Chris' Guitars - Misc Electric

Ahead “Virtual Guitar”, click here for info, PC-based guitar and game and more (includes two CD’s), comes with everything you need to install and play via your PC, guy on the box is really rocking out which might indicates to me that this must really be fun to play, $35 (I have two of these in you want a pair)
Aslin Dane AD-TL50 Ash-Body Tele Deluxe Style, (front/back), (headstock). You may recall a new line of Aslin Danes that I picked up 2 months ago. We were totally impressed with the quality and playability of these guitars, and the customer feedback echoed our opinion. We only had 8 of those and they quickly sold out so I went to my supplier to order more but was disappointed to hear that no more were going to be available. In their place I decided to give these a shot. Good call. Like the electric 12's, these are very well made imports and what I consider a lot of bang for the buck. The finish has similar attributes to nitrocellulose - very thinly applied, which we like, while retaining a glossy appearance. One of the coolest and most useful aspects of the TL50 is the dual humbucker layout, like a Tele Deluxe, except in addition to the 3-way selector there's also a mini-toggle coil tap which we're wiring to split both humbuckers (factory is bridge only) to allow 6 nice tone selections, 3 humbucker/3 single coil. Also features a fully bound solid Ash body with a perfectly applied sunburst finish, "belly" contour on the body for comfort, tortoise pickguard, maple neck with rosewood board, and a cool headstock design that's almost a dead knockoff of a G&L. Also features strings-through-body for increased sustain. List price is $399 and it's a reasonable retail for this quality. Martin couldn't believe that they could put out a guitar of this quality at this price point and we're proud to offer these with remarkably nice in-house setups at just $175. Check out Aslin Dane's site here and the TL50 here. (Multiples are available; Hold 1 for: John M; Hank P; Ted (two))
B.C. Rich Style - Kramer factory - Custom-Made Lacewood Mockingbird, (pic2), (pic3). This is of interest to collectors of one-off's or other custom guitars, with an interesting history and, more importantly, a fantastic guitar in beautiful shape. One change to my initial description is a good thing - tremolo is a Kahler Steeler (Mod. 2760) that’s arguably better than the original Floyd rose (solid steel with “harmonically tuned” plate). These trems are highly sought after and sell for quite a bit on Ebay. Description: Hand-made by an ex-Kramer employee at the old factory for one of upstate NY's hottest female guitarists. Built in the late 80's near the end of Kramer's glory days with all top shelf woods and components, most notable an absolutely superb slab of Lacewood over mahogany. Not just an 1/4" veneer, this piece of Lacewood is as deep as the pickups and as shown (in this pic), encompassing the entire beveled area of the top (see arrows). The neck joint is beveled to allow easier access on the treble side, plus the whole cutaway is contoured, again, making it easier to finger in the upper register. Maple neck with rosewood board and mother of pearl diamond inlays. Excellent tremolo system with a Floyd-licensed Schaller, double locking, with a Floyd nut. Pickups are Duncans (pic) with a JB in the bridge and Jazz in the neck. With gold hardware including pickup rings, knobs, tip, etc. (pic). Includes an older pin-lined hardshell case that fits well and has been with the guitar since new. This is an extremely well made guitar and little expense was spared in building it. Playability and tone are superb and it's every bit as good as any USA Rich you'll play. It should appeal to anyone who's into locking trem guitars that rock with the best of them - but are beautiful as well. For a hand-made guitar, this one's a bargain at $950, especially with a neat story that comes with it - "when Kramer met BC Rich".
Boutique Tele Thinline by Joseph Zackus previously of Washington DC, tree-of-life inlay, one of the best flamed chunky necks ever, bound top&back, Vanzandt pickups, gold hardware, I know very little about this builder other than he build guitars in very small numbers, selling at cost at $1400
2000 Brian Moore i2P, (front/back), (headstock), (piezo bridge). Piezo/acoustic bridge, Duncans, Sperzels, and drop dead killer looks. From Brian Moore's fantastic i2000 series, which in my humble opinion, are the best quality Korean imports from any manufacturer. I've had around 10, including 4 different models, and every one was a beautifully made, exceptionally well-engineered guitar. The i2P features, most strikingly, a truly stunning quilted maple top finished in cherry sunburst. The top is not only carved, it's bent (shown here), from edge to edge, and the back is likewise contoured, making this an extremely comfortable guitar to play. Features include highly figured maple top - either flame or the more desirable quilt such as this one, Seymour Duncan humbuckers with gold covers, set-neck design, ivoroid-bound top, single cutaway mahogany body, 2-piece set mahogany neck, ivoroid-bound 22-fret rosewood fingerboard, abalone dot inlays, 1-11/16" nut width, 24-3/4" scale, gold hardware, tune-o-matic bridge with piezo saddles for acoustic sounds (uses stereo cable), gold Sperzel locking tuners, and Moore's signature sculpted headstock. One of the best setups you'll find on any guitar with extremely low action from the 1st to the top fret. For full specs, click here for Brian Moore's site. List price on this guitar is currently $1995 but this used one has barely been played and is an exceptional guitar for $850. Includes your choice of super nice Brian Moore gigbag (pic here) or an aftermarket hardshell case.
BRIAN MOORE i81: New Brian Moore i-Series: Most affordable model in the i-Series but an exceptional import in its own right. Has the same Brian Moore signature looks including sculpted headstock, sleek contoured body, and unique rear output jack of the higher end models. When BM went in search of factories to do their imports they did it right and the quality rivals many US makers in my opinion. The i81 features bolt-on neck, mahogany body with beautifully bookmatched flamed maple top, classic "iM" Alnico humbuckers, and "iM" precision tuners. All include a superb quality Brian Moore gigbag, etc. These guitars will be shipped with optimum setup, better than your local store or online superstore.
- Charcoal flametop, List $595, Sale $325 (HOLD-one for ZACH 3/3)
- Cinnamon flametop, List $595, Sale $325
- Tuquoise flametop, List $595, Sale $325
Carvin DC-200, (front/back), (headstock). Carvin remains one of the best buys on the USA guitars - especially on the used market. They're quality is top-notch but as Carvin sells directly to the public there is no retail store to take a bite of the profit. This one comes in a high gloss black finish with features that include neck-thru construction, dual Carvin humbuckers, Carvin/Wilkinson fulcrum tremolo, graphite nut, Sperzel locking tuners, Ebony fretboard with block inlays, active electronics with easy access battery door on back, indestructible stainless steel frets, and Schaller locking strap pins. The electronics suite in this one include the normal 3-way selector plus mini switches for coil splitting and in/out phase for each pickup. Excellent playability and endless choice of tones. At $529, this is a great buy on a USA neck-thru guitar. Includes free gigbag or substitute used a hardshell case available for $55.
Charvel USA Standard San Dimas 1HB, (pic2), (pic3), (pic4). Another fantastic USA San Dimas with one of the coolest necks around - the profile seems to get thinner as you go up the neck and around the 7th to 12th frets it seems skinnier than at the lower frets - just super comfortable and very easy to get around on. You may remember the snakeskin graphic I had a few weeks ago and this one is less flashy, but it's every bit as fine a guitar. One of the greatest necks of all time and more, the complete package, very reminiscent of the original early 80's Charvels on which this guitar was based. The time was finally ripe for these guitars to come back, with vintage models climbing above the $5K mark, with a huge demand with virtually zero supply. Charvel was originally a parts supply business, sort of the All-Parts of its era and starting in 1979 they started building their own guitars, essentially parts guitars from various suppliers. Within a few years they had a thriving business, eventually joining Jackson as "Charvel/Jackson", with Charvel taking care of the bolt-on models and Jackson producing the neck-thru's. The San Dimas NOS 1HB model features include Alder body, quarter-sawn Eastern hard rock maple neck with thin oil finish, early 80's pointed headstock, 1 11/16" nut width, 22 jumbo frets, 25.5" scale, compound neck radius, Seymour Duncan TB-14 Custom 5 Trembucker pickup, "NOS" brass tremolo and black hardware. These guitars are built to the same high quality specifications as the originals, including the famous "broken in" neck feel, with each being hand built using the finest wood, hardware, and pickups, to product a true Hot Rod Guitar at a truly affordable price. Many NOS (New Old Stock) Charvel parts are used, along with the newest advances in parts technology. It is, in fact, among the best playing guitars I've had with super low and even action - and the neck is the best feeling neck ever made, identical to the originals that I've played. Offered in near immaculate condition with the only flaw being some finish had started to lift on the headstock (before pic - after pic) which has been repaired such that you can only see a faint line if viewed from an angle and barely noticeable from straight on. List price for this guitar was $2099, with a street price of around $1550. If you don't mind one barely noticeable flaw on an otherwise mint guitar, save big time on this beauty. Just $1099. Includes original G&G case, and vintage style trem arm with metal tip.
Charvel Charvette 150, 1990, features a nice sounding set of pickups with a Charvel Ceramic Plus in the bridge and a Carvel high-gain single coil size stacked humbucker in the neck. These are high output pickups but the tone isn't at all harsh to my ears. Also has a Floyd-licensed tremolo system with fine tuners. Has one mod that bears mentioning - someone removed the locking nut and replaced with a plastic cover. Not necessarily a bad thing unless you like to do dive bombs. Overall this guitar is in very nice shape with a near perfect finish that shines like new. Frets are near perfect and it has an excellent setup. Compare this to the Chinese guitars you can get for $200 today and this is an excellent value at $175.
Charvel Journeyman, (front/back), (headstock). Released at the 2002 NAMM show, these are great guitars, with the vibe of the old San Dimas era Charvels, expertly crafted in Japan. Wonderful in its simplicity, as were many of the original models, finished in high gloss black with a single Seymour Duncan JB with mini-switch for single coil-humbucker selection, 24-fret maple neck with rosewood fretboard, scooped neck joint, and single volume & tone. 2-point fulcrum tremolo is ideal for players who don't want to mess with a locking system. Great feeling neck with a natural finish on the back and edges feel like they were rounded by hand - very close to the Dan Dimas era Charvels - in fact Charvel used the original neck jigs to make these necks feel as good as the originals. Exceptionally clean, other than slight discoloration to the back of the unfinished neck, and exceptional Japanese Charvel for $399.
Custom Made Mahogany Strat Head, (pic2). For the player who wants something truly unique...this is a one-off Custom made guitar. Very unique looks, top-notch parts, and quality woods. The body style is a cross between a Les Paul Single Cutaway, although with a much rounder upper bout and deep & pointy cutaway - while the lower bout is something straight out of the builder's imagination - there really isn't a comparison that I'm aware of. The neck appears to be custom built as well and is perfectly straight, featuring a rosewood board and Strat headstock. Please note that we relocated the string tree to the traditional position and plugged the small hole where it is located in the pics. Excellent electronics all around with a cool blend of Fender, Les Paul, and acoustic. Pickups are a DiMarzio DP-181 Fast Track in the bridge, Gibson PAF in the neck, and a Fishman HS100P piezo bridge for acoustic tones. Switches are 3-way selector for the magnetic pickups on the upper bout, 3-way mini-toggle near the knobs to select magnetic - magnetic and piezo - piezo alone. Control knobs are master volume, master tone, and Piezo volume (white knob). Body is one-piece mahogany (end view) which yields a very warm and full tone. Control cavity is shielded, neatly wired, and contains the circuit board for the Fishman system and 9V battery (pic here). Output jack is conveniently located out of the way, in the cutout area at the end of the body which also features a bird in flight Abalone inlay (pic here). This is a great playing guitar and should appeal to players who want a lot of versatility but, especially, want to strap on something that's truly unique and a hand-built one-of-a-kind instrument with top quality components. Very cool piece for $750.
Daisy Rock Tom Boy, (front/back), (headstock), (thin, rounded heel). Never retailed, unplayed, immaculate. Don't let the name fool you. Daisy Rocks were originally aimed for the "girl" market but there's particularly girlish about this guitar. The Tom Boy closely resembles a Tele Custom in style and function with a traditional Tele pickup and bridge plate plus a PAF style humbucker in the neck. This model has more sonic versatility though as both are humbuckers with single coil capability, each with a slider switches for choice of humbucker, single coil, or off. Pickups are very good quality Duncan Designed Alnico humbuckers. Other features include a thin and lightweight agathis body, maple neck and fretboard, 24-3/4" (Gibson scale) with a slightly narrow neck make it easier for smaller hands to get around on. Also features string-thru body construction, Grover tuners, plus dual volume controls and master tone. These pickups do a good job with a wide range of tones, from crunchy and heavy to clean and twangy. With a list of $499 the Tom Boy sells in stores for $349. This one's new, old stock, and set up better than factory for just $279.
Danelectro Hodad, (pic2), (pic3). One of the coolest guitars from Dano featuring not one, not two, but FOUR lipstick tube pickups which are wired like 2 humbuckers, with two pull-on tone knobs for out~of~phase and coil-tap on each pickup set for an amazing, 12--count 'em--12 cool tone variations. Also features dual Tone and Volume Controls, a Hard Maple Neck with Rosewood Fingerboard, Fully Adjustable Bridge with Individual String Intonation Adjustments and creamy smooth Gotoh tuners. Dano no longer makes this model and I don't get them in very often these days. This one is in nice shape and Martin is an expert at setting up Dano's so it will definitely play superbly. Good value in a totally cool and versatile guitar at $250.
Danelectro '59 DC, (front/back), (headstock). "Kool Kopper" finish. Reissue of a true American classic guitar. Even touring pro's who can afford any guitar they want frequently have one of these in their rack, ready to make an appearance 4-5 times per show. I've seen Clapton use this model as well as Dave Matthews just recently and, of course, Jimmy Page was probably the pro most associated with the '59 DC. I get in loads of '56 U-2's but rarely one of these, for reasons I can't explain, but since it's been discontinued I rarely get in any 59DC models. Specs are much the same as they were back in the 50's with a Hardboard (aka Masonite) top and bottom with plywood frame, Hard maple neck with rosewood fingerboard, 25” scale, 21 frets, taped "binding" around the body, chrome bridge with rosewood saddle, headstock painted to match body, stacked pots for individual volume and tone controls with 3-way selector, "lipstick" pickups - brass tube w/chrome plating with original formula 50’s style Alnico magnets. This is one of the later models with the improved "D" tuners, although it's pre-"Pro" model. I don't know why Dano saw fit to "improve" upon this model with the '59 DC Pro but from what I can tell the '59 Pro is a cheaper model and, in fact, less of a "pro" guitar. With the newer "Pro", gone are the stacked knobs in favor of a master volume and tone and the rosewood bridge, which gave it much of it's feel and tone is gone, replaced by regular old stamped metal saddles. If you missed this model during it's production in the late 90's/early 00's - and a "Pro" just doesn't cut it - here's a chance to get one that's near immaculate 9.9 condition with a simply killer setup - for $399 with gigbag.
Danelectro '56 U-2 in dark blue, Blue Suede, getting harder to come by since Dano discontinued all their guitars a few years ago (they're now making one model only). Player's love these, even if only to pull them out for one or two songs per set. But they set up flawlessly, are feather weight, and, hey, nothing sounds like these vintage lipstick pickups. Stacked knobs give you volume and tone on each pickup plus the usual 3-way selector. Very clean shape with barely a mark, and just a little discoloration on the tape binding. Pro setup and ready to rock for $299.
Danelectro '56 U-2 Pro, in Blueburst finish, discontinued and possibly the best bargain in a guitar that you can gig with. Original lipstick tube tone with dual pickups and dual stacked knobs (vol/tone on each). Pro model with the better tuners. New set of DR black strings and Martin's killer Dano setup. Not mint but very clean and no player's wear. $279(HOLD-Ryan 6/12) with gigbag.
Danelectro '56 U-2, cool reissue of the famed 50's model and in Limo Black this one's just like Jimmy Page's (if you don't count the number of cutaways). Incredible player with low action all the way up the neck and some of the coolest tones you'll ever coax out of a budget guitar. They haven't made this model for over 2 years and they're going up but this one's in nice shape and still just $299.
Danelectro '56 U-2, light blue, vintage vibe, superb action, and a tone that nothing else will nail. Now discontinued (Dano is only making one guitar these days), these '56's have become sought after by players and collectors alike. Some guys collect one of every color - players love 'em because they sound cool and feather weight. You can pull one out for a few songs a night and nail the lipstick tone that no other guitar can emulate. Stacked pots with a volume and tone for each pickup. Martin has been doing setups on Dano's for 30 years and he gets them playing like nobody else - if you like low action - you'll love it. Super clean shape with no issues and priced at $299(HOLD-Richard B 7/16).
Dean Dimebag Far Beyond Driven Tribute ML, an incredible guitar that's a fitting tribute to the late Dimebag Darrell, with excellent quality and top-notch features including flame maple top, a mahogany body with a set-in mahogany neck, a Floyd Rose licensed tremolo bridge system, and the classic Dean Series II V headstock with a screened collage of Dimebag. Other features include a rosewood fingerboard, cream body and neck binding, a vintage Brazilliaburst finish, Dimebag Traction knobs, a Dimebag Quad image sticker on the body, and a Dimebucker Treble pickup (bridge position). Killer setup, killer tone, a super axe all around. For complete details, check out Dean's Site. Excellent quality hardshell case is included. List price on new is $1539 but this one was collector owned and offered in mint condition for just $750.
2006 Dean USA Hardtail , (front/back), (headstock), (side), (keyring), (case). Simply gorgeous figured maple that looks great from any direction - from top - bottom - or either side. Dean called this one a quilt but I call it wide flame. Either way, it's gorgeous. This guitar is absolutely perfect, never retailed and unplayed condition. I get in just about every higher end production guitars made and this is, without a doubt, one of the finest production guitars made - with looks, tone, and playability as good as it gets. This guitar has one of the best acoustics tones I've ever heard from a solidbody electric. The Hardtail was the first guitar designed by Dean Zelinsky after his 12-year hiatus from Dean, with 3 years in the making, finally debuting at the 2001 NAMM show. Dean uses only the finest tonewoods - hand-selected mahogany with the highest quality figured maple, as well a fine Ebony fingerboard, wood binding, quartersawn neck, Abalone inlays on fretboard as well as headstock logo and model, nickel hardware with Grover tuners - Tonepros bridge - and Duncan pickups. Very nice weight and extremely comfortable to play. For full specs see Dean's Site here. If you're a fan of PRS this guitar should appeal to you - the vibe is similar and the quality is as good or better. Current list price on this guitar is $3850 and this one is in unplayed condition - at way under 50% off, just $1750 and one of the best tops you'll see on this model. Includes excellent quality formfit Dean case.
1998 Dean USA Chrome Custom ML Showpiece, (pic2), (pic3), (pic4). Here's one for the collection - one of a kind Dean USA ML with aircraft aluminum. This is the very guitar featured on page 4 of the 1998 Dean catalog, which is included with the guitar (catalog pic). Aluminum body was bolted together with recessed bolts, thus no control cavity on back, every piece is chromed and polished, one of a kind fretboard inlays, mahogany neck, original V headstock, Seymour Duncan Pearly Gates pickups, construction supervised by Ben Chafin, only one ever built. Please note that this guitar is impossible to photograph properly and you'll see many things in the finish that aren't there. In person, it's dead mint and beautiful. Let's face it, this guitar is aimed at the collector, to the 5% of the buying public for which rarity, uniqueness, and condition mean everything. To be the only one in the world with this model guitar; that sums it up nicely. Not one of 50; one of 12, one of 5. With the collector in mind, it's in all probability, the heaviest guitar I've had tipping the scales at around 19 lbs. I had a 70's Les Paul Custom once that was around 14 but this eclipses that record. It's actually a good sounding guitar with excellent resonance but for most of us is going to be more comfortable to play while seated. Original price was around $6K and this is the find of the year for a Dean collector, nicely priced at just $3000. Includes Dean case, catalog, and certificate (picture).
2006 Dean Z '79 Flame Top, (pic2), (pic3) .For the players who remember Dean back in their glory days - when groups like Heart, Kansas, Doobies, ZZ Top, etc. brought this company into the spotlight - Dean has reissued these cool axes. Built to the original specs of the original 1979 Deans which are now quite collectible and priced accordingly, the '79 series uses the Series 2 headstock, larger than the time capsule, and has the same look and feel as their predecessors of the seventies. Features include Mahogany body and Neck, 24-3/4" scale and 1-11/16" Nut, Grover Tuners, Chrome Hardware, Zebra Pickups, Tune O Matic Bridge, Set neck, Rosewood Fingerboard, Dot Inlays, 22 Frets, and dual Volume and a single Tone Control. This is one of the easiest guitars made for playing in the upper register thanks to the body style and design of the neck joint (pic here). Although these come in various solid colors and unfigured wood, you can't beat this flamed maple for "wow" appeal. This one was store priced at $529 ($749 list) but save some of your case and get this one, new-old-stock and perfect, for just $379.
Dean USA Bel Aire, (pic2), 1983, in very cool Silverburst. Shape isn't as radical as most Deans from that era but the quality is definitely there. Features HSS pickup configuration, nicely flamed maple neck, and 3+3 Dean headstock. Cosmetically, has some finish touch ups on the edges but top is nice and overall very presentable. Highly recommend for anyone with a Silverburst collection or just a good gigging guitar for less than arm+leg. $450.
Dean Baby ML w/upgrades, now offered with stock pickups OR Dimebucker and Super Distortion. Ultra-cool ML looks in a "fun-size" scaled down body - but don't get it wrong, it's a full scale and the TONE is HUGE. I love the ML because it has unique looks but is still very well balanced for an oddball body. The edges are nicely contoured, an improvement over the Explorer, V, and other radical shapes, and it utilizes strings-thru-body which is an tonal improvement over a stop bar and tuneomatic (my humble opinion). This one has been upgraded with a fantastic set up pickups, with a DiMarzio Super Distortion in the neck and a Duncan "Dimebucker" (Dimebag Darrell's signature model) in the bridge. Cosmetically, no player's wear but you can see the remnants of "System of a Down" on the back side and a Wylde sticker on front (we can probably remove if desired). Dean makes some good quality imports and this is a good example - except better than stock with $150 pickup upgrade. Here's the pro deal - $150 worth of quality pickups installed (Dimebucker and Super Distortion) at $299. If you just want it stock, get it with the Dean pickups (shown here) for just $225.
Dean Sarasota Semi-Hollowbody 12-String, (pic2), never retailed and perfect condition. I have been very impressed with the recent Deans and like the last one of these I had, an exceptionally good playing 12-string for a very good price. It also "feels" good with a small double-cut body, nice contour on the back, and deep cutaways for easy access up high. Looks wise, it's a stunner, with flamed maple top, Abalone inlay on headstock and position markers, and cream binding on body, neck, and f-holes - plus the zebra humbuckers are a nice touch. With a list of $864 you'll find these online for $549 but this one's new and perfect, pro setup prior to shipping, and just $489.
Denyle Walnut & Maple Single Cut, (front/back), (headstock), (back/neck joint), (pickups). Very unique guitar in terms of looks and design, totally hand-crafted in USA in very low numbers. I think this builder has only made a handful of guitars and the hand-built aspect is very obvious, definitely no CNC machines used on this guitar. The body shape is unique, sort of a highly exaggerated Tele style, except with rounded edges. It features a center second of quilted maple, with mahogany wings, with a set-in poplar neck with ironwood fretboard. Pickups are a Gibson humbucker in the bridge, with a P100 stacked P90 style in the neck. A striking headstock, which combined with the billowy body, bring to mind Prince's Cloud guitar, or something of that ilk, in fact I think this guitar would look great with an off-white or yellow finish. Tuners are Grovers. This guitar is the very one pictured on Denyle's site (4th one down) and you'll notice it had a different tailpiece at one time (more factory pics). Some time before it got to me the unusual tailpiece and bridge were changed to a stop bar/tuneomatic. If you look closely you'll see telltale signs of the earlier hardware but it's not very noticeable. If you're looking for something truly unique and appreciate the quaintness of a small builder, this one is priced around 1/2 of the original price at $850.
Electra Les Paul Custom with Burstbucker, (pic2), (pic3). Low action fans note - this thing plays itself. Gibson LP Customs are among the best playing guitars made; I've found that, universally, they set up better than LP Standards, other Gibsons, or just about any other brand made. This Japan-made Electra plays like a Gibson LP Custom, cut low at the nut for low action at the first fret, and since it has an excellent neck, the action stays low all the way up. Somebody loved this guitar enough to invest $115 in a Gibson Burstbucker (pic here) and although the stock neck pickup sounds good - it really shines when using the bridge pickup. Some nice features including w-b-w-b-w-b body binding, vintage style double-ring tulip tuner buttons, multi-ply headstock binding, neck binding, pearloid logo, and some great looking pearloid fretboard inlays (pictured here). I'm not sure how to date this era Electra but the "Fan" headstock and features probably make it an early 80's model. Cosmetically, the top is nice, back has it's share of scratches so if you're into cosmetics I would pass on this one. For a player though, it's an exceptional playing Paul and with the Burstbucker you get some great tone - all for $350 with gigbag. Note also: We change the neck pickup to another Gibson $75, labor included and/or add pickup covers at $10/each.
Ernie Ball Musicman Axis Sport Limited Edition, "Gravity Games" graphic but otherwise a stock Axis. These Axis guitars have the same feel as the old EVH models, nicely rounded in back - easy to get your hands around - and a very thin sealer coat that's as slick as glass but without the thick lacquer that deadens the sustain and looses its slickness when your hand sweats. Very nice birdseye maple neck with perfect frets, locking tuners, super player. All original and overall condition is really nice 9.5 with a few light body rubs but no actual player's wear. Nicely priced for a rare USA Axis at $899.
Ernie Ball Musicman SUB 1, (front/back), (headstock). Musicman quality at an affordable price. Basically a stripped down version of a Silhouette Special, the defining feature of the SUB is a textured finish is cheaper to produce, one of the primary reasons that these fine USA SUB's are such a good bargain. Features include solid poplar body, diamond plate pickguard, locking tuners, satin finished neck and headstock, single Musicman humbucker with volume and tone controls, signature Musicman 4/2 tuners/headstock, and vintage style tremolo. This single humbucker model appeals to players who only use one tone, who feel extra pickups just get in the way. Also features the locking tuners that go with the trem-equipped models. 25.5" scale with a 10" radius and a nicely rounded neck profile that Musicman is noted for - feels great in the palm. This guitar is immaculate, very lightweight, and an excellent value in a well made American guitar at $450. Includes free gigbag or used Fender/other case optional at $59.
ESP Mirage M-II, (pic2), (pic3), (pic4). Hey, I got in the bolt-on model too! This is a first - same color - same week - a bolt-on and a neck thru. Like the Mirage above, M-II's are really slowing down around here and I'm lucky to get in 5 a year anymore. This one has a different model ESP/Floyd trem than the Custom above - it's the one that takes the special trem but it's included (but don't lose it!). Like the Mirage Custom, features recessed licensed ESP/Floyd Rose, reverse headstock with black gloss veneer, plus it features a nicely sculpted cutaway for easy access to the upper frets as well as a humbucker in the bridge and slanted single coil in the neck. Jumbo frets are in great shape and this guitar plays wonderfully. These "real" ESP's keep going up as I predicted 5 years ago when I realized that the Ltd series was going to put ESP prices into orbit. Back in '02 I was selling these for $350. Looking at the cost of a new ESP, this nice one is still a good buy at $699. Includes ESP case.
2006 ESP Ltd EC-1000 Deluxe, (front/back), (headstock), (more abalone trim). The Cadillac of the ESP Ltd line and one of the most stunning guitars made. Best of all, it’s a true pro-line instrument with features such as Sperzel locking tuners, active EMG-85 and EMG-60 humbuckers, TonePros locking bridge and tailpiece, set-neck construction, and ultra comfortable with a body that's thinner than a regular LP style and nicely contoured in all the right places. Visually, it doesn’t get any better than this with a mirror gloss black finish and more Abalone trim than on any other model I've seen - Abalone adorns every edge of the top including body, neck, neck joint, and headstock. Abalone flag fretboard inlays with the model name at the 12^th fret. This guitar is immaculate with a setup that rivals any ESP I've had. With a list of $1199 these sell in stores for $839--without case--which is a bargain for a guitar of this quality. Better still, one that is dead mint, for just $599(SOLD-Kerry 8/14) with gigbag.
Fernandes Vertigo - upgraded, (pic2), These are cool guitars in the vein of the Baretta with just a single humbucker and a volume control. Every now and then we get in an inexpensive guitar that sets up so well that I feel it would be an injustice to sell it with a cheap stock pickups and tuners. Such was the case with this one. Overall exceptional condition with the exception of one small finish chip that we paint matched and filled (pic here) - and we upgraded it (upgrade pics) with a set of Gibson Kluson tuners and a new DiMarzio PAF Pro DP-151. The result is a guitar that's good enough for the pro musician who wants a killer player with nice tone and one that stays in tune. All this for just $299.
Fernandes Ravelle Elite, 2003, with Sustainer system, extremely cool higher-end Fernandes with killer looks, tone, and playability. Endorsers of this cool axe include Dave Navarro {Jane's Addiction and husband of Carmen Elektra :) }, Steve Stevens, Dave Kushner (Velvet Revolver) and Reeves Gabrels (David Bowie). It's designed for the player who loves traditional feel combined with cutting edge tone and looks. The neck carve is extremely comfortable and the cutting edge body and headstock styling are so eye-catching that you're certain to get comments from the audience. This thing isn't looks only though, with real Seymour Duncan JB in the bridge and a Sustainer in the neck - with the sustainer circuit controlled by push/push pot and mini-toggle switch. Grover tuners keep it in tune very well. Body, neck, and headstock are all bound, and the split trapezoid looks similar - but cooler - than the traditional inlays from the big G. I've had around 6 of these, all flametops, and they sell very quickly. This black one should appeal to guys who want the true dark rock look - without the flash - and it's my personal favorite of all of them thus far. Any flaws you may see in the pics are reflections as this thing is perfect. Includes an aftermarket hardshell case (not very nice shape) with foam lining and leather-look exterior. Nothing fancy but some protection. I'm working on getting in more NOS flametops but again, to me, this gloss black looks the coolest of all. $599. (Note: I can't seem to *find* this guitar...still looking around the shop for it).
Floyd Rose Discovery DST1-R w/accessories, (pic2), 2004, new-old-stock, these cool Floyd guitars now come in an affordable, quality-made import model. They use the same unique patented Speed-Loader system. Features the new Floyd Rose Speedloader tremolo bridge, 3 high-output single coils, Basswood body, and the cool, low-mass headstock that's constructed largely of "air". The best thing about the Speedloader system is string changes can be done in less than a minute - it's truly a no-brainer easy job. For specs on this bridge, click here. These guitars are very well constructed as you'd expect with anything that Floyd would put his name on - with excellent setup and quality tone. These are $399 everywhere for the guitar alone but this one includes genuine Floyd Rose accessories including gigbag, strap, picks, cable, and tools for just $389 - plus a pro-setup that's better than factory.
Floyd Rose Discovery DSF2-BK w/accessories, (pic2), 2004, new-old-stock, same basic design as the DST-1 above except in a non-tremolo model with the Speedloader Fixed Bridge with dual hot humbuckers. For bridge specs, click here. These are $399 everywhere for the guitar alone but this one includes genuine Floyd Rose accessories including gigbag, strap, picks, cable, and tools for just $389 - plus a pro-setup that's better than factory.
Gibson set-neck SG Style: Fender Squier Set-Neck S-73, as new, excellent Korean model with an eye toward the SG. The Squier S-73 is a double cutaway solid mahogany guitar with a set mahogany neck. The rosewood fingerboard has jumbo nickel silver frets and newly designed block inlays, and a 24 3/4" scale length. This guitar features two Seymour-Duncan designed humbuckers. List price on new is $726.99 but this one is dead mint with plastic still on the pickguard and back plate and ships in original factory box for just $325.
1991 G&L Asat Classic - Leo Signature, (front/back), (headstock). Beautiful older G&L in Cherry Sunburst with a lightweight swamp ash body, weighing in at a scant 7 lbs. on the nose. I couldn't find a seam anywhere on this body but after a few minutes, Martin found it but remarked what an exceptional match it was. Early features (pic) include Leo signature on upper horn, early model Leo bridge plate, white metal pickguard, and short stubby knobs; nicely figured rosewood board. This guitar represents the evolution of Leo's Telecaster and Leo-era G&L's are becoming more highly prized as the years go by. Exceptionally clean condition with just a minor finish dimple on the clear coat on top, no buckle scratches or other wear and even the metal pickguard barely is scratches. This guitar has obviously been very well taken care of since new and is a fantastic older Asat for just $1099. Includes original Fender-style Tolex case with leather ends and white piping.
1998 G&L ASAT Special with Rio Grande's, (front/back), (headstock/neck), (case/acc). Special order with G&L tremolo, large neck, locking tuners, and best of all, just a killer look with Blue Metal Flake finish and mirror pickguard. This one has also been upgraded with a fantastic sounding pair of Rio Grande Asat pickups. In addition to tone and looks, this thing plays like a monster and if you're a fan of chunky neck, this one is just huge, with a baseball bat soft-V shape reminiscent of a mid-50's Fender. Has seen very little playing time and offered in exceptional condition and after Martin did some of his magic, it's one killer player. For some of you Tele fanatics, this is the ultimate Tele style, especially if you're looking for a little flash to go along with your twang. This one won't last long...just $1099. Includes G&L Case.
G&L Invader, (pic2), (pic3), 1987. One of G&L's excellent rock guitars, introduced around the same time as the Rampage and Superhawk. The Invader features the fashionable features of the SuperStrat era, HSS pickups with a pair of G&L "Magnetic Field Design" (MFD) single coils and a Schaller humbucker in the bridge - with each pickups having its own on/off switch to allow any combination - plus the obligatory locking tremolo - in this case the Patent Applied For Leo Fender locking trem with fine tuners and similarly unique PAF locking nut (pictured here). This is a unique tremolo and apparently very rare since I've had well over a dozen 80's G&L's and this is the first one I've seen. Color is Dakota Red with matching headstock and the desirable Leo Fender signature under the logo. At 20 years, this guitar is officially "vintage" this year but other than a few careless finish chips, this guitar has seen very little actual playing time as evidenced by near perfect frets (pic) and very little in the way of wear. Martin did a good setup on this guitar and has it playing well and with these pickups there's some excellent tone going on here. For a vintage USA guitar, there are few with this kind of quality at this price. Just $629 with gigbag or I can find a hardshell case for an additional $49 if desired.
G&L Climax Plus Super Strat Style, (pic2), 1994. This is a rare one from G&L, with a brief run of only 3 years, '93 to '95. Back when everybody had to have a SuperStrat, this was the G&L model. Features include Ash body similar in design to a Jackson, HSH pickup configuration with a 5-way switch, and double-locking licensed Floyd Rose tremolo that works great. When this model was discontinued in ca. '95, a similar model, the Invader, resurfaced in '97. Like all G&L's of the era, it's and extremely made USA guitar with quality parts and perfect fit & finish. The gold metallic finish isn't overly thick with minimal gloss applied, letting the guitar breath for better resonance. Exceptionally clean condition, one of those "in the closet" guitars, with an excellent setup. Many of you already believe, and for good reason, that Leo's later company, G&L, built guitars that were better than Fender was building. This model listed for considerably more than a USA Strat from that era and in my opinion, is a sleeper and a real bargain in USA rock guitars. Own this one for just $650. Includes original case and trem arm.
G&L Tribute Will Ray Signature, (front/back), (headstock), 2005. Starting with the Asat Z-3 as a starting point, G&L designed this model to Will Ray's specs. As you probably know, Will makes up one-third "The Hellcasters", a trio of blazing lickmasters whose combined styles makes them one of the most unique guitar bands ever. The Tribute Will Ray is a super quality import and since G&L uses their USA pickups and bridges on these guitars, the tone is more like a $1600 guitar rather than one costing 1/2 that much. Specs include WR spec over-wound middle and bridge pickups with extended-length pole pieces for wider bobbin aperture, 5 position pickup selector plus push/pull tone pot to enable neck+bridge or all 3 pickups together, lightweight Swamp Ash body finished in Clear Orange, Hard Rock Maple neck with Rosewood fingerboard, medium 9" fingerboard radius, 1 5/8" at the nut, G&L Saddle Lock bridge, and 18:1 sealed-back tuners. One thing that isn't spec on this guitar is the Hipshot B-Bender has been removed, and for some of you it just got in the way anyhow. The only remnants are three small plugged holes on the butt end of the guitar (pic here). Otherwise, this guitar is cosmetically perfect, with an absolutely killer setup. One of the best sounding Tele styles I've heard and with 7 choices of quality tones, it's a sweet axe for $579(HOLD-Ted). Includes a super quality G&L gigbag and paperwork.
Godin SD, (pic2). Love these Godins. Excellent quality guitars all around, made in North America, and very reasonably priced. This SD appears to have seen little to no playing time and is in perfect shape. Killer setup, nice sounding Godin HSH pickups, and comfortable to play. Maple body is contoured for comfort and the Gibson scale is great for string bends - especially with a flat 12" radius fretboard. Finish is a black with a little metal flake in it - don't know what it's called. Excellent guitar for the money at $265; beats the heck out of a fancy Chinese model at around the same price.
Godin G4000, USA, excellent tone via humbucker and two singles, Schaller deluxe tremolo block, Grover tuners, nice trans-blue finish on a body that’s somewhat reminiscent of a Jaguar, excellent player and nice tone, the G-Series Godins are excellent quality and when you buy used they’re perhaps the best bargains on the market, $275
2002 Godin Multiac Jazz SA - three voice, (pic2), (pic3), (pic4). Electric - acoustic - synth - does it all - and an Imminently versatile jazz guitar, combining killer looks, tone, and playability. Folks, the flame doesn't get any better on these - Gibson would call it a 6A; PRS would stamp it "11" - and it's not just a thin veneer as you can see the thickness on the side shot. As nice as it may appear in the pics, it's even better in person. Okay, enough about looks. At first glance the Multiac Jazz has a familiar look, with its single cutaway, chambered body adorned with traditional F-holes and the Godin GJN1 humbucker at the top of the fingerboard. Your first clue is the slotted headstock and preamp controls on the upper bout - indicating that the Jazz is not your traditional Jazz box. Each saddle in the bridge is an independent transducer, supported by an onboard preamp and graphic equalizer. This system can be used on its own or in combination with the neck pickup, opening up a world of sonic possibilities. Also includes a hexaphonic output from a 13-pin connector that provides direct access to Roland GR Series synthesizers and other Roland V-Guitar products.. A substantial feel, and at 9 lbs. this doesn't feel like many of the wimpy hollowbodies on the market. Fantastic neck with Ebony fretboard, Super flat (16" radius) and wide 1 11/16" fretboard will feel comfortable to classical players, shredders, or players with large hands. You're going to pay at least $1899 ($2391 List) for a new Multiac Jazz, but I'll bet it won't be as nice as this one. Be smart, for just $1299 you can have one that you KNOW is absolutely s-t-u-n-n-i-n-g in *perfect* condition including, Godin hardshell case (includes manual and nice strap with strap locks).
Godin Solidac Leaftop 2 Voice - with Acoustic Bridge Tranducer in "Light Burst", 2002. (pic2), Fantastic acoustic/electric that combines the sound of magnetic pickups with a quality Baggs transducer system for acoustic sounds. Has the versatility of a humbucker-single-humbucker pickup configuration along with a transducer-equipped tremolo bridge. Individual outputs for the magnetics and the bridge, with the bridge output doubling as a mix out for both signals when used alone. There is an internal preamp voiced to provide excellent acoustic sound when used with any full range system and it produces very good acoustic tone even when plugged into a regular guitar amp. These are exception guitars for the money and provides the same hand-finished quality that is a standard feature in every Godin. Wide and flat fretboard that's 1 11/16" at the nut with a 16" radius. Quality locking tuners. These sell on the web for $699 with gigbag but this one is perfect, includes quality Godin hardshell case that fits like a glove, and is $150 less at $550. If you' haven't tried Godin for a stage guitar, you're missing out. Incredible features, looks, and versatility at a killer price.
Godin Solidac Two Voice, 2003, covers the ground, and quite nicely, from acoustic to electric, and is an excellent stage guitar. Godins are among an excellent value as the quality is equal to guitars at twice the cost and many of our customers have recently become new Godin fans. The Solidac combines the versatility of humbucker-single-humbucker magnetic pickups with a bridge transducer system, courtesy of LR Baggs, for acoustic sounds. Individual outputs are provided for the magnetics and the bridge, with the bridge output doubling as a mix out for both signals when used alone. There is an internal preamp voiced to provide excellent acoustic sound when used with any full range system and it produces very good acoustic tone even when plugged into a regular guitar amp. The Solidac provides an exceptional two-voice guitar, with hand-finished Godin quality in a remarkable price and this mint used one is just $SOLD. Includes excellent quality Godin gigbag.
Godin Radiator, USA made from Canadian parts, cool vibe, cool tone, nice playability, nice axe and very near mint for $275
Godin SD HSS, 2004, assembled in the USA from parts hand-crafted in Canada, nice sounding Godin pickups, excellent playability with a fast 24-fret neck, good selection of single coil and humbucker tones via 5-way selector. Very clean with no scratches except on pickguard and no fret wear. One of the best quality guitars in this price range, $259 with a nice gigbag or $275 with hardshell case.
Greco "Device" Jackson Strat Copy, 1985, (pic2), a shredder's dream guitar with action so low it makes you laugh like a small child. Excellent Japan model that was made for Japan distribution and not imported from what I find. Cool color, Salmon Pink, which was a Fender custom color back in the 60's. The body (pic here) is a dead knockoff of a San Dimas era Jackson with an identical small control plate and identical contours. Features real Kahler tremolo and superb sounding pickups (pic3). I don't know what model the pickups are but they're Duncan style with large pole pieces and a brass band around the sides if that helps to identify them. All three pickups sound great. Controls and knob layout is Jackson all the way, with volume and tone mounted straight across, with three 3-way mini-toggles (one for each pickup) to select humbucker-single-or off. Bound 24-fret neck feels great and is thinner at the nut that most metal axes. Also features black hardware, Grover tuners, and football output jack which is another Jackson touch. I would hold this guitar up against any USA made during this time and, trust me, the action is as low as it gets. It's in extremely clean, collector's condition, with no flaws of note. A sweet metal axe that's a rare find in the USA, for $499. Free gigbag or take a form-fitting Charvel chainsaw case for $35 with 3 of 4 latches intact.
2007 Gretsch G6121-1955 Chet Atkins Solid Body, (front/back), (headstock), (leather trim). "As new" condition. Now that Gretsch has the Chet Atkins name again they've revamped almost their entire line. This Chet Atkins Solidbody is one of the new models. Loaded with Gretsch Western vibe, from the iconic "G" brand, to the cactus and steer inlays, to the leather studded binding - everything you love about the original 6120 in a solid body form. Features include semi-hollow mahogany body, arched laminated maple top, 1-piece mahogany neck, 22 fret rosewood fingerboard with aged inlays of wide-block pearl cactus, steer heads & fences, 1-11/16" nut width, 24.6" scale, Western style tooled leather side-body trim accented with aged furniture tacks, "G" brand on body, inlaid aged pearloid steer head & Gretsch logo on headstock, 2 DynaSonic single coil pickups, 3-way toggle switch, 2 volume, 1 tone & master volume controls, arrow knobs, Bigsby B3GBVN tremolo tailpiece, Grover vintage style Sta-Tite tuners, Bigsby compensated bridge, and gold hardware. Sells on line for $2500 ($3575 list) but this one is flawless, new in the box condition with a killer setup for just $1950. Includes vintage style Gretsch case, also with western trim, with velvet lining and Gretsch banner inside, as certificate, tags, manuals, etc.
1999 Hamer Artist Mahogany HB, (pic2), (pic3). Another great example of Hamer's fine craftsmanship. Whether building solidbody LP styles such as the Studio's I posted 2 weeks ago, or hand-crafted semi-hollowbody's such as this Artist, Hamer is clearly one of the finest USA guitars today, with prices comparable to companies who are rushing production and selling guitars strictly on their old reputation. Hamer still builds them the way they always built them, namely with strict quality control to ensure that only quality products leave their factory. The Artist Mahogany features a semi-hollowbody archtop crafted of quality Honduras Mahogany with excellent sustain and a warm, round tone, accented by a pair of Seymour Duncan '59 pickups. The neck set, as always, is perfect, allowing a beautiful setup with low action all the way up the neck. This model sells new for $2K but this one is collector-approved mint condition, imminently playable, and only $1399. Includes very tidy original case.
1981 Hamer Special, (front/back), (headstock). Early Specials are among the most desirable guitars from Hamer, as are most other Checkerboard logo models. It's a very hot players, with a smoking pair of DiMarzio's and a very pleasing flamed maple cap over mahogany body. As most of you know, Hamer started out in the 70's making Gibson style guitars the way Gibson *used* to make them. Following the decline in Gibson quality after Norlin bought the company, Joel Danzig recognized that there was still a strong market for Gibson style guitars but no where to turn if you wanted a new one. During this "dark" period of the 70's where quality control suffered among most of the major brands, Joel started building guitars with quality as the top priority, rather than keeping up with orders. While many Hamers are loosely based on Gibson designs, many are sort of a conglomeration of several models. The Special, with it's mahogany/maple body with dual humbuckers has its roots in the Les Paul Standard line, while the symmetrical body with its flat top and double cutaway design is an obvious nod to the early 60's Les Paul Special. Danzig wasn't merely making quality copies though as evidenced by a bridge of his own design, strings-through-body, 3-in-line controls, and unbound mahogany neck were features not found on any Gibson of this type. Sorry for the long preamble; about this guitar... This baby has seen its share of playing time, used but not abused, with no breaks or repairs. It does have its share of normal honest wear including a few minor finish ships and light arm wear as well as some buckle rash on the back that isn't through the finish. Appears all original except for one saddle replaced with a similar brass saddle (shown here); original chrome saddle needs a frozen height screw drilled out. Maple cap is nicely flamed and it presents a nice appearance overall. Frets have been slightly dressed at some point, but it was done right with a nice, round crown and this guitar's perfect neck angle and straight neck make for an excellent setup. It is an excellent player with quality tone and cool vibe. At $899(multiple buyers - answering in order), this is a good value in a Checkerboard Hamer, whether you're a collector, or just want a great guitar to gig with night after night. Includes original Hamer case.
2002 Hamer Artist Ultimate, (pic2), man, this is as nice as it gets - they don't come any more tricked out than this beauty. Collector owned and dead mint condition. Killer quilted maple over a semi-hollow mahogany body, gold hardware, and most impressively, the entire top, neck, and headstock are adorned with genuine mother-of-pearl inlay. These pics do not show all of the 100's of individual pieces of inlay, and it looks very bland in the pics. This was a limited edition model, numbered 36 (of 250 I believe). A superb player with a thin, fast neck with Ebony fretboard and mother of pearl trapezoid inlays. Weights just 7 lbs. I've been over this guitar closely and it's flawless without a hint of use, and the construction is so far over Gibson it's not funny - you Hamer fans already know this. Includes original brown alligator case with crushed brown lining. Includes real mother of pearl Grover Imperial style tuning pegs ($300 discounted price). Original list on this guitar was $6000, discounted to $3600-$4200, or $3900-$4500 with these MOP tuners, depending on where you shop. As a second-hand owner of this guitar, you can let the first owner take "the big hit" and this beauty and have this beauty "as new", priced at $1300 less than the best new price. Only $2600 or if you want the original plain tuner buttons, $2500.
2004 Hamer USA Special Korina Jr., (front/back), (headstock). One of the finest Juniors I've had - vintage or reissue - and the Korina wood works very well with a single P90. As some of you know I'm a huge Junior fan. The simplicity of a single pickup (Duncan P90) and wraparound tailpiece (intonatable) to me is perfection. Not just a one-trick pony, a good P90 guitar is capable of different tones by backing off the volume to clean it up, or roll back the tone for a very fat, almost humbucker, tone. These are made with all solid Korina, both body and neck, and in addition to being a very attractive wood, it's more articulate than Mahogany. For full specs, click here for Hamer's site. List price on this model is currently $3400, discounted to around $2300. This one is immaculate, with a low setup that will please any player, and a sweet deal on a beautiful Korina at just $1499. Includes original case, certificate of authenticity, and tags.
Hamer Special Slammer, just your basic all-mahogany guitar but, man, what an incredible player. Very thin profile neck with low action at the nut - all the way up the neck. I've been playing this guitar for a few days and I hate to let it go. Unique neck joint where the neck fits in like a set neck, but is actually a bolt on. Good sounding humbuckers and overall excellent condition. Best playing guitar I have in stock for under $350 and just $199.
1996 Hamer Artist (Studio) GATASO, (front/back), (headstock). A real stunner in Honey finish - solid maple top with beautiful flame (top) in beautiful condition. The Artist Studio features an offset double cutaway mahogany body with sound chamber, carved bookmatched solid maple top, mahogany neck, single f-hole, 22-fret neck, Wilkinson hardtail wraparound bridge, Schaller tuners, and a great pair of pickups - Seymour Duncan Seth Lovers. Extremely clean condition with the worst flaw being a little milky clear coat on the edge of the fretboard, which is a common flaw on Hamers but overall a solid 9. List on a new Artist Studio is $3300 which makes this a pretty good value at $1350. Includes Hamer case.
2005 Hamer Sunburst F/T, new-old-stock and perfect. This guitar "fell off" the site sometime in the past 2 years and I just discovered it. The Sunburst Archtop, from the XT series, is patterned after the top-of-the-line Hamer USA Studio, with set neck, carved maple top with ivory binding, mahogany body and neck, Tune-O-Matic style bridge. Pickups are Hamer humbuckers with chrome covers. With a list of $539, these sell in stores for $359 but this one will be set up better than a neglected in-store guitar, is in perfect condition, and $100 less at just $259(HOLD-Ted 5/14).
2003 Hamer SATF, (pic2), (pic3). A higher end version of the Sunburst F/T above with primary difference is Korean manufacture on this model as well as excellent sounding Duncan Designed humbuckers, and a one-piece neck without scarf joint, which is a more expensive way of building a guitar. A killer setup and an excellent value for a set-neck, dual humbucker archtop. List price was $849, discounted to $499 in the stores. This one has never been retailed, is immaculate, and an excellent quality import for $329(HOLD-Ted 5/14).
Italia Monza, (picture 2), with detachable amp pod, coolest vibe ever and a very well made guitar, vintage look gold sparkle finish with raised triple layer edge binding, tortoise pickguard with matching headstock overlay, Wilkinson tremolo, most remarkable is the 9V powered detachable amp pod—snap it in place and you’re ready to jam at the beach or put out your tip jar at the corner of 4^th and Park, it is seriously a well-crafted guitar with killer looks, nice setup, and good tone, super clean shape, $399.
Jay Turser Hawk 12, (pic2), (pic3). Simply beautiful playing electric 12 string. When this came in the factory setup was, well, painful, especially on barre chords. 45 min. on the bench and a proper neck angle and it plays as good or better than most Rick 12's now. With dual humbuckers, 3-way switch, and a coil tap switch for either pickup, this baby is capable of a lot of tones and the stock pickups actually sound pretty good. Another nice feature is the 24-fret neck that's engineered to allow easy access to the top frets. Black finish is a semi-gloss, but not satin, and it's cosmetically in beautiful shape, although there is a "2" on the back of the headstock indicating a cosmetic flaw for a reason we don't know. This is one of those inexpensive guitars that sets up like an $800 guitar and combined with it's overall excellent condition, makes it a good buy at $229 with gigbag. Every player needs and electric 12 for one or two songs per night and here's a very easy way to cover that need, without spending a fortune.
Jay Turser JT-55 SG Special Copy, (pic2), (pic3), (pic4). Here's excellent proof that you don't have to spend $500 to get a superb playing guitar with quality tone. When this came in it was a mediocre player, probably stock factory setup but with a little tweaking and we've got this one playing as nice as most of comparable Gibson models I've had. I thought about putting some DiMarzio's in here but after playing it for over an hour, I really don't see the benefit. These stock soapbars sound excellent. Notes ring true with none of the "ghost" notes you sometimes get on high gain settings. Nice lightweight feel, Abalone dot inlays and headstock inlay, good quality hardware, and perfect high gloss black finish. At $239 this would be a good value for any type of guitar but for a set-neck model, that's truly a remarkable deal on a guitar that plays and sounds this nice.
1960's Kay SG Copy, (pic2), (pic3), (close-up). From the electric guitar boom in the 60's when copies of Gibson and Fender were flooding the country like locusts. Many of them, such as this Kay, did a pretty good job of copying the look if you don't look to closely, but upon closer inspection you'll easily see that they aren't particularly nice instruments. Other makers, such as Ibanez, were building very good quality guitars during the timeframe, guitars that had the look AND quality. With a plywood body and multi-laminate neck, this guitar wasn't built for the accomplished guitarist and while it's not a killer player the tone is actually pretty cool and these "wide-slice toaster" pickups have a unique tone and even if you don't make this your #1 player, the pickups and Bigsby style tremolo and Gretsch-inspired roller bridge are worth the money if you want to build your own project guitar. A quick look around the web indicates that this is a higher end model compared to this "K-1" which is a single pickup model without the tremolo, unbound neck, dot inlays, no white trim on headstock, and single piece pickguard. This guitar had a badly cracked control plate pickguard but Brian hand cut a new one out of single ply plastic and it fits perfectly and looks good. The other pickguard with the Kay logo is original and intact. This isn't the greatest neck ever made and because of that it's only going to be a fair player with medium action and buzzing in spot - or we can set up with high action and no buzz. Want to play slide? No problems there. Overall condition is good with the top being much cleaner than the back. If you look at the woods, hardware and electronics, you'll see similarities between this Kay and certain Teisco, Kent, and others. A single factory in Japan would crank out 100's per day, and would be branded appropriately. If you're a collector of off-the-wall guitars, it's right up your alley and while prices on many of the obscure Japan models have gone way up, this one is still very affordable at $175 and, again, worth it in parts alone in my opinion.
Jon Kammerer "Iris Special Edition", (pic2). All Kammerer's are rare but this one is #2 of only 2 made of this model - the result of a joint project with GuitarX that fell apart after the 2nd one. Completely hand-made and the difference in a hand-made guitar will strike you as soon as you pick it up. Absolutely incredible attention to detail and Jon's construction techniques are very innovative, yielding a very comfortable and tunefull guitar. Super thin body - but a nice thick piece of flamed maple on top - Neck is superior to most anything out there and no scarf joints or finger joints here - one piece my man. If you're unfamiliar with this maker, check out his site here: http://www.jonkammererguitars.com/. A current, similar model, without the Ltd. Ed. factor and the inlay, retails for $3250, discounted to $2250. If you want one of the best hand made guitars I've played in a long, long time, buy this one, for just $1599.
Les Paul Copy by Karera , nicely flamed maple top, set neck design and a very cool sculpted heel that allows easier access than any other LP I've played. Gold hardware, good sounding humbuckers, and absolutely new condition with protective film still on the plastic and a nice playing guitar for $199.
OLP MM-1, cool looks with an interesting figured maple top with 3-tone sunburst. Super value in my opinion and licensed by Musicman, the OLP MM-1 has the look and feel of the EVH or Axis at around 1/4th the price. Great feeling natural neck with a very rounded profile and custom contoured radius – fans of Axis, Wolfgang, and EVH models will find it immediately familiar. 4+2 tuners on matching headstock, good sounding humbuckers that are mounted right to the body, full bound body, vintage tremolo. These list for $299 and are the best value around in my opinion. This one is in perfect shape, set up to super playability that's better than factory, and just $179
1977 Ovation Viper, (pic2), this are very cool guitars and one of the best values in vintage USA solid bodies. The Viper is one of Ovation's less radical solidbodies, coming from the company that produced whack-o models like the Breadwinner and Deacon. The Viper is loosely based on a Les Paul style, featuring a single cutaway, large mass Schaller bridge with brass saddles, huge radio-type knobs, and a pair of single coil pickups, with the bridge pole pieces in a stair-step pattern. This one also has a very nicely flamed maple neck (headstock&fretboard). This guitar has seen its share of playing time with normal player's wear plus a worn area on the arm area on the front, plus pickguard has a piece glued on (both pictured here) but it does include a new pickguard that you can install if desired. Again, the Viper is one of the best values in an extremely well built American guitar, perfect for the player who's looking for his/her own signature tone and look. Good player with cool tone and at $575, a good deal on a 30-year old USA guitar. Includes original Ovation case in rough shape.
ca. 1964 Panaramic Triple-Cutaway, (front/back), (headstock, 3-pc neck, low action), (bridge, pickup, 3rd cutaway). Very near museum condition - Italian design at its best. It's been a while since I've had any cool old Italian guitars in stock, other than a few vintage Vox's which are in a different category altogether. Vox rose to great fame through some major artist endorsements, such as Paul Revere and the Raiders, appearing daily on "Where the Action Is". While Vox may have stolen the limelight, there were many other Italian brands, which never got the publicity they deserved. Guitars such as this Panaramic, made by the Crucianelli accordion company, which also made guitars bearing the Vox, Elli-Sound, Elite, Tonemaster, etc., are very well crafted with quality components and, inevitably, feature some cool innovation and/or pure wackiness. This guitar sounds great, looks as cool as any Fender surf guitar from this era, and the setup in absolutely incredible with remarkably low action and a excellent neck. One of the quality features of this guitar is the neck joint, which is so tight fitting it looks more like a set neck, as if you could remove the screws and it would stay in place. A precision fit like this is an indication of the overall quality craftsmanship on this guitar. Controls are simple on/off sliders for "All, Treble, Bass, Off" with a master volume and master tone. Good quality nickel tuners with nickel buttons and treble clef engraved on the back, zero fret, 21 fret neck, near immaculate sunburst finish that is close to Fender's Sienna Sunburst, with a transparent yellow finish in the middle, with brown on the edge - neck and headstock have the same sunburst finish, bound neck, bound headstock, raised metal logo over headstock veneer. Overall this guitar is exceptionally clean, especially for 40+ years with around 4 major check lines on the back and a few smaller ones on front, but in terms of actual player's wear this guitar looks like it was played for a month or two after the Beatles first appearance on Ed Sullivan - and then put away in a closet, where it stayed until last week. Remarkably, this guitar has action that rivals any high-end guitar you'll find, with a perfectly straight neck, obviously, that will sustain this type of setup. Fetishguitars.com has some great info on vintage Italian guitars such as this Panaramic (link to identical model), with loads more info including this page (click here) dedicated to similar triple-cutaway models built under Panaramic, Ellis Sound, Crucianelli, etc. definitely worth bookmarking it. This guitar is obviously of interest to collector's of Italian or European vintage guitars but I could see a player making this their main stage guitar and to that end you would definitely break out from the masses of Fenders, Gibson, and their clones. Fabulous guitar in all regards, better than nearly any Vox I've ever had, but priced less. Just $599 for this beauty.
2002 Peavey EVH Wolfgang Special FMT TR, (pic2) (maple binding). This is the only one of these I've ever seen, and it's just been traded back in after a long absence. Very rare Special FMT in *black*. At a quick glance you'll think it's just a regular Special but the maple binding is a dead giveaway and this guitar in fact has a maple cap. Offered in mint condition - even the unfinished maple neck is clean - and 100% original except pickups were changed to Seymour Duncan Phat Cats, which are P90's fit in a humbucker route - and then we changed back to EVH pickups, although now with pickup rings. Also includes a white Tone knob and tip (installed) EVH style, but the original black Vol knob and tip are in the case. It sounds absolutely amazing, but I'm a big P90 fan. This is probably the most rare EVH Special I've had and the new owner will be delighted - as if they went back 6 years and bought a brand new guitar. At $1099, it's nicely priced for a such a rare and pristine Wolfgang. Shown in this pic with the Phat Cats installed as well as Wolfgang case, inspection sheet, manual, etc. Offered with your choice of EVH or Phat Cat pickups.
Peavey EVH Wolfgang Special NT - Black, (front/back), (headstock), (case). Killer playing USA Wolfie and Eddie fans note this has Ed's preferred eyehole hooks for strap pins. Has the typical discoloration to the unfinished neck which we can steel wool but it comes back fairly quickly. Overall excellent condition and one of the nicest players you'll ever see. A lot of players prefer these hardtail models (NT = Non-Trem) and from a design standpoint they're definitely built right, with the bridge and tailpiece recessed, actually fitting against the body. Likewise, the pickups are screwed right into the body rather than being suspended from plastic pickup rings and the headstock is designed for straight string pull from the bridge to the tuners. These things equate to more sustain, which is one of the main reasons these guitars sound so good. All original except for strap pins and gold speed knob, which we can change to the stock Strat style if desired. Includes original case in good condition. This one's just $675(HOLD-Fritz R).
2002 Peavey Custom Shop Wolfgang, (pic2), (pic3). Here's one for the collectors, a one-off Custom Built, offered in pristine condition. This actual guitar was featured on Peavey's web site as an example of the variety of graphics their custom shop was capable of doing. What immediately strikes you is the custom finish, blue and green stars on a field of black but look closely and you'll also notice the fretboard...it's Rosewood, which was another custom option that was featured on only a handful of Wolfgangs. You'll be tempted to gig with this guitar since it's an absolute killer player, but there's definite investment potential on Wolfgangs, especially custom built models such as this. It's definitely the rarest Wolfie I've had, among the 50 or so I've sold over the years and it would look extremely cool under the stage lights. Be the only kid on the block - or in the world - with this custom Stars finish. This is truly one for the player who wants something that's truly unique, and it's priced accordingly. $1699. Accessories include Wolfgang case, fretboard protector, check list, manual, warranty, tools.
Peavey EVH Wolfgang EXP, 2003, only the 2nd Exp model I've had and it's a great guitar in it's own right. Beautiful quilted maple veneer top and the rest of the Wolfie features you know and love including nicely rounded neck with wheel adjustment at the base, double-locking Floyd licensed tremolo, D-tuna, and great sounding Wolfgang humbuckers. This guitar is mint and could be sold as new. Like all Wolfgangs, they've gone up almost monthly since Eddie's contract expired and they had to quit making them, but this beauty can be yours, with original Peavey case, for just $650.
1999 Peavey EVH Wolfgang Special, USA, Purple. For those of you die hard Seymour Duncan fans - here you go! Just upgraded with a new set of Seymour Duncans with a TB-4 (JB Trembucker) in the bridge and SH-2N (Jazz) in the neck. Other than the Duncans, this Wolfie is 100% and is in exceptional condition. Setup is superb and, tonally, probably more versatile than stock. If you're one of those players who puts Duncans in all your guitars, you just saved $140 in pickup upgrades with pro installation by Martin. A fantastic USA Wolfie for $675. Includes a clean rectangular Wolfgang case.
Peavey Raptor Strat copy, good quality Strat copy in nice shape, nice set-up and highly recommended for a beginner - or skilled player who wants a good playing 2nd guitar, $145
1995 Rickenbacker 330-12 TUR , (pic2), (pic3). I can't believe it, 3 Turquoise Ricks in the past month. As Ricks are getting harder to find, I'm not only finding a few, but finding them in this rather rare finish. You know the specs - and nothing sounds like a Rick 12...nothing. If you want to play the Byrds, Beatles, Petty, etc., you need one of these. Anything else is just an imitation. This one's in nice shape overall, with just a few minor finish dings on the edge (as shown here). Includes vintage silver Rick case and a sweet playing 12 for $1450(Hold - Collin 3/24).
2004 Rickenbacker 360FG, (pic2). True classic from Rick in the popular Fireglo finish and if you don't want to wait 18 months (some models are up to 3 years) for one to be built, this one is "as new", absolutely pristine, without a hint of use. Ricks continue to go up on the used market mainly due to the insanely long lag time on new ones. Some players rather than wait go with a different brand but nothing will scratch that Rick itch - nothing sounds like it nor has the vibe. You know the specs - hollowbody design, all maple, "Rick-o-Sound" stereo outputs, comfortable round contour around body, dual truss rods, Master presets for volume and tone, bi-level pickguards, and triangle pearloid fretboard inlays. If you want a new Rick, good luck finding one. This one could be sold as new and is available right now. $1499(HOLD-John B). Includes Rick case and paperwork.
2007 Rickenbacker 360/12 Amber Fireglo, (front/back), (headstock), (case/acc.) Another collector-approved 2007 Color-of-the-Year, Amber Fireglo. Untouched condition - totally immaculate - set up to perfection. From the Beatles, to the Byrds, to Tom Petty, and countless others, the jangly Rick 12-string tone is unmistakable. They fit in the mix like no other guitar and stand out regardless of any other instruments that are accompanying it. It's no accident that this happens to be the most popular electric 12-string ever made. The features that you know and love - all maple construction with set-in bound maple neck with semi-acoustic maple body, rosewood fingerboard with triangle inlays (nicely aged on this one), "R" tailpiece, high gain single coil pickups, and choice of mono/stereo (Rick-O-Sound) outputs. Includes original Rick case, strap, paperwork. New Ricks continue to be on back order for up to 3 years for some models and most are sold by the time they get to the dealerships which has started a retail phenomenon on Ebay - non-authorized Rick dealers selling "new" Ricks on Ebay at or near full list price. List on a new 360/12 is $2939 and I don't think there was an upcharge for this color. In these days when new Ricks are hard to come by, this one is "as new" and nicely priced at $1929(HOLD-John B 6/30).
Schecter USA Custom Shop "Vargas Girl" Tempest, (front/back), (headstock), 2003. Here's another one for the discriminating collector - a one-off created for the 2003 NAMM Show with a hand-painted masterpiece by Chris Compston featuring his rendition of the Vargas Girl (close-up). The original Vargas Girls rose to fame in WW-II as very risqué' (for the time) pin-ups, serving as a morale booster for troops serving overseas. The artist for which these type paintings have become synonymous, Alberto Vargas, was never given the true credit he deserved. His pictures, taped to the inside of countless lockers, or kept in shirt pockets and unfolded a thousand times, served of a constant reminder to the troops of what they were fighting for: freedom and beautiful women. Okay, on to the guitar... Made in Schecter's Burbank CA Custom Shop so it's an impeccably made guitar in its own right, and the fact that it was a NAMM show display model is further assurance that it was checked out very closely before it was presented to America's musical instrument dealers. Specs include: Solid Mahogany body with TV finish, bolt-on 22-fret maple cap neck with jumbo frets - one piece with NO scarf joint, 12" neck radius, 25.5" scale, Tempest 3/3 headstock with Sperzel locking tuners, bone nut - 1.673", neck width - 2.032" at 12th fret and 2.193" at end of fingerboard, Wilkinson bridge/tailpiece - adjustable, Seymour Duncan pickups - P-90-1B and 1N, and dual volume with master tone. This is an excellent playing guitar with a very meaty tone, without the usual noise level associated with P90's. Another observation - the tone control on this guitar is very effective. Rather than on/off, the way most tone controls seem to work, this one affects the tone in a more dramatic fashion, with a differentiation in tone at every number tone control changes at every I've always been a fan of the single wraparound tailpiece, despite their usual shortcomings, because they are perfect for string muting and just feels "right" with my right hand resting on it. Unlike the old style wraparounds though, this one features intonatable 2/3rd string and 4/5th strings, allowing for near perfect intonation. Offered in immaculate condition, other than a few scratches on the pickguard which we can probably buff out if desired. Includes Schecter certificate and hang-tag, showing it's selling price as $3495 (shown here). This is a cool find for the collector looking for the truly unique, one of a kind guitars - but at this price - most players can afford this and actual make it a working guitar. Just $1799 and includes original Schecter/G&G custom-fit hardshell case (picture).
Schecter Omen-6, 2001, Electric Blue, body very similar to my USA Sunset Classic with sleek lines and carved top, features straight-ahead setup with dual humbuckers, 3-way switch, tone, volume, stop-bar with tune-o-matic bridge, mint condition with plastic still on back plate, quality Grover tuners, looks-sound-plays great, looks identical to the ESP Ltd H-100 above, list price in ’01 was $469 but this used one is perfect with nice setup and just $225.
Schecter Omen-6, another Diamond Series and features the same body shape and headstock of the C1+ above, in a scaled down, more basic model. Advertised as a great metal axe, I can easily recommend this to any entry-level or intermediate metal head. Excellent setup, good pickups, and killer looks in a gloss black with carved top. With a list of $499, this one's like new but the price isn't - just $239.
Schecter Sunburst PT, excellent player and upgraded with a killer Duncan Hot Rails bridge pickup. Has seen almost no playing time and the top is very clean (some reflections in picture) and the only noteworthy flaw is a small touch-up on the back edge (pic here). This model is the evolution of the Tele style that Pete Townsend used to play (thus the PT moniker) and is basically just a good quality Tele copy. Set-up is superb and any Tele fan should be happy with this beauty. Just $275 with gigbag.
Schecter PT, (pic2), a classic in Schecter's history and a recent Diamond Series version of the Tele-style made famous by Pete Townsend. Features a pair of Duncan Designed humbuckers with coil tap tone pot, strings-thru-body design, bound Alder body with gloss black finish, Grover tuners. Beautiful shape with no notable flaws - looks good - sounds good - nice player all around. A nice PT for $325.
Silvertone Paul Stanley's - Kiss Fans: Life size Paul Stanley Standup with his signature Silvertone guitars. Original dealer display and great for you Kiss fans. $79
SILVERTONE PAUL STANLEY MODELS: KISS FANS and other Collectors: After years with Ibanez and later Washburn, Paul Stanley has signed with Silvertone (dist by Samick) for manufacture of his signature model guitars. I have a very limited selection of the entire line of electrics which are two different set-neck models and two bolt-ons. The bolt-on’s feature Agathis bodies with sculpted Maple necks, 14” flat radius fretboard, dual high-output humbuckers, and die-cast tuners. The set-necks feature sculpted Mahogany necks set into Agathis bodies, 14” flat radius fretboard, Grover tuners, and Seymour Duncan-Designed humbuckers. I wouldn’t waste your time—or mine—by posting them at normal store prices. Very limited quantity so grab one quick. Paul Stanley stands behind Silvertone:
- Paul Stanley Apocalypse Special PSAP1, List $499, Sale $209
- Paul Stanley Apocalypse Pro PSAP2, List $699, Sale $362
- Paul Stanley Sovereign Special PSSN1, List $399, Sale $199
- Paul Stanley Sovereign Pro PSSN2, List $699, Sale $SOLD
Stage Guitars CS-327 Strat copy, pretty nice shape and a decent budget copy, looks like same factory type as Fender Squier--but for less cash, absolutely SUPER set-up and in a blind test you’ll swear you’re holding a $500 Usa model. This guitar has been our “test” guitar as it plays so well with nice tone and gets used every day in the shop. For playability and tone I can’t think of a better Strat in this price range, and it's probably as high a price as you'll see on one of these but, man, you gotta play this thing, $169
2003 Suhr Carved Archtop Standard - solid Brazilian Neck, (sheer beauty), (front/back), (headstock), (neck), (solid carved maple top). One of a kind Brazilian neck - with no plans to ever produce another. Perhaps the must visually stunning Strat style I've ever had but it's so much more than looks. This guitar has remarkable sustain and it's so lively, you'll feel almost like you're playing a thinline acoustic. As I've mentioned before, I consider Suhr guitars on par with Fender Masterbuilt with impeccable craftsmanship and tone woods that are always top notch. I've yet to have a Suhr that I considered only an "excellent" guitar; they're simply in another league when compared with regular custom shop and most other makers. Looks and craftsmanship aside, there is still one aspect that sets this guitar apart from any other Suhr ever built: the neck is solid Brazilian rosewood. Confirmed with John Suhr that this is the ONLY solid Brazilian neck he ever made and, further, there are no plans to attempt another. Initially 3 were built but the other two never made it out of the shop for reasons that I'm not aware of. Brazilian is a fine tonewood, but importing ceased in 1969...forever. How much difference does it make in tone? I personally think that it's a legible difference, at least to my ears but the vibe of this wood is undeniable. Complete specs are here but, briefly, they include mahogany body with incredibly flamed maple carved top in aged cherry burst finish, 1-piece Brazilian neck with 60's C-shape profile and heavy frets, 1.650" nut width, 10" to 14" compound radius, standard tremolo with steel block, gold hardware including Sperzel tuners, no pickguard - rear mounted controls, volume - tone - 3-way selector, side-mounted output jack, Suhr DSV humbuckers (cream and zebra), scraped binding, f-hole, abalone inlay on face and side dots, and abalone headstock logo. Includes G&G custom form-fit case that hugs the body and support the neck the entire length, dual combo locks, plus fretboard protector, dealer order form, and manual. This guitar is of interest to the discriminating collector with a fancy for one-of-a-kinds and, equally, guitars with exceptional tone and playability. Again, this is the only Brazilian neck Suhr in existence and there will likely never been another one made. As outfitted with these options, priced around what you will pay for a new Carve Top Standard with Brazilian fretboard only. Yours for $4150.
Tonesmith Model 510 Special, (pic2), (pic3), (pic4). For the guitarist looking for something truly unique - one of the finest hand-crafted guitars I've had, comparable to the Jon Kammerer "Iris Special Edition" on my electrics page. Featherweight 6.8 lbs.! Unlike many of the cookie-cutter Strat/Tele copies by many boutique builders, Tonesmith are building guitars that are truly unique and exceptionally made instruments. Look is very distinctive - from the design of the F-hole, to the headstock shape, to the pickup configuration - this guitar is immediately recognizable as a Tonesmith. The hand-built aspect is obvious - all contours meticulously hand-sanded with a "near" perfect roundness at every edge but if you look closely you can see that it doesn't quite have the precision of a CNC machine, which, for me, is what I want and expect in a hand-made guitar. In the most basic description, you would call this a Tele Thinline style as the body outline generally resembles a Tele, but the overall similarity isn't terribly close. It's a semi-hollowbody with a single 2-piece F-hole, nicely figured and bookmatched *solid* 2-piece maple top - the back is carved from a single piece of ash with perfectly centered "eyeball" figuring. A few extra nice touches such as a hand-engraved neckplate, and a large impressed seal inside the body showing the maker, model name, serial, and Kevin's own signature in blue ink, and hand-laid inlay on the fretboard and Bigsby base. The Ebony fingerboard has a cool little wave design on bottom edge that gives you an extra fret on the 1st and 6th string - could come in handy. A distinctive laminated pearloid pickguard is screwed onto the lower part of the guitar. Tonesmiths come in several bridge styles - this one was ordered with the optional Bigsby including custom inlay at the bass of the unit. Strap pins are Dunlop locking type. The bridge is fully adjustable, up/down and is a roller style for side-side adjustment of each saddle. Pickups are a unique configuration of dual mini-humbuckers and a mini-lipstick in the middle. Originally outfitted with a rotary selector on the upper bout, it's been changed to a standard 3-way with push/pull tone pot which puts the middle pickup in the circuit at any setting - including all 3 pickups at once. For me, this is a lot easier to get my head around than a rotary - after owning well over 100 PRS' with rotary's, I still don't have the settings memorized. Please note that the ins