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PRO SOUND GEAR: MICS-PA-RECORDING-DJ

 MICROPHONES

WIRELESS

1. Audio Technica Digital Reference Wireless Mic, new-old-stock, model DR3300, frequency 207.000MHz, The receiver features an advanced di-pole antenna system providing extended operating range. InvisibleLink circuitry delivers optimum sound quality. The transmitter features a unidirectional dynamic element and superior internal shock mounting.  Features pro-quality Audio Technica cardiod mic.  With a list of $349 and store priced at $259 save big on this one, new in the box, for $149(available in Baltimore).

2. Samson Dual Diversity wireless receiver w/Shure SM-58 mic, $150

3. Samson EV BK-1 Condenser Mic (wireless) and receiver in box, Samson Ch. 4, Samson, $150

4. Samson SR-2 wireless, Samson Ch. 2, again, lavaliere mic which can be converted to headset, $75

5. Samson SR-22 wireless, Samson Ch. 8, comes with lavalier mic but can be converted to headset if you’re ambitious, missing one antenna but still works well, $50

 

OTHER MICROPHONES and In-Ear Monitors:

 

1. AKG SolidTube, (pic2).  Flagship of AKG's Project Studio Line and acclaimed as one of the premier tube mics in its price range.  Nothing beats a tube mic for warmth and this mic will improve almost any recording session but especially with digital recording mediums used by most home and pro studios today.  The SolidTube is a large diaphragm, cardioid pattern, that combines the sound of classic vacuum tube technology with the benefits of advanced solid state components.  Noted for its ruggedness, high Sound Pressure Level (SPL) capability (145dB !), and low self noise, a few of the obvious things you look for in a tube mic. The heart this mic is a readily available ECC 83 (12AX7) vacuum tube, which provides excellent transfer characteristics.  It utilizes a separate power supply (included) equipped with a ground lift switch to easily kill any ground loops plus a -12dB/octave bass-cut filter and an LED power-on indicator.  Can be used for a variety of applications and can really shine on voice recordings, where many people rate it higher than Neumann's TlM103.  Guitarists such as Yngwie Malmsteen also favor it for micing guitar amps.  Accessories include a heavy aluminum case, spider-type shock mount, external power supply, manual, and cables.  For full specs and info, click here for AKG's site.  Sells in stores for $1099 but this one's barely used, immaculate condition, and just $799 - or trade for your nice American Deluxe Strat,  SG Std, etc.  

2. AKG Perception 200 Studio Condenser Mic with Shockmount and Case, (picture2).  Excellent reviews and blows away virtually everything in the under $400 list price range.   15 years ago you'd around $5K, including $800 for a quality condenser mic in putting together a quality home studio.  Now you can do it all for less than 1/2 that, starting with a quality condenser such as this AKG 200.  Has Switchable 20 dB preattenuation pad and bass cut filter.  Features:  Capsule: 1-inch Large-diaphragm true condenser; Polar Pattern: Cardioid; Frequency Range: 20 - 20,000 Hz; Sensitivity:18 mA; Preattenuation Pad: 0 dB , -20 dB; Bass-cut Filter: 12 dB/octave at 300 Hz; Maximum SPL for 0.5% THD: 135 dB / 155 dB (0 / -20 dB); Impedance: <200 ohms; Recommended Load Impedance: >1,000 ohms; Powering: 48 V phantom power; Current Consumption: < 2 mA; Output Connector: Gold-plated 3-pin XLR-type; Finish: Metallic blue.  Click here for details from AKG's site.  Lists for $349 and sells online for $179 but I have a few of them, new in the box, for $150 (HOLD Last One - Joe M 10/2).  

3. 1970's Atlas Boom Stand #1, From Atlas Sound, Bklyn NY.  You old-school rockers will remember these - they weigh a lot and last forever.  This one uses flat wing nuts to tighten the moving parts, except for the hand-twist clutch, so you should carry pliers unless you have steel fingers.  Fair cosmetics but works perfectly and will last another 35 years.  $29. 

4. 1970's Atlas Boom Stand #2, Same era as the stand above but uses a different style weight and an integrated boom angle/length adjustment with a triangular fly-wheel, easily adjusted by hand.  Fair cosmetics but works perfectly and will last another 35 years.  $29.

5. Electro Voice EV N/D267AS Dynamic Vocal Microphone.  One of the best vocal mic's in the under-$100 range.  A long-time fan of the SM-58, I was working at Hotlicks in the 80's when we got in our first shipment of N/DYM 267 mics with this new Neodymium technology.  From the moment I plugged it in I was hooked.  It had a high-end crispness I had never heard in a Shure, which made my voice sound much more articulate.  Add to this a remarkable gain before feedback rating and it turned out to be the perfect mic.  In addition they have a softer feel with sort of a "hard padding" around the shaft, which makes it comfortable to handle and less prone to noise when moving it to and from the mic clip.  Features include: VOB technology = tailored bass response for controlled proximity effect and exceptional vocal clarity; Cardioid pattern for superior feedback rejection and acoustic isolation; Consistent sound over greater working distances than competitive models; Neodymium based magnet structure provides greater sensitivity and signal-to-noise ratio; and Warm Grip handle.  If you've never heard an N/DYM mic you're likely in for a treat and you might be easily converted from the tried and true 57/58's.  Click here for full specs of the N/D series.  The 267AS (S=with on/off switch) is at the lower end of the line but we're talking about a line that runs into the $300's street price.  The 267AS lists at $180 and sells online for $99.  For the same price, I'm offering the EV 267AS WITH A NEW BOOM STAND (shown here) AND 20' mic cable, all for $99.  The On-Stage boom is lightweight and sturdy, with a unique clutch that's as wide as your hand, with a long extrusion for easy grip, and very smooth.  No more fumbling trying to find a 1" clutch.   Don't need a stand?  Just $69/each for the mic - or for quantities, $65/each for two; $60/each for 3; etc.  

6. Nady RSM-5, (deluxe wooden box).     Superior neoclassic studio ribbon microphone is designed for use today's digital studios, but offers the unique natural sound found on classic large ribbon mics such as the RCA 44, which is still used to make great recordings today after almost 70 years.  The RSM-5 Studio Microphone has a low-tension aluminum ribbon design for smooth, natural extended low and high ends. With fast, accurate transient response, ultra-high SPL capability, and superb realism.  The compact shape makes unobtrusive placement easy when recording instruments. Other features include: Figure-8 audio directional pickup patterns with front and rear wide, extended sweet spots (as compared to large diaphragm condenser mics); increased off-axis high frequency response on sides, with decreased high response above and below on-axis; individual recording volume control of separate sources; and machined housing with advanced internal shock mount construction for the highest structural integrity and rugged reliability.  Perfect for recording studio vocals, acoustic instruments, strings, horns, orchestras and choral groups, ambient instrument audio, and many live sound applications.   Click here for Nady's site and full spec's.  Order online for a soft carrying case or order one of these with a beautiful presentation, complete with blue velvet bag, and finely crafted wooden box. This is an exceptional value in a quality Ribbon mic at $75.  (Hold one for:  Scott, (HOLD-Deborah 6/1))

7. MXL 9090 Dual-Capsule Condenser Microphone.   The MXL 9090 is like having a large diaphragm and a pencil condenser in one mic, with the front side having a warm, lush sound, and the microphone's back side simulating some of the brighter more airy sounding vintage capsule characteristics of early tube mics of the 60s - all with the flip of a switch. A bright red LED shines through the grill indicating which capsule is energized. Perfect for those needing several quality microphones but on a limited budgetFeatures two switch selectable 25mm (1") Large Capsules (one warm and one bright); Solid state preamp with balanced transformer output; Gold plated grill; Selectable pad and roll-off filter.  For more details, click here for MXL's site.  Includes hard case, mic clip, foam screen.  With a list price of $249, you'll see these online for up to $149.  I have a few of them in stock at $79.99/each and they're a good bang for the buck.  

8. 1970's Altec Lansing 654A Vocal Mic, (case, documentation), (spec sheet).  This is a good find for the collector - or anyone looking for a quality vintage performance mic.  One owner, used very briefly in college ca. '68-'72, and in storage for nearly 40 years.  It still works great and is a good sounding mic for live applications.  Click here for Altec's page on this model.  Back in these days each mic was fully tested and the test/calibration sheet for the mic was included before it left the factory.  Hard to imagine that today.  Sold new for $55, which is around $150 today and a nice mic for $75 in 2008 dollars.  

9. Audio Technica lavalier mic, 803S, ex cond, $45

10. Microphone/Boom Stand Package Deal - On Stage Boom Mic Stand and Audio Spectrum AS-400 Mic, (pic2), (AS-400 Mic).  Looking for a last minute gift idea for under $50?  This package includes everything you need for vocal performance:  Good quality boom stand by On Stage, Good quality Audio Spectrum vocal mic, peg-style mic clip that opens with a light squeeze; even includes 20' mic cable.  Mic stand adjusts from 30" to 63"; boom is 30" with counterweight; boom has separate clutches for height and angle of boom; folding legs with plastic end caps - breaks down to around 3" X 30".  Mic includes carrying case, clip, and mic cable.  With a list price of $117 for the stand, mic, and accessories, this is a nice package at just $44.99.    

11. Beyer M300, vocal mic, $75  

12.  CAD 585 Mic, good sounding vocal mic for the money, nice solid feel, lists at $89.99 but this one’s in clean shape w/box for $25

13.  CAD 585 Vocal Mics, NEW in the box, pretty nice sounding mics for the bucks, List $89.95, Sale $39  

14. Electro-voice EV PL44 Vocal Mics (click to enlarge).  EV's PL series has been around a long time.  The PL80 and 88 were some of our best selling mics back in my retail days in the 80's.  These PL44's are better than the 80's of yesteryear and are some of the best vocal mic's on the market for the money.  They feature supercardioid pattern with excellent feedback rejection and deliver a tight low end, smooth mid range, and crisp highs that are usually reserved for condenser models.  Compare this to mics at 2X the cost and chances are the 44 will win almost every comparison.  With a list of $165, these are new in the box and a nice deal at $59.99/each.  Includes mic clip and case.  

15.  EV 627A, dynamic cardioid, Hi-Z with on/off switch, works great, $39

16.  EV 676, chrome shaft, exc cond, w/"vent", 3-position contour, connects via with 4-pin to XLR cable, vocals or great for instrument, 1 remaining, $65/ea or $79 with long 4-pin/XLR cable.

17. EV SRO-664, with swivel base.  Dynamic Cardoid, Hi-Z, very clean shape, $55 or $69 with long old-style cable.  

18. EV PL-80 Vocal Mic, rough looking but these are road warriors - like an SM58 - and works well despite the looks.  $35.  

19. EV N/D267a, great vocal mic for just about any type of voice.  N/Dym technology gives a very high output - but maxiumum gain before feedback - plus remarkable crispness.  This mic can make even a lame voice (like mine) sound good.  List $180, Sale $99

20. Marshall V57M large diaphragm condenser mic, new, with case and stand mount, again, great mic for the bucks, List $299, Sale $99

21. Marshall V63M large diaphragm condenser mic, new, w/case and stand mount, List $329, Sale $125

22. Peavey PVM, road worn and no markings but a good budget mic for $25. 

23. Shure Beta 87.  "As new" condition and a world-class performance vocal mic.  The Beta 87 is a premium quality supercardioid hand-held electret condenser vocal mic.  Many of you think that Condensers aren't roadworthy but the Beta 87 is an exception and like most Shure products this mic will delivered night after night with years of live stage abuse.  It has an exceptionally smooth frequency response and high sound pressure level (SPL) capability which won't distort during screaming vocals.  Shure has recently released the "Beta 87A" with identical specs to the this mic but they've added a swivel adapter and thickened the handle on the 87A.  Being a condenser, this mic will only work with phantom powered mixers.  List price for the Beta 87 is $462 and selling new at discount for $249.  This one is flawless, basically new, and a sweet deal at just $165.  

24. Shure In-Ear Monitors, if you have a cheap-o in-ear monitor unit, improve your sound 100% with quality Shure ear buds.  $49.  

25. Shure SM-57 Style Microphone, Low-Z.  I forget the model but it’s an older model, lower-line SM57 style with on/off switch, sounds good, $29.

26. Shure Unisphere I PE-56D Vocal Mics, probably from the 60's but work fine.  $39/each.

27. Shure SM-10A, headset mic, orig case, missing set screw for mouthpiece, thus $50

28. Shure STM28, lavalier mic, w/20 ft cable, low-z, $45

MIXERS/DJ Mixers/RECORDERS/Monitors

1. Boss BR-8 Digital Recording Studio (click to expand).  Great unit for guitarists who (like me) have an aversion to manuals - Very nice 8-track digital recorder designed specifically for guitar players and other home studio engineers who want an easy to use, all-in-one workstation with exceptional sound quality.  This one does it all, from recording to mixdown with and amazing arsenal of internal effects processing with Roland's famed Composite Object Sound Modeling (COSM), along with dozens of features musicians will appreciate—like an onboard Rhythm Guide, a built-in chromatic guitar/bass tuner, a Phrase Trainer and an optical digital output.  Uses inexpensive and easily available Zip disks for storage.  Other features include eight individual faders and recording track buttons linked to each track for simplified operation. Luminous buttons enable quick confirmation of track status: red for record, green for playback, and off for indicating that the track is blank.  Convenient recording mode buttons take the guesswork out of recording live instruments and performing track bounces. There’s no routing to worry about—simply select INPUT to record a live source, BOUNCE for automatic track bouncing, or INPUT + BOUNCE to blend a live input while bouncing to another track.  The BR-8 is more than just an 8-track recorder - it's capable of recording to two tracks simultaneously and playing back eight, with its real power in its bank of 64 Virtual Tracks of which there are eight V-Tracks for each primary track, for a total of 64 tracks (8 tracks x 8 V-Tracks).  For full specs check out Boss's site here or click here for Harmony-Central reviews, where it received an impressive 9.2 on ease of use and an 8.9 overall from 66 ratings.  The BR-8 has been discontinued but originally sold for $695 ($845 list).  This one's in excellent condition with original manual, demo zip disk, and power supply for just $275.  I will include nicely padded Yamaha case or similar at no charge. 

2. NEW IN THE BOX: Behringer Europower PMH880S 10-Channel 800-Watt Mixer/Amp, (back), click to enlarge:  (channel features), (mains/patch bay),  (box/features) . One of the most versatile - and powerful - all-in-one mixer/amps I've had and typical of Behringer, the most bang for the buck.  Designed with flexibility in mind, from powering mains or monitors, to *two* built-in effects processors, to dual graphic EQ's, to auto feedback detection, to vocal eliminator on standard CD's for karaoke applications.  The point is this:  Behringer doesn't just design gear at a great price - they load their gear with features never seen at these prices.  The PMH880S delivers 800 watts RMS at 8 ohms - or you can split 400W X 2 for stereo application or 400W mains/400W monitors.  Perhaps most remarkably, all this power is in a package that weighs in at around 20 lbs., easily transported via built in side handle.  It features 10 channels total, two of which are stereo.  Along with 8 high-quality balanced low-impedance mic preamps, there are balanced high-impedance line inputs for direct connection of line sources or high-output instruments; mono channels also include a switchable -30 dB pad. Each channel features a 3-band EQ and 3 sends which can be used for your choice of monitor or effects, plus Hi- and Low-Z inputs with clip LED indicator, Pad switch, level control, and pan.  There are many other minor features such as an integrated standby switch which mutes all mic channels, so you can play music during your breaks without having to change the fader positions and lose your mix.  Output connections are the old standard 1/4" jacks on the front - or the more pro-line Speakon jacks on the back.  For all the info on this unit, click here for Behringer's site.   With a list price of $479, remarkable for this kind of power and features, these sold at most retailers for $349 to $399.  I have several of these in stock for $299 - or guitar trades of course.  Note: I have a new a new pair of 20' Speakon cables (pic) for $49 if desired - or 1/4" cables in various lengths for around $25/pair.   (HOLD 1 - Brian G, local - others in stock). 

3. Behringer Eurorack MX-1804X Mixer, (close-up pic), excellent quality compact desktop/rackmount mixer with all the features.  18 channel, 4 buss, pushes a step further y including a built-in stereo DSP unit providing highly sophisticated reverb and modulation effects.  Effects are adapted from Behringer's Virtualizer processor and use he same 20-bit AD/DA converters, 48 kHz sampling rate and virtual acoustics room simulation algorithms.  Sx mono channels feature a musical 3-band EQ with swept ids and a low cut filter, and the four stereo channels employ a 4-band EQ. Other features include smooth 60 mm Panasonic faders, 2 Aux sends per channel, 2 stereo ux returns, 2-track In and Out (RCA), 6 channel inserts (on the mono channels), a 7-band EQ on the master section, a headphone out and an external power supply.  I ave used this mixer as my personal mixer on just a few occasions and I am very impressed.  List price was $569 and this one is perfect with original box, manual, and ower supply for just $259.  

4. DJ Mixer - Pro Quality Numark CD Mix-2 Dual CD Player and Mixer, (back), (stock pic w/patch bay).  Own this fantastic Numark unit for less than a new Gemini.  This is a fantastic unit.  I own the earlier Mix-1 which I pull out twice a year for parties and I thought it was the ultimate...until I checked out this Mix-2, which combines a built-in mixer along with the dual CD drives.  It is everything you need to do a professional DJ gig - just add some powered speakers and you have the ultimate in simplicity and quality sound.  Features include two independent CD player units with full-buffered antishock; seamless looping and stuttering; 3", 5", and CDR play capabilities; pitch/jog wheel for setting cue points and adjusting tempo; and track sequence programming.   As I mentioned the Mix-2 has a built in mixer - featuring external input for two phono or three line inputs, master balanced and unbalanced outputs, direct input for onboard CD units, EQs on main input channels, input for two external mics with independent gain and EQ control, cross fader to blend between two channels and control auto-start of the CD units, three-band EQ for master output, and headphone output.  Dual large backlit LED windows let you know what's going on and are easy to read in a dark booth.  For full specs click here for Numark's Site info.  This is a high-end unit, with a list price of $749 but buy used and save.  For the price of an amateur unit you can have this truly pro-line Numark; just $199.  Includes original manual and power supply.  If you're going to be taking your act on the road, a very nice Unitec case, $70 new, is available for $39 more.  Power supply fits under the Mix-2 in the case.  

5. DJ Mixer Brand X by Gemini XDJ-19, new floor model from Mars going out of business sale, missing a few knobs, mint condition in orig box but no power supply, as s blowout for $45

6. DJ Stanton BK-2F DJ Mixer, I have two of these which were bought during the Mars Music closeout, I don’t know a lot about DJ stuff but the main feature on these ’m told is the optical fader that never wears out, original store price was $399 but these are just $125/ea

7. DJ Stanton RM-80 DJ Mixer, a definitely pro-quality mixer, four-channel, stereo pre-amp mixer gives you nine line, four phono, and three mic inputs, features gain and hree-band EQ on all four channels, mic channel section has two-band EQ, independent level controls, on/off switch, and VCA-controlled autotalk function, sub-mic on hannel 4 enables use of three-band EQ and panning, other features include a fully assignable cross fader, beat indicators, and balanced XLR master output, master ection features level and balance controls, a mono/stereo switch, and booth output, cue section features stereo/split function, cue pan, and level control, input and output ED meters are provided, plus a 12V light BNC input, Lists at $450 and sells in stores for $299 but save big time on this nice used one for just $199  

8. Korg KMX-122 Line Mixer (click to expand), (back).  If you're a keyboard player (and DJ's too) you can never get enough channels, unless you don't mind patching in and out your boards.  The KMX-12 solves this by offering 12 channels with a summed output.  Each input can be panned and receive AUX signal independently from all the others.  Other features include left and right master out and sub-master out; 3 mono effects sends; 3 stereo effects returns; headphone out with its own volume control; LED ladders for each of the fX returns and Master left and right.  Cosmetically it's in good condition and original except for one replaced knob on Effect Return 3.  Pots freshly cleaned and ready to gig or record.  Just $79(SOLD-Wes 11/9).   

9. Korg D3200 32-Track Hard Disk Recording Workstation, (stock pic), (back), (side), (sample screens).  Guitar trades desperately needed.  A complete system which Includes 80 GB internal hard drive, CD-RW, tons of effects, drums, and USB 2.0 connectivity - to be used as a standalone system or in conjunction with your computer. As with most of the current recorders, a full description would take up 5 screens of text so I'll just include some links below. One of the specs that impressed me about this unit was the capability to record up to 12 tracks simultaneously (and up to 32 simultaneous play back), which lets you record a live band in real time, without having to overdub some of your instruments. The powerful mixer section includes 40 input channels plus a great set of high-quality effects that employ KORG's "REMS" modeling technology. Korg's new and interactive "Session Drums" allow you to easily create a realistic and natural drum track for your entire song, simply by tweaking a few knobs. Other features include: recorder engine features uncompressed 24- or 16-bit recording / playback at 48 or 44.1 kHz, with up to 69-bit internal processing; record up to 272 tracks (including 8 virtual tracks per track), all with sophisticated digital editing functionality; record up to twelve tracks at once, using 12 balanced 1/4” inputs – 8 are also equipped with XLR inputs and individual phantom power while a convenient guitar input jack is also provided for guitarists; powerful, flexible 12 bus, 44-channel mixer offers a four-band EQ on channel 1 through 24, and a master four-band EQ as well; automated mixing lets you record and play back fader, pan and other mixer events. In addition, 100 scene memories provide more detailed automation. Mixer parameters may also be controlled via MIDI; the Knob Matrix, ClickPoint, and cursor keys provide quick and intuitive operation; high-resolution 320 x 240 pixel "tilt-up" LCD uses four-level grayscale shading and backlit illumination for enhanced visibility; eleven high-quality effects can be used simultaneously as inserts, master, and final effects, and are easily controlled via the Knob Matrix; high-capacity 80 GB internal hard drive; built-in CD-RW, Master Track and Album CD Project features allow you to produce a production-ready CD with ease; USB 2.0 connectivity allows a smooth exchange of data with your computer-based DAW software. Use the PC drive partition on the internal hard disk to share data with your computer. For full spec's check out Korg here or the manual is here.  I have a copy of the manual inbound which will be included with the unit.  There are loads of YouTube demo's, including live band recording; click here for a list.   This unit is super clean and shows little to no signs of use.  At this point I usually price the gear.  It currently sells everywhere for $1299.(Answering several inquiries)  This one is cheaper but while I don't really need cash, I do need American guitars, especially Fender, Gibson, and PRS.  If you or your band needs a full feature 32-track and has, for example an extra American Deluxe Fender, email me specifics and I'll work out a win-win trade that will be far better than your local superstore.  Depending on the deal, Tascam powered monitors below will  be included.  

10. Tascam VL-A4 Two-Way Powered Reference Monitors, (side/back), (cables).  Latest from Tascam and breakthrough in terms of a quality powered 2-way monitor at a remarkable $199 list price.  Features include 35W active bi-amped design - Direct radiating bass reflex 4" woofers with rear air port and 1" dome tweeter; deep cabinet design for rich low-frequency that extends beyond similarly priced units; magnetic shielding to eliminate extraneous noise; 90 - 23KHz Frequency response (1W @ 1m); 6" x 9.7" x 7.6" size; and a weight of 7.9 lbs. Since they're self-powered hook up is a breeze and one less component in your signal chain. They use a balanced TRS/XLR combination inputs. Includes power cords as well as XLR to 1/4" stereo (ring-tip-sleeve) cables to hook up to many recording units such as the Korg above.  Mint condition and priced at $110 or included with Korg unit above, depending on the deal.  

11. Korg D1200CD Digital Recording Studio with CD Burner, (close-up), (back), (sample screen).  Not in a big hurry to sell this one as it may be just what I need for my personal recording.  This one has it all - and it's supposedly very easy to get around on.  Digital desktops have come along way - now with a 40 GB hard drive for 122 HOURS recording time with zero compression, with 2 GB allocated to USB "drive".  This unit is in mint condition except for a small smear on the top where some improper cleaner was tested.  With the onboard CD burner, you can do it all, and do it quickly.  It features 12-track digital multi-track recording,  dual XLR inputs, +48 V phantom power on each  XLR inputs, Analog inputs with dedicated guitar input jack and digital connectors Mixer section, 3-band EQ with sweepable mid-range 100 scene memories and mixer data transmission/reception via MIDI.  Also has powerful modeling effects with easy icon and knob-based operation, 3 independent effect systems for simultaneous use and very sophisticated editing functionality.  You can check out all specs at Korg's Site.  Original list was $1250 this one has seen very little use, ever knob and feature works perfectly, and is just $375.  Includes original manual and cables.  Original owner did a killer song that's still on this unit, including real drums, and I could not discern the difference between it and a $10M pro studio CD - this unit is that good.  

12. Mackie 1202 Mixer, (pic2), my personal mixer and, like all my recording gear, has seen very little use as I never have time to use it.  Very quiet with excellent specs.  too many specs to list but click here for specs.  For manual view/download here.   Very well-engineered compared to today’s cheap-o mixers and not disposable should it ever need service, $175.  Will include a nice padded carrying case for free. 

13. Peavey 2-way Studio Monitors, I’m not sure of the model name but they’re in very clean shape and sound great, 4-screw sockets on top and side for mounting vertical or horizontal, $125/pair  

14. Phonic MM1705 11-channel mixer, mint, w/power supply, a ton of features for only $175  

15. Roland VS-1824CD: 24-bit Digital Workstation, (back), (manuals/software), (screen), (stock pic).   Everything you need for CD quality tracks - from your brain to a full feature recorder complete with effects - to mix-down - to a CD burner, all in one unit.  Like most Roland recording products, it was designed with the recording guitarist in mind.  For professional recording at a remarkably affordable price, the VS-1824CD 24-bit Digital Studio Workstation is hard to beat.  This 18-track V-Studio is loaded with 288 Virtual Tracks, 28-channel automated digital mixing and onboard effects including COSM¨ Guitar Amp and Microphone modeling. It's also the first portable V-Studio to include an internal CD-RW drive for easy data backup, creation of audio CDs and direct import of loops into tracks. Features include: 18-track simultaneous playback, 8-track simultaneous recording with 288 Virtual Tracks, or "V-tracks", 28-channel, fully automated digital mixer (18 tracks + 10 input channels), Onboard effects including COSM modeling, Mastering Tool Kit and more, Accepts additional VS8F-2 card for up to 4 stereo/8 mono effects, CD-RW Mastering button with CD Writing Mode for quicker CD burning, New CD Capture function for importing audio directly from CD, and Onboard Auto-Mix function for creating perfect mixes. 10GB hard drive for loads of  recording time.  Includes all manuals and documentation, editing software CD, Demo CD, and two charts that can be easily attached to the unit.   This model was discontinued several years ago but there are still a few new ones out there, priced at $1689 to $1995.  This used one works perfectly, includes everything including original box, and is a very powerful all-in-one unit for just $550.  

16. Samson MixPad9 Mixer, (pic2), features a high headroom design for superior audio performance, deceptively sized - small but professional in features and specs, the ixpad 9 offers superior low-noise and low distortion specs, along with an exceptionally low group delay over the full bandwidth for a transparent, open sound. An ideal hoice for smaller live sound situations such as clubs, acoustic setups, keyboard rigs and lounge acts, project recording and more.  Includes box, power supply, manual download here, spec sheet here, List price was $279 and sold around $225 when new but this one’s “as new” for just $99

17. Samson S62 All-in-One Powered Mixer - WITH padded rack, mint condition in the box.  Nice all-in-one mixer with 6 channels, each with XLR and 1/4" inputs - eff/reverb send - and two-band eq, onboard reverb or patch your own effects in, 150 watts RMS, CD input, master 5-band graphic EQ, Phantom power, and more.  For all features check out Samson's Site.  This is a perfect mixer for a band practice PA, solo/duo club gigging, churches, etc.  It is extremely lightweight and easily portable.  Can be used as table top or rackmounted.  List price on new is $419 and they sold in stores for $299.  This one appears to be never used and ships in original box with manual.  If you're going to be gigging with a system, you should always have your gear racked and I'm offering this mixer/amp in a nice 4-space padded rack (shown here) for just $239.  Rack is a deep 3-space with rigid enforcement all around, zippered front and back, with handle and shoulder strap.  Don't need the rack?  $199 for the Samson unit alone.  

18. Tascam 414 MK II Ministudio with Low-Z Inputs, (close-up), (front/back patch bays).  Nearly everybody is switching to digital these days.  It's never been more affordable, sampling rates never higher, and there's a lot to say for unlimited track bounces with zero degradation.  Then again, there are some who swear by analog, citing it's inherent warmth and "natural" or "real" sound - frequently the same guys and gals who like to push a button or turn a knob to get a quick view of what's going on.  It is for these analog fans that I'm pleased to offer this 414 MK II, virtually brand new condition, with a fair share of features and excellent spec's.  The 414 MK II is a 4-track, 8-input recorder with high-speed transport and full features on each of its four main channels including, Hi & Low EQ, effect send 1, effect send 2/tape cue, pan pot, channel LED ladder, channel-safe-(left or right) switch, tape/guitar/mic (or line) selector, trim control, and 60mm fader.  One quantum improvement over many 4-tracks, is the inclusion of low-z inputs for mic's or DI's - no more adapters or high-impedance hum.  Other features include guitar dedicated high-z input, dbx noise reduction for low noise, 2 stereo effects returns,  +/-12% pitch control, discrete sync output, and fast 3 3/4 ips high tape speed - twice "normal" audio tape speed - ensures near demo quality recording.  This unit was recently discontinued but is still listed as a current model on Tascam's site (click here) or to view manual click here.   List price was $400 and for a unit that's essentially brand new, a lot of 4-track for $159.  Includes original box, manual, and optional Tascam power supply. 

19. TEAC Line Mixer, Tascam Series, Teac 1, 8 channels with pan and gain on each channel, master vol, headphone vol, 8 RCA line in, 8 RCA cue out, Stereo line out/aux ut/buss in, ex cond, TEAC studio quality for just $75

20. Yamaha DJX-IIB - I have both the keyboard models and the "mixer only" type models in stock.  Yamaha's DJXIIB music and effects box--affectionately known as "The DJ Box That Rocks"--gives you digital power and versatility alongside an enormously phat 'n' funky analog sound. The MIDI (musical instrument digital interface)-capable box produces a total of 70 preset rhythm patterns, five user-adjustable patterns, and 10 variations against which you can mix your favorite music, or not, as the situation demands. An ultracool scratch pad with auto function is in the house to help you get your grooves smokin'. You get true, 32-note polyphony and dynamic control over the timbre or tone of each MIDI-accessible voice, just as you would with an acoustic instrument. There are 203 voices total, 180 musical sounds plus 23 drum kits. There's even an audio beats-per-minute counter--the DJXIIB accepts an audio input of whatever song you're playing and automatically locks to the rhythm by auto-adjusting its bpm. Enhance your productions with sophisticated digital effects using the box's onboard DSP (digital signal processing) using Yamaha's Advanced Wave Memory technology. The DSP lets you warp, distort, and slice your music for creative effect. A pair of built-in 3-inch, 6-watt speakers lets you audition your music; each speaker is ported for accentuated bass response. Connections include MIDI in/out, a stereo analog (left/right) RCA line out, a .25-inch headphone jack for private listening, and a BMP input (RCA).  Keyboards are priced at $139 in Very Good Condition to $199 in excellent condition.  DJX mixer units are $99 in Very Good Condition to $125 in excellent condition 

 

POWER AMPS

1. Carver PM-600, (pic 2), Magnetic Field Power Amp, 2 space,  great Carver quality for just $325  

2. Crown Power Base-2 Power Amp, (pic2 - click to enlarge).  Good clean and reliable Crown power amp - very few hours and nice shape - ships in original box.  For full specs and manual click here.  1400 watts bridge mono at 8 ohms; 650/side at 8 ohms.  Packs a lot of power in 2 spaces and high output for low dollars.  Just $350.  

3. Crest 2001 Studio Power Amp, 120W/side at 4 ohms, superb sound reproduction and famous Crest quality for just $199

4. Crown Com-Tech 200 Power Amp, 200W/side, good for guitar racks, studio, or small club PA, excellent Crown quality and reliability for $199

5. Crown DC-75, great studio amp, 1 rack space, 75W/side, good studio specs, $250

6. Crown Power Base 1 power amp, 240W/side at 4 ohm; 455W bridged mono at 8 ohms, very clean unit, $275 plus $25 for SKB case  

7. Mackie M800 Power Amp, New Old Stock and perfection companion to the 1402.  High quality M-Series, delivers 800W @ 4 ohms bridged, 2 x 400W @ 2 ohms stereo, 2 x 275W @ 4 ohms stereo. Features ultra-low noise/low-distortion design, fast-recovery circuitry to reduce distortion at clip edge, limiter with on/off switch, constant-directivity horn EQ/air EQ with variable frequency and on/off switch, XLR thru outputs, 1/4" jacks and five-way binding post outputs, detented gain controls, signal present and OL LEDs, channel status LEDs, superior T-Design cooling. Easily handles 2 ohm loads all night long and weighs just 35 lbs.  Find these online discounted to $479 but this one’s never been retailed and $100 cheaper at $379.  

8. Peavey 8.5C Power Amp, great Peavey reliability and sounds great.  Cranks out 525W/side at 2 ohms, 450W/Side at 4 ohms.  I used this at a party to drive my subs and he result was one of the best small sound systems I’ve ever fun.   Less weight and more power than a CS-800 for just $250.

9. Peavey 1.3K Power Amps, 1000 Watts/side at 2 ohms, 650/side at 4 ohms, lotta power for bassists or PA, one left at $SOLD

10. Peavey CS-800 power amps, legendary workhorses for pro sound, 400W/side, one left at $325

11. Peavey M-2600 power amp, 130W/Side or 260W mono, nice shape, $175(HOLD-Local 6/24)

12. Samson Servo 260, studio power amp, 130W/Side at 4 ohms, used to power near field monitors, passive headphone distribution systems in the studio and small live ound reinforcement setups. It is also a great choice for stereo keyboard or guitar amp setups with external mixer or preamps or amplifying a large screen TV or video ystem. The Servo 260 is dedicated to transparent audio, consistent performance and the rugged construction you need from a professional amplifier.  For full specs see am Ash’s site.  Box is a little shop worn but the amp is still sealed in factory wrapping and has never been retailed.  With a list of $299, here’s an excellent deal for your tudio or guitar/keyboard rack, at $165.

13. SCS 2350, 350W/Side, I’ve used it on numerous gigs and it’s never failed, great specs, $325

 

MISC RECORDING – LIGHTING - PA GEAR

1. ADL Stereo Tube Direct Model 200 DI, fantastic high-end tube preamp from Anthony DeMaria Labs, maker of the current model, the ADL-600.  This was a very expensive model ($1200) back in '95 when it was built and would be at home in a top of the line pro studio.  Excellent condition, works perfectly, and well under 1/2 of what a new ADL600 will cost at $499.  Note:  I'll add more info when I find it on the web.  

2. Agfa reel-to-reel tapes, new-old-stock, various types, $20-$30

3. Alesis Data Disk, w/orig power supply, power button has replacement cap but works fine, $75

4. Alesis Playmate Vocalist, (pic2), (pic3).  An excellent gift for the vocalist in your life - or anyone who just likes to have fun, karaoke style.  The ultimate tool for vocal performance, practice, and karaoke applications. The Alesis PlayMate Vocalist is a powerful virtual vocal reducer and microphone processor with a built-in CD player. In addition to reducing vocals from virtually any stereo CD, it can adjust tempo and pitch independently so you can always sing in the optimal key, adjust the tempo to change the feel of the music, and slow down complex passages for easy learning. Includes 100 high-quality reverb algorithms for matching the ambience of the music. Lets you use your entire CD library and never buy another karaoke CD again.  Features include: Reduces vocals from virtually any stereo CD; Adjust tempo and pitch independently; 100 high-quality reverb algorithms; Transpose music ±7 semitones (half-steps), and adjust pitch ±18%; Adjust tempo from 50% to 150%; XLR microphone input; 1/4" direct input (bypasses effects processing); 1/4" stereo line out; 2 - 1/4" headphone outputs; Microphone/CD balance control; Intuitive loop operation; Internal power supply. List price is $299 and sells online for $169 - but this little box of fun is yours for just $119. 

5. Alesis NanoVerb, sixteen of Alesis' best preset effects algorithms in a compact, easy-to-use package.  I've used these countless times for vocals, drums, and guitars, in both live and studio settings, and there really isn't anything with more "bank for the buck".  Very lush hall, plate and room reverbs, rich true stereo chorus, flange, delay, rotary speaker emulation and useful multieffects.   18 bit digital converters ensure the sonic quality that allows you to use it for any effects application from guitar rigs to studio recording.  The front panel adjust knob allows you to tweak NanoVerb's great-sounding programs until they're just right for your music, while the Input/Output levels and Mix controls ensure proper effect levels for a wide variety of applications.  Both of these are in nice shape - one has velcro across the top.   Alesis is one of the nice companies that has free downloadable manuals (view here).  Includes original power supply, $75/each .

6. Alesis Microverb, a true classic in its own right, good quality Alesis tone and as simple as it gets, $49

7. Alesis Midiverb III, full-size 19” rackmount multi-effect, excellent selection of digital effects and the presets work fine for my use – but fully editable for tweaking, my studio use only, w/power supply & manual, $140

8. Alesis NanoVerb, sixteen of Alesis' best preset effects algorithms in a compact, easy-to-use package.  Very lush hall, plate and room reverbs, rich true stereo chorus, flange, delay, rotary speaker emulation and useful multieffects.   18 bit digital converters ensure the sonic quality that allows you to use it for any effects application from guitar rigs to studio recording.  The front panel adjust knob allows you to tweak NanoVerb's great-sounding programs until they're just right for your music, while the Input/Output levels and Mix controls ensure proper effect levels for a wide variety of applications.  Excellent condition and Alesis is one of the nice companies that has free downloadable manuals (view here).  $75

9. American DJ lighting controllers, 2 avail, new in the box, $95/ea

10. American DJ Road case, NEW, for mixer and two CD players, sells for $100 in the stores, 2 available at $69/ea

11. Anvil 10-space deep rack, nice shape, $110

12. Aphex Aural Exciter Type C, stereo, add life to your studio or live mix for just $75

13. ART FXR Elite programable multi-effect, $99

14. ART FXR, studio/live multi-effect, dual mono effects or stereo, $99

15. ART Tube MP tube mic preamp, $69  

16. Atlas Banshee Horns with stands - 60's/70's vintage, (top view), includes Atlas stands which extended go up to around 7 feet.  Your middle-agers will remember these.  Atlas horns were a fixture of every pro-sound setup used by numerous bands, usually in conjunction with bottom cabs, or as full range PA by auctioneers, skating rinks, etc.  Horns feature a lightweight fiberglass enclosure housing a 1" throat (Model CJ125) long-throw horn, each with a heavy duty iron clamp.  When testing these out I was surprised to find that they carried the voice spectrum very well, without any need of a low frequency driver.  Horns are rated at 8 ohms.  Although around 40 years old, they sound perfect.  If you're looking for the top end of a 2-way or 3-way system - or simply a good and simple public address, just $129(SOLD-Mark/Richard 9/16)  for the horns with stands.  (Note: If you want a basic mixer amp to complete the package, this Samson S62 All-in-One Powered Mixer, is just $199 more.  

17. ATA-Style Rack, 18-space, $99 (mgr)

18. Audio Technica CP8201, Impedance Matching Transformer, buy it at $15 and get a free ProCo low-z cable

19. Barcus-Berry 2+1 3-channel preamp, $150

20. Behringer Ultrafex Pro, mint condition in the box.  Stereo unit - with these controls on each side.  An all-in-one enhancer that adds intelligibility to your vocals, adds presence and transparency to any source, widens spatial imaging beyond speakers, adds more power to bass, and increases subjective volume level while decreasing ear fatigue.  If you've never heard one - you gotta try it.  Let's just say it makes your mix "come alive" and turns a flat performance into something that really jump out of the speakers at you.  Mint in the box with manual and a nice unit for just $65.  

21. Behringer Powerplay Pro, (pic2).  Behringer delivers with another pro-feature studio tool.  No need to spend $300 on a nice headphone amp, the HA4600 delivers with four stereo amps, each with a stereo aux input, mono/stereo and left/right mute switches, balance and volume controls, plus numerous master features, in a single rack space.  Tweak your mix to taste with an effective 2-band EQ plus an accurate LED output level meter for each channel.  Full specs are here at Behringer's site.  These sold for $109 when new but this one appears to never been out of the box and “as new” with manuals for just $69.

22. Behringer Autocom Pro, Behringer’s great stereo dynamics processor and the best comp/limiter on the market in this price range.  Separate IRC expander/gate circuits, high-pass filter in side chain, dynamics enhancer, automatic or manual attack/release times, selectable mono or true stereo, 12-segment displays for in/out levels and gain reduction, -4 or –10dB selectable, XLR and ¼” connectors, servo-balanced in/out’s.  I don’t know how Behringer continues to come up with gear in this price range but it’s all good stuff and not stripped down versions.  These are new in stores for $99 – this one appears to never been used and “as new” in box with manuals for just $69(Tent Hold Chris S 8/17).

23. BiAmp EQ270 Graphic EQ, 27-bands, works perfectly except for 1K fader adds some noise but other 26 bands are fine, $29

24. Boss FS-5U, on/off switch, ¼” jacks with switchable polarity, for use on any Boss/Roland units or any effect that requires and on/off switch, $25

25. Boss RE-1000 Digital Multi Echo, full-size rackmount, delays, taps, and reverbs, real stereo (stereo in's and out's), dual input and output gains, pre-eq, decay time, warmth controls, some setting not working properly—others sound great, $39/as is  

26. Digitech TSR-12 Studio Reverb/Multi-effect.  Beautiful condition with plastic still on the display window, no rack wear, etc.  Excellent sounding effects and a highly regarded unit back in the 90's.  At the heart of the TSR12 are 31 preset algorithms (plus a dry signal path), each of which contains a minimum of three and a maximum of five Effects Modules. Modules include reverbs (maximum 20-second decay), delays (maximum 1.4 seconds), modulation effects, pitch shifting (+/-24 semitones), a 1.5 second sampler, parametric and graphic EQ, and a noise gate. All algorithms (patches) also feature one or more mixer modules that allow the outputs of the various effects modules to be mixed together in interesting ways. In all there are 256 patches on board, divided into 128 preset and 128 user-definable programs. The presets include a wide variety of usable treatments, including all manner of reverb environments and multi-effects options.  For a good review, click here for Sound-On-Sound's site.  This unit has seen very little use and with a price of $499 back in the day, it's definitely worthy of space in your studio or especially live, equipment rack today - for just $79, around what you'll pay for just one of the many effects built into this quality unit.  

27. Digitech DSP-16, full-size rackmount multi-effects, with reverb, delays, multi-taps, combinations, etc., 3-band eq, 128 patches, stereo in/out, midi in, $149

28. Digitech Studio S-100 nice but inexpensive multi-effect processor, $135

29. Digitech Vocal 300, great for warm classic vocals or cutting edge distortion and lo-fi styles, voice "characters" transform your voice from the scariest of monsters to spacey alien beings, 38 fully programmable studio quality effects (7 at once!), built-in expression pedal controls your choice of up to 3 parameters in real-time, each effect includes up to 4 adjustable parameters, 6 character alphanumeric and 2 character numeric display, 4-knob matrix editing system, also includes 40 great sounding Factory Presets and 40 User Presets, full patch-bay on rear including 1/8" CD input for singing along with your favorite music, balanced XLR input and output, 1/4" TRS stereo line output and 1/8" headphone output, includes manual, box, power supply, $145  

30. Digitech Vocal 300, (back), (close-up).  These are so cool.  I've used one at parties for fun stuff or during solo gigs as a serious performance tool and I'm blown away by the quality and versatility of this unit.  Anything you've heard on recordings, you can duplicate on this thing, like the hollow sound of an AM radio, to perfect harmonies sung with lush reverb.  Great for warm classic vocals or cutting edge distortion and lo-fi styles, voice "characters" transform your voice from the scariest of monsters to spacey alien beings, 38 fully programmable studio quality effects (7 at once!), built-in expression pedal controls your choice of up to 3 parameters in real-time, each effect includes up to 4 adjustable parameters, 6 character alphanumeric and 2 character numeric display, 4-knob matrix editing system, also includes 40 great sounding Factory Presets and 40 User Presets, full patch-bay on rear including 1/8" CD input for singing along with your favorite music, balanced XLR input and output, 1/4" TRS stereo line output and 1/8" headphone output.  Sells new for $199 but this one's in nice shape, works perfectly, and is just $129.  Includes power supply. 

31. DOD 260 Direct Box, lists for $65 but this one’s brand new at 50% off, $32

32. DOD 830 Series II Stereo EQ, nice shape, nice price, $75

33. Fender PA High Packs and Fender Sub-Woofers - Includes pair of 1211 MK. III high packs (pic2) with a 12" and 1" throat hi-frequency driver, rated at 150W RMS, 300W Program, 600W Peak.  These can be run as a full range system and handle the low end quite nicely in a simple setup.  Better yet, for some real thumping bass, cross them over and run as high packs in conjunction with these sub-woofers.  Subs (pic2) are Fender 115sA with a single 15" driver, rated at 350W RMS, 700W Program, 1400W Peak.  Both the full-range and subs have inserts for pole mounting if desired; high packs also have casters for easy transport.  I have used this system for party DJ'ing around 5-6 times, both as a simple 2-way and as a 3-way with the subs, and I've always received compliments on the sound.  Would work well for a band or, for a DJ, would be one of the better systems around.  $600 plus shipping takes all 4 pieces.  Local sale or guitar trade desired instead of packing these big boys. 

34. Furman LC-3A Limiter/Compressor, a standard in pro-sound and only $99

35. Hughes & Kettner Cabinetualator MK II, (stock pic) pro-quality DI box.  Emulates the sounds of a miked 4x12 speaker cabinet.   No distortion. No fancy effects. It just makes it sound like you're using a cabinet. This comes in handy when you're recording direct and don't want to wake up the neighbors with your screaming lead solos. $65

36. Ibanez DMD-2000 Digital Delay, nice vintage unit, easily stores patches and sounds good, $135 

37. Ibanez DMD2000 Digital Delay, rackmountable, old-school 80's model that was one of the first with stored patch, switch to any of four user/presets at the touch of a button.  Good sounding unit that's great for live sound on vocals.  $99 (HOLD-9/19/06)

38. Ibanez HD-1000 Harmonics/Delay, sister unit to the DMD-2000 delay above, a classic harmonizer for only $125

39. JBL 2-way concert cabs, formerly owned by the Army Band Washington DC.  I've used these before, both as high packs in a 3-way sytem - and as stand alone units running full range.  They sounded impressive in both situations.  Built in hooks for flying, if desired.  Components are:  2426J horns, 2202H woofers, 3120A crossovers - components alone (JBL Price List) are $272, $336, and $57 ($665 total), respectively.   For less than you can build your own system, you can have the purpose built JBL system of heavy pine for years of use, for just $499/pair. 

40. Kawai R-50E Midi Drum Machine, cool old-school drum machine and one of the earlier MIDI models.   Kawai made two versions, and acoustic drum model and the "E", which was the Electronic drum model.  Although I don't have a manual, everything seems to work fine and tap-writing yields some very cool electronic sounds.  These were expensive back in the day but today a good value at $79.   

41. Klipsch KG1 Bookshelf 2-way Speakers, (pic2).  I bought these new in London, 15 years ago, and they've spent nearly their entire life sitting in a box.  Klipsch is one of those manufacturers that produces only quality speakers, whether it's a $400 pair - or a $4000 pair.  These are in mint condition and look very nice finished in the optional walnut oil finish.  Rated at 50W continuous - 250W peak, with a frequency range of 50Hz to 20KHz, and 90dB @1W/1M.  For full specs, here's a link to an archive at Klipsch.  They would be an excellent choice for home theater, home stereo, or perhaps even a home studio for near field monitors.  Priced around 1/2 of their price back in '92 at $150/pair (Tent. Hold-Ryan 9/3).  

42. Korg Kaoss Pad, process effects in real time from any audio source, rubbing or tapping the unique X-Y pad modifies the effect parameter assigned to the horizontal or vertical axis, in real time, hold switch freezes the effect setting at the pad's current location, 60 effects programs include delay, reverb, pan, filter, flange, phase, and pitch shift, effects switchable by turning a knob and are assignable to any of 6 programmable buttons for immediate recall, sample an external audio source (up to 5 seconds at 48kHz) and control that sound from the pad, sampled sound can be modified (time stretch, reverse, pitch change) for live performance or resampling, connects to a turntable, CD player, mixer, electronic instrument, or mic for processing voice, $149  

43. Lexicon MX-200 Dual Reverb Effects with USB, (close-up), (stock pic).  Ahhh Lexicon...pure heaven.  Dual processors give you two times the quality Lexicon sounds in one package and enable you to do some breathtaking complex algorithms.  Best of all, it's easy to get around on - just by pushing some buttons and tweaking a few knobs you can nail the tone you're looking for, although it's engineered to be at home with computer based recording and other high tech features.  Equally at home in the studio or stage.  There's way too much info to post here but check out Lexicon's site here and just trust that it has the quality effects that Lexicon has been famous for since the 80's.  Never used and includes original box plus accessories include CD, power supply, manual, rack screws.  I've used effects that cost well over a grand but few have sounded as nice as this one does - for just $139.

44. Lexicon MPX100 Dual Channel Processor, (back), (effects rotary).   Full rack Lexicon finally affordable with the MPX100.  Most importantly, you get Lexicon's killer reverb, worth the price for that alone.  But wait, there's more...  Also included are chorus, flange, pitch shift, Pitch Shifter (change the note from a few cents to 1/2 step to 5th to Octave up or down with a small turn of the dial), Leslie & Tremolo, long delay (5.7 seconds), and a bunch of multi programs that sound like stuff right out of a movie sound track.  240 presets in all, plus 16 user locations.  Very easy to get around on with simple rotary knobs, including a Variation knob where different presets are found at each click.  The MPX100 is true stereo plus you also have the option of running two independent effects - different one of out left and right channels.  Also includes S/PDIF digital output on an RCA jack, basic MIDI control which can be used to select programs, input MIDI clock for delay sync, etc.  Nice shape, works perfectly, and a lot of quality tones - for $115.  Includes original power supply and manual is downloadable here.  

45. Lexicon LXP-1 and LXP-5 with Rack, (back) (click to enlarge pics).  Note: LXP-1 is sold; LXP-5 is available.  These 1/2 rack units were a huge success when they came out in the mid-90's.  Lexicon, long associated for the best quality studio reverb was now available at a price the consumer could afford.  Both of these units are noted for their lush, natural-sounding reverb, Lexicon's signature tone, as well as other time domain effects such as chorus, delay, multi-tap, etc.  For Harmony-Central Reviews click here for the LXP-1, here for the LXP-5, where they both scored an impressive 9.1 for sound quality, but sound quality is what you expect from Lexicon.  These sold or $399 back in the late 90's when they were produced.  Manuals are both downloadable here, but I've been happy sticking with the presets and everything I need .  This is the cleanest LXP I've had in a very long time and a good deal in a studio quality effect at $139 - include the rack for $15 more.  Includes power supply. 

46. Mackie Rack Ears for 1202VLZ Pro, never used, $25

47. Monster Cable, Z-series, dual speaker cable, un-used in orig case, $85

48. Morley ABY Box, selector/combiner, useful and a lot of fun to experiment with effect/amp routing, $29

49. Morley On/Off Switch, your basic amp or rack effect switcher, built like a tank, perfect, $19

50. Neutrik Speaker Cable, 6’, with Neutrik ends, $20 (I also have a pair of new ones in 25’ for PA

51. Numark EX-1500 Stereo Graphic EQ, NEW, made especially for DJ setups by the top name in DJ'ing.  Dual 15 band.  List $199, Sale $99

52. Peavey NGT-2 Dual Channel Noise Gate, (pic2), from the quality AMR series, probably 90's. Dual channels with individual controls and studio specs so great for live or studio work.  $75.  

53. Planet Waves Speaker Cables, 25 ft. with banana plugs on both sides, new in the box, $45 in the stores or $25 here  

54. Quick Lok QL400 Adjustable Mixer Stand, Fully Adjustable Mixer Stand with Caste adjusts tilt, width, depth, height.  Moves on lockable casters.  This unit sells for $129 at the major online stores but this one works perfectly and is 1/2 price at $65(HOLD-Carlos 7/10)

55. Rack Drawer, 2-space, $35

56. Rack Shelf, rackmount your 1/3 or ½ rack modules, great for Alesis, Rockman, and others, $15

57. Rane AC-22 Active Crossover (click to enlarge), 2-way stereo - 3-way mono, equally at home in your house (PA) system, monitor mix, or bass rig.  .  Rane has the reputation for building *professional* grade outboard gear and when you get some Rane gear you can count on it working, night after night, for many decades.  I know from experience, from the days of my pro-sound company, that it sounds better, performs better, and simply doesn't wear out.   To the experienced engineer:  The AC-22 uses state-variable Linkwitz-Riley filter alignments.  The Linkwitz-Riley alignment consists of two second-order Butterworth filters in series for each high- and low-pass section, resulting in in 24dB/octave rolloff slopes and in-phase output of the sections. The advantages of the steep slopes are that each speaker driver acts more specifically within its passed frequency domain and that comb-filter effects are reduced due to the smaller frequency overlap of the output of the drivers (assuming they are physically displaced).  The advantage of the in-phase outputs is that the sections sum correctly (on-axis) around the crossover region.  Engineered with the power supply, frequently a source of noise, as an outboard unit, to make an already quiet unit even more quiet.  The bottom line here is that while there are some very inexpensive active crossovers on the market, you get what you pay for.  If you want a fair sounding unit to use for a few years, get one of the multitude of Chinese made models.  If you want professional specs in a unit that can be roaded for many, many years, this one is less 1/2 of the new cost and works perfectly.  $165. 

58. Rane AC22 Active Crossover, Rane makes some of the best pro-sound rack gear on the planet and the AC22 is certainly top notch.  2-way stereo or 3-way mono with Linkwitz-Riley Alignment with 24 dB per Octave Slopes, adjustable delays, mono subwoofer switch, bal and unbal inputs.  These sell new for $325 but this one is priced what you’d expect to pay for one of the newbie cheapo brands at $159.  

59. Rane ME-15, stereo 15-band eq for prosound, studio, or guitar rack, get fantastic Rane quality and specs for just $115.

60. Rane RE27, 1/3 Octave mono eq with Real Time Analyzer built in (mic not included), $199

61. Realistic L-Pads, I bought these many years ago for a home stereo project that never happened.  Use as tweeter volume adjustment in a multi-speaker setup.  Rated at 25W.  $10/pair.

62. Rok Sak 4-space rack, nicely padded, never roaded and perfect condition, $SOLD

63. Roland RE-150 Space Echo (top view) (back view) (control panel). Nothing sounds like a good ol' tape-on-tape echo and Roland made some of the best.  Works perfectly and incredibly clean shape - still has the hard plastic bag that holds the manual and instructions on lid are completely intact (pic here).  Beater units are selling over $250 but why not get the best for a little more.  $325(HOLD-Jeffrey 9/17).  

64. Roland SRV-2000 Midi Digital Reverb, (pic2).  A staple in virtually every pro studio in the 80's, the SRV-2000, Roland's first ever digital reverb, still sounds great today.  Whether used in a guitar rack, live sound instruments or vocals, or in the studio, it's a very versatile reverb that's easy to edit, and the sound is superb.  Thorough analysis of actual reverberated sounds in numerous acoustic environments, Roland to determined the kinds of parameters necessary for a digital reverb to effectively simulate an acoustic environment and the SRV-2000 features all such parameters which allow it to simulate all acoustic environments of any shape, any size, and any building material, from small rooms to big halls, churches, tunnels, etc.  These were too expensive for any regular user to afford back in '85 when it came out but today they're a great bargain.  Works and sounds perfect, other than the "copy" button not working properly (you won't miss it), and is a really nice unit for $175.  

65. Roland SRV-2000 Digital Reverb, classic studio reverb unit, as above, works perfectly, midi, $150  

66. Sabine Solo SL-820 Digital Feedback Eliminator, (close-up front/back).  You've tried the rest - now try the best - at least in the sub-$400 price range.  Designed for single channels, the 820 offers 8 patented FBX Filters, 20-bit digital resolution and increased headroom.  The 820 outshines virtually all other feedback controllers in accurately controlling feedback during live performances.  Equally at home when hooked up to an acoustic/electric guitar, wired mics, wireless mics, monitors, harmonica mics, and multi-mic locations.  It automatically senses feedback and quickly places a narrow 1/10-octave adaptive digital filter directly on the resonating frequency. Each of its FBX filters are 10 times narrower than 1/3-octave graphic EQ filters (which are actually one full octave wide, spaced out on 1/3-octave centers), so the FBX provides more gain before feedback without a loss in sound quality.  In fact, the FBX gives back more than 90 percent of the power lost with using a graphic EQ to control feedback. This unit sells new for $319 ($369 list) but this one is "as new" in the box and a full $100 cheaper, just $219.  If you want to say goodbye to feedback forever, without sacrificing tone, here's the answer.  Full details - click here.  

67. SKB Deep Rack, 6-space, $89  

68. SKB 12-space Deep Rack, Excellent quality rack, includes twist lock covers front and back.  Rackmountable depth is 18.5" so it will accommodate some of your deeper units.  Heavy duty framework, heavy duty handles, mounting hardware already installed on rack rails.  Although it weighs only 21 lbs. it's very rugged and built to last as long as wooden rack systems.  Check the web - sells for $299 ($499 list) online but this used one is in nice shape with no issues less than 1/2 price at $135.  

69. Symetrix 525 stereo compressor/limiter, one of the most popular studio comp’s ever—‘cause they’re great, $150.

70. Symetrix CL-150 compressor, back in the day there wasn’t a live sound rack without one and the quality still holds up today, nice mono comp for only $125(HOLD-Shawn 4/7). 

71. T.C. Electronics Triple-C, (click lower right corner of pic to enlarge), (picture 2).  For the true connoisseur of quality rack effects, this has got to be the ultimate in compression.  Multi-band compression mode of Triple•C basically splits the incoming signal into three frequency bands, allowing independent compression to take place in each of the three user defined frequency areas.  Compression is only applied to the necessary frequency areas, providing a far more intelligent way of working with the given source material.  Using Triple•C’s Multi-band mode avoids a number of traditional artifacts of compression i.e. that peaks at certain frequencies incorrectly controlling the compression of the entire signal. For example when compressing vocals using traditional Full-band compression, high frequencies tend to be reduced due to the fact that vocals generally consist of mid frequencies. So the mid frequencies will determine the compression level of the overall signal. Using Triple•C’s Multi-band compression will allow independent compression in all three bands, and consequently preserve the high frequencies.  There are too many features and benefits to explain here - for full specs click here for T.C.'s Site, links in the left column.  Highly regarded and high demand effect since it was recently discontinued.  This one is in perfect shape in the box with all paperwork and perhaps the ultimate compressor for just $399.  

72. Tascam Porta 02, nice little analog 4-track with integrated mixer/recorder, 2 mic/line inputs, level/pan controls on each channel, standard 1 7/8 IPS tape speed, headphone monitor out with level control, records 2 tracks simultaneously (at the same time Nat), new in the stores for $179 but this one’s barely used and I’m including a decent starter mic and power supply for just $99

73. Whirlwind Imp 1X3 Splitter, new in the box, provides one direct and one isolated outpu, each transformer isolated output features a ground lift switch, Input Impedance: 150 Ohms, Output Impedance: 150 Ohms, $65

74. White 4500 1/3 Octave  EQ, works great, $150

75. Yamaha DJX-IIB - I have both the keyboard models and the "mixer only" type models in stock.  Yamaha's DJXIIB music and effects box--affectionately known as "The DJ Box That Rocks"--gives you digital power and versatility alongside an enormously phat 'n' funky analog sound. The MIDI (musical instrument digital interface)-capable box produces a total of 70 preset rhythm patterns, five user-adjustable patterns, and 10 variations against which you can mix your favorite music, or not, as the situation demands. An ultracool scratch pad with auto function is in the house to help you get your grooves smokin'. You get true, 32-note polyphony and dynamic control over the timbre or tone of each MIDI-accessible voice, just as you would with an acoustic instrument. There are 203 voices total, 180 musical sounds plus 23 drum kits. There's even an audio beats-per-minute counter--the DJXIIB accepts an audio input of whatever song you're playing and automatically locks to the rhythm by auto-adjusting its bpm. Enhance your productions with sophisticated digital effects using the box's onboard DSP (digital signal processing) using Yamaha's Advanced Wave Memory technology. The DSP lets you warp, distort, and slice your music for creative effect. A pair of built-in 3-inch, 6-watt speakers lets you audition your music; each speaker is ported for accentuated bass response. Connections include MIDI in/out, a stereo analog (left/right) RCA line out, a .25-inch headphone jack for private listening, and a BMP input (RCA).  Keyboards are $150-$199; DJX mixer units are $85 to $125. 

 

LIGHTING – I have a bunch of stuff for sale but don’t have many pics, Pars, specialty, truss, etc.

Lytequest Bird of Prey, (pic2).  Moving lights with 40 beams of light (specs).  Sells new for $199 but this one has never been used and is just $125 and ships in original box with manual (pic).  Elation EL-1800, another motorized multi-beam effect light that also uses dual 300W halogen bulbs.  Priced at $75 without bulbs or I have bulbs on order and $88 with new bulbs installed.  

Light Truss, two 5 foot sections plus support bars, $45