is a charcoal metallic.  Nice playing guitar with good tone and for a set-neck axe, a good value at $239.  
102. Tokai Love Rock '59 Les Paul Style, (front/back), (headstock).  2003 model which I believe is an ALS70.  Although crafted in Korea, the quality is unmistakable, much like the famed lawsuit "Love Rock" model of the 70's.  Very attractive flamed maple cap with just enough figuring to be a real example of a 50's, finished in dark burst.  Specs during this era called for solid Alder rather than mahogany but looking inside the cavity, this one appears to be mahogany, with a mahogany set neck.  Quality fretboard inlays that look much more like the originals than most Epi's or other imports.  All stock except upgraded with a Duncan Zebra JB in the bridge.  A especially nice player with a classic Paul tone and I actually slightly prefer the stock neck humbucker to the JB, as it has a very full tone with a singing quality that makes the guitar sound huge.  Neck profile is not a thin taper like a '60 Classic and is slightly more substantial than a Les Paul Standard.  This is a very clean guitar, with a killer setup and tone, and an excellent value at $499(Tent. Hold - Ken E 5/21) with gigbag.  
103. Valley Arts California Pro, (pic2), (pic3), USA, very good quality Super Strat, with the sexy contours VA was known for and shredder-approved features such as HSS pickups and double-locking licensed Floyd Rose.  Pickups have been upgraded a Gibson PAF humbucker in the bridge, and a pair of Duncan 1/4 pounders in the middle and neck.  This thing sounds GREAT, plays great, and is in very clean shape with no major flaws anywhere and barely any player's wear.  Quality features include recessed back cover, recessed output jack, hand-contoured body edges and tremolo route and quality double-locking Floyd-licensed tremolo.  There is considerable confusion about this era in VA history.   My main man Martin was with VA during the sale to Samick and he states that these guitars were made in the exact same Hollywood shop, by the same employees, with the parts leftover from the pre-Samick days.  The main distinction is that Samick owned the company when this guitar was built but it is a genuine USA model, but built after Samick bought the company.   A VA in this nice condition, had it been made before the sale to Samick, would be a $2K+ guitar today, but because it was owned by different investors--and that's basically the difference--it's a fraction of that price.  Just $529 with a gigbag; $579 with hardshell case. 
104. VALLEY ARTS !!!  The authenticity of the guitars below is without question.  As many of you know, my world-class luthier (the man who sets up the fine guitars we ship out) is unquestionably one of the world's top authority on these guitars as he was General Manager and Director of Sales and Marketing for VA until the sale to Samick.  These are true “hand-made” guitars and each body was contoured, painstakingly, by hand.  Check out the tremolo cavities and the gentile slope on all edges – real works of art. These are all the real deal VA's, built by the original VA craftsmen and all original down to the last screw.  VA was the original “boutique” builder of solid body guitars and they used only the best woods, electronics, and hardware.  Other than the M-Series, a fine guitar in its own right, these are all considered "real deal" VA's, either built entirely before the sale to Samick, or "transition" models which carry the same pedigree, but happened to be one of the 400 or so guitars already in progress when the sale occurred.  These transition guitars have no Samick influence and bodies and necks were built before the sale and they were completed by the same pre-Samick employees.  Transition era guitars are unremarkable except to the uninformed.  By all measures they are indistinguishable from the earlier models and the ONLY difference is Samick had begun buying the company.  As months passed the actual turnover took place and then you'll begin to see the Samick influence with easily recognizable features such as the new "Studio City" logo and names like "California Pro".   
105. Valley Arts USA Custom Pro Bent T, (front/back), (headstock), (neck).  Trans red flame top that looks much more stunning in person and is better shown in these close-up pics (neck pocket) and (pickup cavity).  Serial 2029 placed it as a transition model, made by the old VA employees with existing parts and signed by Mike on the neck, body/neck/neckplate serials all match.  The Bent T (as in "Tele) is a Gibson scale with a 7/8 size body and a joy to play.  With the small body and featherweight  6 1/2 pounds, there's absolutely no fatigue during long nights of gigging.  Features include nitro-finish Alder body with a nicely figured maple top that's "bent" on the corner for comfort, exceptionally figured birdseye maple neck with a thinner profile than most VA's plus a sleek Ebony fretboard.   Other features are Seymour Duncan pickups and gold hardware.  Overall condition is nice, around an 8.5, and the set-up is unbelievable.  There are a few scratches, not through the lacquer and as with all of these gold logo over red headstocks, the lettering has bled into the red.  This is an exceptional guitar and, unlike later models, is truly hand-made.  Priced at just $1399 with case, well below its new price .  Letter of authenticity from former Gen. Mgr. of Valley Arts USA included upon request.
106. Valley Arts USA Custom Pro , (pic2), (pic3), (pic4), Swamp Ash finished in Yellow and verified to be the first Swamp Ash ever made by VA.  Custom made to the customer's specs, called a "Custom-Custom" by VA employees, easily recognizable by the customer's name on the neckplate, in this case, one of the VA employees.  Serial 304.  Features of this world-class guitar are swamp ash body with nitro finish, Kahler Pro locking tremolo, original Tom Anderson pickups  (HN2+ and two SK1's) with individual 3-way selectors, each selectable as single coil, off or double coil, which, doing some quick math, is at least 18 combinations.  The last switch is an Anderson-inspired "blow" switch for the bridge humbucker only - going straight to the output jack.  Fans of skinny necks will appreciate this as it has one of the thinnest profiles of any guitar from this era I've ever felt.  I believe the fretboard is probably Brazilian rosewood as shown here.  This guitar is of definite interest to the collector by virtue of its unique features, early lineage, and beautiful condition.  Includes original case, Kahler manual, and VA fretboard protector (this idea was later copied by other makers).   An exceptional VA for $2199.  Letter of authenticity from former Gen. Mgr. of Valley Arts USA included upon request.
107. Valley Arts USA Custom Pro, (pic2), (pic3), (pic4), black HH configuration.  Tom Anderson pickups, Wilkinson bridge, Grover locking tuners, and feather weight swamp ash body - top notch guitar in all regards.  This VA was built after the sell-out in '92 but still a USA model with the same specs and parts as the pre-sale models.  These are some of the best values on the used market, selling for well under their new price in the early/mid 90's.  This one is a killer player in very nice shape.  Looking under the guard I noted a few mods which indicate the pickup selector had been a 3-way and was enlarged for a 5-way blade, the neck pickup route was enlarged for a full-size humbucker, and it originally had a tone control.  Pickups are Tom Andersons with a H1 in the neck, an H2+ in the bridge, wired to a 5-way selector for a good choice of humbucker and single coil tones.  Excellent feeling neck with a sealer coat only, 24 medium-jumbo frets, rosewood board, Abalone dots, fairly flat radius, and a medium profile that's similar to an American Series Strat.  For the player looking for bang-for-the-buck, this is a fantastic USA VA that sounds great, plays great, and looks great, and a nice value in a USA guitar at just $850. 
108. Warmoth Strat - Hot Rod Flame, (front/back), (headstock).  Wow...too cool for words.  Killer guitar that was built by my main man Martin with all top quality parts and is, in essence, a brand new guitar without a hint of use.  Features Warmoth body ordered with hot rod flame custom finish and routed for single humbucker in the bridge, sort of Baretta style except non-slanted pickup (actually more of a single humbucker Pacer).  The pickup is a DiMarzio Evolution in custom light blue/black to match the body finish - plus a matching strap  ($48 at "Get'm Get'm"), which make for a cool color scheme (shown here).  The neck is a beautifully figured birdseye maple, with Ebony fretboard and stainless steel frets, featuring side markers only, with a thin side profile.  Headstock is angled, with factory routed Floyd nut.  Guitar also features the original Floyd Rose tremolo - the best in the business.  Neck has a Warmoth logo installed, but can be re-logo'd for additional charge.  This guitar was an expensive build with all top quality parts, all brand new, and with professional assembly, the cost was over $1250 to the original owner.  As some of you know, our guitars tend to play better than factory and with Martin personally building this guitar, you're guaranteed to get one of the best playing Strats imaginable.  If you're looking for something with unique looks - with quality that rivals any other USA manufacturer - this is a killer deal for $799.  Includes a new TKL tolex or Gator molded case.  
109. Warmoth Super Strat Korina, (front/back), (headstock), (neck), (Features-DiMarzio/Kahler Pro/Earvana nut), (hand-carved contour), (Steinberger gears/etc.).  This is a very unique guitar, built by Martin for a local customer.  No expense was spared in parts, finish, or assembly and the labor alone ran $800 on this guitar.  In addition to normal assembly and setup, the finish consisted of hand-rubbed oil with an hand-rubbed wax top coat, Martin's own thin wood finish was applied to the unfinished neck, and the treble cutaway was deeply contoured by hand.  Specs include 24 3/4" Gibson scale, PRS wiring on the DiMarzio pickups (bridge/inside coils/both/outside coils/neck), Kahler Pro 2300 with stainless steel saddles, Earvana intonated nut, Steinberger "banjo style" tuners, Warmoth body of solid Korina with flamed maple strips, steel inserts for neck to body construction which provides better transfer than regular wood screws, nicely figured Warmoth neck with stainless steel frets.  This guitar plays and sounds as good as it looks.  In all, nearly $2K has been invested and the guitar is virtually unplayed.  If you're looking for something truly unique, built by the best builder I know, this one's a steal at $1199(Tent. Hold - Chris H)..  
110. Warmoth DIY Special:  Fender Strat Style DIY Warmoth Strat - Warmoth Body&Neck and all top notch parts--all brand new--including everything you'll need down to the last screw.  Warmoth Body (pic) is Swamp Ash with nicely flamed koa top, routed for dual hums and 2-point fulcrum tremolo.  Neck (pic) is Warmoth's Conversion Neck, which can be used on any body which will automatically be "converted" to Gibson scale (24 3/4").  You'll notice better ease of play, more dramatic bends, and difficult chord shapes are easier to finger.  You'll also notice an unusual headstock, originally a Strat, but at the request of the owner Martin carved it down to be something truly unique.  For the remaining components (click to enlarge) you have a pair of DiMarzio's (PAF Pro and Steve's Special), Wilkinson fulcrum tremolo, and choice of Sperzel locking or Steinberger "Banjo" type tuners - plus every other part needed to complete the project including stacked CTS pots with stacked knobs so you can have dual volume and tone with just two pots for a cleaner look, control plate, tremolo cavity plate, neckplate with plastic base, humbucker rings, 5-way switch, and football output jack.  Not shown but included are all the little screws you'll need to complete the project.  Original owner had this entire project designed and over the course of a few months assembled all the parts.  By the time he had assembled all the parts, his interest had changed and he sold this entire "kit" to finance his new guitar.  If you have the mechanical ability of the average 12-year-old, and some simple soldering skills, this will be an easy project to complete and in the end you'll have one extremely nice, high-end guitar.  He has over $1200 invested in these parts and this is a steal at $699.  If you really want to go over the top, substitute with this Trilogy Bridge by Hipshot TMB3 for just $125 more.
111. Washburn Dime 32 Camo, signature model 2004, for the late, great Dimebag Darrell (RIP) and features Limited Edition Camo finish, strings thru body tuning, good quality Washburn WB630 pickups, Grover 18:1 tuners, and jumbo frets.  This isn't your $2K custom shop model but for the price, it's an excellent playing guitar with nice tone and solid Metal vibe - a nice tribute to Dime for a nice price. List was $599 on these but this one is like new and includes original Camo padded gigbag for just $325. 
112. Washburn KC-70V, excellent quality rock/metal axe with all the necessary features from the metal days including an excellent quality licensed Floyd Rose, thin profile with flat fretboard radius, HSS Washburn pickups, volume and tone with push/pull pot, and 5-way selector.  The body is extremely comfortable with contours in the cutaways to allow easier access to the upper frets.  Setup is great, with the low action these guitars are famous for, stays in tune perfectly during whammying, and the tone is rock solid.  This model got incredible reviews on Harmony Central (click here), where it scored an impressive 9.3 overall rating.  Not a cheap guitar back in the day and when you play it you'll note the quality.  This one's not clean enough for the collector with some paint touch up's here and there, but the frets are perfect and it's seen little actual playing time I would guess.  A nice axe for just $325.
113. 1998 Washburn Paul Stanley Signature PS500, (pic2), (pic3).  Has its roots going back to Paul's Ibanez Iceman series, with the same body style and similar headstock and tailpiece.  It was a very radical design when it came out in the 70's but despite the looks it is a very well balanced guitar that hangs very comfortably, and allows extremely easy access to the top frets.  The PS500 is a set-neck guitar that's bound on every edge - body, neck, and headstock.  The "star" tailpiece seems to work well in transferring energy to the body and the humbuckers sound good.  Quality Grover tuners keep it in tune nicely.  One thing that must be mentioned is the quality of this case.  It's your usual higher quality case with tolex covering and white piping, with a form-fit interior that hugs the body all around but most notably, it's the heaviest case I think I've ever had.  The case alone weighs over 22 lbs., which is the weight of many of the boxed guitars we ship out, including guitar, case, box, and packing material.  The wood must be twice the density of a standard G&G case.  Suffice it to say it provides excellent protection.  This guitar is exceptionally clean, plays fantastic, and is a nice choice for the Paul Stanley or Kiss fan, or anyone who wants a quality set neck for a nice price.  List price was $1249 - this beautiful barey used one, $599.   Includes original form-fit case. 
114. 1993 Washburn Steve Stevens SS-40, (pic2), (pic3).  This is a pretty cool signature model, and the only guitar I can recall with dual slanted humbuckers - sort of like the Baretta idea with a slanted bridge pickup and single volume pot - but with an additional slanted neck pickup and 3-way selector.  Factory original non-covered trem cavity (pic) so no holes are present.  Rather elegant look with gloss black finish and gold hardware which is good quality with a double-locking licensed Floyd Rose (pic) and Grover tuners.  This guitar is being sold "as is" and could really use a new neck.  We've tightened the truss rod all the way and the action is still quite high in the middle.  It's actually at a height that a few players like but higher than 98% of my customers would be happy with.  Use the parts and build your own Super Strat - or simply get another neck and you're up and running.  Was $350 - marked down on "as is" sale to $199(Tent. Hold - Jeff T 1/13).   
115. 80's Washburn G-IV Baretta Style, (pic2), (pic3), (accessories included).  Borrowing from the insanely popular Kramer Baretta, Washburn got onboard with this model, with defining features such as single bridge humbucker and single knob (volume control), 6/side pointy/angled headstock, black headstock veneer, and Floyd Rose licensed tremolo (pic).  A few upgrades on this guitar including DiMarzio Tone Zone pickup (original will be included) and Dunlop strap lock system including strap.  The Kahler-style locking nut is included but, as shown in the pics, isn't required since this model has the Kahler-style nut/locking nut combination.  We will install it at no cost if the new owner wants it installed.  This guitar is in really nice shape with no major flaws.  Body will be buffed out prior to shipping and will shine like new.  Speaking of the body, it's a smaller (aka Dinky) size, around 7/8 of a standard Strat style.  The setup on this guitar is fantastic, easily on par with the higher end shred guitars from this era, with low action at the nut - all the way to the top frets.  With this DiMarzio installed, this axe has a screaming lead tone that cleans up when you back off the volume a bit, making it more versatile than you might expect from a single humbucker guitar.  Includes original gigbag and other accessories pictured and is an excellent quality guitar for a modest price, $229. 
116. Windsong Les Paul Copy, WSLP-300, excellent quality Korean and made in the same factory as Epiphone.  Most of you may not be familiar with Windsong, but  a local store is the sole importer of them and they offer classic Gibson styles, built with the quality of an Epi (which today is very good indeed) at a very nice price.  There are slight differences in the silhouette, mainly the headstock and cutaway are slightly different - but all cosmetic features such as binding and inlays - and all electronics - are exactly the same and, in fact, are made by the same hands as Epi craftsmen.  Click here for a link for specs.  I sell mint Epi LP flametops $350-$399 and I consider them a good value for the money - but this guitar is 100% as good, dead mint, and has an absolute killer setup, for just $299.   
117. 1979 Yamaha SG2000, (front/back), (headstock/neck), more pics below.  The cream of the crop for Nippon Gakki and Yamaha electrics, Yamaha's SG2000 was the Cadillac of the solidbody line, much like the Les Paul Custom was to Gibson.  First released in mid-1976, and the culmination of the SG line, following the SG-30, 35, 50, 75, 90, and most notably, the SG-175.  The 2000 had the basic look of the SG-175, combined with both subtle refinements and some bolder new ideas.  Instead of carved solid mahogany, the SG-2000 had a carved, three-piece maple top, with the grain of the center section set perpendicular to the sides. Instead of a set neck, it featured a three-piece mahogany/maple/mahogany laminated neck-through design conducive to greater sustain.  Although readily accepted by the public, these guitars earned greater fame as the chosen axe by respected players such as Carlos Santana, Bob Marley, Al Di Meola, Steve Cropper, Phil Manzanera (Roxy Music), Paul Barrere (Little Feat) and Al McCay (Earth, Wind & Fire).  Rarely has there been a guitar line with such noteworthy and diverse big-name users.  As I mentioned, this model shared many of the cosmetic appointments with the LP Custom:  mahogany body with thick maple cap, bound neck, multi-ply bound headstock, multi-ply pickguard, as well as (pic here) multi-ply body binding on the top and side, gold hardware with ABR-style bridge and engraved tailpiece, ebony fretboard with split wing mother of pearl inlays, and push-push volume knobs to split both of the humbuckers.  Pickups are the original SG-2000 humbuckers (shown here), which are some of the best stock pickups found on Japanese guitars.  One of the innovative design features on this model is the thick brass plate under the bridge (shown here), which transfers much more energy from strings to body than the usual pair of studs into the wood.  For a great article on Yamaha SG's check out this Vintage Guitar Magazine page as well as this site with some good info and links.  Includes original green-lined case and even the original serialized warranty card.  Although 30 years old, this guitar is wonderfully preserved and an overall solid 8.5 condition, with a body that shines like new with no finish checking and no overspray.  The action is set low and the guitar plays perfectly.  Electronics perform flawlessly, including the unique push-push pots.  For pure quality, tone, and playability, this guitar is hard to beat and an excellent example of Nippon Gakki at the height of their world domination.  Own this beauty for $1350(HOLD-Eddie L).
118. Yamaha RGS-121, very good quality starter guitar and highly recommend for players who like low action.  Action low at the nut and stays low all the way up the neck.  Good selection of single coil and humbucker tones with some pretty authentic Strat tones in positions 2 and 4.  Headstock logo was removed but is otherwise original and in very nice shape.  Set up and ready to ship and priced like a beginner guitar, but it definitely plays better than your average starter guitar.  Nice axe for just $99.  If you want to get goofy, we can install a logo for $20 or so but we don't have any Yamaha logo's so it would have to be a different brand.  
119. 2006 Zemaitis GZV300 Flying V, (front/back), (headstock), (bridge/tailpiece), (case/acc.), (cert.).  The ultimate in killer looks in a V-style guitar.  Tony Zemaitis was a guitar building legend, working alone in his London shop.  Although Tony is no longer with us, his spirit most definitely is, in the form of Zemaitis Japan, the company that bought the Zemaitis name after Tony’s passing and Greco has been making high-quality guitars that offer the same unique character as Tony's originals.  Features include 2-Piece Mahogany body, 1-Piece Mahogany neck, Ebony fretboard, 25" scale, Schaller M6 tuners, DiMarzio pickups (PAF Pro neck and bridge), GZ-BR Zemaitis Original Solid Duralumin Bridge, GZ-TP2 Zemaitis Original Solid Duralumin tailpiece.  It's hard to find any of the new Zemaitis guitars here in the states but if you can find a GZV300 it's going to cost over $2800.  This one is immaculate, with no waiting time, and nicely priced at just $2199.  Includes original case, certificate, and all paperwork.  For full specs, click here for Zemaitis' site.