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GIBSON GUITARS

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LES PAULS

1. 2008 Gibson Les Paul Swamp Ash Studio, (front/back), (headstock), (case and box).  Never retailed - unplayed condition and ships in original box.  Gibson started their "Smartwood" Series in the mid-90's, utilizing sustainable woods which are both tonally acceptable, and eco-friendly.  While many of these were exotic woods (such as Muira Piranga) we had never heard of, this is one of the newer models featuring good old Swamp Ash, a name that's been synonymous with guitars since the 50's.  The Swamp Ash Les Paul is a limited edition model, although Gibson hasn't released total production numbers.  The tone isn't radically different from a "regular" mahogany/maple body, but it does seem to have more punch, more pronounced in the mid-range; Billy Gibbons comes to mind.   Most remarkably, this guitar weighs in at a remarkable 6.4 lbs., which would be light for a Strat or Tele, and unheard of for a Les Paul.  Features include:  satin natural finish, figured swamp ash cap over swamp ash body, rounded mahogany neck with rosewood fretboard, 490R and 498T Alnico II humbuckers, rosewood fretboard, chrome hardware, green leaf truss rod cover, dot inlays, Gibson Deluxe tuners, and satin finished Mahogany neck.  A regular black Studio is going to run you $1319 and will probably weigh around 9 pounds or more.  This beauty  is immaculate and at 6.4 lbs. is one of the lightest guitars, much less Les Pauls, you'll ever play - for just $1179.  If you're looking for a Paul that you can play for 3 long sets without any shoulder fatigue, this is it.  Includes black reptile case, manual, and paperwork. 

2. 2002 Gibson Les Paul Studio - Black& Chrome, (front/back), (headstock), (case).  Since the early 80's the Studio has remained the best value in the "real" Les Paul line, i.e. carved maple cap over mahogany body, gloss finish, trapezoid inlays, 490R and 498T Alnico humbucker, and replacement Grover tuners.  Other than a few cosmetic appointments, this model is identical to the Standard but it's stripped down cosmetics means around a 40% savings compared to the Standard.  The original Studio's, back in the early 80's, were a more distinct model, with a carved top all mahogany body and dot inlays.  I'm seeing more and more "stars" playing Studio's on TV, and these are guys who can have any Gibson they want.  Following that came the "Studio Standard" with binding, dots, and maple cap - and finally in the late 80's this model.  Depending on the year, these came with Rosewood or Ebony fretboards; this one's Rosewood.  Two changes to this guitar:  a Graph-Tech nut has been pro installed, and Grover tuners replace the original Gibson deluxe; 6 small tuner screw holes were plugged and tinted so the change is barely noticeable.  It's also been outfitted with Dunlop strap pins, with the strap locks in the case.   Overall this guitar is in nice shape, around an 8, with some buckle scratches and other flaws in the clear coat only.  The frets are perfect so I would guess it hasn't seen much actual playing time.  It has an excellent setup, and a nice weight for a non-weight-relived body.  The neck is fairly substantial.  Not quite as fat as the current '59 profile but definitely thicker than the 60's slim profile, and very well rounded in the back.  With a list of $2169, gloss finish Studio's are now running $1319 new.  This '02 is in very nice shape for a used guitar and a sweet Paul for just $850. 

3. 2007 Gibson Les Paul Studio, (front/back), (headstock), (case).  Since 1983 Gibson has offered the Studio as an affordable alternative to the Standard, with all the tone and playability, but without the fancy cosmetic appointments.  Although initially it was an all-mahogany body, it soon evolved into the maple cap that made it even closer to the standard.  At one point in the mid-80's they even made a "Studio Standard" which had a bound body and neck, but still with dot inlays and screened logo.  A decade or so later Gibson added trapezoid fretboard inlays which makes the guitar look very much like a Standard from the audience perspective.  It remains to this day and excellent and more affordable alternative to players who could care less about binding and inlaid logos.  Features include solid mahogany body with maple cap, rounded neck profile, rosewood fretboard, 490R and 498T Alnico II humbuckers, dual volume and tone controls with 3-way selector, Tuneomatic bridge with stop bar tailpiece, Gibson Deluxe tuners, gloss lacquer finish, and chrome hardware.  Judging by the clean condition of the frets and overall appearance, this guitar hasn't been played very much but at least for one night it had a careless owner with a mean belt buckle (as shown here).  If you're a player who doesn't mind a little bit of character, sort of like pre-washed jeans, this is an excellent playing Les Paul and easy on the wallet at $850.  Note: I also have a few of the vintage mahogany Studio's with Burstbucker Pro's, fresh in the box, for $859 with Gibson case; less with gigbag.  

4. 2007 Gibson Les Paul Standard Faded '50s Neck - CV Guitars LCPG "Peter Green", (front/back), (headstock), (detail), (cert), (Case).  CV Guitars does a cool mod of Faded Les Pauls, with numerous changes, some minute such as knob pointers and mismatch knobs, some major such as upgrading pickups to Manalishi's.   His guitars, termed "LCPG" combining Larry Corsa/Peter Green's initials, are well regarded and he has found a niche market with little to no advertising other than word-of-mouth.  This one is LCPG-102, which is the 102nd one built and he's currently in the high 200's for total production.   In all there are 24 changes and features, all of which can be found on their PG mod page here in the left had column.  From a luthier's perspective, this faded finish is the best for enhancing the tone as there is nothing to limit the vibration of the wood.  Ly contrast, lacquer or poly finishes only deaden a guitar's resonance.   Although raw is a wood's most resonant state, it makes it prone to changes in climate thus the satin finish is the perfect compromise.  Other than the finish, the spec on this guitar are the same as any Les Paul Standard with the same tuners, nickel hardware, headstock and fretboard inlays, neck binding and body binding.  These tops are graded AA thus the pickguard isn't installed (but included in the case) from the factory to allow more of the figured wood to show. Click here for a video for a sound comparison and the manufacturing process which begins about 1/2 way through the clip and click here for part 2.  Here's a discussion on the Les Paul Forum of some happy owners.  At 7 lbs, 14 oz., this is a nice lightweight Paul.  The guy I got it from said he paid $2199 but the guitars on his site right now are $1999 so there was evidently a price drop on this model or it was ordered with options I'm not aware of.  Regardless, it is presented in "as new" condition without any flaws or hints of use.  These Honeyburst have the look of a genuine 'burst, the way many of the original sunburst models faded.  If you're looking for a well thought-out Les Paul that plays spectacularly and sounds fantastic, this one's hard to beat at $1699(SOLD-Francois 11/4).   Includes original case, pickguard, and all paperwork.  

5. Gibson Les Paul Vintage Mahogany - Faded Cherry and Gibson Les Paul Vintage Mahogany - Worn Brown (Cherry front/back), (Brown front/back), (headstock), (Black Reptile Case/Acc).  Several in stock.  This model is sort of a meeting of the old and the new.  The most notable feature is the carved mahogany top on a mahogany back, which has its roots in the 50's with the all-mahogany Les Paul Custom which, oddly, was more high end than the Standard, although the Standard body was more expensive to manufacture due to the maple cap.  The thing you'll immediately notice with an all-mahogany Paul is the "roundness" and warmth of the tone.  While it doesn't quite have the note definition of a maple cap, it is definitely a fatter sounding guitar.  Gibson used some great pickups with this model with their Alnico V BurstBucker Pro humbuckers.  Another notable feature is the nicely rounded '59 mahogany neck which will appeal to players who want something more substantial than the '60 thin taper.  From a luthier standpoint, my man Martin says that these finishes contribute to maximum sustain - as opposed to any lacquer which only serves to deaden the tone.  It also feels great in your hands, especially when you perspire.  These are both un-played and were received with factory sealed boxes.  We've opened them up to do a setup we can be proud of but, otherwise, they are untouched by human hands.  These sell in stores or online for $999.  which is remarkable for a carved top Les Paul with Burstbuckers, but a better deal is buying one of ours with a proper setup so it arrives ready to take to the gig - for just $859 (your choice of Cherry or Worn Brown) - or trades such as your Fender Vintage Series or American Deluxe. 

6. 2008 Gibson Les Paul Push Tone #167, (front/back), (headstock), (Detail-back), (Extra pickups), (Case/Acc.).  This is one cool idea, great innovation aside, it's a great Les Paul...  Gibson's Guitar of the Month (GOTM) for May '08.  Never retailed and offered in mint condition.  Last year Gibson offered a unique collection of monthly limited editions, with production limited to just 1000/each, an idea that was previously used with their Showcase Editions (link here) in 1988.  Clean examples of Showcases go for significantly higher than their regular production counterparts and these guitars should also prove to be good investment pieces.  Most of the 2008 models featured cool colors and pickup/hardware variations but this one is truly radical.  The Les Paul Push Tone's defining feature are easily switchable pickups (click here for a demo) and each guitar comes with a pair of BurstBucker Pro's AND a pair of P-94's that attach wirelessly to the body using strong magnets.  Burstbucker Pro's for the classic fat Paul sound you know and love, while the P94's are actually P90 single coils that are designed to fit in a regular humbucker slot - giving you 4 mix-and-match pickup combinations for loads of tonal flexibility.   The pickups load through the back and each is complete with the pickup already attached to the mounting bracket, and each comes with a quick-connect plug.  In addition to this unique pickup options this is a killer Les Paul with a lacquer finish  in Antique Natural with a beautiful AAA maple top.  The flame on this one is rather unique and is definitely nicer than the average Push Tone, with thin ribbons in a chevron pattern at the bottom, becoming straight across at the middle, transitioning into reverse chevron at the top.  It's a very pleasing look.  Other unique options of this model include: Maple fretboard inlays, Ebony fretboard, 50's rounded neck profile, locking Grover tuners, Neutrik locking output jack, commemorative case with commemorative interior shroud, and a very "clean" look without a pickguard, pickup rings, or selector ring.  Other specs are the same as a regular Les Paul Standard.  This was one of the more expensive GOTM models with a list price of $4399, discounted to $2899.  This one is better than new, totally untouched except for a killer setup by Martin, inevitably better than factory, and priced $400 less than a regular Standard Plus at just $2399(HOLD-Robert N 4/21).  For full specs click here for Gibson's site. 

7. 2008 Gibson Les Paul Push Tone #083, (additional view), (headstock), As above with standard Grover tuners and wider flame in a conventional straight-across pattern, definitely nicer than the average GOTM Push Tone.  $2399.  Trades on Fender Custom Shop and PRS are desired.  

8. 1997 Gibson Joe Perry Les Paul, (pic2), (pic3).   Remarkably nice flame, nice shape, killer player.  Overall exceptionally nice condition with a flawless top and just a few light scratches on the back in the clear coat only, as well as some cloudiness in the lacquer on the side edge of the headstock and top left corner (pic) which isn't unusual for an unbound Gibson headstock - barely an issue but it's noticeable if you look for it.  How long has it been since I've had one of these, anybody know?   I used to get Perry's in regularly, but I think it's been 4 year or more since the last one which I think I can understand:  There are some features on this model that many players would have a hard time parting with, especially the very substantial '59 rounded neck which, before the plethora of Historic models, would be very hard to replace.  If you wanted a large neck you were limited largely to genuine 50's models or the odd early Historic or "pre-Historic".  The neck also features rolled fretboard edges for comfort, giving it the feel of a broken in vintage guitar, as well as some of the nicest looking pearl inlays you'll see on a Paul.  Even more noteworthy for this guitar is the active tone circuit, aka "Wah-Wah" circuit, which is activated via push/pull on one of the tone pots.  Pull it out and you get that cool mid-range honk of a wah pedal resting in the "sweet spot".  Rolling the pot forward or backward adjusts the center frequency, much the same as rocking a way up or down.  This is the coolest feature I've ever seen on a Paul, at least for my taste and style.  Nothing cuts through the mix more than this Perry with this "wah" switch engaged; there simply aren't any instruments that are using these frequencies and every nuance of your playing jumps out of the mix.  It is just too cool to describe.   Much of the tone is due to a killer pair of pickups (pic) with a Joe Perry Custom Wound in the bridge with a '57 Classic in the neck - the earliest model I can think of that featured the reissued "PAF" sticker.  What really sets this one apart from other Perry's I've had is the beautiful flame.  While this is called a "AA" top, back in '97 AA was generally pretty nice but rarely was it bookmatched this well or remained as consistent throughout the top.  Transparent black on flamed maple is a stunning look - especially when you have a pretty nice top as on this one.  Includes Joe Perry custom case with Joe's "signature" and Aerosmith logo emblazoned on the shroud and features the nice crushed velvet lining rather than the standard fur lining.  In addition to drop dead good looks and cool features, this thing plays exceptionally well with action so low you'll undoubtedly start smiling as soon as you start playing.  Low action somehow makes one smile.  Okay, I think I've rambled on enough about this one but you probably get the idea:  I love this guitar.  You can love it to ...for $1850(Tent. Hold - Eric W 5/4).    (Note:  Link to Gibson's original spec sheet here and if you remind me, I have a large poster (shown here), I can include.  

9. 2004 Gibson Carved Diamond Les Paul, (front/back), (close-up), (headstock), (case/acc.).  Talk about a "carved" top!  This is a carved maple top, carved with a diamond pattern.  Using sophisticated computer imaging technology, Custom Shop engineers created these instruments that have a futuristic 3-dimensional look.  This one's finished in a flip-flop blue, that appears different shades blue or purple, depending on the viewing angle and lighting.  With the gold hardware, it's one of the most stunning looks I've seen on a Paul.   Features include custom carved maple top, solid mahogany body, 1-piece mahogany neck with rounded profile, trapezoid fretboard inlays, Single-ply cream neck binding, 24 3/4" scale, 1 11/16" nut width, '57 Classic humbuckers, Gold hardware, ABR-1/Stopbar tailpiece, Grover tuners with Kidney Bean buttons.   Gibson isn't using Brazilian any longer but they're still finding some quality rosewood with very similar figuring as seen in this fretboard.  Excellent setup and nice, fat Paul tone.  These '57's always sound warmer and fatter than the Burstbuckers and we're seeing requests to have Burstbuckers swapped out with '57's whenever I have some spare '57's in stock.  This guitar is in perfect condition and has obviously seen little to no actual use.  No buckle or pick scratches, frets are immaculate, gold is clean; collector approved 9.9+ condition.  This is a rare model and should appeal to anyone looking for a truly unique Les Paul for their collection, but it's priced within the budget of many players who just want a great Paul that will truly stand out under the stage lights.  A super buy on a quality Custom Shop Les Paul at just $2799.   

10. 2005 Gibson Class 5 Les Paul, (pic2), (pic3).  Gibson's Class 5 set the new standard for rating their maple tops.  Rather than the AAA top, they wanted a new term befitting the finest quilted maple they had to offer...thus the AAAAA (5A - Class 5) was born.  Other than the fantastic top - which is described as the bottom of storm clouds just before a tornado - and their most choice mahogany - it's just an extremely well built Les Paul Standard, with a pair of Burstbucker pickups, long neck tenon, bound body and neck, mother of pearl fretboard inlays, and vintage tulip tuners.  Gibson's top luthiers build their custom shop guitars and details such as matching the "wings" on the headstock (pic) and perfectly inlaid binding are evident.  The dark mahogany back is some of the nicest I've seen on a Les Paul and, likewise, the mahogany neck is nicely figured with dark veins running the length.  This model now sells for $4399 ($6704 list) which is lot of cash.  If you don't mind being the 2nd owner, this 2005 model is immaculate, without a hint of wear or use, and is $1400 cheaper.  Just $2999.  Includes velvet-lined Gibson custom shop case.  

11. 1995 Gibson Les Paul Studio, Wine with gold hardware.  Typical low action LP setup and classic meaty LP tone.  All original (pickguard removed for looks) and overall pretty nice shape for a used guitar.  Finish has nice shine and just some minor dings and buckle scratches, etc.  Has the older, better looking trap inlays.  New ones are running $1409 ($2169 list).  I like these better than the new ones and a better value at $899 with case.  

12. Gibson Les Paul "Bugs", okay, here's a model you've never had a shot at - because it's the only one in existence.  Available only through Gibson's "Custom Direct" service, where your $500 membership gives you access to the rarest of the rare.  For this particular guitar, Gibson commissioned noted artist Carol Paulsen as part of their "Art of the Guitar II" to paint two "bug" guitars - this Les Paul and an ES-5 ( the ES-5 subsequently sustained a damaged neck, never retailed, and was blown out in a charity auction).  As much a work of art as it is a playable instrument, the "Bugs" features a Les Paul Standard with hand-painted bugs on the top, as well as the highest quality Abalone fretboard inlays.  It's hard to capture the the beauty and intricacy of her paining in great detail but here are some attempts:  pic3, pic4, pic5, pic6, pic7, pic8.  Includes original case and warranty card.  This guitar was collector owned, unplayed, and mint condition other than very sight tarnish on the edges of the pickups - we can replace the pickup covers if desired.  This guitar was obtained through an IRS auction where the original owner, with the finest collection imaginable, was forced to sell off dozens of highly-prized guitars, most of which remained unplayed.  Cost to the original owner on this guitar was $10,000.  There was not a list price, that was the actual selling price. Offered here, at my humble site, for just $7000.  One of these days I hope to contact Ms. Paulsen and, hopefully, offer it on her site as well.    

SG’S

1. (early) 1970 Gibson SG Standard, ('69 features), (front/back), (headstock/neck), (close-up), (control cavity), (Lyre/covers), (case).  Early '70 model with '69 features including T-top humbuckers, no "Made in USA" on back of headstock, and virtually no volute.  100% original, other than replacement Gibson Deluxe tuners, with no breaks or repairs, all solder joints intact.  This is a one owner guitar, bought at Drome Sound in Albany in 1970 and recently sold simply because the owner no longer played it.  The pickup covers and Lyre tailpiece were in the case when I bought it and they exhibit virtually no wear so they were undoubtedly removed right after it was purchased.  This guitar has a fantastic tone; the kind of tone that lends credence to the belief that old wood has better tone.  It has a singing quality and a warmth that simply aren't found on a new, off the shelf guitar.  The neck set is very good which allows for an excellent setup.  Frets exhibit moderate wear and need no attention.  Cosmetically it has its share of scratches and dings but nothing structural and little to no finish checking.  Finish is 100% original with no touch-ups or overspray.  If you're looking for a nice playing, great sounding SG with 40 year old wood, this one's hard to beat at $2600(HOLD-Kenny M 4/10).  Includes original Victoria case with replacement leather handle.  

2. 2007 Gibson '61 Les Paul/ SG Standard VOS - White, (front/back), (headstock), (case/acc.).   I've said it before but...I love these VOS models.  They're not only built to the exact spec's of the original model but they also have the patina of a 45-year-old guitar and aged hardware.  You get the feeling that you're playing a an actual vintage instrument rather than a shiny new guitar that obvious just rolled off the assembly line.  1961 was a pivotal year for the Les Paul.  Gone was the single cutaway model that had been around since the early 50's - and which was less than an overwhelming success - replaced by the new all-mahogany double-cut body with beveled edges, which eventually was renamed the "SG" for Spanish Guitar.   Everything was different about this "new" model Les Paul and for the player, access to the upper frets was markedly improved which along with the new lightweight design, made this guitar a joy to play.  Unlike the original Les Paul model, which disappeared from '61 to '67, the SG design has stayed in the Gibson line for 48 straight years.  Spec's of this model include Mahogany body, Set one-piece mahogany neck with long tenon, 22-fret rosewood fretboard, Burstbucker 1 & 2 humbucking pickups, Stop bar tailpiece with tuneomatic bridge, 24-3/4" scale length, and wide 1-11/16" nut width.  The only flaw on this guitar is a small red mark on the back of the neck (shown here) which was a reaction from the Nitro finish and a rubberized guitar stand.  This model, properly called a "Les Paul"  is still being made, although it's lost the "Les Paul" name and called merely "Gibson Custom SG Standard Reissue VOS", (shown here) which sells for $3399 ($4774 list).  For $1000 less, you can have this wonderful guitar, in unplayed condition with plastic still on the pickguard and not a hint of use.  $2399. 

3. 2008 Gibson SG Diablo, (front/back), (German carve - detail), (headstock), (case).  Never retailed - unplayed condition and ships in original box.   One of 1000 made for Gibson's "Guitar of the Month" series (Jan '08).  Upon quick inspection looks like a '62 SG in a custom color (Metallic Silver), but up close you can see the very unique body cut that makes this truly a unique SG.  Both the top and back have a German carve, rather than the slab top of a standard SG.  This technique provides an attractive 3D effect to the guitar, while reducing weight and making it more comfortable to play.  A few other changes you'll notice include a matching headstock, a simple 2-knob layout with the volume knob being closer to allow volume swells with your pinky finger, and most importantly, a 24-fret neck rather than the usual 22 frets.  Features include: Burstbucker Pro 1 (neck) and Pro 2 (bridge) humbuckers, hand-carved mahogany body, mahogany neck with rounded profile, 1.687" fret width, 12" fretboard radius, Nashville bridge, Grover tuners, chrome hardware, and Grover tuners. Lastly, this model features a nitrocellulose finish, which is an expensive process due to the hand work required and the very long drying time between coats. Nitro is a very thin finish and one which Gibson has been employing since the 1800's. It allows the guitar to resonate more freely than a thick poly finish, which is one of the reasons that old Gibsons sound so good.  Likewise, the paint on this guitar is very thin, and you can easily see the mahogany grain.  My personal opinion of this model - some of the best sounding SG's that I've played with the fatness you want from a dual humbucker guitar, while retaining excellent not clarity and plenty of top end.  The last time I recall Gibson doing monthly limited editions was the Showcase Editions in 1988 (link here).  These guitars have proven to be very good investment pieces, fetching 50% or more over comparable regular production models from the same year.  Click here for a bizarre demo from GearWire.  The Diablo listed at $3249, selling at discount for $2119.  If you missed one of these during their run in '08, here another chance to get one, out of the box only for our setup and otherwise untouched, for 50% off list, just $1699.  (Several available - Hold one for Jim S 4/8)

GIBSON OR USA EPI SEMI-HOLLOW & ARCHTOPS:  

Check out this cool vintage Gibson Hollowbody Pair! - 1961 ES-330T and 1959 ES-225T, details and pics below.    

1. 1995 Gibson Chet Atkins Tennessean, (front/back), (headstock), (side), (case).  One of my favorite Gibson thinlines of all time, first introduced in 1990 and, inexplicably, discontinued around 5 years ago along with the entire Chet Atkins line.  While the Chet Country Gent had a larger body and was overall a fancier guitar, the Tennessean feels more comfortable to me and is more suitable for nearly any style of music.  With it's 16 1/4" body that's just 1 5/8" deep, it's nearly identical to the ES-335 in size but it's longer (25.5") Fender scale will appeal to many players who aren't fans of the shorter (24.75") Gibson scale.  In addition, it's 1 3/4" nut should appeal to players with big hands or those who prefer a wider spacing. Overall this guitar is in nice shape for a used guitar, top has some light scratches, most of which will buff out, back has some buckle scratches in the clearcoat only, and the tip of pickguard has a repaired crack (shown here) - no major issues such as scratches through the clear coat or wood cracks.  Features include single rounded cutaway body with binding front and back, dual humbuckers, stopbar tailpiece with Tuneomatic bridge, laminated maple top/back/sides, ebony fretboard with offset dot inlays, plastic arm rest, inlaid headstock logo with screened Chet signature, black pickguard with model name, master volume on treble upper bout, dual volume with master tone, 3-way pickup selector, and Gibson Deluxe tuners with plastic tulip buttons.  Finished in "Country Gentleman Brown", which is a transparent finish over a nicely figured maple body.  Due to the dark stain the figured maple isn't terribly pronounced except in direct lighting or daylight.  It's always been my opinion that the 90's were an excellent era for Gibson as they weren't forced to churn out the kind of numbers that followed in recent years.  I can't remember ever having one with major set up issues but, regardless, this one is set up very well and has a very rich, clear tone.  Priced at $1399 with original brown case with pink shroud. 

2. 1959 Gibson ES-225T, (pic2), (pic3).  Another very clean example in similar condition to the ES-330T below, except with a typically checked finish (pic here), over most of the body.   Other than the finish checking, very little actual wear and probably would be called an 8.5 on a vintage scale. Worst flaws are some finish wear around the back edge of the headstock and the tailpiece has been re-welded at the hinge, which is typical on these tailpieces.  Woods are the same as the ES-330T, with maple top and maple sides and back and similar cosmetics with bound top, bound back, bound neck, and black headstock veneer with inlaid logo.  The 225T also features a Florentine cutaway, which is very attractive and lends a look reminiscent of these early archtop electrics.  Like the 330, this guitar has that beautiful tone that comes from the marriage of an old P90 and a hollowbody design.  It really sounds magical as you roll back the tone control.  100% original with no funny business, no replaced parts or overspray.  Look at the pictures, this is a very nice example in beautiful vintage condition.  With a VG Price Guide of $2500, it's still an excellent value on the vintage market - especially at $1800(SOLD-Brent B 8/13).  Comes with non-original hardshell case.  

3. 2003 Gibson ES-135 w/Classic '57's, (front/back), (headstock), (case).  Recently discontinued but the 135 was always a hot seller for me during it's 10+ year run as the most affordable Gibson semi-hollow in their catalog  This one is somewhat rare, starting with a very cool "Blues Burst" finish, but also lacking the F-holes found on most of these and a stock non-pickguard model.  Although the tone is very similar to the F-hole model, this solidbody (although semi-hollow inside)  is more resistant to feedback and has a very rich tone with the stock Classic '57 pickups.  Features include 16" laminated maple/poplar/maple body with satin finish, Mahogany center block, 1959 rounded maple neck with rosewood fretboard, bound body, Grover keystone tuners, and chrome hardware.  I've had this exact same model with a "Limited Edition" stamp on the back of the headstock but, inexplicably, this guitar doesn't sport the Ltd Ed seal.  Other than a few pick scratches and glossy spots from arm contact this guitar is in lovely shape and an excellent value in a Gibson archtop for $950(HOLD-Gino A 6/9).  It plays extremely nice and would be an excellent choice for stage use where higher gain settings and feedback would be a concern.  Includes original Gibson case in clean shape except for combo lock latch doesn't work.   

4. 1934 Epiphone Masterbuilt Blackstone, (pic2), (headstock front) (inside label), (back of neck/headstock)  Player's special but it's indeed a nice player after Martin re-worked the set-up and it has a good neck-set and low action all the way up the neck.  Definitely not one for the collectors but it's not $1400 either, and the repairs and modifications have been taken into account making this a good deal for the collector on a budget or anyone who wants a good playing vintage American archtop for minimal investment.  Very comfortable small body, just 14.5" at the lower bout, and just under 3.5" deep.  On the downside, it has a repaired headstock that is very solid, original finish has been stripped with some sort of clear finish applied, a few cracks in the binding but it's solid and not flaking off, and the neck has been reset.  Don't know if the hardware is original or not but the tuners are very old and the tuner buttons are one-piece so I'm guessing they're real Ivory.  On the plus side, it's a very easy guitar to play with low action and just a hint of buzz in the middle register - or no buzz if raised to medium action.  With a solid carved Spruce top and maple back/sides, what it lacks in volume it makes up for in crispness and it's a pleasing tone that's closer to an acoustic than most archtops.  While this won't appeal to most collectors, for the player or collector who just wants a good old guitar, it's 30's Masterbuilt that plays nicely - for just $549.  I'm including a 40's/50's hardshell case with a makeshift handle (pic here) or if you don't need the case, $499.  

5. 2003 Gibson ES-175VS, (front/back),  (headstock), (close-up click to enlarge).  New, old stock and pristine condition, save for one top crack in the top ply only.  The ES-175 has long been one of the top jazz guitars made, sought after for its smooth, bluesy sound as well as the versatility of a dual humbucker semi-hollowbody with Florentine cutaway for easier access to the upper register.  In production since 1949 with very few changes over the years, it is, quite possibly, the definitive jazz box.  Like most Gibson archtops, the body is made of laminated maple, which is much less prone to feedback than solid woods.  They generally use nicely figured woods on this model and this one is no exception, with beautiful even flame, front and back, with moderately flamed maple on the rims.  Other features include in multi-ply binding on the top and single-ply on the back, mahogany neck with split pearl parallelogram inlayed rosewood fingerboard, bound neck, trapeze tailpiece, ABR-1 bridge, vintage style Gibson Deluxe tuners with aged tulip buttons, '57 Classic humbuckers, nickel hardware and raised multi-ply pickguard.  This is a wonderful playing guitar and a good value for the player.  A small crack in the top (see arrow) ply has been glued and lacquered over so it doesn't affect the tone nor pose any future problems.  With a new ES-175 selling for $3749 ($5290 List), this one is a great find for the player who wants a top-of-the-line jazz guitar at a budget price, a full $1550 less than new at just $2199.  Includes mint Gibson case and unsigned warranty. 

 GIBSON ACOUSTICS:

1. 2004 Gibson Hound Dog 60 Square Neck Dobro - with pickup, (front/back), (headstock/serial), (sides), (case).  Don't confuse with the newer import line - this is the real deal USA model made in Nashville, and while it's understandably not as cheap as the import, it's the best bang for the buck to ever come from Gibson or Dobro.  Being a square neck, this guitar is made strictly for slide play, and nothing sounds like a good old spider cone played slide style.  A cousin to Gibson's Model 60 D Classic Dobro, the Hound Dog, aka Model 60 S, features a square neck with 12 frets clear of the body and a high nut for slide-style playing as well as two sound holes to enhance clarity and projection.  The body is made of nicely figured laminated Maple, with the original style spider bridge and 10 1/2 in. resonator.  Other features include hand-rubbed vintage brown finish, black binding on top and back, slotted headstock, fan cover plate, Spider resonator, nickel plated hardware, and Fishman resonator pickup with end-pin output jack.  For specs, pics, and press release, click here for Gibson's site.  This is an very good sounding resonator guitar for the money and is in very near mint 9.8 condition with no player's wear whatsoever.  Recently discontinued but sold originally at Zzounds for $1377 with *gigbag* but this one's $500 less AND includes a quality *Dobro case*.  $877 for this one. 

OTHER USA GIBSONS: MELODY MAKERS, NIGHTHAWKS, FIRBIRDS, EXPLORERS, V’S, ETC.:  

1. 1988 Gibson Chet Atkins SST, (front/back), (headstock/saddle), (controls), (case).  2nd year model and getting harder to find.  The SST was one of the first solidbody acoustic models, designed especially for stage use, i.e. to allow for higher volume before feedback.  First introduced as a nylon string model (Chet Atkins CE or CEC) in 1981, the steel string SST joined the line in 1987, gaining instant popularity among pro players such as Dave Matthews who played a black SST as his main stage guitar from '92 to '99.  The SST was a simple but very well designed guitar.  It features a solid Spruce top, Mahogany back with Chromyte (as used on ES-335's) reinforcement, Ebony bridge, and Mahogany slim-taper neck with Ebony fretboard.  Cosmetic appointments include inlaid logo and star inlay, star fretboard markers, bridge with star inlays and Ebony pins with pearloid dots, multi-ply body binding, and gold hardware.  Electronics are simple and are located, unobtrusively, on the side of the bass upper bout and include volume, bass, and treble.  Again, this model is very resistant to feedback and these simple controls seem to handle it well.  This guitar features a very wide neck (around 2" at the nut), long 25.5" scale (3/4" longer than normal Gibson scale), medium jumbo frets, and up to 24 frets (on the 1st/2nd strings).  For all the spec's on this model check out Gibson's site here.  As far as cosmetics, there are areas of lacquer crack along the bottom of the fretboard an in the side dots (shown here), which is strictly a cosmetic flaw.  There is one structural flaw, although it's really a non issue - this guitar has 4 top cracks in the spruce top.  The good news is the spruce is just a veneer that's glued to a solid mahogany body which is completely intact so it's really not a concern and has no effect on the performance.   Frets are near perfect and other than the spruce cracks, it shows very little player's wear and is otherwise a very clean guitar.   After a long run of 19 years, the SST was discontinued in '06 and considering the popularity of this guitar they will likely become harder to find as the years go by.   If you're looking for an excellent stage guitar, there are few better in terms of comfort, tone, and playability than the SST and at $999, it's truly a pro model for a modest price.  Includes original brown case in nice shape and Dunlop strap locks and pins (pic) are included.  
2. 2007 Gibson Melody Maker w/upgrade, (front/back), (headstock).   These are very fun guitars to play.  Thin mahogany body, very lightweight, simple wraparound tailpiece, and although diminutive in size, it's a full Gibson scale length.  This one has been upgraded with a set of Grover Rotomatics which are much better than the Gibson Deluxe tuners.  There is one other upgrade I'll offer - we've modified these before with a P90 pickups and they sounded killer, a much better match than the stock pickup.  The mahogany body and P90 tone ARE the secret to the 50's Les Paul Juniors.  The mod involved a dog-eared P90, which required routing the body and, thus, a fairly costly job.  A much cheaper compromise that will achieve a similar tone is the DiMarzio DP414 Virtual Vintage Solo Pro, which is a P90 in a Strat body.  Rated at 10.72K, it's a hot like a P90 but features hum canceling, unlike a regular P90.  I have one of these new in the box (pic), which we can install for $125 parts & labor, which includes enlarging the pickguard slot slightly.  Features of this model include mahogany slab body, mahogany neck, wraparound tailpiece, 22-fret neck with rosewood fretboard and dot inlays, regular Gibson scale of 24.75", and single volume and tone controls.   This guitar is in beautiful shape with no scratches or wear of any type.  It has excellent action without fretting outs plus the fret ends aren't like saw blades.  Any time you can get a USA guitar that's suitable for pro use for under $600, it's a bargain.  This one is $399 including the Grover upgrade - or for a tone that will really blow you away, $524 with a new Virtual Vintage Solo Pro installed.  
3. 2001 Gibson Explorer, (Front/Back), (headstock),  (case).   AKA '67 Reissue finished in a attractive Heritage Cherry.  Just like the black one I posted recently, this this Explorer is as new - dead mint condition.  The Explorer became a true classic from Gibson...eventually. It was one of the failed futuristic guitars that Gibson unveiled in the late 50's, which were discontinued until the timing was right, and they started reissuing them around ca. '67.  Like the Flying V, and ill-fated Moderne, the Explorer features set-neck construction, with a mahogany neck set in to a mahogany body, with dual humbuckers (496-R and 500-T) and unbound body and neck.  It has an exaggerated "Z" shaped body, the original "hockey stick" headstock with 6/line Grover tuners, vol-vol-tone knobs in line, with a 3-way selector on the upper treble bout.  A cool guitar for the Metallica/Skynard/etc. fan, or anybody who wants to delve into one of the original metal axes, designed 30 years before metal was even invented.  For players who do a lot of lead work on the low strings in the upper register, no guitar provides easier access.  Set up with low action with a fat, warm tone that will fit any type of music.  With a new black Explorer running $1399 ($2399 list), here's one in unplayed condition for $1050.  Includes original Gibson brown case in similarly mint condition. 
4. 1974 Gibson Marauder, (front/back), (headstock), (pickups pickups/pots), (case).   Excellent example of affordable vintage.  For players who don't want to pony up a few grand for a Junior or Special, these guitars have all the quality at less than 1/2 the price.  Marauders are excellent  utility guitars, with quality tone, a good variety of tones, excellent playability. and a cool vibe.  The Marauder was one of Gibson's attempts to steal some of Fender's market, just as Fender was trying to grab some of Gibsons.  The body shape is similar to a Les Paul, but the Marauder, along with the single coil bridge pickup, sports a very un-Gibson bolt-on neck.  While the Marauder series ran from around '74 to '79, a fancier Custom (bound neck and rosewood fretboard with block inlays ) was only produced in '75 and '76.  Pickups were custom built by Bill Lawrence and sealed in clear epoxy, a feature which was considered ahead of its time, and these pickups are highly prized for their excellent tone.  The neck pickup on this guitar is a replacement - an old DiMarzio PAF.  Pickup layout is like a Tele Custom, with a humbucker in the neck position and a slanted single-coil, solid-blade style in the bridge position. This layout along with the overall construction, gives this guitar a tone and feel that's very similar to a Tele.  Pickup selector on these early models was a simple 3-way switch, which was later changed to a continuously variable rotary switch around '76.   It also sports a Schaller "wide travel" tuneomatic bridge, black dot inlays including 1st fret inlay, black screened logo, 3/side tuners on a Flying V style headstock.  Original tuners on this era Gibson aren't the best and tuners are a common mod.  This one has a very old set of Patent Applied For Grovers.  There have been a few notable players of the Marauder, past and present, including Paul Stanley of Kiss (shown in this ad), as well as Thurston Moore of Sonic Youth, Joshua Homme of Queens of the Stone Age, Deryck Whibley of Sum 41, and others.  Dating Gibsons can be somewhat futile.  300,000 series serials can be '74-'75.  The serial number of this guitar is 399010 and the pots are from early (12th week) of '74. The body stamp appears to be 1974 (pic of neck butt and cavity).  Bottom line is I think it's a '75 due to the fact that the finish of this one is "Natural Satin," which began in 1975.  Only one Marauder was shipped in 1974, and it happened to be a Natural, but in a gloss finish.  For more info, click here for some good Gibson archive stuff.  Cosmetically this guitar is in average condition for its age with typical buckle wear and scratches, but nothing horrible like wood chips or cracks.  The frets have had a recent dressing and the set up is very comfortable with low action and no fretting out.  I don't know if they'll ever go crazy on the vintage market but that's almost a moot point.  It's a good value in strictly the utility value of a nice sounding, nice playing American guitar.  I'm offering it with the Gibson Faultless case (pictured above) which is identical to a Les Paul Model case from this era for $799 - or with an old generic hardshell case at $699.   
5. 1989 Gibson Flying V Reissue, (front/back), (headstock), (case).  A real classic in the Gibson tradition, all the way down to the Nitrocellulose premium finish.  In the late 80's and 90's, this model was part of Gibson's "Designer Series".  Originally designed in the 50's as one of Gibson's futuristic guitars, along with the Explorer and the ill-fated Moderne, it quickie faded into oblivion until resurfacing in 1967.  Since that time there have been a number of variations including the radical V2, and recently the cheaper "Faded" series, followed by the V-Factor X, which is essentially the same reissue with in inexplicably odd name.  The V is a fantastic metal guitar, or equally at home in hard rock as found by Hendrix and Kravitz.  Features include solid mahogany body with premium nitrocellulose finish for optimum tone and vibe, extended neck joint for stability and solid sustain, tune-o-matic bridge with stopbar tailpiece, and rosewood fingerboard with chrome hardware.  Pickups are 496R Hot Ceramic pickup in the neck position and a 500T Super Ceramic in the bridge.  Finished in classic Heritage Cherry finish, this guitar is in spectacular condition, especially considering it's now 20 years old.   Although officially considered semi-vintage, this beauty is at the point where it should start to appreciate every year and there's no where to go but up.  Best of all, it plays as good as it looks so if you're a player instead of a collector, you'll love it just the same.  $950.  If you remind me, I have a Designer Series Poster/fold-out catalog (pic) that I'll include for free.  
6. 2008 Gibson Shred V Flying V, (front/back), (headstock), (Kahler), (Case/Acc.).  Gibson's Guitar of the Month (GOTM) for August '08.  Never retailed and offered in mint condition.  Last year Gibson offered a unique collection of monthly limited editions, with production limited to just 1000/each, an idea that was previously used with their Showcase Editions (link here) in 1988.  Clean examples of Showcases go for significantly higher than their regular production counterparts and these guitars should also prove to be good investment pieces.  The original Flying V, first released in 1958, wasn't well received by the public and production was discontinued within a year.  It was later resurrected in 1967 where it has stayed in production since that time, eventually finding its niche as one of the premier rock/metal axes.  With this in mind, Gibson has created the definitive metal V with the Shred V, with features such as a pair of EMG 85 pickups, perfect for aggressive hard rock and metal, and a Kahler 2215K tremolo to withstand aggressive playing and dive bombs tricks.  In place of a locking nut, Gibson opted for Grover locking tuners, which keep the guitar in tune nicely, without the hassle of locking the strings down.  Other features include all-mahogany construction, black chrome hardware, Ebony finish that enhances the futuristic vibe - and metal look, one-piece mahogany with '50s rounded contour, Ebony fingerboard with black acrylic dot inlays unique only to the Shred-V, wide 1 11/16" nut, flat 12" fretboard radius, master volume and tone, and standard 3-way pickup selector.  The Shred V carried a list price of $3499, selling at discount for $2299.  This one is better than new, totally untouched except for a killer setup by Martin, inevitably better than factory, and nicely priced at just $1899.  For full specs click here for Gibson's site. Trades on Fender Custom Shop and PRS are desired.  
7. 1984 Gibson Designer Series Explorer, (front/back), (headstock), (bridge), (case), (1984 Flyer).   Speaking of rare custom finishes, check out this beauty.  I've had a few of the Designer Series before but this is the first of the black&gold Explorers that I've seen.  The thought that immediately strikes you is, "that's one elegant looking Explorer."  Pics don't do it justice but the overall look is very striking, especially with the gold hardware in such clean shape.  Gibson called this graphic a "Style 20" as shown in the flyer above, offered as were all custom finishes, at an upcharge over standard finishes.  Specs are the same as Gibson's standard Explorer with the exception of the finish - plus this one was built with optional factory locking tremolo system which works very well.  This guitar is extremely clean and appears to lived in the case much of it's 24-year life, easily a 9+ condition.  Even the gold hardware retains most of it's plating with little to no gold-wear or pitting.  Set-up is spectacular and it has the fat tone you'd expect on a dual humbucker mahogany Gibson.  Custom finishes have always proven to be good investments.  What may have been only 5-10% upcharge at the time of original sale can translate to 200% or more as evidenced by a Fiesta Red Strat vs. a Sunburst - or in the Gibson line, a Golden Mist Poly over a sunburst.  For a guitar in this condition, rarity, and just plain coolness, this is a super buy at $1799.  

 EPIPHONES

NEW or NEVER USED EPIPHONES 45%-60% OFF LIST:

1. Epiphone AJ-200SR Solid Top Acoustic, (front/back), (headstock), (neck).  NOS, unplayed, and perfect.  Perhaps the best value we've had in a solid spruce top acoustic.  The AJ-200S features Gibson's classic Advance Jumbo body size, more of a dreadnought shape than a standard jumbo like the J-200.  We have several of these and, as is normal, they came with "average' factory setups.  With some detailed nut work, properly adjusted saddle, and truss rod adjustment, they set up much nicer than factory specs, which inherently are set to allow the maximum guitars to pass through final inspection.  As I've said many times, there's no reason an inexpensive guitar has to play badly, it just comes down to some fine tuning by a skilled luthier.  Current specs call for mahogany sides and back but I bought these NOS 2006 models because, in addition to the solid Spruce top, these still had the rosewood sides and back, which provide a much richer tone and is generally a more expensive wood - and gold Grover tuners.  I played one of the '08 models with mahogany body and chrome tuners and it just didn't compare in terms of tone, or looks.  We don't have a super blow-out price on these but at $198 ($332 List) you're getting a guitar that's properly set-up and, I feel, a nicer model than current production.   Includes manual, poster, truss wrench, etc.  (several in stock as of Feb 2010)
2. 2006 Epiphone SG Standard G-400 With EMG's, (pic2), (pic3).  New and first quality in Classic Alpine White Finish!  New upscale Ltd. Ed. model from Epi, using the increasingly poplar Zakk Wylde setup of active EMG's with an 81/85 combination.  Features include solid mahogany body with set-in mahogany neck, Grover tuners, slim-taper neck has a rosewood fretboard with pearloid trapezoid inlays, with a deep double-cutaway allowing easy access to the upper frets.  I have two of these, both new, old stock and perfect, inevitably set up better than factory.  With a list of $999, these are a very good value in a set-neck guitar with the EMG 81/85 setup at just $499.  Includes, manual, cable, poster, etc.  
3. Epiphone AJ-1 Advance Jumbo, 2004 NOS, new in the box and best value in a SJ round-shoulder style flattop.  Features select Spruce top, with the warmth of mahogany sides and back.  Natural gloss finish and body binding give this a simple, but elegant look.  The design of this guitar gives it very ample bass response, and a pleasing tone for strumming with friends on the front porch.  With factory setups these guitars are only so-so but when Martin does his magic, you'll have a guitar that's a joy to play with comfortable action throughout the register.  Lists at $232 but this one's new in the box AND set-up to play for just $149.   
4. 2005 Epiphone '58 Korina Flying V, (pic2), (pic3).   Never retailed and immaculate condition - first quality Epiphone - Very cool reissue of the classic Gibson '58 Korina V.  The Floyd V, along with the Explorer and Moderne, were the most radical guitars ever produced when Gibson presented them to the public in '58.  Unfortunately, they were soon discontinued as the public wasn't ready for such a departure from "normal" looking guitars.  Eventually though, this model became the holy grail of collectors and you could retire on the value of an original example.  This one has all the looks and vibe of the original including Korina body with Mahogany neck, gold hardware, arrow-head headstock with 3+3 Kluson style vintage tuners, gold logo, and gold-plated boomerang tailpiece with Tuneomatic bridge.  Also features a rubber strip on the bottom edge for ease of play while sitting down.  With a list price of $832, this model sells heavily discounted to as low as $499 but this one has never been retailed and is perfect with plastic still on the pickguard, pickup covers, etc., - plus it has a setup that's puts the factory setups to shame - all for $429(Tent. HOLD-Keith H 11/10).  Note:  I have a used Epi V case available for $49 if desired (pic here).  
5. Epiphone Les Paul Pee Wee Package, Unlike the Ibanez kit above this is a smaller guitar aimed at younger players and includes everything your little rocker needs to get started on guitar including a Les Paul Pee Wee electric guitar (picture 2), amplifier, strap, cable, pics, and instructions.  The Les Paul Pee Wee is 1/2 the size of a regular guitar but with a full width neck, suitable for both kids but also adults looking to take the party anywhere.  This pack includes the Epiphone Studio Mini amp that's also portable and features a shoulder strap and runs on either a 9V battery or via 9V adapter (not included).  The amp features volume and tone controls, with a switch to choose clean or  overdrive channel plus a headphone jack for private practice.  Due to the short scale we recommend tuning them up around a fifth which also allows them to occupy the frequency range of a mandolin, which really stands out in a jam session.  Don't think you're going to get a crappy playing guitar because of the cost.  All of these short scale V's and LP's we've had actually set up with excellent action and even an accomplished player should be happy with the playability.  With a list price of $252, this is a fairly inexpensive way to get Junior started on a real guitar setup at just $149, set up and ready to jam as soon as you open the box.  
6. 2004 Zakk Wylde Signature Les Paul Custom, (pic2), (pic3).  I'm on my second order of these - cosmetic 2nds but don't let that throw you - Any flaw is so miniscule that it's virtually invisible. Overall, these are extremely impressive and priced just a little higher than a stock Epi LP Custom.  Immaculate bulls-eye paint job, and all the LP Custom feaures such as multi-ply binding, gold hardware, pearloid block inlays (and not cheesy looking brushed chrome ones), and the classic split diamond headstock overlay.  What really sets this apart though are the EMG HZ 4 and HZ4A humbuckers, which are the passive version of the EMG81and 85.  It also has an extremely chunky neck which has an unfinished feel as found on Zakk's prized LP.  If you're not into big necks, you don't want this guitar, but the bare (only a sealer coat) baseball bat feel is perfect for my hands.  We looked these over closely and I give up on trying to find the blem on most of these - about the only blem I can see is the "2nd" stamp on the back of the headstock.  Unlike new ones you might buy online or at your local store, these guitars will be shipped fully set-up with playability that will rival the $3800 Gibson model.  This model lists at $1332 and sells online at $799.  If you can live with a guitar with what is likely an invisible cosmetic flaw, save some nice cash right here, at $629.
7. Epiphone Goth G-400 SG, new-old-stock and perfect.  All the features you love in an SG - in an all-black look.  Set-neck construction of all mahogany, a pair of quality Alnico V humbuckers, EBONY Fretboard, gothic cross headstock inlay, and special XII inlay at the 12th fret (XII is Roman for 12...get it).  New and unplayed and an excellent value in a set-neck Epi.  With a list of $599, these sell online for $429-$449 at your favorite online store. This one is first quality stock, setup better than factory, and a sweet deal at $399.
8. 2003 Epiphone Les Paul Baritone, Red Oval finish.  I just got in several of these, unplayed, straight out of the box.  They are overstocks so the serial was partially obliterated, but they are first quality and are not stamped "used" or "2nd' - all first quality Epiphone.  Les Paul Standard Baritone is a long-scale guitar that adds beefy, bottom-end tones to the LP tone you already know and love.  The most notable features is the long 27.75-inch scale length, 3 inches longer than a standard Les Paul, that lets you play 1/2 an octave below normal.  The result is one helluva beefy sounding guitar.  It also features black hardware, satin finish, simplified control layout, Grover tuners, and some very upscale pickups that sound great, by Gibson USA, which tout Alnico magnets, "double vacuum wax dipped", and "enamel coated wire".  With a list of $831, these sell everywhere for $499.  This one is perfect, set up BETTER than factory, and you'll have save enough dough to score a nice amp with the difference, just $379 while they last.  
9. Epiphone Collegiate Les Paul Juniors, (Sample of Univ of North Carolina), I have these in Kentucky, Texas, North Carolina, Florida State, and Florida.  These are nice playing guitars with a cool look and nice tone via an Epiphone high-output humbucker.  With a list of  $499 you'll see them discounted to $299 but I have a dozen or so at $250 while they last.  Includes matching gigbag, strap, cable, etc.  
10. Epiphone Demons, new-old stock, choice of metalic black or metalic red, solid wood body, rosewood fretboard, string thru body, “ultra-hot” humbuckers, very cool vibe for small change, full specs at Epiphone's Site, List $499, Sale $225

USED EPIPHONES

 (ask about our “hot rod” job to install new pickups, Sperzel tuners, etc., prior to shipping.  For $130 (INCLUDING labor) you can get a pair of Gibson, or other similar quality pickups and or for $60 parts/labor, a set of Sperzel/Grover/Gibson tuners. These upgrades will likely run you over $300 at your local store.

1. 1999 Epiphone Les Paul Standard Plus, (front/back), (headstock), (fretboard).   Killer player; desirable crafted in Korea model.  If you're looking for low action, the kind of guitar that almost plays itself, you don't have to pay $700 or more, all you need is a straight neck with the nut cut properly and a pro setup.  This came in as a mediocre player, the kind you'll find among a "full wall" at your super store.  Martin did some of his magic and, boy, what a difference.  It now plays as nice as good as a Gibson LP Standard and even stock Alnico humbuckers sound good.  Also features vintage Kluson style tuners, inlaid logo, trapezoid inlays, bound body and neck, and chrome hardware.  Although this guitar presents very well from the front, there are some touch-ups with a Gibson touch-up pen around the edges (as shown here), but the frets are perfect and overall it's in nice shape for a used guitar.  As a plus model this has a nicely flamed top and, quite by accident, one of the best looking fretboards I've seen on an Epi - looks like the fretboard wood they use on Gibson's Historic series.  The new Epi LP's are made in China and they dropped the list around $100 from the Korean Standard Plus.  If you're a player who is looking for the best playing Paul for your money and don't mind a few minor flaws, you can get this great MIK model for $200 less than a new Chinese Plus.  Just $349 for this one.  New deluxe gigbags available for $25.
2. 2006 Epiphone Zakk Wylde Les Paul Custom Camo with Maple Fretboard, (front/back), (headstock/neck). Another great guitar that pays tribute to both Les Paul, RIP and Zakk Wylde, and one of the few Les Paul models ever made with maple neck and fretboard. The neck on this model feels great, with unfinished maple, which is about as sleek as it comes. With the Camo finish, this model is a variation of the earlier Zakk Wylde Bullseye with similar features including mahogany body with maple top, gold hardware, EMG humbucking pickups (HZ H4), tune-o-matic bridge, multi-ply body binding front and back, multi-ply headstock binding, split diamond headstock inlay and pearloid Epiphone logo. This guitar has obviously seen very little use. Frets are perfect and there are no scratches or wear anywhere on this guitar, virtually immaculate condition. With a list of $1389, the Zakk Camo sells new for $799 but this one is barely touched and just $579. Add a super nice quality SKB case (pic here), sold online for $129, that supports the entire length of the neck for just $75 more. 
3. 1997 Epiphone Les Paul LP300 with upgrades and case, (front/back), (headstock), (Duncans), (Detail), (case).  Upscale bolt-on and a very well crafted Korean Les Paul.  Has all the usual Les Paul features including bound body, bound neck, carved top, and trapezoid fretboard inlays.  Pickguard was removed to show off the top and did not come with the guitar.  Sporting a nice flamed maple top, these were slightly cheaper than a Standard Plus, but not by much, selling for around $500.  This one has a pro upgrade with a pair of Seymour Duncan pickups installed and the tone will blow away just about anything else in this price range.  Not mint but cleaner than the average used guitar and with an Epiphone case, a good value with the Duncans at $429.  
4. 2004 Epiphone Zakk Wylde Les Paul Custom with EMG-81/85, (pic2).  This guitar is located on my Gibson page but I just got in a mint pair of EMG-81/85 (pictured) which we offer as an upgrade on this model when I have the pickups in stock.  It's pictured with the stock EMG HZ's, which are very good pickups in their own right, but for the real Zakk tone, you have to have the active EMG's.  Click here for Harmony-Central reviews where they score a remarkable 9.8 avg. mark in tone with 16 reviews.  This guitar sells new for $799 with the stock pickup setup.  The one I'm offering was never retailed and virtually flawless, although it is a cosmetic 2nd for a flaw that we can't find.  It's offered at $629 in stock condition but we can upgrade it to the 81/85 set and sell at $799. 
5. 2004 Epiphone Les Paul Classic Birdseye, (pic2), (pic3).  Extremely cool looks with an amber maple top, loaded with birdseye.  Mahogany body is chambered to keep the weight at a very nice 7.8 lbs., around a pound or two less than the non-chambered models.  Has all the normal LP Classic features including dual humbuckers without covers, bound body and neck, Mahogany body with a maple top, Mahogany neck with rosewood fretboard and trapezoid inlays, black headstock veneer with inlaid Epiphone logo, tuneomatic bridge with stop bar tailpiece, and 3-way selector with dual volume and tone controls.  This one has had the pickguard removed to better show off the top.  I think it looks better this way but if desired we can order a pickguard for it.  Overall a few cosmetic flaws but very nice overall.   Martin did his magic on this guitar.  When it came in it was far from fun to play but 90 minutes on the bench and it now plays as good as any Gibson you'll pick up; really nice.  Good deal on a great playing Les Paul at $375.    Note:  We can install pickups from a Gibson LP Classic for $125 parts and labor.  
6. 2006 Epiphone '58 Korina Flying V, (pic2).  Very cool reissue of the classic Gibson '58 Korina V.  The Floyd V, along with the Explorer and Moderne, were the most radical guitars ever produced when Gibson presented them to the public in '58.  Unfortunately, they were soon discontinued as the public wasn't ready for such a departure from "normal" looking guitars.  Eventually though, this model became the holy grail of collectors and you could retire on the value of an original example.  This one has all the looks and vibe of the original including Korina body with Mahogany neck, gold hardware, arrow-head headstock with 3+3 Kluson style vintage tuners, gold logo, and gold-plated boomerang tailpiece with Tuneomatic bridge.  Also features a rubber strip on the bottom edge for ease of play while sitting down.  This one has never been retailed but is marked "Used" (on back of headstock) for a flaw that we're unable to find.  It has a wonderful setup, nice tone, and at $399 is less than a new one in the store--with a setup that will be better than anything coming from the super stores.    Note:  I have a used Epi V case available for $49 if desired (pic here).  
7. 2006 Epiphone '58 Korina Explorer - Ebony, (pic2), (pic3).  Mate to the Flying V above, the '58 Explorer was the other radical release by Gibson in '58 - the 3rd, the Moderne, was never officially released but is available in various reissues.  Although this one features an Ebony finish, it is in fact a Korina, with Korina body and mahogany neck.  Somewhat more rare than the unpainted Korina finishes.  This is also the first use of the "hockey stick" headstock that I can remember, pretty much the same style as the early 80's Kramers.  The coolest thing about the Explorer, at least for me, is the way they hang and ease of access to the upper frets.  The Flying V as well, offers the easiest play in the upper register.  This one also has never been retailed, but is a factory 2nd for reasons we can't spot - it's perfect.  With an in-house setup that's better than any one from the factory, this one is also nicely priced at $399(HOLD-David S 12/31).  
8. 2005 Epiphone LP Junior with Upgrades, we get a lot of request to upgrade Epi's, for players who want Gibson tone and stability, at a fraction of the cost.  This particular Junior was sold, but I have a few other ones that are currently stock that we can do the same upgrades to.  We use a Gibson '57 or Burstbucker pickup, paired with a set of Gibson deluxe or Grover tuners (pictured here), to give you pro quality tone and a guitar that stays in tune - basically a lot of guitar for the money.  At $265, it's not a cheap Junior, but then that's pretty cheap for a guitar you can actually gig with.  
9. Epiphone EC-20 Classical, (pic2).  ca. mid-70's and a very good quality made in Japan classical.  Features Spruce top with Mahogany back and sides, Rosewood fretboard, nickel silver frets, scrolled gold-plated tuners, and Ivoroid tuner buttons. This guitar has a pleasing tone and cosmetically, in stunning condition.  Very thin finish is near immaculate and you'll find it hard to believe that it's 30 years old.  Good quality for low bucks, just $159(Tentative - Bob A 9/30). 
10. Epiphone Bully SG Special, one of the discontinued E-series, it's basically an SG Special with slim taper neck, upgraded E-series open coil humbuckers, and E-Dovewing headstock and logo.  Very clean shape and nice setup - for $165.  
11. Epiphone AJ-200, Advance Jumbo model is a throwback to the 50’s days of Epi and Gibson, with round-shoulder dreadnought design, bound spruce top, mahogany back and sides, nice player with a nice tone for something in this price range.  Stamped “Used” but it’s in essence new and with a list of $299, better than new as it’s set-up to optimum playability for just $165
12. 2002 Epiphone Les Paul Studio, good quality set-neck Paul at a killer price, Heritage Cherry Sunburst, features of a LP Standard except for black pickguard and binding and slightly slimmer body - same great playability and tone and an absolute feather weight.  Very clean shape with no major flaws and fairly rare.  Get the tone and vibe of an LP at a better price, $325 w/gigbag.