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GIBSON GUITARS

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LES PAULS

1. 2007 Gibson Les Paul GT, (front/back), (headstock/ebony board), (features), (case&acc.).  Something a little different with some tasteful upgrades from your average Paul with features from both the Standard and Custom - plus some features not found on either.  Things like an over/under dual truss rod provides extra support, sleek bound ebony fretboard, cool Ghosted flame finish, locking Neutrik jack to prevent accidental unplugging when your singer steps on your cable, 490R and 498T humbuckers offer coil-tap access with push-pull pots and a high-pass filter that maintains highs when you back off the volume and smoothes the taper from one to 10.  Lastly, the volume controls remain entirely independent even when toggle is in the middle position.  Other features include: solid mahogany body (not weight relieved!) with maple cap, mahogany neck with 50's profile, locking Grover tuners, 24.75" scale with 1 11/16" nut width.  List price on this model is $3999 but this one's unplayed, set up better than factory, and just $2099.  (Several available; Hold one:  Ryan)

2. 1980 Gibson Les Paul Standard, (front/back), (headstock), (cavity/pu).  For an older geezer like me, who was in my 20's when this guitar was built, it's hard to believe that it's officially vintage.  Yep, 1980 was 28 years ago which makes me realize how fast time has flown by.  With more and more of my customers buying with future value in mind, whether it's their primary or secondary consideration, I just want to point out the obvious and in the case of late 70's/early 80's Gibsons, there is remarkable growth potential.  When you can get a nice and original vintage Gibson at around the same prices as a comparable new model that's a vintage bargain; there's a lot of room for growth.  A guitar like this is selling almost at utility value, i.e. a used Les Paul Standard with minimal charge for its vintage value.  It's comparable to, for instance, '79 Strats in the late 90's.  I sold scads of them for $650-$699, around the cost of a new Strat at the time.  The same guitars were selling for 2X the price 5 years later; 3X that price today, just 10 years later.  Okay, enough of my opinion of the "401G" investment portfolio.  This guitar is all original and in a somewhat rare natural finish.  Other than Schaller strap pins, all original, with patent engraved pickups and all pots dated early 1980.  Other features include one-piece mahogany body with thick maple cap, 3-pc maple neck with rosewood fretboard, very small volute (see headstock pic), nickel Gibson/Schaller tuners, trapezoid fretboard inlays, Schaller Tuneomatic bridge, and gold speed knobs.  Overall condition is excellent - finish has a high gloss luster all over, front has a number of miniscule finish impressions in the clear coat only, back has only one small area of buckle wear around the selector switch plate, frets are excellent, fretboard is in nice shape, and most importantly, an excellent setup with low action and a rather thin neck.  With a new plain color Standard now over $2300, which will be worth $1500 if you sell it a week later - for less money you can get a 28-year old one in nice shape that's all but guaranteed to go up every year.  Just $2099 for this one.  Includes Gibson brown case with pink lining.  

3. 2005 Gibson Class 5 Les Paul, (pic2), (pic3).  Gibson's Class 5 set the new standard for rating their maple tops.  Rather than the AAA top, they wanted a new term befitting the finest quilted maple they had to offer...thus the AAAAA (5A - Class 5) was born.  Other than the fantastic top - which is described as the bottom of storm clouds just before a tornado - and their most choice mahogany - it's just an extremely well built Les Paul Standard, with a pair of Burstbucker pickups, long neck tenon, bound body and neck, mother of pearl fretboard inlays, and vintage tulip tuners.  Gibson's top luthiers build their custom shop guitars and details such as matching the "wings" on the headstock (pic) and perfectly inlaid binding are evident.  The dark mahogany back is some of the nicest I've seen on a Les Paul and, likewise, the mahogany neck is nicely figured with dark veins running the length.  This model now sells for $4399 ($6704 list) which is lot of cash.  If you don't mind being the 2nd owner, this 2005 model is immaculate, without a hint of wear or use, and is $1400 cheaper.  Just $2999.  Includes velvet-lined Gibson custom shop case.  

4. 1973 Gibson Les Paul Deluxe, (front/back), (headstock/neck).  A real beauty in Cherry Sunburst finish and after 35 years the color is as vibrant as new with no fading and very little finish checking anywhere.  Overall very nice vintage condition with normal light signs of wear but no breaks, wood cracks, or other boo-boo's. The Deluxe was identical to the Standard except the Deluxe, instead of PAF-style humbuckers, featured mini-humbuckers.  These smaller humbuckers are preferred by many players, citing better articulation than the PAF style - they are just as quiet and fairly beefy, without the bottom end muddiness common on PAF's.  This one has the Gibson/Kahler tremolo (trem/locking nut) installed which looks perfect but I don't think Gibson was offering this option in '73 so I'm guessing it was added later.  For the small percentage of players who are looking for a tremolo model Les Paul, this is a real find as Kahler-equipped models are few and far between, especially on early 70's Deluxes.  All electronics are original (cavity), original solder, with original caps and pots dated in late '73, original double-ring Gibson/Klusons are in great shape, decal - binding - inlays are all clean.  Mahogany back is one-piece mahogany, although it's the "pancake" body from this era, with two slabs of Mahogany separated by a thin layer of maple.  The pancake appearance isn't nearly as noticeable as on many others I've seen and, especially from the bass side, it almost looks like a single slab (pictured here).  Excellent setup and a nice example of an early 70's Deluxe.  The mini-humbuckers are preferred by some as being more articulate than PAF style and are just as quiet and fairly beefy, without the muddiness on the bottom end.  Other than the my assumption about the tremolo, this guitar is 100% original, save the plastic output jackplate which are inevitably cracked and replaced on nearly all Gibsons of this age.  If you want a very attractive early 70's Les Paul but don't want to pay more than utility value, I think anyone would be thrilled with this one at $1699.  Includes hardshell case.

5. 1969 Gibson Les Paul Professional, (pic2), (pic3) (pic4) - more pics below.   Very unique and rare guitar with one of the shortest runs of any Gibson from the era, having been made only from '69 to '71.  Although Martin buffed it out to a nice shine, it's not particularly clean and has seen its share of playing time but no breaks, repairs, overspray, etc. - 100% original, including solder joints, and no surprises.  For you knobs and switches fans, this one is sure to please but it's seriously a fine sounding solid body with an excellent variety of tones that are suitable for many styles.  Specs are:  single cutaway bound mahogany body, raised black pickguard, mahogany neck, 22-fret rosewood fingerboard with pearl trapezoid inlay, tune-o-matic bridge/stop tailpiece, blackface peghead with pearl logo inlay, 3 per side tuners, nickel hardware, 2 low impedance pickups, volume/decade/treble/bass controls, two 3-position switches, phase slide switch. Made only in Walnut finish.  There could be a debate as to whether this is a '69 or a '70, but the pots are all '69, no "Made in USA" on the headstock, fretboard appears to be Brazilian - but it does have a very, very slight volute seen in this pic, which is common on many '69's.  Two minor issues - inlays are slightly different shade from the bass frets to the treble frets so it's possible half were replaced but we don't know which half, if any at all, were replaced.  Lastly, Decade switch doesn't appear to have any affect, but I was told that it needs a low impedance cable for it to have any affect but even without it there is a seeming endless selection of tones and it sounds fantastic.  Also note - this is a heavy guitar - not for the back weary player.  Frets are well dressed and as the neck set is perfect, making this a very nice playing Paul.  Includes original Victoria case in okay shape but fully functional with latches, hinges, handle intact.  Excellent value on the vintage market and at 39 years - just $1999(HOLD-Scott L 8/15).  

6. Gibson Les Paul Vintage Mahogany - Faded Cherry and Gibson Les Paul Vintage Mahogany - Worn Brown (worn brown sold out), (Cherry front/back), (Brown front/back), (headstock), (Black Reptile Case/Acc).  This model is sort of a meeting of the old and the new.  The most notable feature is the carved mahogany top on a mahogany back, which has its roots in the 50's with the all-mahogany Les Paul Custom which, oddly, was more high end than the Standard, although the Standard body was more expensive to manufacture due to the maple cap.  The thing you'll immediately notice with an all-mahogany Paul is the "roundness" and warmth of the tone.  While it doesn't quite have the note definition of a maple cap, it is definitely a fatter sounding guitar.  Gibson used some great pickups with this model with their Alnico V BurstBucker Pro humbuckers.  Another notable feature is the nicely rounded '59 mahogany neck which will appeal to players who want something more substantial than the '60 thin taper.  From a luthier standpoint, my man Martin says that these finishes contribute to maximum sustain - as opposed to any lacquer which only serves to deaden the tone.  It also feels great in your hands, especially when you perspire.  These are both un-played and were received with factory sealed boxes.  We've opened them up to do a setup we can be proud of but, otherwise, they are untouched by human hands.  With a list of $1699, they're currently on clearance for $899, which is remarkable for a carved top Les Paul but a better deal is buying one of ours with a proper setup so it arrives ready to take to the gig - for just $850 - or trades such as your Fender Vintage Series or American Deluxe.  (Worn Cherry only remains) 

7. 1995 Gibson Les Paul Studio, Wine with gold hardware.  Typical low action LP setup and classic meaty LP tone.  All original (pickguard removed for looks) and overall pretty nice shape for a used guitar.  Finish has nice shine and just some minor dings and buckle scratches, etc.  Has the older, better looking trap inlays.  I like these better than the new ones and a better value at $899 with case.  

8. Gibson Les Paul "Bugs", okay, here's a model you've never had a shot at - because it's the only one in existence.  Available only through Gibson's "Custom Direct" service, where your $500 membership gives you access to the rarest of the rare.  For this particular guitar, Gibson commissioned noted artist Carol Paulsen as part of their "Art of the Guitar II" to paint two "bug" guitars - this Les Paul and an ES-5, pictured toward the bottom of page on the right side.  (ES-5 subsequently sustained a damaged neck).  As much a work of art as it is a playable instrument, the "Bugs" features a Les Paul Standard with hand-painted bugs on the top, as well as the highest quality Abalone fretboard inlays.  It's hard to capture the detail in digital photo's but here are some attempts:  pic3, pic4, pic5, pic6, pic7, pic8.  Includes original case and warranty card.  The only flaw on this guitar is a little discoloration on the edges of the pickups - we can replace the pickup covers if desired.  Cost to the original owner on this guitar was....$10,000.  There was not a list price, that was the actual selling price. Offered here, at my humble site, for just $7000.  One of these days I hope to contact Ms. Paulsen and, hopefully, offer it on her site as well.    

SG’S

1. 2000 Gibson Faded SG Special, (front/back), (headstock/neck).  In "Worn Brown", which has the look and feel of a vintage SG in Gibson's old "Walnut" finish.  The Faded SG is the best value in a USA Gibson SG and many would say this thin faded finish makes for a better guitar from a tone point of view.  The thin satin finish allows the guitar to resonate better, for increased sustain and a more pure voice - plus it gives the guitar a cozy, broken in feel that most players will appreciate.  Finish aside, it's very much a traditional SG, with all solid mahogany construction including body and neck (this neck even has some moderate flame), tune-o-matic bridge/stopbar tailpiece, and Alnico 490R and 490T humbuckers, controlled by dual volume and tone controls with 3-way selector.  Lightweight and fun to play, these sell new discounted to $699 but this one's in overall nice shape with just some light buckle scratches, with a great setup, for just $539(HOLD-A.M.) with gigbag - or substitute a new Canadian TKL Tolex case for $599.  

2. 1991 Gibson SG Special - Alpine White with Gold Hardware,  (front/back), (headstock).  It's been a long time but as I recall the Alpine/Gold Special was a Limited Edition but regardless, it's a very desirable finish for this model.  Just one tasteful change to this guitar, which was the installation of a '61 style pickguard (stock was no pickguard).  Gold hardware is original, including gold pole pieces on the humbuckers, with just minor gold wear.  Overall this guitar is in extremely clean condition for 17 years with the only flaw being some lacquer cracks at the base of the neck, shown here, which are very common on Alpine finishes and pose no problem.  Specs include mahogany body with beveled edges, mahogany neck with ebony fretboard, Keystone tuners, screened logo, dual patent engraved humbuckers with dual volume and master tone, 3-way pickup selector, and dot fretboard inlays.  If you like your action low, and appreciate a very clean guitar, you'll love this one.   Includes well-worn Gibson case for $775 - or gigbag for $725. 

GIBSON SEMI-HOLLOW & ARCHTOPS:   (Note:  A while back I posted around a half dozen 50's-70's archtops and I was so inundated with inquiries that I simply dropped the ball on nearly all of them.  Some had trade deals that fell through, most had numerous interested buyers.  For one or two of these, this is their first appearance on my site, however, most of them appeared here briefly before being moved to the Gibson page.  To give everyone an equal shot, I'm just reposting them all and starting from scratch.)

Check out this cool vintage Gibson Hollowbody Pair! - 1961 ES-330T and 1959 ES-225T, details and pics below.    

1. 2006 Gibson B.B. King Lucille Special Edition, (front/back), (headstock), (Signature Case) .   Mint and rare - one of a run of only 150 pieces with your basic Lucille specs, plus a commemorative "King of the Blues" pickguard and pearl plaque on the back of the neck.  BB and Gibson joined forces way back in '82, when production began on his Lucille model and from what I understand, the model has been discontinued after 25 years in production.  Lucille is a semi-hollow body design with center block of solid maple, top/back/sides feature a maple/poplar/maple laminate for better sustain, with a 1-piece maple neck with ebony fretboard, 6-position Varitone selector plus the usual 3-way with dual volume and tone controls, gold hardware including gold knobs with pearloid inlaid caps, TP-6 tailpiece with fine tuners, multi-ply binding on body and headstock, bound neck with MOP block inlays, headstock overlay has Gibson and Lucille inlaid in mother of pearl.  The guitar features dual outputs for mono/stereo operation and no special cord is required.  This guitar is flawless and plays exceptionally well.  With the Lucille model apparently off the market, this is possibly one of the last batches made and a good choice for the BB fan or blues player looking for a new Lucille.  List price was $4700 and current Blue Book lists as $3000 (link).  This one is immaculate and a beautiful Gibson for just $2499(HOLD-Ryan 8/5).  Includes original BB King signature case with blue crushed velvet lining.

2. 2003 Gibson ES-175VS, (front/back),  (headstock), (close-up click to enlarge).  New, old stock and pristine condition, save for one top crack in the top ply only.  The ES-175 has long been one of the top jazz guitars made, sought after for its smooth, bluesy sound as well as the versatility of a dual humbucker semi-hollowbody with Florentine cutaway for easier access to the upper register.  In production since 1949 with very few changes over the years, it is, quite possibly, the definitive jazz box.  Like most Gibson archtops, the body is made of laminated maple, which is much less prone to feedback than solid woods.  They generally use nicely figured woods on this model and this one is no exception, with beautiful even flame, front and back, with moderately flamed maple on the rims.  Other features include in multi-ply binding on the top and single-ply on the back, mahogany neck with split pearl parallelogram inlayed rosewood fingerboard, bound neck, trapeze tailpiece, ABR-1 bridge, vintage style Gibson Deluxe tuners with aged tulip buttons, '57 Classic humbuckers, nickel hardware and raised multi-ply pickguard.  This is a wonderful playing guitar and a good value for the player.  A small crack in the top (see arrow) ply has been glued and lacquered over so it doesn't affect the tone nor pose any future problems.  With a new ES-175 selling for $3199 ($4895 List), this one is a great find for the player who wants a top-of-the-line jazz guitar at a budget price, a full $1000 less than new at just $2199.  Includes mint Gibson case and unsigned warranty. 

3. 1965 Gibson ES-120T, (pic2), (pic3).  Budget model in Gibson's hollowbody line but we're talking cosmetic appointments primarily - the craftsmanship is above reproach, built with the same care and quality as the higher end models.  One of the best things about this guitar is that it's a comfortable stage guitar, not an ungainly size as most of the hollowbodies can be, with a 16" lower bout and measuring just 1 3/4" depth at edge.  Features include laminated maple top, back, and sides, with a mahogany neck, single F-hole, large raised pickguard, Melody Maker single coil pickup, volume and tone controls with gold bonnet knobs, output jack mounted on pickguard, Kluson strip tuners, nickel hardware, trapeze tailpiece with Brazilian Rosewood bridge, Brazilian Rosewood fretboard with dot inlays, and screened logo.  This guitar is all original in very nice shape, around an 8 overall, although it does have a hairline crack in the top ply on the back, which is a non-issue on a 3-ply back, as well as a typical pickguard crack near the output jack that's also not a problem.  Neck set is very good so the setup is very comfortable.  The single coil pickup is strong and is well matched for this size body/wood.   Nice example of affordable vintage on a guitar that's ready to gig right out of the case - for just $850(HOLD-Paul C 4/24).  Includes non original case.   

4. 1959 ES-225T, (pic2), (pic3).  Another very clean example in similar condition to the ES-330T below, except with a typically checked finish (pic here), over most of the body.   Other than the finish checking, very little actual wear and probably would be called an 8.5 on a vintage scale. Worst flaws are some finish wear around the back edge of the headstock and the tailpiece has been welded at the hinge, which is typical on these tailpieces.  Woods are the same as the 330, with maple top and maple sides and back and similar cosmetics with bound top, bound back, bound neck, and black headstock veneer with inlaid logo.  The 225T also features a Florentine cutaway, which is very attractive and lends a look reminiscent of these early archtop electrics.  Like the 330, this guitar has that beautiful tone that comes from these P90 hollowbodies, and really sounds magical as you roll back the tone control.  100% original with no funny business, no replaced parts or overspray.  Look at the pictures, this is a very nice example in beautiful vintage condition.  With a VG Price Guide to $2500, it's still an excellent value on the vintage market - especially at $1800.  Comes with non-original hardshell case.  

5. 1979 Gibson ES-175D, (pic2).  Beautiful example that plays as good as it looks.  Original finish still has a beautiful gloss (pic front/back) with no finish checking on top, a few miniscule checks on back - doesn't come much nicer on 27 year-old nitro.  Several very minor issues that bear mentioning only because this guitar is otherwise so incredibly clean:  Factory 2nd for cosmetic reasons that are impossible to determine 27 years later, thumb/finger wear on back of neck frets 2-4, finish cracks (only) around output jack. Features of the ES-175D include  sharp cutaway, sunburst finished maple top and back, dark stained maple sides, 3-piece mahogany neck, 20-fret rosewood fingerboard with pearloid double parallelogram inlays, 2 humbucking pickups, 3-way toggle switch, 2 volume and 2 tone controls, white-bound body and fretboard, black/white top purfling, tune-o-matic bridge with rosewood base, b-w-b-w-b beveled pickguard, trapeze tailpiece with 3 raised diamonds, crown headstock inlay, Gibson/Kluson tuners with scroll logo, 16" lower bout, 3-1/4" body depth, 1-11/16" nut width (not the "pencil" neck found on many 70's Gibsons), 24-3/4" scale.  Includes original black case with plush red lining.  Currently strung with flat wound strings in the jazz box tradition and a superb player with quality tone.  VG Price Guide at $2400-$2800 and this is definitely one of the cleaner ones on the market which makes this a nice deal for the player or collector at just $2499.  Hey, this would be a perfect mate for my matching '79 ES-175CC Charlie Christian.  

6. 1934 Epiphone Masterbuilt Blackstone, (pic2), (headstock front) (inside label), (back of neck/headstock)  Player's special but it's indeed a nice player after Martin re-worked the set-up and it has a good neck-set and low action all the way up the neck.  Definitely not one for the collectors but it's not $1400 either, and the repairs and modifications have been taken into account making this a good deal for the collector on a budget or anyone who wants a good playing vintage American archtop for minimal investment.  Very comfortable small body, just 14.5" at the lower bout, and just under 3.5" deep.  On the downside, it has a repaired headstock that is very solid, original finish has been stripped with some sort of clear finish applied, a few cracks in the binding but it's solid and not flaking off, and the neck has been reset.  Don't know if the hardware is original or not but the tuners are very old and the tuner buttons are one-piece so I'm guessing they're real Ivory.  On the plus side, it's a very easy guitar to play with action that is superb with just a hint of buzz in the middle register - or no buzz if raised to medium action.  With a solid carved Spruce top and maple back/sides, what it lacks in volume it makes up for in crispness and it's a pleasing tone that's closer to an acoustic and most archtops.  While this won't appeal to most collectors, for the player or collector who just wants old guitar, it's 30's Masterbuilt that plays nicely - and well under 1/2 book at $499.   

7. 2003 Gibson ES-135 Archtop, (front/back), (headstock).  Very cool looks cool looking Blueburst finish and one of the best values going for a Gibson archtop.   This was the first one I've had without the F-holes, when I sold it a year ago and just bought it back, and I think it's only the 2nd non-F-hole model I've ever had.  This is an excellent idea for players who want to crank up the gain as you won't have to deal with feedback that's inherent with hollowbody guitars.  Features of this beautiful 135 include all maple construction with a center block of Chromyte, double bound body with Florentine cutaway for easy access to the top frets, Grover tuners, semi-gloss finish, classic combination of stud tailpiece and tune-o-matic bridge and, most importantly, a great sounding set of Classic '57 pickups.  Nice condition with the worst flaw being some high gloss areas which stand out slightly from the semi-matte finish - nothing disappointing but it bears mentioning only because this guitar is otherwise extremely clean.  Frets are near perfect and this neck sustains a perfect setup with low action.  For a classic hollowbody tone without the classic feedback or mid-range rumble, you can't beat this one.  For the budget-minded, includes a really nice Gibson gigbag at $850(HOLD-Tom H 8/8) or for the touring player, substitute a perfect Gibson case for $50 more. 

 GIBSON ACOUSTICS:

1. 1967 Gibson B-25N (N = "natural" top finish), (pic2), (pic3).  Nice old small bodied (14 1/4") Gibson flattop, with Spruce top, mahogany back and sides, and long pickguard.  Features multi-ply binding on top, bound back, adjustable bridge, and Kluson tuners.  This one hasn't seen much actual playing time but does indeed look like a 40-year-old guitar with plenty of finish checking - but no top or back cracks.  It did have a small repair of a 1" ding on the side near the neck joint, as well as an extra strap pin hole, both pictured here.  It's barely noticeable and looks much worse in the pic.  Like most Gibsons from this era, it has a very narrow neck so small hands will appreciate playing this one.  The tone is just what you'd expect from a small Mahogany body - very warm tone with a little extra mid-range - very pleasing to the ear and a good one for back porch strumming with vocal accompaniment.  VG price guide is over $1K for this model and it remains a very good buy on the vintage market - especially at $899.  Includes original semi-hard Gibson case.  
2. 2007 Gibson J-45 Round-Shouldered Dreadnought with Baggs I-Mix System, (front/back), (headstock), (case).  Gibson's "workhorse" acoustic since the 40's and, in fact, one of the few guitars that Gibson continued to produce during WW-II.  Immediately recognizable by it's soft, "round" shoulders, rather than the "boxy" look of other Dreadnoughts, the J-45's main competition throughout the years has been the Martin D-18, a fine mahogany dreadnought in it's own right.  The J-45 features premium Sitka Spruce top with Mahogany sides, back, and neck.  The main reason it's known as a workhorse is the sparse cosmetic appointments - while these are fine acoustics, the focus was on tone and not on fancy appointments.  This guitar is exceptionally clean with no player's wear and buffed out to a perfect gloss finish.  The setup is quite low and the tone is remarkable with excellent projection and uncommonly good note definition for a Mahogany dreadnought.  Definitely one of the best, if not the best, J-45 or SJ I've ever had.  In addition, this one has an added L.R. Baggs I-Mix system (preamp and controls) (link to Baggs) controls inside the sound hole for volume and "mix", with "set and forget" EQ controls to match your guitar's characteristics and player preference.  Once these are set you'll rarely have to adjust them.  There are a number of fine pickup/preamp systems on the market and this is definitely one of the better ones.  If you're going to be doing a lot of stage use, you'll be happy to have something a little more sophisticated than a volume and tone control.  If you're not going to be "plugging in", hold off and wait until I get a stock J-45 that's cheaper - but if you want something that's going to be great in bar or stage gigs, this one's a sweet deal with this Baggs system.  Just $1750.
3. 2000 Gibson Songbird Deluxe Acoustic/Electric, (front/back), (headstock), (case), (Fishman), (dual outputs).  Upgraded with the on-stage artist in mind with TWO excellent amplification systems -  the K&K Pure Western Mini passive transducer AND Fishman Ellipse Matrix Blend soundhole & saddle system.  Two more upgrades including a 60's Gibson Country & Western pickguard which matches the vintage patina of the guitar and looks much cooler than the stock small red tortoise guard - plus tuners have been upgraded to vintage-style Gibson Deluxe tuners.  These newer Songbird Deluxes aren't the same model as the "Songbird" of yesteryear, which was a very plain acoustic with mahogany body.  The Songbird Deluxe is very much an upscale flattop with all solid woods and higher-end appointments.  Features include:  Square Shoulder Small Dreadnought body, antique natural finish, solid spruce top, solid rosewood back and sides, Ebony fretboard and bridge, 20-fret rosewood fingerboard with split parallelogram mother of pearl inlays, Abalone rosette, rosewood veneer headstock with inlaid logo and crown inlay, very wide 1-11/16" nut width, 25.4" scale, fancy songbird Pearl fretboard inlays, 6-ply top binding with single ply back, abalone soundhole rosette, and rosewood peghead overlay with pearl "Gibson" logo and crown inlay.  Both the K&K and Fishman transducers provide quality amplified sound and you may choose whichever one suits the gig - or run then both which, essentially, gives you (a) soundhole mic; under-saddle pickup; under bridge plate pickup.  Amplification aside, this is one of the best sounding post 60's Gibson acoustics I've had, with excellent projection, very fat but not boomy bass, and a well-balanced tone.  Set up is very comfortable and excellent condition overall with no cracks, repairs, or other issues.   The current Songbird Deluxe sells new for $1999 ($2833 list) and if outfitted with both of these systems you'd be looking at $2330; almost $2500 with labor.  If your gigs take you from living room to studio to stage, I can't imagine a better guitar in this price range, at $1499.  

OTHER USA GIBSONS: MELODY MAKERS, NIGHTHAWKS, FIRBIRDS, EXPLORERS, V’S, ETC.:  

1.  2001 Gibson Chet Atkins SST, (front/back), (headstock).  These are getting harder to find, although I did have a pair a few months ago.  The SST was one of the first solidbody acoustic models, designed especially for stage use, i.e. to allow for maximum before feedback.  First introduced as a nylon string model (Chet Atkins CE or CEC) in 1981, the steel string SST joined the line in 1987, gaining instant popularity among pro players such as Dave Matthews who played a black SST as his main stage guitar from '92 to '99.  The SST was a simple but very well designed guitar.  It features a solid Spruce top, Mahogany back with Chromyte (as used on ES-335's) reinforcement, Ebony bridge, and Mahogany slim-taper neck with Ebony fretboard.  Cosmetic appointments include inlaid logo and star inlay, star fretboard markers, bridge with star inlays and Ebony pins with pearloid dots, multi-ply body binding, and gold hardware.  Electronics are simple and are located, unobtrusively, on the side of the bass upper bout and include volume, bass, and treble (shown here).  Again, this model is very resistant to feedback and these simple controls seem to handle it well.  This guitar features a very wide neck (around 2" at the nut), long 25.5" scale (3/4" longer than normal Gibson scale), medium jumbo frets, and up to 24 frets (on the 1st/2nd strings).  For all the spec's on this model check out Gibson's site here.  This guitar is in nice shape overall with no major flaws, but it does have a number of odd finish impressions (as shown here) in the clear coat - not through to the wood.   Frets are near perfect and other than the aforementioned finish dings, it shows very little player's wear.   After a long run of 19 years, the SST was discontinued in '06 and considering the popularity of this guitar they will likely become harder to find as the years go by.   If you're looking for an excellent stage guitar, there are few better in terms of comfort, tone, and playability than the SST and at $1199, it's truly a pro model for a modest price.  Includes original brown case and just set up with Elixer light gauge.
2. 1965 Epiphone Olympic, (front/back), (headstock).  With it's plain Cherry finish and single pickup, the Olympic is a no-frills guitar but for many players, me among them, that makes for the perfect guitar.   Better still, these solid mahogany guitars are generally lightweight and, get this, 5.2 lbs. on this one!  Perhaps best of all, look at the neck attachment in the first pic above - the neck joins the body at, literally, the top fret, making access incredibly easy.  Speaking of neck joints (pic here), no cracks and a perfect neck set that allows very nice action.  Overall very nice vintage condition, with original finish with moderate finish checking, the "E" is missing from the pickguard, and the tremolo has been removed (no modification required) as is common since these guitars are much more stable if you use only the wraparound tailpiece.   Otherwise, all original, including original solder joints with pots dated '65 (pic here), original nickel Kluson tuners with plastic buttons, black chrome top knobs, Brazilian fretboard that Martin reconditioned nicely (pic here).  Specs include solid Mahogany body and neck, one single coil pickup with volume and tone controls, "Batwing" 6/side headstock with screened logo over black finish, and pearl dot inlays.  These guitars are real sleepers on the vintage market, as are most USA Epiphone's, and sell at pretty much their utility value with little allowance for the fact that they're 30+ years old.  Tone-wise, it has the clarity of a single coil pickup mixed with the warmth of mahogany, a combination that I enjoy.  If you're looking for a guitar that's fun to play, and has no where to go but up in value, I highly recommend Olympics, either this model or the Melody Maker style.  If you're looking for one that's also the lightest one I can imagine at 5.2 lbs., you want this one.  $1050 takes it.  Note:  If you need it, I think I have a vintage Gibson tremolo assembly in my parts bin and we can install the top part that's missing for a little extra. 
3. 1975 Gibson Marauder Custom, (front/back), (headstock), (pickups).  Very clean and a rare "Custom" model.  The Marauder was one of Gibson's attempts to steal some of Fender's market, just as Fender was trying to grab some of Gibsons.  The body shape is similar to a Les Paul, but the Marauder, along with the 3 single pickup S-1, sport a very un-Gibson bolt-on neck.  While the Marauder series ran from around '75 to '79, this Custom model was only produced in '75 and '76.  The Custom features "premium finish and construction details" including a bound neck and rosewood fretboard with block inlays.  Pickups were custom built by Bill Lawrence and sealed in clear epoxy, a feature which was considered ahead of its time, and these pickups are highly prized for their excellent tone.  Pickup layout is like a Tele Custom, with a humbucker in the neck position and a slanted single-coil, solid-blade style in the bridge position. This layout along with the overall construction, gives this guitar a tone and feel that's very similar to a Tele.  There have been a few notable players of the Marauder, past and present, including Paul Stanley of Kiss (shown in this ad), as well as Thurston Moore of Sonic Youth, Joshua Homme of Queens of the Stone Age, Deryck Whibley of Sum 41, and others.  This one is in stunning condition for a guitar of 33 years and has seen little playing time and, better yet, in sunburst which is arguably the most desirable finish.  I don't know if they'll ever go crazy on the vintage market but that's almost a moot point.  It's a good value in strictly the utility value of a clean American guitar with a superb set-up and excellent tone.  $699(SOLD-Jon H) with hardshell case. 
4. 1987 Gibson USA-1, (front/back), (headstock/fretboard).  one of Gibson’s short-lived stab at the “Super Strat” Heavy Metal market and a quality guitar in its own right.  Made for only a few years, the USA-1 has all the features popular during the era including Strat-style body shape with belly contours, double-locking Floyd-licensed tremolo, H-S-S pickup layout, 24-fret neck, 6/side pointy headstock - plus some upscale features including Ebony fretboard, body binding, and most unique, a set-neck design in typical Gibson fashion.  Electronics package includes mini-toggle on/off for each pickup plus push-pull tone knob coil splitter.  This is a very sleek feeling guitar, with a fast neck and killer HM tone.  Typical used condition with buckle wear and misc. dings but pretty nice for 21 years.  The only minor issue is one of the high E saddle is cracked (pic) but it stays in place just fine and doesn't affect performance.   When you think of SuperStrats, this model, along with the Heritage Stat, was clearly shooting for the moon as far as elegance and quality.  Considering that it's priced around 1/2 of what it sold for in the 80's, I think it's a killer axe for $550(HOLD-Jim W 7/4). 

 EPIPHONES

NEW EPIPHONES 45%-60% OFF LIST:

1. 2006 Epiphone SG Standard G-400 With EMG's, (pic2), (pic3).  New and first quality in Classic Alpine White Finish!  New upscale Ltd. Ed. model from Epi, using the increasingly poplar Zakk Wylde setup of active EMG's with an 81/85 combination.  Features include solid mahogany body with set-in mahogany neck, Grover tuners, slim-taper neck has a rosewood fretboard with pearloid trapezoid inlays, with a deep double-cutaway allowing easy access to the upper frets.  I have two of these, both new, old stock and perfect, inevitably set up better than factory.  With a list of $999, these are a very good value in a set-neck guitar with the EMG 81/85 setup at just $499.  Includes, manual, cable, poster, etc.  
2. Epiphone AJ-1 Advance Jumbo, 2004 NOS, new in the box and best value in a SJ round-shoulder style flattop.  Features select Spruce top, with the warmth of mahogany sides and back.  Natural gloss finish and body binding give this a simple, but elegant look.  The design of this guitar gives it very ample bass response, and a pleasing tone for strumming with friends on the front porch.  With factory setups these guitars are only so-so but when Martin does his magic, you'll have a guitar that's a joy to play with comfortable action throughout the register.  Lists at $232 but this one's new in the box AND set-up to play for just $149.   
3. 2005 Epiphone '58 Korina Flying V, (pic2), (pic3).   Never retailed and immaculate condition - first quality Epiphone - Very cool reissue of the classic Gibson '58 Korina V.  The Floyd V, along with the Explorer and Moderne, were the most radical guitars ever produced when Gibson presented them to the public in '58.  Unfortunately, they were soon discontinued as the public wasn't ready for such a departure from "normal" looking guitars.  Eventually though, this model became the holy grail of collectors and you could retire on the value of an original example.  This one has all the looks and vibe of the original including Korina body with Mahogany neck, gold hardware, arrow-head headstock with 3+3 Kluson style vintage tuners, gold logo, and gold-plated boomerang tailpiece with Tuneomatic bridge.  Also features a rubber strip on the bottom edge for ease of play while sitting down.  With a list price of $832, this model sells heavily discounted to as low as $499 but this one has never been retailed and is perfect with plastic still on the pickguard, pickup covers, etc., - plus it has a setup that's puts the factory setups to shame - all for $429.  Note:  I have a used Epi V case available for $49 if desired (pic here).  
4. 2006 Epiphone Les Paul/SG Custom, (pic2), (pic3).  Never retailed and immaculate condition - first quality Epiphone.  The G-400 Custom is Epi's version of the ca. 1961 Gibson Les Paul/SG.  In 1961 Gibson changed the body style of the Les Paul from the single cutaway thicker body, to this new double cutaway style that was much thinner, with beveled edges, featuring a mahogany set neck and mahogany body - while the cosmetic features remained the same - including gold hardware, bound neck with block inlays, headstock with multiply binding and split diamond inlay, and bound neck.  As with the earlier single cutaway version, Gibson added a 3rd pickup as evidence that the "Custom" had more than cosmetic differences from the "Standard".  A few years later, around '63, Lester's contract with Gibson ended and the model was renamed "SG".  Among players, this transitional model has for years been known as the Les Paul/SG Custom, to distinguish it from the original single cut Les Paul.  Features of this beauty include Antique Ivory finish that looks much like an Alpine White that has yellowed with the passage of time, a trio of Epi-USA designed Alnico humbuckers, mahogany neck set in to mahogany body, gold hardware including quality Grover tuners, stopbar/Tuneomatic bridge, bonnet reflector knobs, and Les Paul Custom truss rod cover and pickguard.   This guitar lists for $832, very reasonable for an import of this quality, even more reasonable is buying this one, with a killer in-house set-up, for just $449(HOLD-Brian's Student 12/11).  
5. Epiphone Les Paul Classic Plus, (pic2), (pic3).  A real stunner with wide flame that's perfectly bookmatched and another excellent deal on a B-stock, but immaculate Epi LP.  All the features that have made the Les Paul Gibson's most popular and famous guitar of all time - bound body and neck, set neck construction, maple top over mahogany body, mahogany neck with rosewood fretboard, pearloid trapezoid fretboard inlays, gloss headstock overlay, tune-o-matic bridge with stop tailpiece, and quality Grover tuners to keep it in tune nicely.  I've been very impressed with the quality of Epi's over the last few years and they set up as well as the average Gibson - this one's a perfect example of an imminently playable Epi LP.  Other than a "used" stamp on the back of the headstock, this guitar is immaculate and first quality - good deal on a beautiful Epi for $399. 
6. Epiphone Les Paul Pee Wee Package, includes everything your little rocker needs to get started on guitar including a Les Paul Pee Wee electric guitar (picture 2), amplifier, strap, cable, pics, and instructions.  The Les Paul Pee Wee is 1/2 the size of a regular guitar but with a full width neck, suitable for both kids but also adults looking to take the party anywhere.  This pack includes the Epiphone Studio Mini amp that's also portable and features a shoulder strap and runs on either a 9V battery or via 9V adapter (not included).  The amp features volume and tone controls, with a switch to choose clean or  overdrive channel plus a headphone jack for private practice.  Due to the short scale we recommend tuning them up around a fifth which also allows them to occupy the frequency range of a mandolin, which really stands out in a jam session.  Don't think you're going to get a crappy playing guitar because of the cost.  All of these short scale V's and LP's we've had actually set up with excellent action and even an accomplished player should be happy with the playability.  With a list price of $252, this is a fairly inexpensive way to get Junior started on a real guitar setup at just $149, set up and ready to jam as soon as you open the box.  (Note: one remains; hold next to last - Harry H 2/17)
7. 2004 LEFTY Epiphone Tony Iommi Signature G-400, black with black chrome hardware.  Please tell your lefty friends:   I just got in several of these, unplayed, straight out of the box.  They are overstocks so the serial was partially obliterated, but they are first quality and are not stamped "used" or "2nd' - all first quality Epiphone.  The Iommi Signature SG was built to the specs of guitar legend Tony Iommi, of Black Sabbath fame and still an icon today.  Features include set-neck SG construction, mother of pearl "cross" fingerboard inlays, black chrome hardware, and a matching black finish on the solid mahogany body. The slim-taper mahogany neck is fast and the Gibson USA Iommi pickups deliver the firepower of Tony's own famed SG.  With a list of $1024, these sell everywhere for $614 (when they have lefties in stock).  This one is perfect, set up BETTER than factory, and you'll have save enough dough to score a nice amp with the difference, just $479 while they last. 
8. 2004 Zakk Wylde Signature Les Paul Custom, (pic2), (pic3).  I'm on my second order of these - cosmetic 2nds but don't let that throw you - Any flaw is so miniscule that it's virtually invisible. Overall, these are extremely impressive and priced just a little higher than a stock Epi LP Custom.  Immaculate bulls-eye paint job, and all the LP Custom feaures such as multi-ply binding, gold hardware, pearloid block inlays (and not cheesy looking brushed chrome ones), and the classic split diamond headstock overlay.  What really sets this apart though are the EMG HZ 4 and HZ4A humbuckers, which are the passive version of the EMG81and 85.  It also has an extremely chunky neck which has an unfinished feel as found on Zakk's prized LP.  If you're not into big necks, you don't want this guitar, but the bare (only a sealer coat) baseball bat feel is perfect for my hands.  We looked these over closely and I give up on trying to find the blem on most of these - about the only blem I can see is the "2nd" stamp on the back of the headstock.  Unlike new ones you might buy online or at your local store, these guitars will be shipped fully set-up with playability that will rival the $3800 Gibson model.  This model lists at $1332 and sells online at $799.  If you can live with a guitar with what is likely an invisible cosmetic flaw, save some nice cash right here, at $629.
9. Epiphone Goth G-400 SG, new-old-stock and perfect.  All the features you love in an SG - in an all-black look.  Set-neck construction of all mahogany, a pair of quality Alnico V humbuckers, EBONY Fretboard, gothic cross headstock inlay, and special XII inlay at the 12th fret (XII is Roman for 12...get it).  New and unplayed and an excellent value in a set-neck Epi.  With a list of $599, these sell online for $429-$449 at your favorite online store. This one is first quality stock, setup better than factory, and a sweet deal at $399.
10. 2004 Epiphone Goth 1958 Flying V Floyd Rose, NEW-Old-Stock and perfect, Classic Flying V with upscale features including set-neck design, Epiphone-stamped Floyd Rose double locking tremolo (good quality - looks just like the Schaller version), mahogany body with set-in mahogany neck, Ebony fretboard with side markers, and XII inlay at the 12th fret, Grover tuners, and black hardware.  A pair of smokin' '57N Hot-B humbuckers crank out some serious heavy tone with Alnico magnets, wax potting, and enameled wire.  With a list price of $799, you'll see these at most places for $479 to $499 but I have 'em new in the box AND set up prior to shipping, for just $449(HOLD one - Pat, only one left).  Includes cable, tools, manual, etc.   Note:  I have a used Epi V case available for $49 if desired (pic here).  
11. 2003 Epiphone Les Paul Baritone, Red Oval finish.  I just got in several of these, unplayed, straight out of the box.  They are overstocks so the serial was partially obliterated, but they are first quality and are not stamped "used" or "2nd' - all first quality Epiphone.  Les Paul Standard Baritone is a long-scale guitar that adds beefy, bottom-end tones to the LP tone you already know and love.  The most notable features is the long 27.75-inch scale length, 3 inches longer than a standard Les Paul, that lets you play 1/2 an octave below normal.  The result is one helluva beefy sounding guitar.  It also features black hardware, satin finish, simplified control layout, Grover tuners, and some very upscale pickups that sound great, by Gibson USA, which tout Alnico magnets, "double vacuum wax dipped", and "enamel coated wire".  With a list of $831, these sell everywhere for $499.  This one is perfect, set up BETTER than factory, and you'll have save enough dough to score a nice amp with the difference, just $379 while they last.  
12. Epiphone Collegiate Les Paul Juniors, (Sample of Univ of North Carolina), I have these in Kentucky, Texas, North Carolina, Florida State, and Florida.  These are nice playing guitars with a cool look and nice tone via an Epiphone high-output humbucker.  With a list of  $499 you'll see them discounted to $299 but I have a dozen or so at $250 while they last.  Includes matching gigbag, strap, cable, etc.  
13. Epiphone Demons, new-old stock, choice of metalic black or metalic red, solid wood body, rosewood fretboard, string thru body, “ultra-hot” humbuckers, very cool vibe for small change, full specs at Epiphone's Site, List $499, Sale $225
14. Epiphone Hummingbird, (full length), 2004, supposedly a cosmetic flaw but I can't find any, never retailed and appears perfect.  Features solid spruce top and mahogany back/sides, basically the mahogany equivalent of the Epi Doves on my acoustics page. Like the Epiphone Dove, the Epiphone Hummingbird is a recreation of the Gibson classic with the looks and tone of a vintage classic.  Nicely appointed with multi-layer bound body, bound neck, dual parallelogram fretboard inlays.  Lists at $665 but I have a few of these for just $325 BETTER than the online stores as each one receives Martin's personal setup and plays as good or better than most Gibsons. (3  in stock as of 7/12/07)

USED EPIPHONES

 (ask about our “hot rod” job to install new pickups, Sperzel tuners, etc., prior to shipping.  For $130 (INCLUDING labor) you can get a pair of Gibson, or other similar quality pickups and or for $60 parts/labor, a set of Sperzel/Grover/Gibson tuners. These upgrades will likely run you over $300 at your local store.

1. 1997 Epiphone EJ-200 Jumbo, (front/back), (headstock).  Gibson authorized version of their famed J-200, the big daddy of flattops.  Tops in size and appointments, the EJ-200 features Maple body with select Spruce top, multi-ply body binding, bound neck and headstock, famous mustache bridge, distinctive pickguard shape and design, gold sealed Epi-stamped Gotoh tuners and a set Maple neck with a crown inlay on a Rosewood fingerboard – truly a stunning presentation.  One other noteworthy feature is the EJ-200's 25.5" scale, rather than the usual 24.75" Gibson/Epi scale.  Overall very nice shape with no issues such as cracks or repairs and a typically huge tone that only a maple J-200 can provide.  List price on the Korea models (now made in China at lower cost) was $665, selling discounted to $399.  This blonde beauty plays great and is a good value on an older Korean model at $285. 
2. 1997 Epiphone Dot Archtop, (front/back), (headstock).  One of the great values in a semi-hollow in my opinion.  Epi's quality control is top-notch and their fit/finish is, quite frankly, as good as Gibsons over the past decade.  All the features of the ES-335 Dot including laminated maple top, back, and sides - plus a maple set neck, dual PAF style humbuckers, body and neck binding, multi-ply pickguard with raised "E" logo, and stopbar/tuneomatic bridge combination.   This one's finished in Cherry Sunburst, which I think has been discontinued, and is in beautiful shape with a low set up that will not disappoint.  Click here for Epi's site description.  With new Dots going for $399 ($665 List), this discontinued Cherry Sunburst is in stunning condition and will play better than anything from your local super store or warehouse where they simply change the label on the box and ship it out - for just $325 - or add a nice Epi hardshell case (pic here) for $385(HOLD-Ted).  P.S. The stock electronics and hardware is very good on this model which makes it an excellent choice for the intermediate guitarist, but we offer upgraded pickups and tuners upon request and generally have a good stock of Gibson pickups and tuners with very reasonable labor rates.  
3. Epiphone Hummingbird Acoustic/Electric, upgraded with a new Fishman Acoustic Matrix (pic2) saddle transducer.  We just got in a new Matrix pickup and as we have several of these Hummingbirds in stock, which are excellent acoustics in their own right, we upgraded one with this Fishman.  For more pics and specs of the guitar itself, please see description below...  The Matrix is designed for a slight boost in the bass range which, on a full size dreadnought like the Hummingbird, gives it incredible bottom end, but clear note definition throughout.  The cool thing about these units is the entire preamp is built into the elongated output jack, rather than having a separate preamp stuck to the back or side of the guitar.  Runs on 9V battery with a battery life of over 6,000 hours. This preamp sells for $129 plus installation.  The Hummingbird is supposedly a cosmetic flaw but I can't find any and it was never retailed and appears perfect.  Features solid spruce top and mahogany back/sides, basically the mahogany equivalent of the Epi Doves on my acoustics page. Like the Epiphone Dove, the Epiphone Hummingbird is a recreation of the Gibson classic with the looks and tone of a vintage classic.  Nicely appointed with multi-layer bound body, bound neck, dual parallelogram fretboard inlays.  Lists at $665 for a stock Hummingbird without pickup, but this one's BETTER than the online stores as each one receives Martin's personal setup and plays as good or better than most Gibsons and this one's being offered for $454 total, which includes the Fishman, installed.  
4. Epiphone Hummingbird, (full length), as above except stock - without pickup.  2004, supposedly a cosmetic flaw but I can't find any, never retailed and appears perfect.  Features solid spruce top and mahogany back/sides, basically the mahogany equivalent of the Epi Doves on my acoustics page. Like the Epiphone Dove, the Epiphone Hummingbird is a recreation of the Gibson classic with the looks and tone of a vintage classic.  Nicely appointed with multi-layer bound body, bound neck, dual parallelogram fretboard inlays.  Lists at $665 but I have a few of these for just $325(HOLD one - Mike N) and they're BETTER than the online stores as each one receives Martin's personal setup and plays as good or better than most Gibsons.  Note: We can install a Highlander iP-1 end-pin preamp and saddle transducer (see below) for just $135/installed.  
5. Highlander iP-1 Acoustic pickup, Like the Fishman Matrix in the Hummingbird above, the Highlander iP-1 is another "all in one" active system, with the preamp built into the elongated output jack and no major modification is required to your guitar, simply a very small hole under the saddle.  Excellent design and loads of accolades on their site, the iP-1 "hears" the tonal properties of the wood and design, not just the dry sound of pressure against the thin transducer under the saddle.  Check out Highlander's site here and the iP-1 here.   Lists at $189 and sells at discount for $159.  This one's never been installed and just $119, or $135/installed on any guitar in stock.  
6. 2000 Epiphone Wildkat, (pic2), (pic3).  Very cool newer model with a definite retro vibe with features like Bigsby-licensed tremolo tailpiece, dual Alnico V P90 pickups, and vintage style aluminum headstock logo.  To top it off, beautiful flamed maple on this one - didn't show up in the pics very well but it's very nice all over - from the lower bout all the way up into the upper horns.  Other features include bound body, bound neck, bound f-holes, mahogany body with maple top and set-in maple neck, semi-hollow body with center block, dual volume and master tone plus a master volume on the treble upper bout.  Thinline body design is very comfortable for stage use and this guitar is one of the cooler retro designs to come out in years.  Excellent setup, excellent condition, and cool tone with these P90's.  Although this one's marked "2nd" on the back of a headstock for reasons we don't know.  Overall in beautiful shape.  New list on this model is $832 and this one's in clean shape, with an absolute killer setup, for just $365.
7. 2004 Epiphone Zakk Wylde Les Paul Custom with EMG-81/85, (pic2).  This guitar is located on my Gibson page but I just got in a mint pair of EMG-81/85 (pictured) which we offer as an upgrade on this model when I have the pickups in stock.  It's pictured with the stock EMG HZ's, which are very good pickups in their own right, but for the real Zakk tone, you have to have the active EMG's.  Click here for Harmony-Central reviews where they score a remarkable 9.8 avg. mark in tone with 16 reviews.  This guitar sells new for $799 with the stock pickup setup.  The one I'm offering was never retailed and virtually flawless, although it is a cosmetic 2nd for a flaw that we can't find.  It's offered at $629 in stock condition but we can upgrade it to the 81/85 set and sell at $799. 
8. Epiphone G-400 SG - PROJECT, (pic2), (pic3).  This is Epi's SG Standard model, with set-neck beveled body, all mahogany, tuneomatic bridge, etc. and is a good sounding guitar.  Unfortunately, the truss rod doesn’t adjust so it's being offered "as is".  For you players who want a guitar set up for slide on your Allman Brothers or Skynard songs, this is a cheap way to go.  Time for Free Bird?   Just pull out this baby and start wailing away.  Action in the middle is higher than comfortable (as shown in left side of (pic here), and there was a slight fretboard separation which was re-glued but, again, this guitar will work perfectly for your slide guitar needs.  Also has a small chip reglued on lower horn.   Also would be a good project for luthier students who want to do a truss rod replacement.  These were $399 in the stores but if you want a slide guitar for cheap, this one’s just $99.  
9. Epiphone Wildkat, (pic2), (pic3).  Very cool newer model with a definite retro vibe with features like Bigsby-licensed tremolo tailpiece, dual Alnico V P90 pickups, and vintage style aluminum headstock logo.  Hard to see in some of the pics but it's actually a transparent finish with a nicely flamed maple top with even flame from the lower bout all the way up into the upper horns (as shown here).  Other features include bound body, bound neck, bound f-holes, mahogany body with maple top and set-in maple neck, semi-hollow body with center block, dual volume and master tone plus a master volume on the treble upper bout.  Thinline body design (pic) is very comfortable for stage use and this guitar is one of the cooler retro designs to come out in years.  Excellent setup, excellent condition, and cool tone with these P90's.  New list on this model is $832 and this one is near flawless for just $385. 
10. 2004 Epiphone Les Paul Classic Birdseye, (pic2), (pic3).  Extremely cool looks with an amber maple top, loaded with birdseye.  Mahogany body is chambered to keep the weight at a very nice 7.8 lbs., around a pound or two less than the non-chambered models.  Has all the normal LP Classic features including dual humbuckers without covers, bound body and neck, Mahogany body with a maple top, Mahogany neck with rosewood fretboard and trapezoid inlays, black headstock veneer with inlaid Epiphone logo, tuneomatic bridge with stop bar tailpiece, and 3-way selector with dual volume and tone controls.  This one has had the pickguard removed to better show off the top.  I think it looks better this way but if desired we can order a pickguard for it.  Overall a few cosmetic flaws but very nice overall.   Martin did his magic on this guitar.  When it came in it was far from fun to play but 90 minutes on the bench and it now plays as good as any Gibson you'll pick up; really nice.  Good deal on a great playing Les Paul at $375.    Note:  We can install pickups from a Gibson LP Classic for $125 parts and labor.  
11. 2006 Epiphone '58 Korina Flying V, (pic2).  Very cool reissue of the classic Gibson '58 Korina V.  The Floyd V, along with the Explorer and Moderne, were the most radical guitars ever produced when Gibson presented them to the public in '58.  Unfortunately, they were soon discontinued as the public wasn't ready for such a departure from "normal" looking guitars.  Eventually though, this model became the holy grail of collectors and you could retire on the value of an original example.  This one has all the looks and vibe of the original including Korina body with Mahogany neck, gold hardware, arrow-head headstock with 3+3 Kluson style vintage tuners, gold logo, and gold-plated boomerang tailpiece with Tuneomatic bridge.  Also features a rubber strip on the bottom edge for ease of play while sitting down.  This one has never been retailed but is marked "Used" (on back of headstock) for a flaw that we're unable to find.  It has a wonderful setup, nice tone, and at $399 is less than a new one in the store--with a setup that will be better than anything coming from the super stores.    Note:  I have a used Epi V case available for $49 if desired (pic here).  
12. 2006 Epiphone '58 Korina Explorer - Ebony, (pic2), (pic3).  Mate to the Flying V above, the '58 Explorer was the other radical release by Gibson in '58 - the 3rd, the Moderne, was never officially released but is available in various reissues.  Although this one features an Ebony finish, it is in fact a Korina, with Korina body and mahogany neck.  Somewhat more rare than the unpainted Korina finishes.  This is also the first use of the "hockey stick" headstock that I can remember, pretty much the same style as the early 80's Kramers.  The coolest thing about the Explorer, at least for me, is the way they hang and ease of access to the upper frets.  The Flying V as well, offers the easiest play in the upper register.  This one also has never been retailed, but is a factory 2nd for reasons we can't spot - it's perfect.  With an in-house setup that's better than any one from the factory, this one is also nicely priced at $399.  
13. 2005 Epiphone LP Junior with Upgrades, we get a lot of request to upgrade Epi's, for players who want Gibson tone and stability, at a fraction of the cost.  This particular Junior was sold, but I have a few other ones that are currently stock that we can do the same upgrades to.  We use a Gibson '57 or Burstbucker pickup, paired with a set of Gibson deluxe or Grover tuners (pictured here), to give you pro quality tone and a guitar that stays in tune - basically a lot of guitar for the money.  At $265, it's not a cheap Junior, but then that's pretty cheap for a guitar you can actually gig with.  
14. Epiphone EC-20 Classical, (pic2).  ca. mid-70's and a very good quality made in Japan classical.  Features Spruce top with Mahogany back and sides, Rosewood fretboard, nickel silver frets, scrolled gold-plated tuners, and Ivoroid tuner buttons. This guitar has a pleasing tone and cosmetically, in stunning condition.  Very thin finish is near immaculate and you'll find it hard to believe that it's 30 years old.  Good quality for low bucks, just $159(Tentative - Bob A 9/30). 
15. Epiphone Les Paul Special Project, includes hardware, someone started to refinish in green but strip and finish with your own color - or keep as is for a very unusual appearance.  Includes all hardware including tuners, stopbar, tuneomatic bridge, neck plate, truss cover, and all screws.  $95 takes it all.  
16. Epiphone Bully SG Special, one of the discontinued E-series, it's basically an SG Special with slim taper neck, upgraded E-series open coil humbuckers, and E-Dovewing headstock and logo.  Very clean shape and nice setup - for $165.  
17. Epiphone AJ-200, Advance Jumbo model is a throwback to the 50’s days of Epi and Gibson, with round-shoulder dreadnought design, bound spruce top, mahogany back and sides, nice player with a nice tone for something in this price range.  Stamped “Used” but it’s in essence new and with a list of $299, better than new as it’s set-up to optimum playability for just $165
18. 2002 Epiphone Les Paul Studio, good quality set-neck Paul at a killer price, Heritage Cherry Sunburst, features of a LP Standard except for black pickguard and binding and slightly slimmer body - same great playability and tone and an absolute feather weight.  Very clean shape with no major flaws and fairly rare.  Get the tone and vibe of an LP at a better price, $325 w/gigbag.