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GIBSON GUITARS

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LES PAULS

1. 2003 Gibson 1957 Les Paul Goldtop, (front/back), (headstock), (fretboard), (case).  What a beauty - immaculate condition, superb action, and that classic tone that makes this the premier guitar for Blues, Southern Rock, and Hard Rock.  The '57 Goldtop is significant mainly because it marked the introduction of Seth Lover's famed PAF humbuckers, forever changing the tone of rock guitar.  Specs of the '57 R7 include: carved maple top over a solid (non-weight relieved) mahogany body, one-piece mahogany neck with early '50s rounded profile, long neck tenon, Burstbucker 1 and 2 pickups, low-wide vintage frets, nickel hardware, ABR-1 nickel bridge, 24-3/4" scale, and 1-11/16" nut width.  This R7 was collector owned and other than a few pickguard scratches that can buff out, appears in showroom condition.  At 9 lbs. even, it's average weight for an '03 '57 and while Gibson wasn't using Brazilian fretboards in the latter part of 2003 they choose rosewood that very closely resembles Brazilian as you can see in the pic above.  Frets are immaculate and with a great neck, set up is very low.  Includes all the accessories: custom shop case, certificate, cable, cloth, pics, manual, hang tags, warranty, and the usual huge assortment of vintage paperwork.   New Historic '57's are now going for $3999 ($5221 List) but save $1750 of your hard earned money and get this barely-touched R7 for just $2250(HOLD-Ray G 9/25).

2. 2005 Gibson Les Paul Classic with Classic '57 Upgrade, (front/back), (headstock).   A real beauty in Honey Burst with a few tasteful upgrades for more of a '59 appearance including plain truss rod cover, plus vintage style nylon saddles, Schaller strap lock pins and, most importantly, a set of Classic '57 pickups with nickel covers.  The end result is a guitar that sounds better than a stock '60 Classic and has the look of a '58-'60 Plain top.  The '60 Classic has all the features you know and love including '60 slip taper neck, mahogany body with maple cap, trapezoid fretboard inlays, bound body, bound neck, inlaid headstock logo, and vintage-style tuners with tulip buttons.  This guitar is a killer player and I think the tone of these '57's is definitely an upgrade to the ceramic humbuckers that are stock on this guitar, and at $149/each ($219 list), they're the best Gibson has to offer   Includes the earlier, better brown case with pink lining - or I can swap with a current black one if desired.  If you're not a fan of flame tops and prefer a guitar that looks more like many of the original 'Bursts, this could be the ticket.  Barely played, 9.9 condition, and with these few upgrades, a nice buy at $1579(Hold-Rob C 10/9). 

3. 1992 Gibson Les Paul Studio - Black& Chrome, (front/back), (headstock), (case).  The 90's were a great era for Gibson in my opinion.  I've yet to see one with buzz saw fret ends or sloppy finishes.  Since the early 80's the Studio has remained the best value in the "real" Les Paul line, i.e. carved maple cap over mahogany body, gloss finish, trapezoid inlays, 490R and 498T Alnico humbucker, and Gibson deluxe tuners.  Other than a few cosmetic appointments, this model is identical to the Standard but it's stripped down cosmetics means around a 40% savings compared to the Standard.  The original Studio's, back in the early 80's, were a more distinct model, with a carved top all mahogany body and dot inlays.  I'm seeing more and more "stars" playing Studio's on TV, and these are guys who can have any Gibson they want.  Following that came the "Studio Standard" with binding, dots, and maple cap - and finally in the late 80's this model.  Depending on the year, these came with Rosewood or Ebony fretboards; this one's Rosewood.  Two changes to this guitar:  a Graph-Tech nut has been pro installed, and Grover tuners replace the original Gibson deluxe; 6 small tuner screw holes were plugged and tinted so the change is barely noticeable.  It's also been outfitted with Dunlop strap pins, with the strap locks in the case.   Overall this guitar is in nice shape, around an 8, with some buckle scratches and other flaws in the clear coat only.  The frets are perfect so I would guess it hasn't seen much actual playing time.  It has an excellent setup, and a nice weight for a non-weight-relived body.  The neck is fairly substantial.  Not quite as fat as the current '59 profile but definitely thicker than the 60's slim profile, and very well rounded in the back.  With a list of $2169, gloss finish Studio's are now running $1319 new.  This '92 is in very nice shape for a used guitar and a sweet Paul for just $850. 

4. 1993 Gibson Les Paul Studio - Alpine White & Gold, (front/back), (headstock), (case).  The most desirable finish for the Les Paul Studio - Alpine White and nicer still with the with gold hardware.  I don't know if it's the Randy vibe or what, but white Paul's seem to be more in demand than any other finish.   Specs are the same as the '92 above except this one has the Ebony fretboard (shown here) and only one small mod with strap pins changed to Schaller locking style.  A few minor flaws (shown here) include some gold wear to the bridge and bridge pickup, some discoloration where your arm comes across the top of the guitar, and some very fine lacquer cracks around the first fret, which is almost always found on white Gibsons - even some brand new ones in the stores.  Overall very nice shape with no dings or scratches other than in the clear coat, and frets are perfect.  The set up is excellent, the tone is great, and, hey, it's a white Paul for just $899.  Includes black TKL hardshell case identical to the older brown Gibson cases complete with rolled leather handle and plush interior. 

5. Gibson Les Paul Vintage Mahogany - Faded Cherry and Gibson Les Paul Vintage Mahogany - Worn Brown (Cherry front/back), (Brown front/back), (headstock), (Black Reptile Case/Acc).  Several in stock.  This model is sort of a meeting of the old and the new.  The most notable feature is the carved mahogany top on a mahogany back, which has its roots in the 50's with the all-mahogany Les Paul Custom which, oddly, was more high end than the Standard, although the Standard body was more expensive to manufacture due to the maple cap.  The thing you'll immediately notice with an all-mahogany Paul is the "roundness" and warmth of the tone.  While it doesn't quite have the note definition of a maple cap, it is definitely a fatter sounding guitar.  Gibson used some great pickups with this model with their Alnico V BurstBucker Pro humbuckers.  Another notable feature is the nicely rounded '59 mahogany neck which will appeal to players who want something more substantial than the '60 thin taper.  From a luthier standpoint, my man Martin says that these finishes contribute to maximum sustain - as opposed to any lacquer which only serves to deaden the tone.  It also feels great in your hands, especially when you perspire.  These are both un-played and were received with factory sealed boxes.  We've opened them up to do a setup we can be proud of but, otherwise, they are untouched by human hands.  These sell in stores or online for $999.  which is remarkable for a carved top Les Paul with Burstbuckers, but a better deal is buying one of ours with a proper setup so it arrives ready to take to the gig - for just $859 (your choice of Cherry or Worn Brown) - or trades such as your Fender Vintage Series or American Deluxe. 

6. 2008 Gibson Les Paul Push Tone #167, (front/back), (headstock), (Detail-back), (Extra pickups), (Case/Acc.).  This is one cool idea, great innovation aside, it's a great Les Paul...  Gibson's Guitar of the Month (GOTM) for May '08.  Never retailed and offered in mint condition.  Last year Gibson offered a unique collection of monthly limited editions, with production limited to just 1000/each, an idea that was previously used with their Showcase Editions (link here) in 1988.  Clean examples of Showcases go for significantly higher than their regular production counterparts and these guitars should also prove to be good investment pieces.  Most of the 2008 models featured cool colors and pickup/hardware variations but this one is truly radical.  The Les Paul Push Tone's defining feature are easily switchable pickups (click here for a demo) and each guitar comes with a pair of BurstBucker Pro's and a pair of P-94's that attach wirelessly to the body using strong magnets.  Burstbucker Pro's for the classic fat Paul sound you know and love, while the P94's are actually P90 single coils that are designed to fit in a regular humbucker slot - giving you 4 mix-and-match pickup combinations for loads of tonal flexibility.   The pickups load through the back and each is complete with the pickup already attached to the mounting bracket, and each comes with a quick-connect plug.  In addition to this unique pickup options this is a killer Les Paul with a lacquer finish  in Antique Natural with a beautiful AAA maple top.  The flame on this one is rather unique and is definitely nicer than the average Push Tone, with thin ribbons in a chevron pattern at the bottom, becoming straight across at the middle, transitioning into reverse chevron at the top.  It's a very pleasing look.  Other unique options of this model include: Maple fretboard inlays, Ebony fretboard, 50's rounded neck profile, locking Grover tuners, Neutrik locking output jack, commemorative case with commemorative interior shroud, and a very "clean" look without a pickguard, pickup rings, or selector ring.  Other specs are the same as a regular Les Paul Standard.  This was one of the more expensive GOTM models with a list price of $4399, discounted to $2899.  This one is better than new, totally untouched except for a killer setup by Martin, inevitably better than factory, and priced $400 less than a regular Standard Plus at just $2399.  For full specs click here for Gibson's site. 

7. 2008 Gibson Les Paul Push Tone #083, (additional view), As above with wider flame in a conventional straight-across pattern, definitely nicer than the average GOTM Push Tone.  $2399.  Trades on Fender Custom Shop and PRS are desired.  

8. 1990 Gibson Les Paul Custom Quilt Top, (front/back), (headstock),  (Case).  What a beauty!  A true collector's guitar, purchased new in 1990 as an investment and virtually unplayed since new.  Original owner would open the case occasionally to look admire it but by all indications, never actually played it.  There isn't a scratch or ding on this guitar.  Binding is still bright white - logo and headstock ornamentation hasn't faded in the least.  There isn't even any gold wear or pitting (shown here) to tuners, bridge, tailpiece, or even corners of the pickups.  To keep a guitar in this condition, if you ever do play it, it needs to be wiped down immediately to prevent any discoloration, mainly to the hardware.  This isn't just a clean Custom - if you want to talk about stunning and interesting maple tops, look at this beauty.  It's what I call a lava quilt finished in a dark cherry sunburst.  Very few Customs from this era had figured tops, few as nice as this.  I'm not going to go into all the specs, which have remained basically unchanged for 40 years - plus a few years in the late 50's.  This Paul needed to be played, albeit briefly, and it passed the test with flying colors - wonderfully low action at the nut and stays low to the top frets.  Tone is the classic meaty LP tone that has defined rock music since the 70s.  You're going to pony up $3899 for a new *plain top* Custom.  Personally, I think a 19-year-old guitar is worth more than a new one if its truly in mint condition - but this one is just $3299, $600 less than a new plain top, without even considering the added value of a truly breathtaking figured top.  Includes original case in similar mint condition, manual, warranty, and hang tag.  

9. 1982 Gibson Les Paul Custom, (close-up - click to enlarge), (front/back), (headstock).  A great playing Custom in remarkably nice shape for 27 years.  This guitar has obviously seen little playing time and has been well cared for.  Since the mid-50's, the Custom has remained the Big Daddy of the Les Paul line, with many of the cosmetic features shared by Gibson's high-end archtops.  I should note for anyone not familiar with this era, the Custom came stock with gold hardware, but with chrome hardware as a factory option - including those popular "flip out" tuners with the small cranks that extend from the tuner button, especially nice during re-stringing.    From my experience, chrome hardware option accounts for perhaps 10-15% of the Customs from this era.  Appointments include: pearl block inlays, multi-ply back/white binding on top and back - and headstock, bound neck, distinctive split diamond headstock inlay, inlaid Gibson logo, ebony fretboard, maple cap over mahogany body and mahogany neck.  When you hold a Custom you know that you have the ultimate in design; the ultimate in beauty - and nothing plays like a Custom.  Without exception, every Custom I've had set up with amazingly low action.  I don't know how to attribute that, I only know it to be a fact.  This one is in especially nice shape for its age with the worst flaws (shown here), being 2 small finish chips by the fretboard binding, a very slight rub at the base of the neck, and some minor finish fleck next to the control cavity.  Top is very clean - back has some buckle scratches in the clear coat only, neck is clean, frets are excellent.  Binding and headstock inlays are still white and haven't oranged-out like many of these do after years of exposure to smoky clubs - this guitar has a very clean look.  All original except for Dunlop strap pins (locking devices included) and a metal output jackplate (shown here).  Pickups are original Patent # engraved (pic); pots are dated '79 and '81 (control cavity), which can be proper since they weren't necessarily used in date order.  All in all, a very well cared for guitar that plays great; sounds great.  A new Ebony Custom is now selling in the stores and online for $3899 ($5504 list).  A new '09 model will start to appreciate in 20 years or so but doesn't it make more sense to buy one that's already 27 years old - and cheaper as well?  For $1200 less than a new one, you can own this very tidy and excellent playing Custom.  $2699.  Includes Gibson brown case in nice shape. 

10. 2005 Gibson Custom '58 Historic Les Paul Standard,  (front/back), (headstock), (fretboard), (case/acc.), (pots/caps).  Wonderful R8 Plaintop in Washed Cherry Burst, which has the appearance of a faded Cherry Sunburst.  For those of you who aren't fans of the thin-skin VOS models, this '05 model has the regular gloss finish.  This particular guitar does have some figuring in the maple rather than many of them that look almost like alder tops - plus it's a very nice weight for a non-weight-relieved R8 at 8.6 lbs.  Features of the model include:  carved plain maple top, solid mahogany back, burstbucker pickups, thin toggle washer and jack plate, nickel hardware, aluminum stopbar, early '50s rounded neck with long tenon, CTS pots, and bumblebee caps.   Includes Historic case, custom care kit, certificate, and various tags and paperwork.   This one-owner beauty was barely touched by the original owner for fear that it might get a scratch and is offered in perfect condition, other than some slight discoloration to the nickel hardware so I'd call it 9.9 to be safe.  This model now lists at $5645 and sells online at $3999 (link), and in fact the ones pictured there are also 2005 models.  You can buy this one for $1300 less, - and buy a killer backline set-up with the savings.  Just $2699 for this one. 

11. 2004 Gibson '60 Historic Les Paul Plain Top w/Aged Hardware, (front/back), (headstock), (case/accessories), (Upgrade).   Remarkably, I just got in another one of these, and this is only my second one ever (see lower on this page for the other).  This one is perfect for the player looking for a thin profile Historic Les Paul, with a few tasteful changes.  This one has had the pickups upgraded to DiMarzio EJ Custom Bridge and Neck (DP212 and DP211) as well as the RS Guitar Works wiring kit.  The tone is less dark and muddy sounding than the stock Burstbucker pickups and the tone controls do more than clean/mud.  Gibson used aged hardware (shown here), much like nickel plating that's been exposed to the elements for a few decades.  The one-piece mahogany neck is topped with a lovely rosewood fretboard outfitted with acrylic trapezoid inlays with shape and color true to the original.   The top is plain, like most of the *real* 'Bursts you see and in addition to the carved maple top, this model features a one-piece mahogany back finished in cherry.  The cherry finish on the neck has bled into the binding and I see so many of these that I tend to believe it's a factory thing, designed to add to the vintage appeal.  With its "G" prefix in the serial number, this is Guitar Center exclusive, generally one of a run of only a few hundred pieces.  This guitar has seen little playing time, judging by the frets being very clean and virtually flawless top and only a few small scratches on the back.  The only noteworthy flaw was a finish chip that Martin repaired and lacquered over on the back edge of the headstock, shown here.  This guitar plays and sound great, just what you'd expect in a Custom Shop Historic and with an original list of $5444, an exceptional value for the player at just $2350(Hold - Mark B ~ 5/25)  - and for many, a better guitar with these EJ's and RS kit.  Includes custom shop case, certificate, manual, etc.  

12. 1997 Gibson Joe Perry Les Paul, (pic2), (pic3).   Remarkably nice flame, nice shape, killer player.  Overall exceptionally nice condition with a flawless top and just a few light scratches on the back in the clear coat only, as well as some cloudiness in the lacquer on the side edge of the headstock and top left corner (pic) which isn't unusual for an unbound Gibson headstock - barely an issue but it's noticeable if you look for it.  How long has it been since I've had one of these, anybody know?   I used to get Perry's in regularly, but I think it's been 4 year or more since the last one which I think I can understand:  There are some features on this model that many players would have a hard time parting with, especially the very substantial '59 rounded neck which, before the plethora of Historic models, would be very hard to replace.  If you wanted a large neck you were limited largely to genuine 50's models or the odd early Historic or "pre-Historic".  The neck also features rolled fretboard edges for comfort, giving it the feel of a broken in vintage guitar, as well as some of the nicest looking pearl inlays you'll see on a Paul.  Even more noteworthy for this guitar is the active tone circuit, aka "Wah-Wah" circuit, which is activated via push/pull on one of the tone pots.  Pull it out and you get that cool mid-range honk of a wah pedal resting in the "sweet spot".  Rolling the pot forward or backward adjusts the center frequency, much the same as rocking a way up or down.  This is the coolest feature I've ever seen on a Paul, at least for my taste and style.  Nothing cuts through the mix more than this Perry with this "wah" switch engaged; there simply aren't any instruments that are using these frequencies and every nuance of your playing jumps out of the mix.  It is just too cool to describe.   Much of the tone is due to a killer pair of pickups (pic) with a Joe Perry Custom Wound in the bridge with a '57 Classic in the neck - the earliest model I can think of that featured the reissued "PAF" sticker.  What really sets this one apart from other Perry's I've had is the beautiful flame.  While this is called a "AA" top, back in '97 AA was generally pretty nice but rarely was it bookmatched this well or remained as consistent throughout the top.  Transparent black on flamed maple is a stunning look - especially when you have a pretty nice top as on this one.  Includes Joe Perry custom case with Joe's "signature" and Aerosmith logo emblazoned on the shroud and features the nice crushed velvet lining rather than the standard fur lining.  In addition to drop dead good looks and cool features, this thing plays exceptionally well with action so low you'll undoubtedly start smiling as soon as you start playing.  Low action somehow makes one smile.  Okay, I think I've rambled on enough about this one but you probably get the idea:  I love this guitar.  You can love it to ...for $1850.    (Note:  Link to Gibson's original spec sheet here and if you remind me, I have a large poster (shown here), I can include.  

13. 2004 Gibson Carved Diamond Les Paul, (front/back), (close-up), (headstock), (case/acc.).  Talk about a "carved" top!  This is a carved maple top, carved with a diamond pattern.  Using sophisticated computer imaging technology, Custom Shop engineers created these instruments that have a futuristic 3-dimensional look.  This one's finished in a flip-flop blue, that appears different shades blue or purple, depending on the viewing angle and lighting.  With the gold hardware, it's one of the most stunning looks I've seen on a Paul.   Features include custom carved maple top, solid mahogany body, 1-piece mahogany neck with rounded profile, trapezoid fretboard inlays, Single-ply cream neck binding, 24 3/4" scale, 1 11/16" nut width, '57 Classic humbuckers, Gold hardware, ABR-1/Stopbar tailpiece, Grover tuners with Kidney Bean buttons.   Gibson isn't using Brazilian any longer but they're still finding some quality rosewood with very similar figuring as seen in this fretboard.  Excellent setup and nice, fat Paul tone.  These '57's always sound warmer and fatter than the Burstbuckers and we're seeing requests to have Burstbuckers swapped out with '57's whenever I have some spare '57's in stock.  This guitar is in perfect condition and has obviously seen little to no actual use.  No buckle or pick scratches, frets are immaculate, gold is clean; collector approved 9.9+ condition.  This is a rare model and should appeal to anyone looking for a truly unique Les Paul for their collection, but it's priced within the budget of many players who just want a great Paul that will truly stand out under the stage lights.  A super buy on a quality Custom Shop Les Paul at just $2799.   

14. 2005 Gibson '60 Historic Les Paul Standard Plain Top w/Aged Hardware, (front/back), (headstock), (case/accessories), (Burstbuckers/cavity).  If you want to talk about realistic looking 'Bursts, nothing looks closer than this Lemonburst with a plain top.  Most of the real '60's I've seen have faded to a closer very close to this and many were very plain maple, much like this one  To add to the look, Gibson used aged hardware (shown here), much like nickel plating that's been exposed to the elements for a few decades.  The one-piece mahogany neck is topped with a lovely rosewood fretboard outfitted with acrylic trapezoid inlays with shape and color true to the original.   Pickups are BurstBucker 1 and 2, which are medium output, just under 8K, like the original PAF's.  In addition to the carved maple top, this model features a one-piece mahogany back finished in cherry.  The cherry finish on the neck has bled into the binding and I see so many of these that I tend to believe it's a factory thing, designed to add to the vintage appeal.  With its "G" prefix in the serial number, this is Guitar Center exclusive, generally one of a run of a few hundred pieces or less.  I don't think a certificate was issued with it nor a custom care kit as it's not listed on their web site.  Cosmetically, this guitar has seen little playing time but there are tiny specs on the finish, over the top and headstock which are visible only on close inspection from the right angle (shown here from two angles).  Because of this I wouldn't recommend this guitar to some collectors but to other players, it's barely noticeable and doesn't detract from the glossy patina.  One mod to this guitar, is the switch shaft has been professionally clipped off and sanded down, to prevent accidentally changing the pickup settings while playing (as shown here).  Depending on your playing style this can be beneficial but we can install a new Gibson switch if desired.   This guitar plays and sound great, just what you'd expect in a R0 and with new VOS model at $3699 ($5174 list), this one's $1200 less at just $2499.  Includes custom shop case, manual, etc.  

15. 1997 Gibson Les Paul Studio - Wine & Chrome, (front/back), (headstock).   You know it - you love it; for years it has remained the best value in the "real" Les Paul line, i.e. carved maple cap over mahogany body, trapezoid inlays, 490R and 498T Alnico humbucker, Gibson deluxe tuners, etc.  Basic construction is the same as the Standard with the exception of cosmetic appointments such as body and neck binding.  The original Studio's, back in the early 80's, were a more distinct model, with an all mahogany body and dot inlays.  Following that came the "Studio Standard" with binding, dots, and maple cap - and finally in the late 80's this model.  As you can see in the pics, this is one for the players with a few finish chips around the edges (shown here), all of which we can color match and re-lacquer if desired - but only light fret wear, shown here at the heaviest wear on the 2nd/3rd frets.  We can buff it out and touch it up, but for the player it would be a waste.  It's already a great playing Paul with no structural issues, no cracks, etc., and for a lacquer finish Studio a nice buy at $799.  Includes Gibson deluxe gigbag.  

16. 2007 Gibson Les Paul Standard Plus 60's Neck, (front/back), (headstock) (inlays/aged binding), (case/etc.).  A real beauty with a AA flamed top that, to many players, is more desirable than the maple on steroids look of a Class 5 or Historic '59.  This one, finished in a transparent cranberry, has rather wide flame that goes up into the cutaway and as a Plus model, the factory includes--but doesn't install--the pickguard, so as to not obscure any of the figured wood.  This model features a tapered peghead, push-in-bushing, aged tuning keys, and nickel hardware.  A pair of BurstBucker Pro pickups deliver a tighter tone with more midrange.   In a nod toward the vintage look, Gibson doesn't include the truss rod cover with the bold "Standard" engraved upon it, opting for the vintage style plain cover with a removable sticker that indicates which neck profile the guitar has.  All the regular Les Paul specs including gloss lacquered Mahogany body with maple cap, chambered body - weighing in at just 7.6 lbs., maple neck with rosewood fretboard, and the usual dual volume and tone controls with 3-way selector.  This model lists at $3448 and this one is unplayed and perfect for just $1999.

17. 2007 Gibson Les Paul GT, (front/back), (headstock/ebony board), (features), (case&acc.).  Something a little different with some tasteful upgrades from your average Paul with features from both the Standard and Custom - plus some features not found on either.  Things like an over/under dual truss rod provides extra support, sleek bound ebony fretboard, cool Ghosted flame finish, locking Neutrik jack to prevent accidental unplugging when your singer steps on your cable, 490R and 498T humbuckers offer coil-tap access with push-pull pots and a high-pass filter that maintains highs when you back off the volume and smoothes the taper from one to 10.  Lastly, the volume controls remain entirely independent even when toggle is in the middle position.  Other features include: solid mahogany body (not weight relieved!) with maple cap, mahogany neck with 50's profile, locking Grover tuners, 24.75" scale with 1 11/16" nut width.  List price on this model is $3999 but this one's unplayed, set up better than factory, and just $2099.  (Several available; Hold one:  Chris D 10/1)

18. 2005 Gibson Class 5 Les Paul, (pic2), (pic3).  Gibson's Class 5 set the new standard for rating their maple tops.  Rather than the AAA top, they wanted a new term befitting the finest quilted maple they had to offer...thus the AAAAA (5A - Class 5) was born.  Other than the fantastic top - which is described as the bottom of storm clouds just before a tornado - and their most choice mahogany - it's just an extremely well built Les Paul Standard, with a pair of Burstbucker pickups, long neck tenon, bound body and neck, mother of pearl fretboard inlays, and vintage tulip tuners.  Gibson's top luthiers build their custom shop guitars and details such as matching the "wings" on the headstock (pic) and perfectly inlaid binding are evident.  The dark mahogany back is some of the nicest I've seen on a Les Paul and, likewise, the mahogany neck is nicely figured with dark veins running the length.  This model now sells for $4399 ($6704 list) which is lot of cash.  If you don't mind being the 2nd owner, this 2005 model is immaculate, without a hint of wear or use, and is $1400 cheaper.  Just $2999.  Includes velvet-lined Gibson custom shop case.  

19. 1995 Gibson Les Paul Studio, Wine with gold hardware.  Typical low action LP setup and classic meaty LP tone.  All original (pickguard removed for looks) and overall pretty nice shape for a used guitar.  Finish has nice shine and just some minor dings and buckle scratches, etc.  Has the older, better looking trap inlays.  New ones are running $1409 ($2169 list).  I like these better than the new ones and a better value at $899 with case.  

20. Gibson Les Paul "Bugs", okay, here's a model you've never had a shot at - because it's the only one in existence.  Available only through Gibson's "Custom Direct" service, where your $500 membership gives you access to the rarest of the rare.  For this particular guitar, Gibson commissioned noted artist Carol Paulsen as part of their "Art of the Guitar II" to paint two "bug" guitars - this Les Paul and an ES-5 ( the ES-5 subsequently sustained a damaged neck, never retailed, and was blown out in a charity auction).  As much a work of art as it is a playable instrument, the "Bugs" features a Les Paul Standard with hand-painted bugs on the top, as well as the highest quality Abalone fretboard inlays.  It's hard to capture the the beauty and intricacy of her paining in great detail but here are some attempts:  pic3, pic4, pic5, pic6, pic7, pic8.  Includes original case and warranty card.  This guitar was collector owned, unplayed, and mint condition other than very sight tarnish on the edges of the pickups - we can replace the pickup covers if desired.  This guitar was obtained through an IRS auction where the original owner, with the finest collection imaginable, was forced to sell off dozens of highly-prized guitars, most of which remained unplayed.  Cost to the original owner on this guitar was $10,000.  There was not a list price, that was the actual selling price. Offered here, at my humble site, for just $7000.  One of these days I hope to contact Ms. Paulsen and, hopefully, offer it on her site as well.    

SG’S

1. 1974 Gibson SG Standard, (front/back), (headstock/fretboard).  Fairly rare model - in '74 and early '75 Gibson introduced a limited edition Standard such as this one, that featured an unbound Ebony fretboard, while other features were identical to Standards from the era.  Other features include Walnut finish, 2-piece mahogany body with beveled edges front & back and in the cutaway, 3-piece mahogany neck with Ebony fretboard and block inlays, black headstock veneer with inlaid pearl logo and flower pot inlay, black speed knobs, 5-ply "small" pickguard, top-mounted output jack in body, Gibson/Schaller Keystone tuners, and Tuneomatic/stopbar tailpiece.  The bridge on this model was the Schaller made wide-travel Tuneomatic, originally introduced 2 years earlier.  Headstock and fretboard inlays are genuine pearl which look much better than the MOTS inlay work on later years.  Electronics are 100% original with '74 pots and switch and all original solder joints (cavity/pickups) - plus original pickups which are highly regarded Lawrence-designed Super Humbuckers.  Externally, they look the same as a "regular" PAF style but were built with one ceramic magnet and epoxy potted bottoms to reduce microphonics.  Gibson was offering these very hot pickups as stock equipment years before the custom parts industry started a boom in high-output humbuckers and these Lawrence models have become a very hot commodity on the parts market.  This guitar is an excellent player with very comfortable action, wide/low frets are original and are in very good condition, and excellent sustain with no annoying "ghost" over-tones at the highest gain settings.  By today's standards (no pun) this would be one of the better sounding SG's if you were trying out every one in a super store.  Back in '74 it was probably just an average SG but then who knows, maybe there's some truth to the belief that old wood sounds better than new wood.  This guitar has a few non-problematic hairline cracks - on the headstock, in the cutaway, and on the back edge/top (pictured here).  The original owner said that this guitar has been in this state for over a decade and none of these pose a problem - this is a 100% solid guitar.  For the player, this means a significant savings.  35 years old and an excellent value for a vintage SG at around 50% of gbase prices at $1299.  Includes original case in nice vintage condition except missing the top hasp on one of the latches. 

2. 2008 Gibson Faded SG Special, (front/back), (headstock), (case).  "As new" condition.  The SG equivalent to the Vintage Mahogany Les Paul above, the Faded SG Special is a no-frills axe with the same woods, silhouette, electronics, and hardware as the higher end SG Standard, but with a satin finish, dot inlays, and unbound neck.  This one, in "Worn Brown", has the vibe of a vintage SG in Gibson's old "Walnut" finish.  The Faded SG is the best value in a USA Gibson SG and, again, the thin faded finish makes for a better guitar from a tone point of view.  The thin satin finish allows the guitar to resonate better, for increased sustain and a more pure voice - plus it gives the guitar a cozy, broken in feel that most players will appreciate.  Finish aside, it's very much a traditional SG, with all solid mahogany construction including body and neck, tune-o-matic bridge/stopbar tailpiece, and Alnico 490R and 490T humbuckers, controlled by dual volume and tone controls with 3-way selector.  Neck profile is the rather chunky 50's rounded style so it's not recommended for those who like skinny necks.  Lightweight and fun to play, these sell new discounted to $699 but this one's dead mint, with a great setup, for just $550 and includes your choice of quality gigbag or Epiphone hardshell case with the lid painted black to obscure the logo.  

3. 2007 Gibson '61 Les Paul/ SG Standard VOS - White, (front/back), (headstock), (case/acc.).   I've said it before but...I love these VOS models.  They're not only built to the exact spec's of the original model but they also have the patina of a 45-year-old guitar and aged hardware.  You get the feeling that you're playing a an actual vintage instrument rather than a shiny new guitar that obvious just rolled off the assembly line.  1961 was a pivotal year for the Les Paul.  Gone was the single cutaway model that had been around since the early 50's - and which was less than an overwhelming success - replaced by the new all-mahogany double-cut body with beveled edges, which eventually was renamed the "SG" for Spanish Guitar.   Everything was different about this "new" model Les Paul and for the player, access to the upper frets was markedly improved which along with the new lightweight design, made this guitar a joy to play.  Unlike the original Les Paul model, which disappeared from '61 to '67, the SG design has stayed in the Gibson line for 48 straight years.  Spec's of this model include Mahogany body, Set one-piece mahogany neck with long tenon, 22-fret rosewood fretboard, Burstbucker 1 & 2 humbucking pickups, Stop bar tailpiece with tuneomatic bridge, 24-3/4" scale length, and wide 1-11/16" nut width.  The only flaw on this guitar is a small red mark on the back of the neck (shown here) which was a reaction from the Nitro finish and a rubberized guitar stand.  This model, properly called a "Les Paul"  is still being made, although it's lost the "Les Paul" name and called merely "Gibson Custom SG Standard Reissue VOS", (shown here) which sells for $3399 ($4774 list).  For $1000 less, you can have this wonderful guitar, in unplayed condition with plastic still on the pickguard and not a hint of use.  $2399. 

4. 2008 Gibson SG Diablo, (front/back), (German carve - detail), (headstock), (case).  Never retailed - unplayed condition and ships in original box.   One of 1000 made for Gibson's "Guitar of the Month" series (Jan '08).  Upon quick inspection looks like a '62 SG in a custom color (Metallic Silver), but up close you can see the very unique body cut that makes this truly a unique SG.  Both the top and back have a German carve, rather than the slab top of a standard SG.  This technique provides an attractive 3D effect to the guitar, while reducing weight and making it more comfortable to play.  A few other changes you'll notice include a matching headstock, a simple 2-knob layout with the volume knob being closer to allow volume swells with your pinky finger, and most importantly, a 24-fret neck rather than the usual 22 frets.  Features include: Burstbucker Pro 1 (neck) and Pro 2 (bridge) humbuckers, hand-carved mahogany body, mahogany neck with rounded profile, 1.687" fret width, 12" fretboard radius, Nashville bridge, Grover tuners, chrome hardware, and Grover tuners. Lastly, this model features a nitrocellulose finish, which is an expensive process due to the hand work required and the very long drying time between coats. Nitro is a very thin finish and one which Gibson has been employing since the 1800's. It allows the guitar to resonate more freely than a thick poly finish, which is one of the reasons that old Gibsons sound so good.  Likewise, the paint on this guitar is very thin, and you can easily see the mahogany grain.  My personal opinion of this model - some of the best sounding SG's that I've played with the fatness you want from a dual humbucker guitar, while retaining excellent not clarity and plenty of top end.  The last time I recall Gibson doing monthly limited editions was the Showcase Editions in 1988 (link here).  These guitars have proven to be very good investment pieces, fetching 50% or more over comparable regular production models from the same year.  Click here for a bizarre demo from GearWire.  The Diablo listed at $3249, selling at discount for $2119.  If you missed one of these during their run in '08, here another chance to get one, out of the box only for our setup and otherwise untouched, for 50% off list, just $1699.  (Several available - Hold one for Jim S 4/8)

5. 1997 Gibson SG Special, (front/back), (headstock/neck), (scratches),.  For the players out there, who don't mind some dings and scratches and would rather get a great playing used SG at around half the price of a new one...here you go.  Although this SG has the looks of a road warrior, there are no structural issues such as cracks or repairs, and it judging by the frets - which are in great shape - it's more a case of a careless owner, almost as if they were looking to rough it up a bit.  Oddly enough, for the first 15 years of my playing career, I wasn't a fan of SG's.  I thought they were too lightweight and slim to be "real" guitars.  Shortly after I started this business I got in an SG Junior and finally had some time to really try one out.  I've been a fan of SG's, and any kind of Junior, ever since.  Please note that this isn't the new "Faded" series, this is the "regular" SG Special with gloss lacquer finish, with its roots in the 80's and the original 3-knob Special.  It has all the specs you know and love - lightweight, mahogany body with beveled edges, mahogany neck, Gibson 490R/490T Alnico humbuckers, dual volume/tone controls, Gibson Deluxe tuners, and Tuneomatic bridge.  A new SG Special is now running $1249 new ($1799 list) but if you're a player who's focused on SG tone and superb playability, this is a nice one - and just $650.  Includes high quality gigbag for free or substitute a Gibson brown case in nice shape for $115 extra.  

6. 2008 Gibson Robot SG Spec Ltd, (front/back), (headstock), (Tuning Knob), (tuning system), (bridge/tailpiece), (case and box).  Never retailed - unplayed condition and ships in original box.  Note: This is the nicer model with bound neck, bound headstock, trapezoid inlays, and headstock inlay - not the plainer model (shown here), without neck/headstock binding and dot inlays.   Rather than a long description here, click here for more details.  The Robot SG lists for $3599, with the unbound dot-neck model selling online for $2299 but this one is immaculate with a set up sure to please, and just $1599(HOLD-Sean T 10/5).  Includes original case with charger & power plug, battery pack (installed), comprehensive manual, tags, etc.  Ships in original box.  

GIBSON OR USA EPI SEMI-HOLLOW & ARCHTOPS:  

Check out this cool vintage Gibson Hollowbody Pair! - 1961 ES-330T and 1959 ES-225T, details and pics below.    

1. 1959 Gibson ES-225T, (pic2), (pic3).  Another very clean example in similar condition to the ES-330T below, except with a typically checked finish (pic here), over most of the body.   Other than the finish checking, very little actual wear and probably would be called an 8.5 on a vintage scale. Worst flaws are some finish wear around the back edge of the headstock and the tailpiece has been re-welded at the hinge, which is typical on these tailpieces.  Woods are the same as the ES-330T, with maple top and maple sides and back and similar cosmetics with bound top, bound back, bound neck, and black headstock veneer with inlaid logo.  The 225T also features a Florentine cutaway, which is very attractive and lends a look reminiscent of these early archtop electrics.  Like the 330, this guitar has that beautiful tone that comes from the marriage of an old P90 and a hollowbody design.  It really sounds magical as you roll back the tone control.  100% original with no funny business, no replaced parts or overspray.  Look at the pictures, this is a very nice example in beautiful vintage condition.  With a VG Price Guide of $2500, it's still an excellent value on the vintage market - especially at $1800.  Comes with non-original hardshell case.  

2. 2003 Gibson ES-135 w/Classic '57's, (front/back), (headstock), (case).  Recently discontinued but the 135 was always a hot seller for me during it's 10+ year run as the most affordable Gibson semi-hollow in their catalog  This one is somewhat rare, starting with a very cool "Blues Burst" finish, but also lacking the F-holes found on most of these and a stock non-pickguard model.  Although the tone is very similar to the F-hole model, this solidbody (although semi-hollow inside)  is more resistant to feedback and has a very rich tone with the stock Classic '57 pickups.  Features include 16" laminated maple/poplar/maple body with satin finish, Mahogany center block, 1959 rounded maple neck with rosewood fretboard, bound body, Grover keystone tuners, and chrome hardware.  I've had this exact same model with a "Limited Edition" stamp on the back of the headstock but, inexplicably, this guitar doesn't sport the Ltd Ed seal.  Other than a few pick scratches and glossy spots from arm contact this guitar is in lovely shape and an excellent value in a Gibson archtop for $950.  It plays extremely nice and would be an excellent choice for stage use where higher gain settings and feedback would be a concern.  Includes original Gibson case in clean shape except for combo lock latch doesn't work.   

3. Gibson Custom Johnny A. Signature Model, (front/back), (headstock), (case), (signed COA).  A truly elegant guitar, with appointments (pictured) reminiscent of an L5 or other high-end carved top.  Finished in "Sunset Glow," every edge of this guitar is constructed with multi-ply binding including body, neck, and headstock.  More importantly it was built in the old-school tradition with a hand-carved solid maple top, rather than the cheaper laminated maple or mahogany tops found on other archtops.  Additionally, back and sides of this guitar are actually carved out of a single piece of mahogany rather than the usual, and cheaper, glued on rim.  The result is a guitar that is very lively with an acoustic tone that is especially impressive for a thinline semi-hollowbody.  It's advertised as a "modified ES-335 body" with double sharp cutaways instead of round, carved AAA figured maple top, mahogany neck with ebony fingerboard, custom pearl inlays on fretboard, multi-ply white/black binding on neck and body, longer 25 1/2" scale, 1 11/16" nut width, '57 classic humbuckers, gold hardware, stopbar/Tuneomatic bridge, and vintage tulip tuning machines.  Gibson makes two versions of this guitar, both custom shop, and please note that this is the higher end model with figured maple top.  With a list price of $6539, it sells at discount for $4299.  This one is in dead mint condition, as new, and is $1000 lower at just $3299(HOLD-Kevin K 4/13).  Of note to Johnny A fans, the original owner had the certificate hand-signed by the man himself.  Pretty cool.  Includes a very fancy original case, custom care kit, and the usual assortment of paperwork and stuff. 

4. 2003 Gibson ES-175VS, (front/back),  (headstock), (close-up click to enlarge).  New, old stock and pristine condition, save for one top crack in the top ply only.  The ES-175 has long been one of the top jazz guitars made, sought after for its smooth, bluesy sound as well as the versatility of a dual humbucker semi-hollowbody with Florentine cutaway for easier access to the upper register.  In production since 1949 with very few changes over the years, it is, quite possibly, the definitive jazz box.  Like most Gibson archtops, the body is made of laminated maple, which is much less prone to feedback than solid woods.  They generally use nicely figured woods on this model and this one is no exception, with beautiful even flame, front and back, with moderately flamed maple on the rims.  Other features include in multi-ply binding on the top and single-ply on the back, mahogany neck with split pearl parallelogram inlayed rosewood fingerboard, bound neck, trapeze tailpiece, ABR-1 bridge, vintage style Gibson Deluxe tuners with aged tulip buttons, '57 Classic humbuckers, nickel hardware and raised multi-ply pickguard.  This is a wonderful playing guitar and a good value for the player.  A small crack in the top (see arrow) ply has been glued and lacquered over so it doesn't affect the tone nor pose any future problems.  With a new ES-175 selling for $3749 ($5290 List), this one is a great find for the player who wants a top-of-the-line jazz guitar at a budget price, a full $1550 less than new at just $2199.  Includes mint Gibson case and unsigned warranty. 

5. 1979 Gibson ES-175D, (pic2).  Beautiful example that plays as good as it looks.  Original finish still has a beautiful gloss (pic front/back) with no finish checking on top, a few miniscule checks on back - doesn't come much nicer on 27 year-old nitro.  Several very minor issues that bear mentioning only because this guitar is otherwise so incredibly clean:  Factory 2nd for cosmetic reasons that are impossible to determine 27 years later, thumb/finger wear on back of neck frets 2-4, finish cracks (only) around output jack. Features of the ES-175D include  sharp cutaway, sunburst finished maple top and back, dark stained maple sides, 3-piece mahogany neck, 20-fret rosewood fingerboard with pearloid double parallelogram inlays, 2 humbucking pickups, 3-way toggle switch, 2 volume and 2 tone controls, white-bound body and fretboard, black/white top purfling, tune-o-matic bridge with rosewood base, b-w-b-w-b beveled pickguard, trapeze tailpiece with 3 raised diamonds, crown headstock inlay, Gibson/Kluson tuners with scroll logo, 16" lower bout, 3-1/4" body depth, 1-11/16" nut width (not the "pencil" neck found on many 70's Gibsons), 24-3/4" scale.  Includes original black case with plush red lining.  Currently strung with flat wound strings in the jazz box tradition and a superb player with quality tone.  VG Price Guide at $2400-$2800 and this is definitely one of the cleaner ones on the market which makes this a nice deal for the player or collector at just $2499(HOLD-Peter B 12/9).  

 GIBSON ACOUSTICS:

1. 2004 Gibson Hound Dog 60 Square Neck Dobro - with pickup, (front/back), (headstock/serial), (sides), (case).  Don't confuse with the newer import line - this is the real deal USA model made in Nashville, and while it's understandably not as cheap as the import, it's the best bang for the buck to ever come from Gibson or Dobro.  Being a square neck, this guitar is made strictly for slide play, and nothing sounds like a good old spider cone played slide style.  A cousin to Gibson's Model 60 D Classic Dobro, the Hound Dog, aka Model 60 S, features a square neck with 12 frets clear of the body and a high nut for slide-style playing as well as two sound holes to enhance clarity and projection.  The body is made of nicely figured laminated Maple, with the original style spider bridge and 10 1/2 in. resonator.  Other features include hand-rubbed vintage brown finish, black binding on top and back, slotted headstock, fan cover plate, Spider resonator, nickel plated hardware, and Fishman resonator pickup with end-pin output jack.  For specs, pics, and press release, click here for Gibson's site.  This is an very good sounding resonator guitar for the money and is in very near mint 9.8 condition with no player's wear whatsoever.  Recently discontinued but sold originally at Zzounds for $1377 with *gigbag* but this one's $500 less AND includes a quality *Dobro case*.  $877 for this one. 
2. 1967 Gibson B-25N (N = "natural" top finish), (pic2), (pic3).  Nice old small bodied (14 1/4") Gibson flattop, with Spruce top, mahogany back and sides, and long pickguard.  Features multi-ply binding on top, bound back, adjustable bridge, and Kluson tuners.  This one hasn't seen much actual playing time but does indeed look like a 40-year-old guitar with plenty of finish checking - but no top or back cracks.  It did have a small repair of a 1" ding on the side near the neck joint, as well as an extra strap pin hole, both pictured here.  It's barely noticeable and looks much worse in the pic.  Like most Gibsons from this era, it has a very narrow neck so small hands will appreciate playing this one.  The tone is just what you'd expect from a small Mahogany body - very warm tone with a little extra mid-range - very pleasing to the ear and a good one for back porch strumming with vocal accompaniment.  VG price guide is over $1K for this model and it remains a very good buy on the vintage market - especially at $899.  Includes original semi-hard Gibson case.  

OTHER USA GIBSONS: MELODY MAKERS, NIGHTHAWKS, FIRBIRDS, EXPLORERS, V’S, ETC.:  

1. 2003 Gibson Flying V Custom, (front/back), (headstock), (appointments), (case).  Fat neck fans take note!.  Rare custom shop model, combining all the cosmetic features of the Les Paul Custom - with the woods and styling of a '58 Flying V.  The '58 V, with it's thicker body and string-through body was chosen as the template for this model, although unlike the '58, the V Custom uses a one-piece mahogany body.  In 2002-2003, Gibson originally offered these as a small run of only 40 pieces, although I don't know if it was 40 each in Alpine and Black, or 40 total.  Suffice it to say they were very low production numbers.  Since that time Gibson did another similar run in 2007 which to the eye appears to be the same model.  As I mentioned, the Flying V Custom has all the cosmetic features found on the Les Paul Custom which include:  Gold hardware, Ebony fretboard with block inlays, multi-ply bound body, bound neck, bound headstock with split diamond inlay and inlaid logo, and multi-ply pickguard.  Other features include One-piece mahogany body, one-piece mahogany neck, 24 3/4" scale length, 1 11/16" nut width, ABR-1 bridge with V shaped anchor plate (strings through body), Two '57 Classic humbuckers, and 2 volume, 1 tone and 3-way switch.  Overall very nice shape and little to no playing wear, including perfect frets and no buckle/button scratches.  There is some gold wear to use of an improper cleaner and it does have lacquer cracks - and lacquer only, near parts of the neck binding (shown here).  This is fairly common on recent Gibsons but we guarantee that it's strictly in the lacquer only.  One feature worth mentioning is the neck profile, which is a rather substantial '58 "baseball bat" neck.  Not for every body but fans of big necks will love it.  Includes Custom Shop case with dark red velvet lining, certificate, manual, warranty, picks, and polishing cloth.   This was a one-owner guitar and has actually seen very little playing time.  List price was $5207 for this rare bird and it's price almost 1/2 of the new cost at just $1999(HOLD-Kenneth 8/2).  Includes custom shop case, certificate, polishing cloth, etc. 
2. 2008 Gibson Shred V Flying V, (front/back), (headstock), (Kahler), (Case/Acc.).  Gibson's Guitar of the Month (GOTM) for August '08.  Never retailed and offered in mint condition.  Last year Gibson offered a unique collection of monthly limited editions, with production limited to just 1000/each, an idea that was previously used with their Showcase Editions (link here) in 1988.  Clean examples of Showcases go for significantly higher than their regular production counterparts and these guitars should also prove to be good investment pieces.  The original Flying V, first released in 1958, wasn't well received by the public and production was discontinued within a year.  It was later resurrected in 1967 where it has stayed in production since that time, eventually finding its niche as one of the premier rock/metal axes.  With this in mind, Gibson has created the definitive metal V with the Shred V, with features such as a pair of EMG 85 pickups, perfect for aggressive hard rock and metal, and a Kahler 2215K tremolo to withstand aggressive playing and dive bombs tricks.  In place of a locking nut, Gibson opted for Grover locking tuners, which keep the guitar in tune nicely, without the hassle of locking the strings down.  Other features include all-mahogany construction, black chrome hardware, Ebony finish that enhances the futuristic vibe - and metal look, one-piece mahogany with '50s rounded contour, Ebony fingerboard with black acrylic dot inlays unique only to the Shred-V, wide 1 11/16" nut, flat 12" fretboard radius, master volume and tone, and standard 3-way pickup selector.  The Shred V carried a list price of $3499, selling at discount for $2299.  This one is better than new, totally untouched except for a killer setup by Martin, inevitably better than factory, and nicely priced at just $1899.  For full specs click here for Gibson's site. Trades on Fender Custom Shop and PRS are desired.  
3. 1984 Gibson Designer Series Explorer, (front/back), (headstock), (bridge), (case), (1984 Flyer).   Speaking of rare custom finishes, check out this beauty.  I've had a few of the Designer Series before but this is the first of the black&gold Explorers that I've seen.  The thought that immediately strikes you is, "that's one elegant looking Explorer."  Pics don't do it justice but the overall look is very striking, especially with the gold hardware in such clean shape.  Gibson called this graphic a "Style 20" as shown in the flyer above, offered as were all custom finishes, at an upcharge over standard finishes.  Specs are the same as Gibson's standard Explorer with the exception of the finish - plus this one was built with optional factory locking tremolo system which works very well.  This guitar is extremely clean and appears to lived in the case much of it's 24-year life, easily a 9+ condition.  Even the gold hardware retains most of it's plating with little to no gold-wear or pitting.  Set-up is spectacular and it has the fat tone you'd expect on a dual humbucker mahogany Gibson.  Custom finishes have always proven to be good investments.  What may have been only 5-10% upcharge at the time of original sale can translate to 200% or more as evidenced by a Fiesta Red Strat vs. a Sunburst - or in the Gibson line, a Golden Mist Poly over a sunburst.  For a guitar in this condition, rarity, and just plain coolness, this is a super buy at $1799.  
4. 2004 Gibson Explorer, (front/back), (headstock), (case).   A true classic from Gibson...eventually.  The Explorer was one of the failed futuristic guitars that Gibson unveiled in the late 50's, which were discontinued until the timing was right, and they started reissuing them around ca. '67.  Like the Flying V, the Explorer features set-neck construction, with a mahogany neck set in to a mahogany body, with dual humbuckers and unbound body and neck.  It has an exaggerated "Z" shaped body, the original "hockey stick" headstock with 6/line Grover tuners, vol-vol-tone knobs in line, with a 3-way selector on the upper treble bout.  Other than a few minor dings around the edge, this guitar is in very nice shape plus it's definitely a nice player.  A cool guitar for the Metallica/Skynard/etc. fan, or anybody who wants to delve into one of the original metal axes, designed 30 years before metal was even invented.  Includes original Gibson "reptile' case with plus lining and shroud.  With a new black Explorer running $1229, nice savings on this nice used one at just $850(Tent. Hold - Richard 4/10).   
5. 2001 Gibson Chet Atkins SST, (front/back), (headstock).  These are getting harder to find, although I did have a pair a while back.  The SST was one of the first solidbody acoustic models, designed especially for stage use, i.e. to allow for maximum before feedback.  First introduced as a nylon string model (Chet Atkins CE or CEC) in 1981, the steel string SST joined the line in 1987, gaining instant popularity among pro players such as Dave Matthews who played a black SST as his main stage guitar from '92 to '99.  The SST was a simple but very well designed guitar.  It features a solid Spruce top, Mahogany back with Chromyte (as used on ES-335's) reinforcement, Ebony bridge, and Mahogany slim-taper neck with Ebony fretboard.  Cosmetic appointments include inlaid logo and star inlay, star fretboard markers, bridge with star inlays and Ebony pins with pearloid dots, multi-ply body binding, and gold hardware.  Electronics are simple and are located, unobtrusively, on the side of the bass upper bout and include volume, bass, and treble (shown here).  Again, this model is very resistant to feedback and these simple controls seem to handle it well.  This guitar features a very wide neck (around 2" at the nut), long 25.5" scale (3/4" longer than normal Gibson scale), medium jumbo frets, and up to 24 frets (on the 1st/2nd strings).  For all the spec's on this model check out Gibson's site here.  This guitar is in nice shape overall with no major flaws, but it does have a number of odd finish impressions (as shown here) in the clear coat - not through to the wood.   Frets are near perfect and other than the aforementioned finish dings, it shows very little player's wear.   After a long run of 19 years, the SST was discontinued in '06 and considering the popularity of this guitar they will likely become harder to find as the years go by.   If you're looking for an excellent stage guitar, there are few better in terms of comfort, tone, and playability than the SST and at $1199 (HOLD-Patrick 1/19), it's truly a pro model for a modest price.  Includes Gibson Chet Atkins SST/CEC Case, earlier style brown case with pink lining and just set up with Elixer light gauge..  

 EPIPHONES

NEW or NEVER USED EPIPHONES 45%-60% OFF LIST:

1. Epiphone AJ-200S Solid Top Acoustic, (front/back), (headstock), (neck).  NOS, unplayed, and perfect.  Perhaps the best value we've had in a solid spruce top acoustic.  The AJ-200S features Gibson's classic Advance Jumbo body size, more of a dreadnought shape than a standard jumbo like the J-200.  We have several of these and, as is normal, they came with "average' factory setups.  With some detailed nut work, properly adjusted saddle, and truss rod adjustment, they set up much nicer than factory specs, which inherently are set to allow the maximum guitars to pass through final inspection.  As I've said many times, there's no reason an inexpensive guitar has to play badly, it just comes down to some fine tuning by a skilled luthier.  Current specs call for mahogany sides and back but I bought these NOS 2006 models because, in addition to the solid Spruce top, these still had the rosewood sides and back, which provide a much richer tone and is generally a more expensive wood - and gold Grover tuners.  I played one of the '08 models with mahogany body and chrome tuners and it just didn't compare in terms of tone, or looks.  We don't have a super blow-out price on these but at $198 ($332 List) you're getting a guitar that's properly set-up and, I feel, a nicer model than current production.   Includes manual, poster, truss wrench, etc.  (multiples in stock)
2. Epiphone G-400 Gothic Series SG, (front/back), (headstock).  Best value in a set-neck, all-mahogany SG with this Gothic Series SG.  Based upon Gibson's very successful "Gothic" line, the Epiphone Goth Collection features the same Satin-Black finish and Black hardware for a look that's obviously aimed at the rock/metal player.  Features include Grover tuners, Ebony fretboard with side markers, black chrome hardware, Roman numeral "XII" inlay on the 12th fret, a Celtic Cross on the headstock, and '57 Classic alnico-v exposed-coil humbuckers.  This guitar was a cosmetic 2nd (pic) for reasons we cannot discern - it's totally flawless - and is an excellent value at $250, including a super-killer setup so it will arrive at your door in optimum playing condition.  
3. 2006 Epiphone SG Standard G-400 With EMG's, (pic2), (pic3).  New and first quality in Classic Alpine White Finish!  New upscale Ltd. Ed. model from Epi, using the increasingly poplar Zakk Wylde setup of active EMG's with an 81/85 combination.  Features include solid mahogany body with set-in mahogany neck, Grover tuners, slim-taper neck has a rosewood fretboard with pearloid trapezoid inlays, with a deep double-cutaway allowing easy access to the upper frets.  I have two of these, both new, old stock and perfect, inevitably set up better than factory.  With a list of $999, these are a very good value in a set-neck guitar with the EMG 81/85 setup at just $499.  Includes, manual, cable, poster, etc.  
4. Epiphone AJ-1 Advance Jumbo, 2004 NOS, new in the box and best value in a SJ round-shoulder style flattop.  Features select Spruce top, with the warmth of mahogany sides and back.  Natural gloss finish and body binding give this a simple, but elegant look.  The design of this guitar gives it very ample bass response, and a pleasing tone for strumming with friends on the front porch.  With factory setups these guitars are only so-so but when Martin does his magic, you'll have a guitar that's a joy to play with comfortable action throughout the register.  Lists at $232 but this one's new in the box AND set-up to play for just $149.   
5. 2005 Epiphone '58 Korina Flying V, (pic2), (pic3).   Never retailed and immaculate condition - first quality Epiphone - Very cool reissue of the classic Gibson '58 Korina V.  The Floyd V, along with the Explorer and Moderne, were the most radical guitars ever produced when Gibson presented them to the public in '58.  Unfortunately, they were soon discontinued as the public wasn't ready for such a departure from "normal" looking guitars.  Eventually though, this model became the holy grail of collectors and you could retire on the value of an original example.  This one has all the looks and vibe of the original including Korina body with Mahogany neck, gold hardware, arrow-head headstock with 3+3 Kluson style vintage tuners, gold logo, and gold-plated boomerang tailpiece with Tuneomatic bridge.  Also features a rubber strip on the bottom edge for ease of play while sitting down.  With a list price of $832, this model sells heavily discounted to as low as $499 but this one has never been retailed and is perfect with plastic still on the pickguard, pickup covers, etc., - plus it has a setup that's puts the factory setups to shame - all for $429(Tent. HOLD-Keith H 11/10).  Note:  I have a used Epi V case available for $49 if desired (pic here).  
6. Epiphone Les Paul Pee Wee Package, includes everything your little rocker needs to get started on guitar including a Les Paul Pee Wee electric guitar (picture 2), amplifier, strap, cable, pics, and instructions.  The Les Paul Pee Wee is 1/2 the size of a regular guitar but with a full width neck, suitable for both kids but also adults looking to take the party anywhere.  This pack includes the Epiphone Studio Mini amp that's also portable and features a shoulder strap and runs on either a 9V battery or via 9V adapter (not included).  The amp features volume and tone controls, with a switch to choose clean or  overdrive channel plus a headphone jack for private practice.  Due to the short scale we recommend tuning them up around a fifth which also allows them to occupy the frequency range of a mandolin, which really stands out in a jam session.  Don't think you're going to get a crappy playing guitar because of the cost.  All of these short scale V's and LP's we've had actually set up with excellent action and even an accomplished player should be happy with the playability.  With a list price of $252, this is a fairly inexpensive way to get Junior started on a real guitar setup at just $149, set up and ready to jam as soon as you open the box.  (Note: one remains; hold next to last - Harry H 2/17)
7. 2004 Zakk Wylde Signature Les Paul Custom, (pic2), (pic3).  I'm on my second order of these - cosmetic 2nds but don't let that throw you - Any flaw is so miniscule that it's virtually invisible. Overall, these are extremely impressive and priced just a little higher than a stock Epi LP Custom.  Immaculate bulls-eye paint job, and all the LP Custom feaures such as multi-ply binding, gold hardware, pearloid block inlays (and not cheesy looking brushed chrome ones), and the classic split diamond headstock overlay.  What really sets this apart though are the EMG HZ 4 and HZ4A humbuckers, which are the passive version of the EMG81and 85.  It also has an extremely chunky neck which has an unfinished feel as found on Zakk's prized LP.  If you're not into big necks, you don't want this guitar, but the bare (only a sealer coat) baseball bat feel is perfect for my hands.  We looked these over closely and I give up on trying to find the blem on most of these - about the only blem I can see is the "2nd" stamp on the back of the headstock.  Unlike new ones you might buy online or at your local store, these guitars will be shipped fully set-up with playability that will rival the $3800 Gibson model.  This model lists at $1332 and sells online at $799.  If you can live with a guitar with what is likely an invisible cosmetic flaw, save some nice cash right here, at $629.
8. Epiphone Goth G-400 SG, new-old-stock and perfect.  All the features you love in an SG - in an all-black look.  Set-neck construction of all mahogany, a pair of quality Alnico V humbuckers, EBONY Fretboard, gothic cross headstock inlay, and special XII inlay at the 12th fret (XII is Roman for 12...get it).  New and unplayed and an excellent value in a set-neck Epi.  With a list of $599, these sell online for $429-$449 at your favorite online store. This one is first quality stock, setup better than factory, and a sweet deal at $399.
9. 2003 Epiphone Les Paul Baritone, Red Oval finish.  I just got in several of these, unplayed, straight out of the box.  They are overstocks so the serial was partially obliterated, but they are first quality and are not stamped "used" or "2nd' - all first quality Epiphone.  Les Paul Standard Baritone is a long-scale guitar that adds beefy, bottom-end tones to the LP tone you already know and love.  The most notable features is the long 27.75-inch scale length, 3 inches longer than a standard Les Paul, that lets you play 1/2 an octave below normal.  The result is one helluva beefy sounding guitar.  It also features black hardware, satin finish, simplified control layout, Grover tuners, and some very upscale pickups that sound great, by Gibson USA, which tout Alnico magnets, "double vacuum wax dipped", and "enamel coated wire".  With a list of $831, these sell everywhere for $499.  This one is perfect, set up BETTER than factory, and you'll have save enough dough to score a nice amp with the difference, just $379 while they last.  
10. Epiphone Collegiate Les Paul Juniors, (Sample of Univ of North Carolina), I have these in Kentucky, Texas, North Carolina, Florida State, and Florida.  These are nice playing guitars with a cool look and nice tone via an Epiphone high-output humbucker.  With a list of  $499 you'll see them discounted to $299 but I have a dozen or so at $250 while they last.  Includes matching gigbag, strap, cable, etc.  
11. Epiphone Demons, new-old stock, choice of metalic black or metalic red, solid wood body, rosewood fretboard, string thru body, “ultra-hot” humbuckers, very cool vibe for small change, full specs at Epiphone's Site, List $499, Sale $225
12. Epiphone Hummingbird, (full length), 2004, supposedly a cosmetic flaw but I can't find any, never retailed and appears perfect.  Features solid spruce top and mahogany back/sides, basically the mahogany equivalent of the Epi Doves on my acoustics page. Like the Epiphone Dove, the Epiphone Hummingbird is a recreation of the Gibson classic with the looks and tone of a vintage classic.  Nicely appointed with multi-layer bound body, bound neck, dual parallelogram fretboard inlays.  Lists at $665 but I have a few of these for just $325 BETTER than the online stores as each one receives Martin's personal setup and plays as good or better than most Gibsons. (3  in stock as of 7/12/07)

USED EPIPHONES

 (ask about our “hot rod” job to install new pickups, Sperzel tuners, etc., prior to shipping.  For $130 (INCLUDING labor) you can get a pair of Gibson, or other similar quality pickups and or for $60 parts/labor, a set of Sperzel/Grover/Gibson tuners. These upgrades will likely run you over $300 at your local store.

1. 2006 Epiphone Zakk Wylde Les Paul Custom Camo with Maple Fretboard, (front/back), (headstock/neck). Another great guitar that pays tribute to both Les Paul, RIP and Zakk Wylde, and one of the few Les Paul models ever made with maple neck and fretboard. The neck on this model feels great, with unfinished maple, which is about as sleek as it comes. With the Camo finish, this model is a variation of the earlier Zakk Wylde Bullseye with similar features including mahogany body with maple top, gold hardware, EMG humbucking pickups (HZ H4), tune-o-matic bridge, multi-ply body binding front and back, multi-ply headstock binding, split diamond headstock inlay and pearloid Epiphone logo. This guitar has obviously seen very little use. Frets are perfect and there are no scratches or wear anywhere on this guitar, virtually immaculate condition. With a list of $1389, the Zakk Camo sells new for $799 but this one is barely touched and just $579. Add a super nice quality SKB case (pic here), sold online for $129, that supports the entire length of the neck for just $75 more. 
2. Epiphone EJ-200 Jumbo Vintage Sunburst, New!,  Like the classic Gibson 200’s, features Maple body with select Spruce top - body, neck, and headstock are all fully bound, famous mustache bridge, gold Grover tuners and a set Maple neck with a crown inlay on a Rosewood fingerboard – truly a stunning presentation. This guitar is has never been retailed but was factory recondition with a tiny cosmetic repair on the back edge, thus the “used” stamp on back of headstock.  Not a scratch anywhere – any flaws that appear are just reflections - with a great setup and typically huge tone that only a maple J-200 can provide.  List price is $665 and found at major online stores discounted to $399 but save on this one at $299.  You can expect it to play BETTER than new with a pro setup prior to shipping and ready to play right out of the box. 
3. 1997 Epiphone Les Paul LP300 with upgrades and case, (front/back), (headstock), (Duncans), (Detail), (case).  Upscale bolt-on and a very well crafted Korean Les Paul.  Has all the usual Les Paul features including bound body, bound neck, carved top, and trapezoid fretboard inlays.  Pickguard was removed to show off the top and did not come with the guitar.  Sporting a nice flamed maple top, these were slightly cheaper than a Standard Plus, but not by much, selling for around $500.  This one has a pro upgrade with a pair of Seymour Duncan pickups installed and the tone will blow away just about anything else in this price range.  Not mint but cleaner than the average used guitar and with an Epiphone case, a good value with the Duncans at $429.  
4. Epiphone Hummingbird Acoustic/Electric, upgraded with a new Fishman Acoustic Matrix (pic2) saddle transducer.  We just got in a new Matrix pickup and as we have several of these Hummingbirds in stock, which are excellent acoustics in their own right, we upgraded one with this Fishman.  For more pics and specs of the guitar itself, please see description below...  The Matrix is designed for a slight boost in the bass range which, on a full size dreadnought like the Hummingbird, gives it incredible bottom end, but clear note definition throughout.  The cool thing about these units is the entire preamp is built into the elongated output jack, rather than having a separate preamp stuck to the back or side of the guitar.  Runs on 9V battery with a battery life of over 6,000 hours. This preamp sells for $129 plus installation.  The Hummingbird is supposedly a cosmetic flaw but I can't find any and it was never retailed and appears perfect.  Features solid spruce top and mahogany back/sides, basically the mahogany equivalent of the Epi Doves on my acoustics page. Like the Epiphone Dove, the Epiphone Hummingbird is a recreation of the Gibson classic with the looks and tone of a vintage classic.  Nicely appointed with multi-layer bound body, bound neck, dual parallelogram fretboard inlays.  Lists at $665 for a stock Hummingbird without pickup, but this one's BETTER than the online stores as each one receives Martin's personal setup and plays as good or better than most Gibsons and this one's being offered for $454 total, which includes the Fishman, installed.  
5. Epiphone Hummingbird, (full length), as above except stock - without pickup.  2004, supposedly a cosmetic flaw but I can't find any, never retailed and appears perfect.  Features solid spruce top and mahogany back/sides, basically the mahogany equivalent of the Epi Doves on my acoustics page. Like the Epiphone Dove, the Epiphone Hummingbird is a recreation of the Gibson classic with the looks and tone of a vintage classic.  Nicely appointed with multi-layer bound body, bound neck, dual parallelogram fretboard inlays.  Lists at $665 but I have a few of these for just $325 and they're BETTER than the online stores as each one receives Martin's personal setup and plays as good or better than most Gibsons.  
6. 2004 Epiphone Zakk Wylde Les Paul Custom with EMG-81/85, (pic2).  This guitar is located on my Gibson page but I just got in a mint pair of EMG-81/85 (pictured) which we offer as an upgrade on this model when I have the pickups in stock.  It's pictured with the stock EMG HZ's, which are very good pickups in their own right, but for the real Zakk tone, you have to have the active EMG's.  Click here for Harmony-Central reviews where they score a remarkable 9.8 avg. mark in tone with 16 reviews.  This guitar sells new for $799 with the stock pickup setup.  The one I'm offering was never retailed and virtually flawless, although it is a cosmetic 2nd for a flaw that we can't find.  It's offered at $629 in stock condition but we can upgrade it to the 81/85 set and sell at $799. 
7. 2004 Epiphone Les Paul Classic Birdseye, (pic2), (pic3).  Extremely cool looks with an amber maple top, loaded with birdseye.  Mahogany body is chambered to keep the weight at a very nice 7.8 lbs., around a pound or two less than the non-chambered models.  Has all the normal LP Classic features including dual humbuckers without covers, bound body and neck, Mahogany body with a maple top, Mahogany neck with rosewood fretboard and trapezoid inlays, black headstock veneer with inlaid Epiphone logo, tuneomatic bridge with stop bar tailpiece, and 3-way selector with dual volume and tone controls.  This one has had the pickguard removed to better show off the top.  I think it looks better this way but if desired we can order a pickguard for it.  Overall a few cosmetic flaws but very nice overall.   Martin did his magic on this guitar.  When it came in it was far from fun to play but 90 minutes on the bench and it now plays as good as any Gibson you'll pick up; really nice.  Good deal on a great playing Les Paul at $375.    Note:  We can install pickups from a Gibson LP Classic for $125 parts and labor.  
8. 2006 Epiphone '58 Korina Flying V, (pic2).  Very cool reissue of the classic Gibson '58 Korina V.  The Floyd V, along with the Explorer and Moderne, were the most radical guitars ever produced when Gibson presented them to the public in '58.  Unfortunately, they were soon discontinued as the public wasn't ready for such a departure from "normal" looking guitars.  Eventually though, this model became the holy grail of collectors and you could retire on the value of an original example.  This one has all the looks and vibe of the original including Korina body with Mahogany neck, gold hardware, arrow-head headstock with 3+3 Kluson style vintage tuners, gold logo, and gold-plated boomerang tailpiece with Tuneomatic bridge.  Also features a rubber strip on the bottom edge for ease of play while sitting down.  This one has never been retailed but is marked "Used" (on back of headstock) for a flaw that we're unable to find.  It has a wonderful setup, nice tone, and at $399 is less than a new one in the store--with a setup that will be better than anything coming from the super stores.    Note:  I have a used Epi V case available for $49 if desired (pic here).  
9. 2006 Epiphone '58 Korina Explorer - Ebony, (pic2), (pic3).  Mate to the Flying V above, the '58 Explorer was the other radical release by Gibson in '58 - the 3rd, the Moderne, was never officially released but is available in various reissues.  Although this one features an Ebony finish, it is in fact a Korina, with Korina body and mahogany neck.  Somewhat more rare than the unpainted Korina finishes.  This is also the first use of the "hockey stick" headstock that I can remember, pretty much the same style as the early 80's Kramers.  The coolest thing about the Explorer, at least for me, is the way they hang and ease of access to the upper frets.  The Flying V as well, offers the easiest play in the upper register.  This one also has never been retailed, but is a factory 2nd for reasons we can't spot - it's perfect.  With an in-house setup that's better than any one from the factory, this one is also nicely priced at $399(HOLD-David S 12/31).  
10. 2005 Epiphone LP Junior with Upgrades, we get a lot of request to upgrade Epi's, for players who want Gibson tone and stability, at a fraction of the cost.  This particular Junior was sold, but I have a few other ones that are currently stock that we can do the same upgrades to.  We use a Gibson '57 or Burstbucker pickup, paired with a set of Gibson deluxe or Grover tuners (pictured here), to give you pro quality tone and a guitar that stays in tune - basically a lot of guitar for the money.  At $265, it's not a cheap Junior, but then that's pretty cheap for a guitar you can actually gig with.  
11. Epiphone EC-20 Classical, (pic2).  ca. mid-70's and a very good quality made in Japan classical.  Features Spruce top with Mahogany back and sides, Rosewood fretboard, nickel silver frets, scrolled gold-plated tuners, and Ivoroid tuner buttons. This guitar has a pleasing tone and cosmetically, in stunning condition.  Very thin finish is near immaculate and you'll find it hard to believe that it's 30 years old.  Good quality for low bucks, just $159(Tentative - Bob A 9/30). 
12. Epiphone Bully SG Special, one of the discontinued E-series, it's basically an SG Special with slim taper neck, upgraded E-series open coil humbuckers, and E-Dovewing headstock and logo.  Very clean shape and nice setup - for $165.  
13. Epiphone AJ-200, Advance Jumbo model is a throwback to the 50’s days of Epi and Gibson, with round-shoulder dreadnought design, bound spruce top, mahogany back and sides, nice player with a nice tone for something in this price range.  Stamped “Used” but it’s in essence new and with a list of $299, better than new as it’s set-up to optimum playability for just $165
14. 2002 Epiphone Les Paul Studio, good quality set-neck Paul at a killer price, Heritage Cherry Sunburst, features of a LP Standard except for black pickguard and binding and slightly slimmer body - same great playability and tone and an absolute feather weight.  Very clean shape with no major flaws and fairly rare.  Get the tone and vibe of an LP at a better price, $325 w/gigbag.