STRATOCASTERS (Many Custom Shop models below)
2008 Fender American Vintage Hot Rod '57 Stratocaster, (front), (back), (headstock), (body/neck marking), (electronics/body), (case). The Hot Rod '57 combines classic looks of a 1957 with its thin-skin nitrocellulose lacquer finish over two-tone sunburst, but with a few modern features that most players prefer, namely, modern C-shape neck with a flatter modern radius of 9.5" and medium-jumbo frets rather than the small vintage frets - plus a satin finish on back of the neck rather than the thick (and potentially sticky) finish found on the regular V57 Strat. Stock pickups for this model in '08 were American Vintage 57/62 but these have been upgraded with a set of Custom Shop Texas Specials, with a hotter bridge pickup. Pickups are the only mod on this guitar. Other features include American vintage tremolo, Fender/Gotoh vintage tuners, single ply white pickguard, and vintage tweed case. One of the benefits of these thin Nitro finishes is it will naturally relic out rather quickly and pro players who use this guitar every night will have a bona fide "relic" within a few years. This is a fantastic model and recommended for all the players who don't like small vintage frets and want a flatter fretboard plus. Cosmetically it's in nice overall shape other than 2 minor finish chips by the neckplate and buckle scratches (shown here), which are in the clear coat only. Fender has changed a few of the specs on the new Vintage HR series with a two-point trem and S-1 switch, both ill-advised for a "vintage" model in my opinion. The new ones sell for $2299 ($2799 list). Save $1100 and get this beauty that's more of a real vintage model for just $1199. Includes G&G/Fender tweed case and trem arm.
2004 Fender Floyd Rose Standard Stratocaster - Olympic White, (front), (back), (headstock), (Floyd). Higher end member of the Fender Standard Series, with all the features of a Standard PLUS factory Floyd Rose double locking tremolo and Floyd Rose locking nut. Other specs include Alder body, modern C-shaped neck, Fender Ping tuners, and neck tilt adjustment via neckplate. Olympic White finish is immaculate except for one tiny touch-up on the back edge of the belly contour (shown here) and the normal small lacquer crack in the cutaway, worth mentioning only because this Strat is otherwise extremely clean. There is also a light spot on the pickguard where the factory sticker once was. This model features an excellent quality Floyd Rose, made by Ping (specs here), which is identical to the Original Floyd in specs and the only licensed model which is allowed to carry the Floyd Rose logo. This guitar has an excellent setup with a classic Strat tone, plus the Atomic humbucker makes it especially good at rock/metal. This model sells new for $699 but this one's barely played, has a great setup, and is just $499.
2000 Fender American Series Stratocaster - Sunburst w/Upgrades, (front), (back), (headstock), (case). First year American Series, in beautiful condition and all original except for two noteworthy modifications: front and back plastic has changed to white pearl, which looks good on a sunburst body and, more importantly, pickups have been upgraded to a set of Vintage Noiseless, which were used in the American Deluxe during this era and are noted for having the vintage single coil tone, but without the hum. It had one small finish chip on the bottom edge that Martin touched up as to be invisible and there are no noteworthy flaws anywhere and a fantastic low set up. I love these early Noiseless pickups, but if they're not your thing, we can change to a new set of '69's or SCN's for a slight charge. Beautiful guitar, great player, and with the pickup upgrade, better than stock, all for $799. Includes original case and trem arm.
1983 Fender USA Stratocaster - black w/mirror pickguard, (front-1 front-2), (back), (headstock), (tremolo). Black body with maple board and mirror guard gives this the vibe of an Iron Maiden signature model - say the word and we'll switch the covers and knobs to black (no charge) for an even more authentic version. '83 Strats are frequently maligned for several reasons, some of which aren't deserved. By reputation, they're among the heaviest Strats Fender has made but this one's just 7.6 lbs. The 2-knob (only one tone control) wasn't well-received; personally, I like having a single master tone which also provides tone control for the bridge pickup. Lastly, the surface-mounted Freeflyte tremolo system that wasn't Fender's best tremolo, but doesn't require the body to be routed all the way through and its design allows for more contact from tremolo to body, which is a sustain-enhancing design. When set up properly, the stay in tune almost as well as a vintage tremolo. Most of these detractors have been overlooked in recent years - while it took a long time for these to catch on in the vintage market, a few years ago they started to take off and now they command prices higher than a new Strat, i.e. they're now commanding vintage value at 29 years. The bottom line though, is many of these are excellent utility guitars. Fit and finish on these are actually better than the 70's 3-bolt Strats where "the gap" was commonplace, with a neck that didn't properly fit the body. Overall this one is very clean for 28 years, buffed out to a bright luster and other than one finish chip, the only flaws are in the clear coat, and the common edge of the fretboard (shown here). The finish chip (shown here), can be touched up easily if desired, for $25. It appears to have had a pro refret so the frets are in good shape. A 7.6 lb. '83 is almost unheard of, plus this one plays nice and has quality tone, one of the best Strats I've heard with these early American Standard pickups. Other than the pickguard, this baby's all original an one of the best '83's I've had. If you want a vintage Strat with a cool look, that would make a great utility guitar, this one's a nice buy at $850. Includes hardshell case, either a rough original or a nice aftermarket.
2000 Fender American Deluxe Stratocaster - Sunburst, (front), (headstock), (back), (trem), (case). Another nice early model American Deluxe finished in 3-tone sunburst. Unlike the Strat Plus that preceded this model, the American Deluxe had more upscale features that distinguished it from the stock Strat. Pickups were Fender's Vintage Noiseless, which were Fender's premium pickups for the era and still preferred over many players today due to their traditional tone, but without the hum of vintage single coils. Other deluxe features include polished chrome locking tuners, polished chrome bridge and saddles with pop-in trem arm, abalone dot inlays, fret and nut work that's even more detailed than the regular American Series, and raised chrome logo. Back in '00 Fender hadn't yet changed to the rounded neck heel, which followed in ca. '03, and the LSR nut, which followed in '01. This Strat has a great neck which allows a very low setup if desired. It is a first year model is in excellent condition for $999. Includes Fender molded case and trem arm.
1987 Fender American Standard Stratocaster - Black w/Rosewood, (front), (headstock), (back), (case case candy.), (neck). Still a good buy on the semi-vintage market, the early American Standards are now over 20 years old and sell right around the price of a new Strat, depending on condition. The American Standards debuted at the Summer '86 NAMM show but only a few were shipped in the fall of '86 so this '87 model is from the first full year of production. I've addressed Fender's "E4" serial numbers numerous times, but the bottom line is most are '87 or '88, a few are '86, none are '85 or '84. This is an exciting guitar. Not only because it plays superbly with very good sustain, but because it's insanely clean. It looks like somebody bough it 23 years ago, played it for a month, and put it in the closet until now. There aren't any scratches or dings anywhere. Worst flaws are natural aging with some very light lines in the body, visible only if viewed at a perfect angle - will probably become finish check lines in another decade. Hardware is shiny without any discoloration or pitting. Frets are near immaculate, 99%. White plastic parts exhibit little to no yellowing. These isn't a cheap guitar but given the fact that less 1%, by my estimation, of early American Standards are in true collector's condition, it's one of the few that are guaranteed to be investment quality. Simply put, an extra $400 now, over the price of an average condition model, will probably equate to 2X the value when these guitars take off in coming years, much the same as a super clean '60 Strat going for $35K when average condition might only bring $20K. Potential future value aside, this isn't a huge investment and you may just want to make it your favorite gigging guitar. At $1199, you can't go wrong either way. Includes original case, manual, hang tag, and a letter from Fender (March '88), answering an inquiry from the original owner. Case isn't as clean as the guitar but all latches and hinges work, which is remarkable for this model case.
1991 Fender American Standard Stratocaster - Sunburst, (front), (back), (headstock stain), (tremolo), (pickguard assem.). Very nice semi-vintage Strat from the peak of the silver logo era. Some of you noted the E9 serial which frequently are '89, but more often are '90 or 91 like this one. Since the pots are dated '91, it obviously couldn't have left the factory two years before the pots were made so it's obviously a '91. Strats during this era are hit and miss. Too many of them have bad necks with humps, twists, or max'd out truss rods. If you find one without any neck issues, after 20+ years it's likely done all the changing it's going to do so you have a Strat that's going to be player friendly for life. This is one of those. Plays great, looks great, sounds like a Strat should We're going to remove the headstock stain (shown above) and spray a few coats of nitro clear coat over the front of the headstock. Judging by cosmetics and frets, this guitar has seen very little use. No buckle rash or major scratches anywhere on the body. Frets are in great shape, Action is low and doesn't choke out on bends. Just a nice older Strat in a popular 50's look, sunburst and maple. Within the next few years these are likely going to take off but still a good buy today at $850. Includes Fender red-badge case.
1993 Fender Stratocaster Plus- Sunburst, (front1 front2), (back), (headstock), (case). True time capsule condition with this fantastic playing Strat Plus. I would guess this guitar has been used only a dozen or two times. One of the first signs of wear on these guitars is Lace Sensor lettering wearing off - these are like new (shown here). In addition, there are barely any scratches on the pickguard, less than you'll see on "brand new" guitars at a chain store. The body and neck have no scratches and the hardware is clean. The only real flaw is a small stain at the base of the headstock (pic), that we believe was done at the factory or is a natural stain in the wood. The Strat Plus made its debut in 1987 and had a very successful 13-year run, ending in '99, which was the last year of the American Standard series, replaced by the American Series, with the American Deluxe assuming the role of the higher-end production model. When released in '87 the Plus was essentially a deluxe model American Standard, with upgraded pickups and hardware. It featured a trio of the new Lace Sensor pickups, which provided a vintage tone without the annoying noise associated with standard Strat pickups - and no magnetic string pull to kill the sustain of the strings. The Gold Laces (50's Strat sound) on this model are the same pickups used on the Clapton and Buddy Guy signature models and both player toured with their stock pickups for many years. I'm a big fan of these Laces as they're the best I've found for zero hum while retaining that vintage Strat tone. The Plus also features precision locking tuners, Tremsetter, and LSR nut, all enhancements to keep the guitar in tune, especially for players who use the tremolo to great measure. This "Tremsetter" by Hipshot is attached to the tremolo block inside the tremolo cavity (pic). It adds tuning stability by returning the trem to the "zero" position when not in use. You can play right-hand bridge harmonics, aggressive rhythm, palm mute the strings, or do bends without the other strings going out of tune and the bridge stays put. Predictably, these early silver-logo American Standards would be the next Fender to escalate on the vintage market and they've been on a consistent upswing for the past few years. At $1299(HOLD-Jon H) it's $100's cheaper than a new American Deluxe Strat, which puts in in the price range of working musicians - but for collectors looking for the cleanest examples available, this one will be 20 years old next year and is a definite keeper. Includes an equally clean "Plus" case with luggage latches, as well as guitar manual and spec book, tremsetter manual, and LSR nut manual, Fender strap, hang tags, warranty booklet, all wrenches, trem arm, and Schaller strap locks.
1999 Fender 50's Classic Strat - Surf Green - with Upgrades, (front), (front-2), (back), (headstock), (pickups), (nut), (case). Very clean reissue of a true classic from Fender, in the coolest of custom colors, with a few pro upgrades installed by Martin. Bridge and middle pickup has been changed to an early Seymour Duncan Hot Rails (bridge) and a recent Duncan Hot Rails in the middle, with the stock 50's Alnico pickup in the neck. The advantage is you can get a fatter humbucker tone in positions 1 and 3, while retaining the classic hollow tones in positions 2 and 4 since the humbuckers are split. The nut has been upgraded to an Earvana compensated nut, which improves tunability and sustain. Cosmetically, the pickups, knobs, and switch tip have been changed to black. Features of the 50's Classic include vintage tinted neck with a soft-V profile, deep vintage body contours, single ply pickguard, vintage tremolo with bent saddles and heavy tremolo block. Also worth mentioning, this guitar is an excellent player with 5 pickup settings that sound radically different. On some Strats, like this one, the neck pickup is so sweet you never want to try anything else; on other ones you'll never want to use it. This one has a killer SRV tone on the neck but with the 2 upgraded pickups, you'll never get tired of your tone selections. It also has a fatter bottom end than most Strat which I attribute to the tone wood of the body. If you like vintage Strats but aren't a fan of the medium action that they usually have, you'll find this one is exceptional, with very comfortable action despite the vintage radius. A new 50's Classic will run you $799 with gigbag and it might play okay if the factory set-up holds up - but why not get one with a pro set-up on the day it ships out, plus an upgraded Fender hardshell case, upgraded pickups and nut, and a nice weight at just 7.6 lbs. $679. includes Fender case and trem arm. Back plate isn't pictured but IS included.
1998 Fender Standard Stratocaster - "Blackie" - with Case, (front), (back), (headstock), (case). This is one of our most popular Strats, all series - black with a maple fretboard. Clapton's "Blackie" is, of course, the quintessential black Strat but not everybody can afford a new Artist Series. Fender's Standard Strat is made from USA parts, but finished and assembled in Encino Mexico. The result is a guitar that's nearly identical to the Highway or Special series, both made in USA, at nearly 1/2 the cost...and this Standard features a gloss finish where those have a satin finish. It features quality hardware including stamped steel saddles, high mass bridge block, and Fender/Ping tuners, as well as 3 ceramic single coil pickups with USA pots and switch. Other features include 21 medium jumbo frets, gloss finished alder body, 3-ply pickguard and backplate, and maple neck and fingerboard with modern C shape. This guitar is in beautiful shape and with a new one running $499 without case, why not consider this barely used one, *including* hard shell case, for just $379, set up to perfection and ready to rock.
1998 Fender American Deluxe Stratocaster - Natural Ash, (front), (grain), (back), (headstock), (pickups), (case). Nicely figured ash body ($150 upcharge over alder) on this early model American Deluxe. Unlike the Strat Plus that preceded this model, the American Deluxe had more upscale features that distinguished it from the stock Strat. Stock pickups are Fender's Vintage Noiseless, which were Fender's premium pickups in '98 and still preferred over many players today due to their traditional tone, but without the hum of vintage single coils. Other deluxe features include polished chrome locking tuners, polished chrome tremolo with pop-in trem arm, abalone dot inlays, aged plastic parts, and raised chrome logo. For players who like a traditional nut, the '98 models only used the LSR on deluxe locking tremolo and HSS models, so this one has the same performance as a vintage model. This guitar is in lovely condition with no noteworthy scratches and extremely comfortable set-up, with a comfortable setup and nice medium weight. One mod has been made, with a Duncan STK Vintage Stack (stacked humbucker) in the bridge position which gives you the option of a fatter humbucker tone on positions 4 and 5. Outwardly it looks stock as the "Noiseless" cover fits the Duncan properly. $999(HOLD-Todd 5/6) includes the upgraded Fender Tolex case, pop-in tremolo arm, and Schaller strap locks.
1986 Fender Stratocaster XII, (front1 front2), (back), (headstock). Rare model from Fender Japan - only the 4th one I've ever had - and the very desirable Made in Japan (not Crafted) - from the mid-80's. The history of this model begins in the mid-60's with a Fender model call the "Electric XII", with sort of a Jaguar-shaped body and an innovative 12-saddle bridge, designed for precise adjustments of individual string heights and intonation, with strings-thru body design for increased sustain. The 12-string craze of the 1960's was very short-lived, and the Electric XII was discontinued in 1969. Jump ahead around a decade and a half and we have this model - a twelve-string Strat, the Strat XII, which was introduced by Fender Japan in 1985. This model has 22 frets and, rather unusual, a Gibson scale length of 24.75 inches. This model was discontinued in 1993 and was forgotten until the Crafted in Japan models came out in around '08. This guitar is in beautiful shape, buffed out to a mirror gloss finish with no major flaws. Fender Japan has become proven lower-end investment pieces but, more importantly, this one's a really great player, with low action and a distinct chimey tone that can do a pseudo-Byrds/Petty impression or a huge sounding Strat. An excellent value on a 26-year-old Fender Japan collectable guitar at $750. Includes hardshell case.
1988 Fender HM Strat - Blackstone - Maple Board, (front-1 front-2), (back-1 back-2), (headstock), (pickups/trem), (beveled cutaways). In order to help keep this page shorter, I've created a page about these fine HM's. Please click this link for more info. This one's finished in Blackstone, which is black finish with gold and/or white lines, emulating the look of a granite. It has the typical wear to the maple fretboard which is inevitable on these maple board, but frets are nearly new thanks to a pro refret (see here). With the refret, this guitar is good to go for another few decades of playing time. Overall it's in excellent condition with the worst flaw being the typical wear on the neckplate and a bit of wear to the Kahler Spyder trem and a few light scratches, primarily on headstock and back plates. We've buffed the finish out nicely which eliminated all of the small scratches and gave it a high luster appearance. Excellent playing guitar and one of the better sounding ones I've had. Includes original rectangular molded case and trem arm. $659(HOLD-Tom 5/21).
1985 Fender Japan Squier Standard Stratocaster - Japan, (front), (back), (headstock), (body/neck markings), (1985 Catalog), (cosmetic flaws). On the heels of the '70's Reissue Strat from Fender Japan comes this fantastic Squier Standard. These guitars are spec'd out to a 50's style, with its small headstock, maple fretboard, 8-screw single-ply pickguard, SSS body route, and truss adjustment at the butt end of the neck. The quality of Japan Squiers is nearly on par with the regular Strats, although Squiers were used to hit a lower price point. Back in '85 we sold this guitar for $299 (the catalog pic has my prices written in 28 years ago), which adjusted for inflation, would be around $620 today. Cosmetically, this guitar is in beautiful shape for its age. There are a few finish rubs and a small finish chip on the back edge (shown here), but no real player's wear like scratches, buckle wear, and fret wear. I think most informed players know the deal about MIJ Squiers and to look past the Squier moniker, but the logo can always be changed if it bothers you. By any name, this is a quality guitar, made at the height of Fender Japan's boom, and priced way under a new Mex Standard at $329(HOLD-Scott G 3/11).
2008 Fender American Standard Stratocaster - Custom HH Model, (front), (headstock), (back), (Pickups/controls), (bridge), (case). The "New American Standard" with some cool custom features, geared to the rock player. Originally a SSS pickup configuration, the original owner took advantage of the factory H/S/H routing and switched it over to an HH, and the controls to bridge volume, neck volume, and master tone. Pickups are the JB in the bridge, with a '59 in the neck, a great combination. They are mounted on a Fender 3-ply black pickguard with black knobs. The overall look is one killer looking guitar in my humble opinion. All other specs are stock: alder body with gloss finish, maple neck with Modern “C” Shape (Gloss Headstock Face with Satin Urethane Finish on Back of Neck), 9.5” Radius, 22 Medium Jumbo Frets, 1.685” nut, Fender Staggered Cast/Sealed Tuning Machines, 2-Point Synchronized Tremolo with New American Standard Bent Steel Saddles, New Bent Steel Saddles with Elongated String Slots, Copper Infused High Mass 100% Metal Bridge Block, Rolled Fretboard Edges and H/S/H Pickup routing. This guitar is in beautiful condition with no fret wear, an absolutely killer setup, and a killer rock tone. If you're a Strat fan looking for something that rocks harder than a stock model, this beauty is for you. $850(HOLD-Alex B 5/5) includes the new Fender/SKB case with ATA latches.
2005 Fender Deluxe Power Stratocaster with Fishman Bridge, (front), (back), (headstock), (bridge). As new - virtually unplayed. Very versatile model at the top of the Deluxe Series line of Fenders. The Deluxe Power Strat is an HSS model so it features a bridge humbucker, plus a Fishman Power Bridge which has 6 Piezos, one built into each of the saddles. The result is a Strat that's capable of brighter and fatter humbucker tones, while retaining nearly all the traditional Strat sounds, plus a guitar that can double as an acoustic in stage situations. It features a volume and tone control for the 3 pickups - plus a separate volume control for the Fishman, so you can easily select the magnetic pickups, Piezo pickup, or blend the two in any combination, such as neck+middle pickup with Piezo, etc. Other features include: transparent Butterscotch Blonde alder body, maple neck with rosewood board, Tex Mex Humbucker, two Tex Mex single coils, modern C-shaped neck with 9.5" radius, gloss finish body, satin finish neck, no-load tone control, synthetic bone nut, Fender vintage tuners, easy access 9V battery compartment on back, and 4-ply tortoise shell pickguard. Here's a YouTube demo (link), just forward to around the 4:00 min. mark to hear it in action. This guitar is dead mint and appears unplayed, with plastic still on pickguard and back plate. It has an excellent setup and a quality tone on all pickup combinations. Sells new for $999 but this one's "as new" for just $750(HOLD-Richard C 12/12). Includes Fender Deluxe gigbag and trem arm.
1985 Fender Japan Standard Strat with '95 Tex-Mex Strat Neck, (front), (back), (headstock), (System I), ('85 Catalog). Super clean '85 Fender Standard Strat with System I tremolo add a Tex-Mex Neck, and you've got the best of both worlds. The System I stays in tune better than a vintage trem, but the locking nuts for the Contemporary, located behind a regular nut, were somewhat ill-conceived and were the weak link in this otherwise effective system. We cured the problem by combining the best of both worlds. The Tex-Mex is a vintage spec, i.e. no locking nut, but it has the tuning stability of the System I, with the advantage of easy tuning tweaks via the fine tuners located on the bridge. The body is insanely clean for 25+ years, just check out the pics. Neck isn't quite as clean as the body but still in nice shape I've had this complete '85 body in stock for years. The original neck had the truss rod max'd out all the way, incapable of setting up with nice action. Fender was the original designer of the System I tremolo with fine tuners, one of the few non-Floyd licensed locking tremolo systems of the era. The '85 body features all original parts including a trio of ceramic single coils with hum canceling in positions 2 and 4, and wired it so the bridge pickup uses the tone control, while the middle pickup isn't wired to a tone control. It's a little different but removes some of the shrillness a bridge Strat tone can have. The body is factory routed for a recessed tremolo cover plate, which is a nice touch. For less than the $499 price of a new Mex Standard, you can get this Japan model, with a higher end Mex neck. $450 includes Fender gigbag or $500 includes a new hardshell case.
2010 Fender American Standard Stratocaster with Custom Graphic Finish, (graphic detail), (front-1 front-2), (back), (headstock), (case/acc.). For the collector, player, or art fan, comes this professionally painted American Standard with an underwater scene featuring a mermaid on the lower bout, with various plants and fish on the pickguard, with beams of light streaming across the top of the scene. This is a factory quality job, with excellent detail work, and multiple clear coats applied as a final finish to preserve the paint. This is one of the new American Standards - after the 7-year run of the American Series, the new American Standard, officially released on Jan 1, 2008 has some significant improvements including a redesigned bridge, new bent-steel saddles with elongated string slots, and, most significantly, a new neck and body finish. The neck still has the satin finish which is comfortable to the hand, but they've changed the front of the headstock to a gloss finish for aesthetic reasons. This guitar is in very clean shape with no scratches or fret wear, however, it appears to have a seen a little playing time as evidenced by slight wear on the treble ends of two of the pickups. The scratch area on the pickguard has not worn the finish at all. We can touch up the covers if it's going to be used in a collection, or if you're going to be playing it, that would be a wasted effort. Unfortunately, the artist didn't sign their work, but I've had plenty of graphic finishes and this one is as fine as I've seen. Whether you want a fine guitar to display in your living room, man cave, or yacht - or if you just want a great playing Strat, this one's just $100 more than a stock American Standard and the coolest American Standard/Series I've ever had. $1099(Tent. Hold 5/10) includes Fender case, serialized hang tag, and paperwork.
Fender Squier Strat - Black - Upgraded Pickups, (front), (back), (headstock). Nice playing Chinese import Affinity Squier with a cool look and quality tone. Fender is producing some very good quality guitars from their China factory. They're playability is vastly superior to the older Korean Squiers and they don't use plywood as they did on the early MIK models. Generally speaking, they necks are consistently excellent, which allows for a setup that usually rivals the USA models. This one has had a few upgrades including an authentic looking 60's Trans logo installed, all the plastic has been switched out to black, including pickguard, knobs, covers, and backplate, but more importantly, the stock ceramic pickups have been swapped out with an Alnico HSS set from MightyMite. The body is factory routed for a humbucker so no routing was required. You can get these MightyMite guards, complete, for around $120 and it will improve the tone of any budget model Strat 100%. The humbucker tone is fat and totally quiet, while the single coils are hotter than the stock ceramics with more articulation, more of the "Texas" tone that most players prefer. Cosmetically it has it's share of scratches and dings but nothing horrible, and the frets are in perfect shape so I doubt that it's actually been played very much. If you're looking for an inexpensive Strat with "the look", quality tone, and nice setup, this one will get you there for just $179.
1998 Fender American Standard Stratocaster, (front), (back), (headstock/neck), (Custom '54's). Excellent playing Strat with some upgrades to enhance tone and playability. A pair of custom shop Custom '54 pickups have been installed, along with an orange drop cap, and changed to vintage wiring with a tone pot in place of the TBX. Nut has been changed to a Graphtec graphite nut, which reduces friction and helps maintain tuning stability. Lastly, the back of the neck has been sanded down, with the poly finish removed. It feels much faster this way and most players seem to prefer the feel of natural wood. This guitar hasn't been played to death and looks very presentable from the front, but at one time it did have a careless owner thus there are finish chips around the edge down to the white undercoat (as shown here). These '54's are used in many Custom Shop guitars, primarily because they sound excellent and have more of a vintage bell tone--and more quack--than the stock pickups. If you're a player looking for bang for the buck and not concerned with some finish chips the audience can't even see, this one feels great, sounds great, and is set up to perfection. A good value for the player at $729(HOLD-Keith Z 8/2). Includes hardshell case and trem arm.
1998 Fender Floyd Rose Deluxe Series Standard Stratocaster HH - upgraded, (front), (back), (headstock). One of the Deluxe Series back in the 90's and sort of an Iron Maiden vibe with Olympic White finish and black pickguard. Rather than ship out a guitar that sets up less than stellar, Martin just installed a new Musikraft Strat neck - Floyd Rose ready, (pic2). We're big fans of Musikraft and more and more we're using them on custom made guitars. The quality is on par with Warmoth and our custom orders are usually finished in a day or two. This one is quartersawn, like an Eric Johnson Strat, and features 21 medium jumbo frets, black dot inlays, 9.5" radius, and 1 5/8" nut. It has a super nice logo job with a ca. '72 logo with one patent number. In doing the logo, gloss finish is applied to the headstock only - taped off - with an oil finish on the rest of the neck so you have great looks plus a fast feel. We use multiple coats of nitro over the logo, wet-sanding between coats, so there's no outline of the logo visible and it's indistinguishable from factory. Martin also hand-rolled the fretboard edges so it feels fantastic. We had been selling this neck separately for $225, not counting a new set of Hipshot locking tuners, which are lightweight and the best tuners for under $100 that we've found. Other upgrades include a pair of real Duncans with a Pearly Gates bridge and '59 in the neck, plus the "good" Floyd Rose, made by Ping (specs here), the only licensed model, identical to the Original Floyd in specs, which is allowed to carry the Floyd Rose logo. Body has HSH routing so you can change to a different configuration if desired (pic here), and equipped with CTS pots and a super switch. Very clean shape and an exceptionally nice player. The neck is chunkier than the stock neck and with the rolled edges, it feels great in the palm of your hand. This guitar has been upgraded so much, the only thing stock remaining is the body. If you want a killer metal axe with a killer look, here's a nice one for $599(HOLD-8/22/12) with gigbag; $650 with case.
1989 Fender HM Strat - Bright White, (front-1 front-2), (back), (headstock/neck), (Kahler/nut), (cosmetics). Another killer shredder HM and the first white one I've had in a while. As you can see in the pics, the bridge humbucker has been changed to a Duncan JB, which many players prefer over the DiMarzio. It's still wired into the mini splitter switch, so you get your choice of full humbucker or split with the switch in the up position. Not the cleanest one I've had with numerous dings, rubs, and finish chips around the edge, but no serious issues such as cracks or repairs. Also, the knobs are missing the rubber caps. We can change to standard Strat knobs at no cost if desired. Features include HSS pickup configuration controlled by Strat 5-way with an additional mini-switch to split the bridge humbucker which gives you all the vintage Strat choices, plus two humbucker choices. Other features include Kahler Spyder double-locking tremolo (licensed by Floyd Rose), quality Gotoh tuners, Kahler locking nut only (rather than the locking nut behind the standard nut found on the Kahler Pro, super flat fretboard (17" radius) with 24 jumbo frets, 25" scale, volume - tone - TBX control, Strat shaped body with the cutaways and heel beveled to provide maximum ease in playing in the upper register. The necks on these are very thin and wide, with only a sealer coat which provides a very natural feel and doesn't stick to your hand. Despite its abundance of "character" marks, this is a great playing HM with serious tone, perfectly working Kahler, and will get the job done as well as museum condition HM that you're afraid to gig out with. $499 includes gigbag; $564 with a molded hardshell case.
1997 Fender Squier Fat Stratocaster HSS - MIK, (front), (back), (headstock/neck). Highly regarded Squier, made during the same era that the Korean factory was also building the Squier Protone series. A few things are noteworthy about this guitar - the HSS pickup configuration is rather uncommon for a 90's Squier, the Galactic Purple finish, which was only around for a few years, and the neck profile, which is a rather thick D-shape. The neck is around the same depth in the upper register as most Strats, but it's thicker in the lower register, i.e. doesn't change as much from the 1st fret to the 12th fret. The HSS configuration makes this guitar more versatile than your traditional Strat, and is capable of fat humbucker tones in positions 4 and 5, while position 5 is virtually noise free. Overall nice shape for a used guitar of this age with just some surface scratches and impressions in the clear coat. It plays very easily and has a nice tone in both the single coil and humbucker modes. With a new Chinese Squier Standard at $230, I think this is a better product and a better value for $169.
1991 Fender '54 Stratocaster Reissue - Fender Japan, (front), (back) (headstock), (body/neck markings), (upgraded electronics), (trem block). Throughout much of the past few decades Fender Japan has done dozens of reissues. While Fenders in this country are only reissued in several model years, off the top of my head I recall having Fender Japan Stat reissues of around 8 different years and if you look at the current Fender Japan catalog, they probably make around 30 different Strats. The differences may be minor as is the case with the '54, which is basically the same as the '57 except for a different neck profile. The '56 is slightly chunkier, i.e. more shoulders, with a softer V shape than the '57's hard V. This picture shows that the neck was lightly sanded and with some additional playing wear, it's worn down to the natural wood in spots and in the days when some players weren't proud to be playing a Japan Strat, someone sanded off the serial and "Made in Japan" at the base of the neck. Having looked inside of 100 Japan Strats I can say with certainty that this is an original MIJ '54 with all original hardware. The one change, and it's a good one for seekers of vintage tone, all electronics have been upgraded - a set of Fender Custom Shop Fat 50's pickups with cloth wires as well as CTS Pots and switch. The only other cosmetic flaws are a few very minor dings on the body (shown here); overall this guitar is very clean. Other features include Kluson-style vintage tuners, single string tree (original round tree installed upon request), early body contours, maple neck with black dots, first-style Spaghetti logo, Fender 50's Classic big block trem, white single ply 8-screw pickguard with white parts, and truss rod adjustment on butt end. Frets have been lightly dressed allowing a nice set up and at a lightweight 7 1/2 lbs., it's a joy to play. Fender Japan are highly regarded guitars, and these older models even more so. For $699, it's an excellent value, especially with these Custom Shop pickups. Includes form fit SKB molded case.
1988 Fender American Standard Stratocaster - '54 Pickups, (front/back), (headstock/fretboard), (pickups). Very clean example of an early American Standard, with an "E4..." serial number which was used mostly on '87 and '88 Fenders, although I have seen one American Standard from Nov '86. Contrary to some web info, E4 serials are not 1984 and, in fact, the American Standard first debuted at the fall '86 NAMM show. This one has been upgraded with Custom Shop '54 pickups, which sound better than the stock ones but I have plenty of original 80's USA pickups if you want it stock. Overall this guitar is in very nice shape, especially for 22 years. Front is very clean, back has some very light buckle scratches in the clear coat only, and the worst flaw are a few light indentations around the edge. I would rate it an 8.5. Frets have just very minor wear and are around 93%. It has one of the darkest fretboards you'll see on a rosewood Strat - it actually has the appearance of ebony. Set up is nice and low and with these pickups you can get a great SRV or Hendrix tone, especially on the neck and bridge pickups. Middle pickup is RWRP so it's quiet in positions 2 and 4. A very nice Strat overall and a good value in an early American Standard at $950. Includes later Fender case.
2009 Fender USA Highway One Stratocaster HSS - 3-Tone Sunburst, (front), (headstock), (back), (Deluxe Gigbag). Flawless condition and the best value in a USA Strat featuring a nitrocellulose lacquer finish on the body, preferred by many players, but due to the satin lacquer finish, they're cheaper to manufacture and than a standard gloss finish. Other than the finish and the gigbag, the quality of the Highway series is the same as the American Standard. Specs include: Alder body with 3-color sunburst finish, maple neck with modern "C" Shape profile, rosewood fingerboard with modern 9.5" Radius, 22 Jumbo Frets, '70s style large headstock; vintage tremolo with stamped steel saddles; Hot Single-Coil pickups with Alnico 3 magnets in the neck and middle positions with a Fender Atomic humbucker in the bridge; master volume; tone 1 = neck pickup with "greasebucket" (rolls of highs without adding bass) tone circuit; tone 2 = bridge pickup with "greasebucket"; Fender Ping tuners. The thin nitrocellulose lacquer finish lets the body wood's natural tone shine through. Although it doesn't require the buffing of a poly finish, nitro is a rather expensive finish to do, mainly because of its long drying time - it's rarely found on a guitar in this price range. One upgrade we offer on Highways is a buffed out finish, which gives the guitar a high gloss finish and with the thin Nitro finish, more of a vintage look, as shown here, side by side. This guitar is immaculate other than a few pickguard scratches, set up better than factory, and a super value on a USA Fender at $579. Includes Fender Deluxe gigbag.
2003 Fender '60's Classic Stratocaster, Sunburst, w/upgrade, (front), (back), (headstock), (upgrade). Get the 60's vibe and tone with this very nice 60's Classic. One noteworthy upgrade was done to this beauty - a new set of Fender Vintage 57/62 pickups in place of the stock Alnico set. Features vintage C-shaped maple neck with rosewood fretboard, solid Alder body, small headstock with spaghetti logo and vintage-tinted gloss neck, vintage synchronized tremolo with stamped steel saddles, aged plastic parts, and vintage 7.25" fretboard radius. This guitar hasn't seen much playing time and is in excellent condition with a great setup, especially for a vintage radius. With a list price of $999, these sell online and at the super stores for $699 with gigbag but why buy new when you can have this beauty for less, with a an absolutely killer set up and an upgrade that will run nearly $200 parts/labor from a qualified tech. Just $579 for this one. Includes Fender deluxe gigbag.
Fender '60 Relic Stratocaster - Olympic White - I originally sold this as a "mint" '60 Relic (picture) in Olympic White...sold it to a regular customer who proceeded to strip the body (picture) completely...he traded it in one week later....and now it's been refinished in the original Olympic White (picture), although more of a Closet Classic with a mint body but aged hardware. John Fischer, our new local refin guy, did a nice job on the refinish, using original spec automotive Olympic White. Current pics and description: 2006 Fender '60 Stratocaster - Olympic White, (front), (back), (headstock/neck), (case/acc.). 1960 was a pivotal year for the Strat. Gone was the maple fretboard, replaced with a rosewood "slab" fretboard, clay dot inlays, and a smaller C-shaped profile, and larger truss rod. For many players this is the perfect choice from the current line up of Relics which include the '56, '69, and this '60. The '60 has the pre-CBS vibe with the spaghetti logo and green pickguard, but it's the only one with the popular C-profile. Hardware is oxidized nicely, with just a little bit of rust. Other features include 2-piece Alder body with proper tooling marks, 7.25" vintage radius, Custom 60's single coil pickups, cloth wiring, Fender/Gotoh vintage tuners, American Vintage tremolo system, nickel-plated hardware, and aged plastic parts. This is a very resonant guitar, even after the refin, and a nice medium weight at 8 lbs., with the classic bell-like tone and very good acoustic tone. The set up is fantastic with low action you would expect on a modern radius but even with this vintage radius, no fretting out on bends and all strings ring true. Original cost on this guitar when it was a Relic was over $3K but if you're one of those folks who doesn't like the factory wear but still want the vibe of a old Strat, the finish on this one is immaculate and just $1799(HOLD-Todd W 2/23). Includes original brown case, certificate, and misc. case candy (note: "Mist and Wipe" kit not included). Note: If you have a body that needs refinishing, we can now do pretty much any stock Fender color, just email for details and pricing.
Fender Custom Shop 50th Anniversary Stratocaster Relic...TRIO! (click to enlarge pics) Choice of a 1956, 1960, or 1965 (cert's) never retailed, unplayed, including unopened accessory bags and, of course, era-correct cases. All are "all gold" models with a Aztec Gold (nitro lacquer) and gold hardware, with light to medium relicing including checked finish and aged hardware with misc finish chips here and there, with the '65 receiving more relic wear than the other two. I confirmed with Fender that only 100 of each piece - WORLDWIDE - was produced, which makes this a very rare guitar for an Anniversary model. These listed at $4677-$4690 with discount pricing to $3500. One of these could easily be the centerpiece in many Anniversary model collections, to go along with your 25th, 35th, various 40th's, and production model 50th's.
1956 Stratocaster Relic 50th Anniversary, (headstock/neck), (sample of relic wear), (case&accessories). Features include Aztec Gold finish with gold hardware, gold anodized pickguard, V-shaped neck, finish checking and misc dings as well as fretboard "wear", aged hardware, and 50th Anniversary neckplate. Nice lightweight Strat at 7.8 lbs. Unplayed condition with Tweed case, opened accessory bag, and COA. Store priced at $3500 (would be higher with the new '09 price list), but this one's never retailed and perfect, and just $2799.
1960 Stratocaster Relic 50th Anniversary, (headstock/neck), (sample of relic wear), (case&accessories). Features include Aztec Gold finish with gold hardware, "matching" headstock - Aztec gold, C-shaped "slab board" neck with clay dot inlays, finish checking and misc dings, aged hardware, and 50th Anniversary neckplate. Nice lightweight Strat at 7.4 lbs. Unplayed condition with Brown Tolex case, opened accessory bag, and COA. Store priced at $3500 but this one's never retailed and perfect, and just $2699(SOLD).
2007 Fender '69 Stratocaster Relic w/mods, (front/back), (headstock), (body/neck markings), (pickguard assembly), (cert/plate), (case). All original '69 Relic with the exception of the body, which has been replaced with a USA Fender Highway One, nitro finish, buffed out and ready for a relic treatment. It would be a good choice for somebody who wants the tone and feel of a '69 but wants to play a clean guitar, pretty much like a Closet Classic. In place of the stock small vintage frets this guitar now has medium jumbo frets, Stew-Mac 154 fret wire, with a pro job by AL&M with $300 job order in the case. These frets are considerably larger than the stock vintage frets and compared with Dunlop 6105, the 154 fret wire is wider but not quite as tall (6105=.090 X .055; 154=.100 X .050). As is common with a refret away from vintage frets, it was also re-radiused away from the vintage rounded fretboard, now with a flatter radius to prevent the fretting out common on vintage radii. Other than the body and trem, this guitar is an original '69 Relic, including complete pickguard assembly with the famed Abigail Ybarra gray-bottom '69 pickups. These pickups really define the tone of this guitar, with a bell chime not found on the other Relic models. For a good demo of these pickups, click here for Fender. Neck is a very comfortable U-shape with typical finish checking on the headstock as well as some dings and scrapes - plus some moderate flame on back. Other features include American Vintage tremolo with large block and bent saddles, 3-way and 5-way switches included, Fender/Schaller F-tuners, Nickel/chrome hardware, 3-ply parchment pickguard, 1.65" nut width, large 60's headstock with truss rod at butt end, master volume, neck pickup tone, middle pickup tone controls. Other than a relic appearance to the headstock, this guitar is very clean and with the body buffed out looks more like a Closet Classic than a Relic. These Highway bodies have thin nitro finishes and relic very well if you want to make it a project. With the cost of a new '69 Relic at $3099, or even a Closet Classic at $2999, this one is around 1/2 the price, sounds as nice, and for players who don't like small frets has a $300 fret job to make it a much better playing guitar. Own this one or just $1550. Includes original era-correct G&G/Fender Tolex case with chrome logo and orange lining, Fender strap, ash tray, polishing cloth, certificate, 3-way switch (5-way installed), sticker, manual, etc.
2009 Fender Vintage Modified Squier Strat SSS - Metallic Red, (front), (headstock), (back). Top of the line Squier with classic looks, excellent playability, and nice tone. This one is a vintage modified "Vintage Modified", with the red MOTO pickguard and stark white plastic parts replaced with a parchment pickguard and parchment parts (stock look vs. upgraded look). Now this Vintage Modified more closely resembles a vintage model. The body is Indian red cedar, which is a departure from the usual alder, ash, or occasional mahogany, but is a good sounding wood in its own right. A trio of Duncan Designed Alnico V single coils sound very good. 22-frets maple neck with a rosewood board has a modern 9.5" radius that plays very well and doesn't fret out on bends. It has good quality hardware with die-cast chrome tuners and a vintage style tremolo with stamped saddles. This model sells new for $349. With all parchment parts, this guitar looks better than stock, is in super clean condition, and $100 cheaper at $249.
2006 Fender Standard Stratocaster - Black w/Maple Board, (front/back), (headstock), (pickup/pots), (case). To many this is *the* look in an Strat, black with a maple fretboard, favored largely due to the Clapton "Blackie" vibe. I just posted an identical American model last week but here's one that's just as nice but more affordable. As we always have plenty of spare pickups laying around we did one nice upgrade, changing the bridge pickup to a Custom Shop 50's with cloth wires. Since a lot of players use the bridge pickup 90% of the time I figured this one pickup would give the most bang for the buck. It also features USA pots and switch so you're guaranteed no hassle with the electronics for a long time. Included is the original pickup and a new trem bar (pic here). Standard Strats are very good quality and I've seen quite a few guys in bar bands earning money playing their Mex Strats. This one is in beautiful shape with no noteworthy flaws and one of the best setups you'll find with low action all the way up the neck as shown here at the 12th fret. Great setup, nice tone, beautiful shape and even with the Custom 50's, priced less than a new stock one at just $429 with gigbag.
2003 Fender American Series Stratocaster, (front), (headstock), (back), (case). The classic look in an American Strat, black with a maple fretboard, for the Clapton "Blackie" vibe. I've posted 100's of USA Strats over the years and most of you know all about them. Prior to the satin finished Highway Series, these were the best value in an American Strat and remain largely unchanged since their debut in the fall of '86. In '00 Fender re-named them, going from American "Standard" to American "Series" and incorporated a few changes, doing away with the "swimming pool" pickup route, incorporating more detailed fret and nut work, hand-rolling fretboard edges, pickups became staggered pole, and new staggered-height tuners which eliminated one of the string trees. Whether it's the 80's/90's Standards, the '00-'07 Series, or the current Standard (again), these guitars represent the evolution of the original Strat created in 1954. Fender has made some stumbles along the way but they definitely were back on track when the American Standard was released. This one is in beautiful shape with no noteworthy flaws and has seen very little playing time. Great setup, nice weight, an a lovely American Series for $775. Includes SKB molded case that's identical to Fender other than the badge says "SKB".
2007 Fender Classic Player 50's Stratocaster - 2Tone Sunburst, (front/back), (headstock), (info tag), (gigbag/acc.). (Whoever inquired last week, I just found the last one of these). Never retailed - not a scratch. This guitar was designed by Fender Custom Shop Master Builder Dennis Galuszka and features a blend of the old and the new, something Fender has been featuring throughout much of their line the past 2 years, and like the Baja Tele I posted yesterday, this whole series uses top quality pickups, electronics, and hardware, at a price that's around 1/2 of an American Vintage series. In my opinion, these guitars are 90% as good - at 50% of the price, i.e. an excellent value for your money. Features include a very thin poly gloss finish over 2-tone sunburst, alder body, maple "C" shape neck with modern 9.5" radius maple fingerboard, 21 medium jumbo frets, 3 USA Vintage '57/'62 pickups, 5 way pickup selector, chrome hardware with Gotoh vintage style locking tuning machines, custom 2 point vintage style tremolo bridge, Custom Shop designed neck plate and aged plastic parts. When Fender lowered their prices on most of their guitars this one dropped from $1109 to $799 which made it a very sweet deal. Sweeter still is this dead mint beauty priced at just $679 - and set-up better than factory specs. Includes Fender deluxe gigbag, tags, and sealed acc. bag.
2000 Fender '60's Classic
Stratocaster - Lake Placid Blue, (front/back),
Get the 60's vibe in a cool custom color, Lake Placid Blue Metallic, in this
extremely clean 60's Classic. Features vintage C-shaped maple neck with
rosewood fretboard, solid Alder body, small headstock with spaghetti logo and
vintage-tinted gloss neck, vintage Alnico pickups with staggered magnets,
vintage synchronized tremolo with stamped steel saddles, aged plastic parts, and
vintage 7.25" fretboard radius. This guitar looks like it was played
for a month and put under away in the closet for a decade; no player's
wear at all. With a list price of $999, these sell online and at the super
stores for $699 with gigbag but why buy new when you can have this beauty for
less, with a an absolutely killer set up and INCLUDES a nice TKL case, which is
in mint condition except for a small crack in the lid. Just $
guitar with the case.
2003 Fender Classic 70's Stratocaster, (front/back), (headstock/fretboard). Fender waited for years before they came out with a 70's reissue. Years before this model, Fender capitalized on the popularity of Pre-CBS era Strats with this 50's and 60's reissues. Eventually, the early 70's Stag pole, white guard Strats started soaring in price which was an indicator that a large headstock/"bullet" truss rod model would be well received. Features all the classic appointments of the early 70's including F-tuners, large headstock with bullet and CBS-era black/gold bold logo, skunk stripe neck, 3-bolt neck attachment with "micro-tilt", stag pole pickups, U-shaped maple neck, 3-ply pickguard and vintage tremolo. This one in Natural finish also features a lightweight swamp ash body. This guitar is hard to beat in terms of vibe and tone at this price range and it's in super clean shape. This came in as a very mediocre player but Martin spent a few hours transforming it into a guitar that's really nice to play. List on a new one is $999 but this beautiful barely used one is $529 with Fender gigbag.
Fender Bullet Strat 1HB - Black w/upgrades, (front), (headstock), (back). Nice playing budget Strat with two cool upgrades. The stock pickup on this model is, well, not good. This one has an Ibanez V8 bridge pickup, taken from a Prestige RG1570, and it really sings. Most stock Bullets tend to sound shrill at best; lifeless at worst. This one sounds like a good guitar. The other upgrade is strictly ego. The headstock has been stripped of the Bullet logo and a vintage style Fender logo in its place. With the small headstock, it has the look of an '82 "Smith" Strat. This is a hardtail model, a better choice for players who don't use a trem. It stays in tune during bends and double-stops, and doesn't go out of tune if you break a string. With it's all-black looks, it's a good choice for the seeker of dangerous looking guitars. Overall in beautiful condition, other than some wood chips around the tuners where another set of tuners was once installed. For a guitar with nice action and frets properly finished, a lot of guitar for $99.
1994 40th Anniversary Fender American Standard Stratocaster, (pic2), (pic3). Everybody needs one of these in their Strat collection. Not really rare, other than they were only made for one year, and specs are all American Standard, with the exception of a commemorative neckplate which proclaims the year, model, and phrase, "40 years...and still rockin'", as well as a red/white/blue badge on the headstock, both shown here. Overall excellent condition. We've buffed out the body to a high gloss, removing 95% of the light scratches; frets show only minor wear on the lower few frets. Not dead mint but what I'd call very nice for a lightly used guitar. Even though Fender made many 1000's of this model, virtually every American Standard during 1994, they certainly have investment potential over and above a comparable '93 or '95 with the same features. The good news is that at 17 years, they're still a good buy, selling just slightly higher than other Strats from this era and not priced so high that you're afraid to take it out on a gig. A very collectable and very clean 40th is a very good buy when they're less than a new one; this one's just $850. Includes similarly nice original "red badge" Fender case and trem bar.
1989 Fender (Korea) Squier II Stratocaster, (front/back), (headstock). Folks seem to really like the Squier II series, which was Fender's second run at the Squier series, after the Fender Japan Squiers proved to be cost-prohibitive. As the 80's came to a close, Japan's economy was thriving and the increased labor cost forced Fender to search elsewhere for manufacturing the Squier Series, leading them to Korea and the Young Chang corporation, where this guitar was built. During this same timeframe Fender was also producing a lot of the Contemporary Squiers, which came in different pickup configurations and featured a body with different contours and no pickguard. The Standard Squiers, such as this model, are widely regarded as being superior to the Chinese and Indonesian models which followed in the 90's and 00's. Just one change to this guitar - original pickup covers have been swapped out with solid (no visible poles) covers (shown here), which, along with the black body and maple fretboard, give it the look of a Clapton Blackie. Overall nice shape for a used guitar, with fine scratches front and back but nothing through the finish and the body shines up nicely. Nice Strat for $239 with gigbag.
Fender Deluxe Powerhouse Stratocasters - from the Deluxe Series come these upscale Standard Series with all the vintage features you know and love, with the main difference being *tone*, namely the Fender "Powerhouse" ultra quiet pickup system, with pickups designed specifically for this model. The other feature that sets this one apart is the active mid-boost circuit (9V battery), adding up to 12db of mid-boost, much like the Clapton signature Strat. You can still get the Strat shimmering clean but turn up the mid boost and the guitar fattens up to a tone that's almost like a humbucker. Battery will last for a year or two if unplugged when not in use and is easily accessible via a "door" on the back of the guitar, a much-improved system over removing the pickguard to get to the battery. Get all the info here, at Fender's site. I have a number of these in stock, all in mint or actual NOS condition and each includes deluxe Fender gigbag and paperwork - plus a pro setup that's better than factory. With a regular Mex Standard Strat selling for $549, these are better guitars and $50 less.
1999 Fender Deluxe Powerhouse Stratocaster, (pic2), (pic3), (pic4). Candy Apple Red with Rosewood board. Sells new for $599 ($857 list). This one's dead mint with Fender deluxe gigbag etc. for just $499.
2000 Fender Deluxe Powerhouse Stratocaster, (pic2). Black with maple board - Clapton vibe at a fraction of the cost. Sells new for $599 ($857 list). This one's dead mint with Fender deluxe gigbag etc. for just $SOLD. Note - we can change the pickguard to white if you want a "dead ringer" Clapton Blackie.
2005 Fender Satin Fat Squier Strat, New, Old stock and unplayed. Very nice Strat for the money. Solid Mahogany body with a very cool natural finish and satin lacquer which allows the guitar to resonate better and has a broken-in feel to boot. Pickups are very good for this price range with a Duncan-Designed humbucker and a pair of Alnico single coils. Other features are matching headstock, chrome knobs, and no-pickguard design that looks pretty classy. Specs are on the Squier Site here. These are a $415 list and sell everywhere at $249-$299. This one is new-old-stock and perfect and priced at $229 WITH a free Fender gigbag and a nice setup.
Fender Squier Neck-Thru Showmaster Deluxe, (front/back), (headstock), (double-locking lic. Floyd Rose), (neck-thru). New—never retailed and perfect. I just *found* this guitar in a mis-labeled box where it had set for several years. The Showmaster Deluxe is an excellent quality import from Korea. Don't let the Squier name throw you. The early models were called Squier but a year or two later the same guitars were produced without the Squier label. Man, I wish they had guitars of this quality when I was coming up. Back then you had to spend $500 to get something decent, or $300 got you a very poor guitar. This one is quality all around: Neck-thru construction, good hardware including an excellent licensed double-locking Floyd Rose tremolo, good quality pickups, immaculate Shoreline Gold Metallic finish. Although labeled "Stagemaster", this model was actually called the "Showmaster", which distinguished it from the bolt-on model. List price when produced was $583 but this one will come to you fully set-up, never played, and just $299
USA Customs Stratocaster w/Fishman Acoustic Bridge (close-up pick depicts actual green color), (pic2 - back pic taken with flash to show color), (neck pic - shows orangish vintage tint). For those of you who aren't familiar with USA Customs, they've built a solid following, initially via Ebay sales and more recently directly from their web site, www.usacustomguitars.com, offering quality guitar parts and completed guitars, made to order. I've had 2 of them in the past, both excellent guitars, but it worked out such that I needed to part them out rather than sell them whole. I'm going to give this one a try as a complete guitar and begin by stating that the quality is at least as good as USA Fender, definitely pro quality in all regards. Starting with an Alder body that's a nice light/medium weight, with a pearloid pickguard loaded with Fender Vintage Noiseless pickups - with CTS pots and switch. You might recognize the bridge (pic here) as being identical to a PRS bridge and you're correct - It's a "Mann Made", the same suppliers for PRS bridges. This particular bridge is the Fishman VMV Mannmade, which has piezo saddles which offer a pretty nice acoustic tone out of an electric guitar. The output jack is a stereo jack and with a Y-cable, which can be included, you can send your electric tones to one amp; your acoustic tones to an acoustic amp or mixing board. There are also a number of wiring options which can be used but for now it's wired in the most basic layout. This guitar has seen very little playing time and is in really nice shape. Last owner paid $1200, which is reasonable for a quality USA guitar with these features. If you want some great Strat tones, with the flexibility of an acoustic bridge, here's a really nice way to go - just $850 with case. Note: Fender vintage logo can be installed for $25 to $50 (including parts & labor), depending on the style of installation. This is a very nice Strat and...did I mention...just 7.2 lbs!
1990 Fender USA Squier Stratocaster, (front/back), (headstock). Very lightweight for this model - only 7 lbs. on the nose. Fairly rare model, although I get in one every other year or so, but these were only made from around '89-'90 and from my understanding, were made for export only so any that are circulating were originally sold outside the USA and at some point were repatriated. These are good quality guitars for the money with many features much the same as the American Standard of the era including the swimming pool route under the guard and Fender/Ping tuners on this model, although I've seen Fender/Gotoh and Gotoh on other examples. This is a killer player and it's highly recommended for guys and gals who like their action low - or players who want a Clapton without the Clapton price tag. Overall pretty nice shape with no major flaws and a good value on a USA Strat, and the lightest USA Squier I've had, at $499 with modern Fender case.
2003 Fender Squier Jimmy Shine Showmaster, new—never retailed, Ltd. Ed. model to commemorate Calif. Speed Shop Owner Jimmy Shine, features the SO-CAL logo on the guitar and a matching T-shirt. The guitar itself is a cool, straight-ahead rock animal with just a single screaming humbucker and volume control. Strings-thru-body for increased sustain, reverse headstock, black hardware, thin & fast 24-fret neck with rosewood board, best value for a new Fender and includes padded gigbag. Listed at $499, Sale price $239. This is an excellent playing guitar that I recommend for the player who wants simplicity and one good tone, rather than versatility. Includes original gigbag, tags, and T-shirt.
1990 Fender USA Squier Stratocasters: How about a pair? USA Squier #684 and USA Squier #338 (#338 is sold). These are pretty rare models, made for a year or two 20 years ago. Both of these are insanely clean with the only notable flaw being some very minor finish checking that was minor that it was impossible to photograph. Both of these have rosewood fretboard with the vintage style truss adjustment at the butt end and the body route, like the American Standard from this era, is the swimming pool which will accommodate any pickup layout without modification. These guitars are basically identical with the only difference being aged covers and knobs on #338. Setup on both is excellent and are a cool and cheaper alternative to an American Standard at $450 with gigbag.
2004 Fender Squier Affinity Strat and Fender Frontman 15G Amp, (front), (back), (headstock), (amp panel and back). Excellent outfit for the beginner or the player getting back into guitar after an extended break. You can't go wrong buying a real deal Fender, regardless of the series. Stores who push cheaper Fender copies always say that you're paying extra for the Fender name but having had an assortment of copies and plenty of Fender Squiers I can say that the real Fender models are consistently better guitars. Finished in Candy Apple Red, this guitar looks and sounds like the Strats you've known and loved all your life with 5 distinct classic Strat tones including the searing bridge (lead tone), smooth and jazzy neck tone, and hollow "Sultans of Swing" tones in positions 2 and 4. The Candy Red finish with rosewood fretboard and large headstock gives this guitar the look of a 60's custom color Strat and this baby's in beautiful condition having spent nearly all of it's 8 years sitting in the box. Along with this guitar I'm including the Fender Frontman 15G amp, complete with classic "blackface" panel cosmetics and silver grill cloth. This is far from a base model amp with the kind of features normally found on amps at 3X the price. It features dual channels, "Normal" and "Drive", selectable via a pushbutton switch. The Normal channel has a sparkling clean tone, the type of tone that made Fender amps the choice of pro's since the 50's, while the Drive channel is perfect for hard rock and metal tones. With a separate Volume and Gain controls you can get maximum distortion, when desired, without having to turn the amp up to a disturbing volume. Rather than a simple "tone" control found on many small amps, the 15G features a 3-band EQ so you can dial in your preference of Bass, Mids, and Treble. It also features an "Aux In" stereo input to practice along with CD, tape, IPod, etc., as well as a "Headphone" output for private practice. Both guitar and amp are in excellent condition and in the case of the Strat, better than new with an in-house setup that's guaranteed to be better than anything handing new in a store. This is important, especially to beginners, since a guitar that doesn't play easily discourages practice and frequently causes frustration and giving up on a potentially rewarding hobby. Here's the deal: Squier Affinity Strat sells new for $179 everywhere but buy this one at $179, and I'll throw in the Frontman 15G for free, as well as include a strap, cable, picks, and starter digital tuner. Back in the 60's this is what I paid for my no-name guitar and amp, neither of which was near the quality of this outfit.
More Fender Squiers - Classic Vibe & Affinity, Guitars & Basses: Never retailed, flawless appearance, and completely gone over by Martin so they're better than new. Many of you have bought some of our Fender factory seconds and are aware of what an excellent value they are. Outwardly the only flaw is a light used stamp (pic) on the back of the headstock and the serial number is partially obliterated, which is done to negate factory warranty, which is almost worthless anyhow. The good news is the only guitars we get are cosmetically flawless so whatever imperfection they may have had is invisible and they're essentially new guitars. We do some things that online stores will never do, such as dressing the fret ends so the fretboard will never feel like a buzz saw. We go over the electronics to eliminate cold solder joints and scratchy pots. We also lubricate the fretboard which is part of our normal setup but especially important on guitars that left the factory a year or two ago. The stock strings can have crazy harmonics and unstable tuning so we change all the strings to the quality S.I.T. Nickel Wound we use on 90% of our guitars. This is in addition to our normal setup which includes detailed nut work when needed, truss rod adjustment, bridge height and intonation, and little things like machine head adjustment and strap pin tightening, when needed. In addition to these listed below, we also have a good selection of other Classic Vibe and Vintage Modified guitars AND basses (shown here).
Fender Squier Affinity Telecaster - Butterscotch Blonde, (front), (headstock), (back). The Affinity Series are very good playing guitars when given the benefit a proper setup like this one. Squiers have come along way since the early Korean and Mex models and the Affinity offers the most bang for the buck in a Tele that's good enough to play well into the intermediate phase of your playing. In fact, we've done upgrades to some Affinity Series that cost more than the guitar itself because underneath it all you have a solid Alder body and a hard rock maple neck, all with 60+ years of Fender's refinement. Sometimes we'll drop in a set up Duncans and a vintage logo and most players wouldn't guess they're playing a guitar that originally sold for under $200. A very comfortable neck with a sleek satin finish makes this a breeze to play. Also features 21 medium jumbo frets, 6-saddle top-load Tele bridge and self-lubricating die-cast tuners. This guitar is in beautiful shape with no cosmetic flaws and, again, plays fantastically. These Butterscotch models were a limited run, and they have much of the original '52 black guard vibe. Remarkably, the list price on this model is a modest $279. Don't buy a mediocre one off the rack when you can get this beauty that's ready to jam right out of the box for just $139(HOLD-Tim N).
Fender Squier Affinity Telecaster - Butterscotch Blonde, (front). Exact same guitar as the Butterscotch above except in a gloss black finish. Another great player in a beautiful instrument. List price of $279 but this one's perfect with a great setup for just $139(HOLD-John B).
Fender Squier Affinity Bronco Bass - Black, (front), (headstock), (back). Cool little short-scale bass that's perfect for the players who are small in stature, or any guitarist transitioning to bass. If you've never played a 30" scale, which is around 4" shorter than most full scale basses, you're in for a treat, especially on a bass that weighs under 6 lbs. For beginner players, or players transitioning from guitar to bass, they're much easier to learn on, and even experienced players appreciate them because they're just plain fun to play. The current model Bronco has specs very similar to the old Musicmaster bass so we've "turned these into" Musicmasters (as shown here). You have to admit, it definitely has the vibe of a 60s/70s Fender. In doing this, the old logo is painstakingly removed and then the entire headstock is clear coated in nitro finish. After the vintage logo is installed it receives multiple coats of nitro, with wet-sanding in between coats, until the outline of the logo is invisible. When finished, it looks totally factory. Like all in this section this one is set up to perfection - and highly recommended for anyone who wants a short scale that's a breeze to play. With a list price of $250, these are an excellent value on an imminently playable bass, for just $115. (more for the logo job when available).
Fender Squier Affinity Bronco Bass - Red. Exact same bass as the Black Bronco above except in a gloss red finish. Another great player in a beautiful instrument. List price of $250 but this one's perfect with a great setup for just $115.
1966 Fender Coronado II, (front), (side), (headstock), (back), (features), (neckplate), (case). A very untraditional guitar from Fender and probably their first real attempt (not counting the solidbody Jazzmaster) to get some of that Gibson business. For around 15 years Fender had owned the solidbody market; Gibson the archtops. With the advent of the British invasion, hollowbodies were gaining huge visibility, especially with the Beatles and their Epi Casinos. Fender brought onboard German-born Roger Rossmeisl, of Rickenbacker fame, noted for using a German carve on hollowbody instruments. You can see Rick influences in the checkered binding, and F-tailpiece. The Coronado was a true hollow-bodied electric guitar, like the Gibson ES-330 and Epiphone Casino, without a center wood block in the body, as opposed to a 335-style "semi-hollowbody" that had a block of wood anchoring the top and back, running the length of the body. A full hollowbody has one drawback, specifically being more prone to feedback than a semi-hollow. On the up side, they body is more free to vibrate and they can have excellent acoustic properties, including better sustain. It came in 4 models (plus some Wildwood models that followed) which included the "I" single pickup, "II", dual pickup, "XII" 12-sting, and bass. I know I'll get questions regarding the serial number, "hey, 500,000s are for the 70's...", but just google Coronado serials and you'll see that there were a large run of '65/'66 Coronado's in the 50XXXX range. This is an early model Coronado, characterized by checkered binding and chrome top pickups. These single coil pickups were made by DeArmond, a company more famous for Gretsch pickups. The bridge was a free-floating, non anchored, 'tune-o-matic' style bridge with a rosewood base, and it also has a suspended "F" tailpiece. The maple arched body is bound in checkered binding. Other features include a large gold pickups bolt-on neck is bound and features a rosewood fretboard and large block inlays, dual F-holes are bound, headstock is black with a gold Trans logo, controls are dual volume and tone controls with chrome-top black knobs, with a 3-way switch on the upper treble bout, tuners are the common F-tuners, and it has a single string tree. Perhaps the most visible use of the Coronado was by the decade's biggest star, Elvis Presley, as the only guitar featured in the movie "Speedway", which was a sunburst model (shown here), just like this one. More serious users have included Dave Davies of The Kinks, Wayne Newton, Sergio Pizzorno of Kasabian, Graham Coxon of Blur, Jimmie Vaughan, and the Flaming Lips. This guitar has been played sparingly in its 47 years and is in beautiful condition and 100% original. It plays beautifully and has a pleasing tone that isn't prone to feedback at reasonable gain levels. Includes original case by Victoria Luggage company and in this condition is an excellent value for the player or collector at $1399.
1997 Fender Squier Venus - Japan Vista Series, (front), (back), (headstock). I'm always excited to get in a Vista Series, which were produced by Fender Japan for a brief period in the mid-90's. The series consisted of the Supersonic and Jagmaster both dual humbucker guitars, and the unique hum/single Venus, which was offered in 6- and 12-string models. Although not officially a signature model, it was co-designed by the Custom Shop and Courtney Love (Hole), who played the guitar on stage for years. Features include solid basswood body, 25.5" scale maple neck, bound neck with 22 frets, rosewood fretboard, HS pickup configuration with a hot bridge humbucker and an Alnico single coil with staggered poles, 3-way selector, single knob (volume), tuneomatic bridge with strings-thru-body, large white pearl pickguard, and nickel Gotoh vintage tuners. You might notice the non-stock finish on this guitar. It was refinished in a textured teal finish that's perfectly applied and in mint condition other than a small wear spot on the back, top edge (shown here). The Vista's had a short run ('97-'98) and it's a shame because they were excellent quality guitars. I personally think Fender could have done much better by leaving off the Squier name since the $699 list price put it well above a number of regular Fenders (i.e. not Squiers). The way this body was designed the length of the guitar is around 4" shorter than most Fenders, although it's still a full 25.5" scale, which makes it easier to get around on for smaller players. It has seen very little use and has perfect frets, a fantastic setup, and a quality tone that's definitely good enough for the stage. A lot of guitar for $399 with gigbag.
2005 Fender CG-7 Classical, new-old-stock, good quality classical that features Spruce top and Meranti back/sides. If you don't have a nylon string in your guitar collection, here's an inexpensive way to get started. Fender builds quality into all their guitars, even imports such as this one, but the price is around what you'll pay for an off brand at $129. Ships set-up but never retailed, in original factory box.
Fender Stratacoustic - Black, good choice for electric players who want that familiar feel when they switch to an acoustic guitar. Features laminated spruce tops, one-piece fiberglass bodies, and electric guitar necks - with the classic Fender headstock. Amplification provided by a good quality Fishman Classic 4. These aren't particularly nice acoustic guitars, but plugged in, they do an amplified acoustic quite nicely and can do the job for that one or two acoustic songs every set. New, old stock, and unplayed - plus a setup prior to shipping that's guaranteed to be better than factory - including dressing the fret ends when necessary. Includes Fender gigbag with tune-up kit with wrench, extra saddle, and shim. List price in '05 was $428 - these are nicely discounted to $249, set up and ready to gig. Listed at $428, discounted to $249.
Fender DG-22CE acoustic/electric, beautiful flamed maple all around with a good-sounding Fishman preamp, overall in nice shape other than dings on the back of headstock by a sustaining clamp. List price was $730 but this one's in very nice shape for a used guitar and just $225(HOLD-Ron M, local 1/19).